a JEdit/LilyPondTool behaviour

2010-10-13 Thread Gerard McConnell
Hello,
Just wondering about a behaviour when I'm using the PDF viewer in the
excellent JEdit/LilyPondTool.
With some scores, when I click on a note in the PDF I am returned to that
note in the
.ly file; with other scores this does not occur.  In both cases I have the
Follow caret check box
selected.   Why does this happen, and can I ensure that clicking a note
always returns me to the
appropriate point in the .ly file?
(Thanks again to all involved for providing LilyPond/JEdit/LilyPondTool for
free.)
Gerard
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Re: a JEdit/LilyPondTool behaviour

2010-10-13 Thread Patrick Schmidt

Gerard,

IINM you should avoid certain characters in your path. I'm pretty  
sure you used something like: (,), é, ä, à etc. in your directory/ 
file labels.


HTH
patrick
Am 13.10.2010 um 11:48 schrieb Gerard McConnell:


Hello,
Just wondering about a behaviour when I'm using the PDF viewer in  
the excellent JEdit/LilyPondTool.
With some scores, when I click on a note in the PDF I am returned  
to that note in the
.ly file; with other scores this does not occur.  In both cases I  
have the Follow caret check box
selected.   Why does this happen, and can I ensure that clicking a  
note always returns me to the

appropriate point in the .ly file?
(Thanks again to all involved for providing LilyPond/JEdit/ 
LilyPondTool for free.)

Gerard
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Ottava repeats

2010-10-13 Thread Hans Aberg
Suppose a repeat might/should be played one octave higher, is there a  
way to notate it without expanding it?




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Re: duplicate dynamics on same staff

2010-10-13 Thread Carl Sorensen



On 10/12/10 2:44 PM, James Wilkinson ji...@cs.cofc.edu wrote:

 On 10/11/10 6:19 PM, James Bailey wrote:
 
 2)  In another measure the upper voice has a quarter rest followed
 by a half note on the bottom line of the staff. The lower voice has
 a dotted half rest. The problem here is that the half note in the
 upper voice is so low on the staff that it prints over the rest in
 the lower voice. These voices share a staff in the score, but not
 in the individual parts.
 
 Can you actually provide an example of how you've done this? I can't
 for the life of me figure out how you get the collision.
 
 Yo! And note how it's fixed in the second measure! The quarter rest
 is high on the staff in measure one (I thin) because
 merge-rests-on-positioning can't handle full-measure rests, so I decided
 to chop the R2. up into r4 r2 in the second measure to see if that
 wouldn't fix it. Not only fixed that, but fixed the problem that started
 this whole thing. I'm inordinately pleased with myself. (druther be
 lucky than good)

You will also avoid the collision if you write the whole-measure rest for
trumpet III as r1*3/4.


 
 Any chance the full-measure/multi-measure problem will get fixed?

How can we merge a multi-measure rest with a part-measure rest?

 
 Oh, yeah. Why is the Preferences... entry dead on the Lilypond menu?
 Mac OS 10.4.11.


You'll get much better response from the list if you do one issue per email,
and if your subject matches your question.

I don't know the answer, but I'd guess it's because there *are* no
Preferences to set in this app.  It's intended to be a minimal app.

Thanks,

Carl


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Re: Bar alignment

2010-10-13 Thread Agostino Dovier
Does proportional notation (see the Notation Reference for this)  
provide you with what you want?


It helps. Must be combined with an info on the number of bars per line.
I'll read with care that part of the manual.

Thanks a lot

Agostino


--
SEMEL (SErvizio di Messaging ELettronico) - CSIT -Universita' di Udine



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Re: a JEdit/LilyPondTool behaviour

2010-10-13 Thread Francisco Vila
2010/10/13 Gerard McConnell gerine...@gmail.com:
 Hello,
 Just wondering about a behaviour when I'm using the PDF viewer in the
 excellent JEdit/LilyPondTool.
 With some scores, when I click on a note in the PDF I am returned to that
 note in the
 .ly file; with other scores this does not occur.

You should'n have any problem with PDFs made by you from source files
that are at the same path they were when you processed them to
generate that PDF.  Let's say, the link between the file
path+name/line/column and the small links that the PDF has in every
note, still exists.

However, this link breaks when you move the ly source file or the PDF.
 You can always process the file again and press the PDF preview icon
in lilypondtool.  That should suffice.

There is a very low chance that any PDF not made by you shows a proper
point-and-click behaviour even if you have the source code. Again, a
solution is at my previous paragraph.

Also, some PDFs are processed without those tiny links in it, by means
of the no-point-and-clik option, which you can enable for your own
documents.

-- 
Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbadajoz.com

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Re: job-count

2010-10-13 Thread James Bailey

On Oct 13, 2010, at 2:58 AM, Valentin Villenave wrote:

 On Sun, Oct 10, 2010 at 6:13 PM, James Bailey
 derhindem...@googlemail.com wrote:
 I'm not so good with the advanced options, can anyone help with how I use 
 the job-count option?
 
 Hi James,
 
 I think it's mostly used when building the docs. The only case where
 it might help you would be if you have lots of different LilyPond
 scores to compile, or when using lilypond-book with a large number of
 LilyPond snippets to compile. But in any other usage, job-count will
 not help you since LilyPond is a single-threaded application. I'm not
 even sure that job-count would work if you have a single .ly file with
 multiple \book blocks (in fact, I'm pretty sure it wouldn't).
 
 If you are trying to build the docs, have a look at
 http://lilypond.org/doc/v2.13/Documentation/contributor-big-page#saving-time-with-cpu_005fcount


I was actually doing it to build the snippets in the regression tests, I wanted 
to build all of them with 10 different processes simultaneously. I didn't time 
it, but I think it came out much faster.

And, I still cannot build the documentation. I can build lilypond, but not the 
documentation. I've just given up on that one.
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Re: duplicate dynamics on same staff

2010-10-13 Thread Carl Sorensen



On 10/13/10 9:49 AM, James Bailey derhindem...@googlemail.com wrote:

 
 On Oct 13, 2010, at 4:01 PM, Carl Sorensen wrote:
 
 Any chance the full-measure/multi-measure problem will get fixed?
 
 How can we merge a multi-measure rest with a part-measure rest?
 
 Unless things have changed, even trying to merge multi-measure rests with
 other multi-measure rests doesn't work.
 http://lsr.dsi.unimi.it/LSR/Item?id=336


The patch on issue 1228 claims to work with MM rests, but I haven't tested
it.

http://code.google.com/p/lilypond/issues/detail?id=1228

Carl


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Re: duplicate dynamics on same staff

2010-10-13 Thread James Bailey

On Oct 13, 2010, at 4:01 PM, Carl Sorensen wrote:
 
 Any chance the full-measure/multi-measure problem will get fixed?
 
 How can we merge a multi-measure rest with a part-measure rest?

Unless things have changed, even trying to merge multi-measure rests with other 
multi-measure rests doesn't work. http://lsr.dsi.unimi.it/LSR/Item?id=336___
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Re: Ottava repeats

2010-10-13 Thread Xavier Scheuer
On 13 October 2010 15:11, Hans Aberg haber...@telia.com wrote:
 Suppose a repeat might/should be played one octave higher, is there a way to
 notate it without expanding it?

With text : repeat one octave higher...  :D

But otherwise I do not think there is a conventional notation for this.

Cheers,
Xavier

-- 
Xavier Scheuer x.sche...@gmail.com

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Re: Ottava repeats

2010-10-13 Thread James

Hello

On 13/10/2010 14:11, Hans Aberg wrote:

Suppose a repeat might/should be played one octave higher, is there a
way to notate it without expanding it?



The French composer (?) Yann Tiersen does this quite a lot with his 
music and he just places the ottava bracket all along the whole repeated 
section but writes it in the lower range first. He doesn't even bother 
as far as I can see in the limited scores I have seen, to tell the 
player to play it 'normal' first and then 'an octave higher' the next 
time round. It is assumed I suppose.


James


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Re: job-count

2010-10-13 Thread Graham Percival
On Wed, Oct 13, 2010 at 05:47:26PM +0200, James Bailey wrote:
 
 I was actually doing it to build the snippets in the regression tests, I 
 wanted to build all of them with 10 different processes simultaneously. I 
 didn't time it, but I think it came out much faster.
 
 And, I still cannot build the documentation. I can build
 lilypond, but not the documentation. I've just given up on that
 one.

If you're using lilybuntu, then there shouldn't be any problems
building the docs -- what did you try, and what error(s) did you
see?

If you're not using lilybuntu, then building the docs is a
relatively difficult process on Linux and OSX, requiring
familiarity with package managers (on osx: fink and/or macports,
quite possibly both).  It's certainly beyond the capabilities of
our average contributor with less than 6 months of experience.


(before any linux people complain that building the docs is easy
-- my our average contributor with less than 6 months of
experience estimate is derived from evidence from our mailing
lists, based on the types of operating systems our new
contributors use, their technical abilities, and the amount of
time it takes until they stop using lilybuntu)

Cheers,
- Graham

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Re: Ottava repeats

2010-10-13 Thread Hans Aberg

On 13 Oct 2010, at 18:23, Xavier Scheuer wrote:

Suppose a repeat might/should be played one octave higher, is there  
a way to

notate it without expanding it?


With text : repeat one octave higher...  :D

But otherwise I do not think there is a conventional notation for  
this.


I suspect that, too. So some text might do it, especially when it is a  
style.




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Re: Ottava repeats

2010-10-13 Thread Hans Aberg

On 13 Oct 2010, at 18:54, James wrote:


Suppose a repeat might/should be played one octave higher, is there a
way to notate it without expanding it?


The French composer (?) Yann Tiersen does this quite a lot with his  
music and he just places the ottava bracket all along the whole  
repeated section but writes it in the lower range first.


This confuses me: where does the ottava bracket start, if it is  
written in the lower range first?


He doesn't even bother as far as I can see in the limited scores I  
have seen, to tell the player to play it 'normal' first and then 'an  
octave higher' the next time round. It is assumed I suppose.



I need it to be clear somehow. But in my example, it is style, so I  
might skip it altogether.



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Re: duplicate dynamics on same staff

2010-10-13 Thread Jay Anderson
On Wed, Oct 13, 2010 at 8:57 AM, Carl Sorensen c_soren...@byu.edu wrote:
 The patch on issue 1228 claims to work with MM rests, but I haven't tested
 it.

 http://code.google.com/p/lilypond/issues/detail?id=1228

I've used it and it works wonderfully. I'm not sure what the default
behavior should be, but for my purposes this is exactly what I want
most of the time.

-Jay

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tuplet number

2010-10-13 Thread Alex Jones
I am using the expression to not display the tuplet number
\override TupletNumber #'stencil = ##f

but at some point later in the score I want that number to be displayed again 
and when I use what I figured was the appropriate reactivation expression
\override TupletNumber #'stencil = ##t
it works but I get the error
warning: type check for `stencil' failed; value `#t' must be of type `unknown'
Is this a problem, or should I be using a different statement?

Thanks!

-akj
--
Alex K. Jones - clarinet
www.jeffsys.net/~akjones/music
847-372-8999




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Re: tuplet number

2010-10-13 Thread James Bailey

On Oct 13, 2010, at 8:49 PM, Alex Jones wrote:

 I am using the expression to not display the tuplet number
 \override TupletNumber #'stencil = ##f
 
 but at some point later in the score I want that number to be displayed again 
 and when I use what I figured was the appropriate reactivation expression
 \override TupletNumber #'stencil = ##t
 it works but I get the error
 warning: type check for `stencil' failed; value `#t' must be of type `unknown'
 Is this a problem, or should I be using a different statement?
 
 Thanks!

Check the Learning Manual on this, but shouldn't it be \revert TupletNumber 
#stencil?
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