EmacsPointAndClick: inconsistency for \box-type markup?
Dear all,
I am new to this list and have just started using Lilypond.
I am deeply impressed with the quality of the output and the wealth of
documentation - thank you!
I am a physicist by profession with a background in software development, TeX
and Emacs (but was rather close to studying music instead) - so I got instantly
hooked to the way Lilypond works, too.
So far, I was able to customize my Emacs (Aquamacs on the Mac) environment to
my taste: I can now input MIDI directly in Aquamacs and use EmacsPointAndClick,
both based on previous work by others (midi-input by Hans Lub and
http://bl0rg.net/~manuel/midi-merge.c; EmacsPointAndClick from Nicolas Sceaux's
lyqi project).
With Lilypond Version 2.12.3-1, I observed that point-and-click works
beautifully for all notes and dynamics marks. However, looking at the PDF file
generated by Lilypond I found that a usual URI reference looks like this:
/URI(textedit:///some/path/some-file.ly:24:16:16)
whereas the corresponding entries for this kind of mark:
\mark \markup{ \box A }
yield:
/URI(textedit:///some/path/:0:0:0)
which causes Emacs (Aquamacs) to just open that directory. I assume this might
be a bug in the URIs generated for \box-type markup?
Many thanks in advance.
Warm regards,
Stefan
--
Dr. Stefan Vollmar, Dipl.-Phys.
Head of IT group
Max-Planck-Institut für neurologische Forschung
Gleuelerstr. 50, 50931 Köln, Germany
Tel.: +49-221-4726-213 FAX +49-221-4726-298
Tel.: +49-221-478-5713 Mobile: 0160-93874279
Email: voll...@nf.mpg.de http://www.nf.mpg.de
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Re: EmacsPointAndClick: inconsistency for \box-type markup?
On Oct 2, 2010, at 8:57 AM, Stefan Vollmar wrote:
Dear all,
I am new to this list and have just started using Lilypond.
I am deeply impressed with the quality of the output and the wealth
of documentation - thank you!
I am a physicist by profession with a background in software
development, TeX and Emacs (but was rather close to studying music
instead) - so I got instantly hooked to the way Lilypond works, too.
So far, I was able to customize my Emacs (Aquamacs on the Mac)
environment to my taste: I can now input MIDI directly in Aquamacs
and use EmacsPointAndClick, both based on previous work by others
(midi-input by Hans Lub and http://bl0rg.net/~manuel/midi-merge.c;
EmacsPointAndClick from Nicolas Sceaux's lyqi project).
With Lilypond Version 2.12.3-1, I observed that point-and-click
works beautifully for all notes and dynamics marks. However,
looking at the PDF file generated by Lilypond I found that a usual
URI reference looks like this:
/URI(textedit:///some/path/some-file.ly:24:16:16)
whereas the corresponding entries for this kind of mark:
\mark \markup{ \box A }
yield:
/URI(textedit:///some/path/:0:0:0)
which causes Emacs (Aquamacs) to just open that directory. I assume
this might be a bug in the URIs generated for \box-type markup?
Hi, Stefan-
Unfortunately none of those links work.
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lilypond-book snips the letters fi from all my music
I've got a bizarre problem. I'm using lilypond-book and for some
reason, it is cutting the letters fi wherever they appear (as long
as they are lowercase). So fine become ne and first become
rst. Blank spaces are left where the letters once were. Here's an
example .lytex file:
%!TEX TS-program = Lilypond-LaTeX
\documentclass{book}
\begin{document}
\section{Amazing Grace}
\lilypondfile[staffsize=17.82,line-width=18\cm]{/home/theophile/Desktop/Music/supplement/abstraction/Amazing_Grace.ly}
\end{document}
Compiling the source .ly works fine. AFter running lilypond-book, I go
into the build directory and the rendered pdfs all have the text
properly. It's only the final pdf that's messed up.
I'm using version 2.12.3. Any ideas?
Thanks!
Christopher
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Re: lilypond-book snips the letters fi from all my music
I don't really know about this, but it looks like a ligature problem.
fi is al ligature and in many fonts there are specific glyphs for
this. so f + i will be replaced by one 'fi' glyph.
If Tex does this but there is no respective glyph in the font you should
get the result you have described.
HTH
Urs
Am 02.10.2010 17:12, schrieb Christopher Meredith:
I've got a bizarre problem. I'm using lilypond-book and for some
reason, it is cutting the letters fi wherever they appear (as long
as they are lowercase). So fine become ne and first become
rst. Blank spaces are left where the letters once were. Here's an
example .lytex file:
%!TEX TS-program = Lilypond-LaTeX
\documentclass{book}
\begin{document}
\section{Amazing Grace}
\lilypondfile[staffsize=17.82,line-width=18\cm]{/home/theophile/Desktop/Music/supplement/abstraction/Amazing_Grace.ly}
\end{document}
Compiling the source .ly works fine. AFter running lilypond-book, I go
into the build directory and the rendered pdfs all have the text
properly. It's only the final pdf that's messed up.
I'm using version 2.12.3. Any ideas?
Thanks!
Christopher
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Re: EmacsPointAndClick: inconsistency for \box-type markup?
Dear Tim,
On 02.10.2010, at 16:54, Tim McNamara wrote:
[...]
With Lilypond Version 2.12.3-1, I observed that point-and-click works
beautifully for all notes and dynamics marks. However, looking at the PDF
file generated by Lilypond I found that a usual URI reference looks like
this:
/URI(textedit:///some/path/some-file.ly:24:16:16)
whereas the corresponding entries for this kind of mark:
\mark \markup{ \box A }
yield:
/URI(textedit:///some/path/:0:0:0)
which causes Emacs (Aquamacs) to just open that directory. I assume this
might be a bug in the URIs generated for \box-type markup?
Hi, Stefan-
Unfortunately none of those links work.
I am not sure to which links you refer: EmacsPointAndClick does not work for
you? I can assure you that, with some tweaking, EmacsPointAndClick can be made
to work on Snow Leopard for Emacs/Aquamacs (except for the \mark \markup{ \box
A } it seems) - the links do have the structure I mentioned (but point to an
existing Lilypond file on my disk, of course).
Warm regards,
Stefan
--
Dr. Stefan Vollmar, Dipl.-Phys.
Head of IT group
Max-Planck-Institut für neurologische Forschung
Gleuelerstr. 50, 50931 Köln, Germany
Tel.: +49-221-4726-213 FAX +49-221-4726-298
Tel.: +49-221-478-5713 Mobile: 0160-93874279
Email: voll...@nf.mpg.de http://www.nf.mpg.de
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Re: lilypond-book snips the letters fi from all my music
On Sat, Oct 2, 2010 at 10:27 AM, Urs Liska lilyp...@ursliska.de wrote:
I don't really know about this, but it looks like a ligature problem.
fi is al ligature and in many fonts there are specific glyphs for this. so
f + i will be replaced by one 'fi' glyph.
If Tex does this but there is no respective glyph in the font you should get
the result you have described.
HTH
Urs
Am 02.10.2010 17:12, schrieb Christopher Meredith:
I've got a bizarre problem. I'm using lilypond-book and for some
reason, it is cutting the letters fi wherever they appear (as long
as they are lowercase). So fine become ne and first become
rst. Blank spaces are left where the letters once were. Here's an
example .lytex file:
%!TEX TS-program = Lilypond-LaTeX
\documentclass{book}
\begin{document}
\section{Amazing Grace}
\lilypondfile[staffsize=17.82,line-width=18\cm]{/home/theophile/Desktop/Music/supplement/abstraction/Amazing_Grace.ly}
\end{document}
Compiling the source .ly works fine. AFter running lilypond-book, I go
into the build directory and the rendered pdfs all have the text
properly. It's only the final pdf that's messed up.
I'm using version 2.12.3. Any ideas?
Thanks!
That was precisely it. Thanks!
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Prokeimena Project
Xavier, I am trying to extend what you did for me in the Prokeimenon setting
to more than just 2 prokeimena. For the first project, I will be using the
Resurrectional Prokeimena in ALL 8 tones, thus requiring 8 separate staves,
and psalm verses. I started with Tone 3, and copied pasted changing Verse
One to Verse Three, etc.--but keep getting error messages I do not
understand. I have attached my file below. Any help would be appreciated.
--
In Christ,
Michael D
\version 2.12.2
\include english.ly
\include gregorian.ly
% XS: necessary, see below
\paper{
print-all-headers = ##t
}
global = {
\key f \major
\time 7/4
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
}
move = { \bar \break }
%% XS: variables ending by One are related to SCORE NUMBER 1:
%% Prokeimenon ~ Tone 1
%% Variables ending by Two are related to SCORE NUMBER 2:
%% Prokeimenon ~ Tone 2
%% Variables ending by Three are related to SCORE NUMBER 3:
%% Prokeimenon ~ Tone 3
%% Variables ending by Four are related to SCORE NUMBER 4:
%% Prokeimenon ~ Tone 4
%% Variables ending by Five are related to SCORE NUMBER 5:
%% Prokeimenon ~ Tone 5
%% Variables ending by Six are related to SCORE NUMBER 6:
%% Prokeimenon ~ Tone 6
%% Variables ending by Seven are related to SCORE NUMBER 7:
%% Prokeimenon ~ Tone 7
%% Variables ending by Eight are related to SCORE NUMBER 8:
%% Prokeimenon ~ Tone 8
sopranoOne = \relative c' {
\global
% Music follows here.
f4 f f f f g a2 a4 a a2 \divisioMaxima
a2 g4(f g2) f4(a) a g g8(f e4 f e) d2 c1 \finalis
}
sopranoTwo = \relative c' {
\global
a'4 a a a a a a bf1 \divisioMaxima
bf4 bf bf bf a(g) a bf a2(g a4 g f2 g) f1 \finalis
}
sopranoThree = \relative c' {
\global
bf4 bf bf bf bf bf bf bf1 \divisioMaxima
bf4(a) c2(bf4 a) bf4 c bf2 bf2 \times 2/3 {c4(bf a} bf2 a4 g
a2) g1 \finalis
}
altoOne = \relative c' {
\global
% Music follows here.
f4 f f f f c f2 f4 f f2 \divisioMaxima
f2 c1 f2 f4 c c2(f4 c4) d2 c1 \finalis
}
altoTwo = \relative c {
\global
f'4 f f f f f f c1 \divisioMaxima
c4 c c c c2 c4 c f2(c f4 c d2 a2) d1 \finalis
}
altoThree = \relative c {
\global
c4 c c c c c c c1 \divisioMaxima
c2 f2(c) c4 c c2 c c1.(c2) c1 \finalis
}
tenorOne = \relative c {
\global
% Music follows here.
f4 f f f f g a2 a4 a a2 \divisioMaxima
a2 g4(f g2) f4(a) a g g8(f e4 f e) d2 c1 \finalis
}
tenorTwo = \relative c {
\global
a'4 a a a a a a bf1 \divisioMaxima
bf4 bf bf bf a(g) a bf a2(g a4 g f2 g) f1 \finalis
}
tenorThree = \relative c' {
\global
bf4 bf bf bf bf bf bf bf1 \divisioMaxima
bf4(a) c2(bf4 a) bf4 c bf2 bf2 \times 2/3 {c4(bf a} bf2 a4 g
a2) g1 \finalis
}
bassOne = \relative c {
\global
% Music follows here.
f4 f f f f c f2 f4 f f2 \divisioMaxima
f2 c1 f2 f4 c c2(f4 c4) d2 c1 \finalis
}
bassTwo = \relative c {
\global
f4 f f f f f f c1 \divisioMaxima
c4 c c c c2 c4 c f2(c f4 c d2 a2) d1 \finalis
}
bassThree = \relative c {
\global
c4 c c c c c c c1 \divisioMaxima
c2 f2(c) c4 c c2 c c1.(c2) c1 \finalis
verseOne = \lyricmode {
% Lyrics follow here.
Let Thy mer -- cy be up -- on us, O Lord,
as we __ have __ set our hope __ on Thee.
}
verseTwo = \lyricmode {
My might and my song is the Lord,
and He is be -- come __ my sal -- va -- tion.
}
verseThree = \lyricmode {
Sing psalms un -- to our God, sing psalms;
sing __ psalms __ un -- to our King, sing __ psalms.
}
% XS: see NR 2.1.5 for further details
psalmVerseOne = \markup \column {
Rejoice in the Lord,ye righteous;
praise becometh the upright.
}
psalmVerseTwo = \markup \column {
The Lord hath sorely chastened me;
but He hath not given me over unto death.
}
psalmVerseThree = \markup \column {
All ye nations, clap your hands;
shout unto God with a joyful noise.
}
%% XS: SCORE NUMBER 1
%%
%% Prokeimenon ~ Tone 1
%%
\score {
\new ChoirStaff
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { S A }
}
\new Voice = soprano { \voiceOne \sopranoOne }
\new Voice = alto { \voiceTwo \altoOne }
\new Lyrics \lyricsto soprano \verseOne
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenorOne }
\new Voice = bass { \voiceTwo \bassOne }
% XS: Prokeimenon title here (as subtitle)
% NB: print-all-headers = ##t necessary to print subtitle, see NR 3.2.1
\header {
title = Octoëchos ~ Hymns of the Resurrection
subtitle = Prokeimenon ~ Tone 1
composer = Divine Liturgy
poet = Znamenny Chant
}
\layout { ragged-last = ##f }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 120 4)
}
}
}
% XS: psalm verse one
\psalmVerseOne
%% XS: SCORE NUMBER 2
%%
%% Prokeimenon ~ Tone 2
%%
\score {
\new ChoirStaff
\new Staff \with {
Re: Prokeimena Project
On 2 October 2010 21:40, Michael Dykes thedoctor81...@gmail.com wrote: Xavier, I am trying to extend what you did for me in the Prokeimenon setting to more than just 2 prokeimena. For the first project, I will be using the Resurrectional Prokeimena in ALL 8 tones, thus requiring 8 separate staves, and psalm verses. I started with Tone 3, and copied pasted changing Verse One to Verse Three, etc.--but keep getting error messages I do not understand. I have attached my file below. Any help would be appreciated. Michael, You have forgotten a closing brace at the end of bassThree . Then it compiles successfully. Cheers, Xavier -- Xavier Scheuer x.sche...@gmail.com ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
