guitar inlays / labels
Hi, I'm thinking of generating guitar fret diagrams to drill note names for beginning guitar, and I've gotten this far:Can anyone think of a way to put the fretboard inlay markers in there? Either on the diagram, or as labels above or below the fret diagram in the right fret location? dots on 3rd, 5th, 7th, 9th, double on the 12th.(lilypond code below)\version "2.16.00"\include "english.ly"\paper{ indent=0\mm line-width=120\mm oddFooterMarkup=##f oddHeaderMarkup=##f bookTitleMarkup = ##f scoreTitleMarkup = ##f}\score { \new Staff \with { \clef treble \remove Time_signature_engraver } \transpose c c \relative fs' { \override TextScript #'size = #'3.0 a^\markup { \override #'(fret-diagram-details . ( (finger-code . in-dot) (dot-label-font-mag . 0.6) (orientation . landscape) (xo-font-magnification . 0.4) (fret-count . 12) (xo-padding . 0.3))) { \fret-diagram-verbose #'( (place-fret 2 10 "A" inverted) ) }} } \layout { \context { \Staff \remove Bar_engraver } } \midi { \context { \Score \with \settingsFrom { \tempo 4=180 } } }}___
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Re: guitar inlays / labels
It has been practically forever since I did any serious LP work, but just
looking at you code, the ability to draw the 'dot' with the 'A' implies the
possibility of what you want IF you can a. control the vertical location of
the dot and cause it to be filled in as black. Given that, then your only
remaining concern would be the ability of overlaying an inlay with needed
dot notation as you have shown. Trivial in postscript less so here. It is
as my fellow programmers would say 'just another SMOP' Small Matter Of
Programming :) Luck...
--hsm
On Fri, Nov 23, 2012 at 3:04 AM, Curt accou...@museworld.com wrote:
Hi, I'm thinking of generating guitar fret diagrams to drill note names
for beginning guitar, and I've gotten this far:
Can anyone think of a way to put the fretboard inlay markers in there?
Either on the diagram, or as labels above or below the fret diagram in the
right fret location? dots on 3rd, 5th, 7th, 9th, double on the 12th.
(lilypond code below)
\version 2.16.00
\include english.ly
\paper{
indent=0\mm
line-width=120\mm
oddFooterMarkup=##f
oddHeaderMarkup=##f
bookTitleMarkup = ##f
scoreTitleMarkup = ##f
}
\score {
\new Staff \with {
\clef treble
\remove Time_signature_engraver
}
\transpose c c \relative fs' {
\override TextScript #'size = #'3.0
a^\markup {
\override #'(fret-diagram-details . (
(finger-code . in-dot)
(dot-label-font-mag . 0.6)
(orientation . landscape)
(xo-font-magnification . 0.4)
(fret-count . 12)
(xo-padding . 0.3))) {
\fret-diagram-verbose
#'( (place-fret 2 10 A inverted) )
}
}
}
\layout {
\context {
\Staff
\remove Bar_engraver
}
}
\midi {
\context {
\Score \with
\settingsFrom { \tempo 4=180 }
}
}
}
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Re: guitar inlays / labels
If this sort of work is done just for your own students then the *extremely
easy and fast* way to do it is by taking Lilypond's SVG output and editing
it in Inkscape. That will allow you to do ANY sort of graphics work
(colors, pictures, etc.) on your score with pinpoint accuracy.
On Fri, Nov 23, 2012 at 10:04 AM, Curt accou...@museworld.com wrote:
Hi, I'm thinking of generating guitar fret diagrams to drill note names
for beginning guitar, and I've gotten this far:
Can anyone think of a way to put the fretboard inlay markers in there?
Either on the diagram, or as labels above or below the fret diagram in the
right fret location? dots on 3rd, 5th, 7th, 9th, double on the 12th.
(lilypond code below)
\version 2.16.00
\include english.ly
\paper{
indent=0\mm
line-width=120\mm
oddFooterMarkup=##f
oddHeaderMarkup=##f
bookTitleMarkup = ##f
scoreTitleMarkup = ##f
}
\score {
\new Staff \with {
\clef treble
\remove Time_signature_engraver
}
\transpose c c \relative fs' {
\override TextScript #'size = #'3.0
a^\markup {
\override #'(fret-diagram-details . (
(finger-code . in-dot)
(dot-label-font-mag . 0.6)
(orientation . landscape)
(xo-font-magnification . 0.4)
(fret-count . 12)
(xo-padding . 0.3))) {
\fret-diagram-verbose
#'( (place-fret 2 10 A inverted) )
}
}
}
\layout {
\context {
\Staff
\remove Bar_engraver
}
}
\midi {
\context {
\Score \with
\settingsFrom { \tempo 4=180 }
}
}
}
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Re: guitar inlays / labels
Curt Siffert wrote Hi, I'm thinking of generating guitar fret diagrams to drill note names for beginning guitar, and I've gotten this far: Can anyone think of a way to put the fretboard inlay markers in there? Either on the diagram, or as labels above or below the fret diagram in the right fret location? dots on 3rd, 5th, 7th, 9th, double on the 12th. here is a way (to be refined) - but I have no idea if this withholds attempts to scale it! guitarInlay.ly http://lilypond.1069038.n5.nabble.com/file/n136738/guitarInlay.ly guitarInlay.png http://lilypond.1069038.n5.nabble.com/file/n136738/guitarInlay.png Eluze -- View this message in context: http://lilypond.1069038.n5.nabble.com/guitar-inlays-labels-tp136730p136738.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Question about page number position and ornamentation
It works, bot now i have a new problem. Copyright line is disappear. I entered «\on-the-fly #not-first-page » at footerMarkup block. Without results. -- View this message in context: http://lilypond.1069038.n5.nabble.com/Question-about-page-number-position-and-ornamentation-tp136399p136740.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Question about page number position and ornamentation
On 24/11/12 06:10, Rustik wrote:
It works, bot now i have a new problem. Copyright line is disappear. I
entered «\on-the-fly #not-first-page » at footerMarkup block. Without
results.
I don't think there is a corresponding not-last-page unless there have
been recent changes. This is what I use in the \paper block to have no
page number on the first page, the page number centred at the bottom of
the page for pages 2 to n-1, and the tagline on the final page:
\paper {
%% cf. ly/titling-init.ly
#(define (not-last-page layout props arg)
(if (and (chain-assoc-get 'page:is-bookpart-last-page props #f)
(chain-assoc-get 'page:is-last-bookpart props #f))
empty-stencil
(interpret-markup layout props arg)))
oddHeaderMarkup = \markup \fill-line { }
evenHeaderMarkup = \markup \fill-line { }
oddFooterMarkup = \markup \fill-line { \column { \fontsize #-1
\on-the-fly #not-first-page
\on-the-fly #not-last-page
\fromproperty #'page:page-number-string
\on-the-fly #last-page \fromproperty #'header:tagline
} }
evenFooterMarkup = \oddFooterMarkup
}
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Centering / Indenting a paragraph?
Hi, I'm new to this list and to lilypond
I just learned that I can do this:
\markup {
\fill-line {
\hspace #1
\column {
\line { This is my first verse }
\line { For Column 1 as a supplemental }
\line { Text blurb below the score }
\line { This is when I don't }
\line { Want to align multiple }
\line { Verses directly beneath the score staves }
}
\hspace #2
\column {
\line { This is my second verse }
\line { It is for Column 2 }
\line { of the second }
\line { Blurb. }
\line { Pretty cool and all is well }
\line { Wit these two columns }
}
\hspace #3
}
The above is rendered fine, with two columns well balanced.
the problem is: How do I add a third paragraph, centered and indented?
If I add the following after the above...
\markup {
\fill-line {
\column {
\line { \italic { I want this } }
\line { \italic { Centered underneath } }
\line { \italic { The above two verses } }
\line { \italic { Apparently, that isn't easy! } }
}
\hspace #4
}
}
it is left-justified, left-aligned. How do I shift the paragraph?
Also, while we're on this topic:
(2) How do I add an empty line (forced newline, paragraphbreak, or some such),
in the above sets of lines?
(3) How can I add other things like solid horizontal line (rules), etc.., etc. ?
Thanks
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Re: Centering / Indenting a paragraph?
Bric wrote Hi, I'm new to this list and to lilypond How do I shift the paragraph? Also, while we're on this topic: (2) How do I add an empty line (forced newline, paragraphbreak, or some such), in the above sets of lines? (3) How can I add other things like solid horizontal line (rules), etc.., etc. ? Thanks Hi Bric, Welcome to the list! Does this thread help at all with your question? http://lilypond.1069038.n5.nabble.com/Adding-3-column-section-to-score-td136474.html Ben - composer | sound designer -- View this message in context: http://lilypond.1069038.n5.nabble.com/Centering-Indenting-a-paragraph-tp136743p136744.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Centering / Indenting a paragraph?
On November 23, 2012 at 3:29 PM SoundsFromSound soundsfromso...@gmail.com wrote: Bric wrote Hi, I'm new to this list and to lilypond How do I shift the paragraph? Also, while we're on this topic: (2) How do I add an empty line (forced newline, paragraphbreak, or some such), in the above sets of lines? (3) How can I add other things like solid horizontal line (rules), etc.., etc. ? Thanks Hi Bric, Welcome to the list! Does this thread help at all with your question? http://lilypond.1069038.n5.nabble.com/Adding-3-column-section-to-score-td136474.html Changinge \column to \center-column doesn't center the column. It only shoves the verse further leftward, beyond gutter (left) margin. (the rounded box is rendered fine, though) Ben - composer | sound designer -- View this message in context: http://lilypond.1069038.n5.nabble.com/Centering-Indenting-a-paragraph-tp136743p136744.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Custom articulations/pitched single-note trills
Hi all,
I'm now confronted with an unfamiliar single note pitched trill (a f sharp
trill with a 3za mark - i.e., one third above f sharp as the trilled
note). In looking for a solution, I came across the following older post:
http://lilypond.1069038.n5.nabble.com/Custom-articulations-pitched-single-note-trills-td40530.html
I tried running convert-ly to update the code from post #4 in that thread
from version 2.11.57 to 2.16.1 but sadly the code doesn't display any
articulation or pitched articulation.
Here's the output from convert-ly:
% BEGIN
\version 2.16.1
pitchedArtic =
#(define-music-function (parser location str main-note paren next-note)
(string? ly:music? ly:music? ly:music?)
(let* ((get-notes (lambda (ev-chord)
(filter
(lambda (m) (eq? 'NoteEvent (ly:music-property m
'name)))
(ly:music-property ev-chord 'elements
(paren-notes (get-notes paren)))
(if (pair? paren-notes)
(begin
(let*
((paren-pitch (ly:music-property (car paren-notes) 'pitch))
(forced (ly:music-property (car paren-notes ) 'force-accidental
#f)))
(if (ly:pitch? paren-pitch)
(begin
(ly:music-set-property! main-note 'elements
(cons (make-music
'TrillSpanEvent
'force-accidental forced
'pitch paren-pitch
'span-direction START)
(ly:music-property main-note 'elements)))
(ly:music-set-property! next-note 'elements
(cons stopTrillSpan
(ly:music-property next-note 'elements
(begin
(ly:warning (_ Second argument should be single note: ))
(display paren-notes)))
)))
(make-music 'SequentialMusic
'origin location
'elements (list #{
%\once \override TrillSpanner #'style = #'dashed-line
%\once \override TrillSpanner #'style = #'none
\once \override TrillSpanner #'(bound-details left text) =
#(make-musicglyph-markup (format scripts.~a str))
#}
main-note next-note
\relative c' {
\pitchedArtic mordent cis b
\pitchedArtic prall c des
c2
\pitchedArtic trill fis ais
c2
}
% END
What is missing or what went awry in converting between LilyPond versions
with convert-ly?
Best regards,
Olivier
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Re: Centering / Indenting a paragraph?
Bric wrote Also, while we're on this topic: (2) How do I add an empty line (forced newline, paragraphbreak, or some such), in the above sets of lines? (3) How can I add other things like solid horizontal line (rules), etc.., etc. ? the text markup commands are well explained in http://lilypond.org/doc/v2.17/Documentation/notation-big-page#text-markup-commands - please read it and come back with open questions! Eluze -- View this message in context: http://lilypond.1069038.n5.nabble.com/Centering-Indenting-a-paragraph-tp136743p136748.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Tuplet bracket collides with fingering when slurred
Dear LilyPond users,
How can I avoid the tuplet bracket colliding with fingerings in case the
tuplet has a slur?
Example of tuplet without and with slur, illustrating the problem:
% BEGIN
\version 2.16.1
\score {
\new Staff {
\relative c, {
\key g \major
\time 2/4
\clef bass
\times 2/3 { c16--\f e'-3 c'-4 c e, c, }
\times 2/3 { c16--\f ( e'-3 c'-4 ) c ( e, c, ) }
}
}
\layout {
\context {
\Staff
\override Fingering #'add-stem-support = ##t
\override Fingering #'avoid-slur = #'outside
\override TupletBracket #'bracket-visibility = ##t
\override TupletBracket #'avoid-slur = ##t
\override TupletNumber #'avoid-slur = ##t
}
}
}
% END
Is this related to the following issue?
http://code.google.com/p/lilypond/issues/detail?id=2397
Best regards,
Olivier
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Re: Question about page number position and ornamentation
If i try
\paper {
#(define (not-first-page layout props arg)
(if (and (chain-assoc-get 'page:is-bookpart-first-page props #f)
(chain-assoc-get 'page:is-first-bookpart props #f))
empty-stencil
(interpret-markup layout props arg)))
oddHeaderMarkup = \markup \fill-line { \on-the-fly #not-first-page
\column {
\line { \fontsize #-1
\override #'(font-name . Times New Roman)
My
\fontsize #-1
\override #'(font-name . Arial)
header}}}
evenHeaderMarkup = \oddHeaderMarkup
oddFooterMarkup = \markup \fill-line
{ \on-the-fly #not-first-page
\concat {
\override #'(font-name . Arial) \fontsize #2
-
\override #'(font-name . Times New Roman) \fontsize #2
\fromproperty #'page:page-number-string
\override #'(font-name . Arial) \fontsize #2 -
}
\on-the-fly #first-page \fromproperty #'header:copyright
}
evenFooterMarkup = \oddFooterMarkup
}
first page number is no disappear. All page numbers are not align to center,
they are located to the left of the center. Copyright line is appear to the
right of the сenter.
If i try
\paper {
oddHeaderMarkup = \markup \fill-line { \on-the-fly #not-first-page
\column {
\line { \fontsize #-1
\override #'(font-name . Times New Roman)
My
\fontsize #-1
\override #'(font-name . Arial)
header}}}
evenHeaderMarkup = \oddHeaderMarkup
oddFooterMarkup = \markup \fill-line
{ \on-the-fly #not-first-page
\concat {
\override #'(font-name . Arial) \fontsize #2
-
\override #'(font-name . Times New Roman) \fontsize #2
\fromproperty #'page:page-number-string
\override #'(font-name . Arial) \fontsize #2 -
}
\on-the-fly #first-page \fromproperty #'header:copyright
}
evenFooterMarkup = \oddFooterMarkup
}
everything is the same except for first page number. First page number is
disappear.
What i can make in this situation?
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Re: guitar inlays / labels
Wow, Eluze. Just, wow! Works great for my purposes. The inlay doesn't scale if I increase the size of the fret diagram itself, but it all scales just fine if I change the global staff size - that works even if I don't attach the fret to a staff. Thanks so much! It's not for any particular students I have - I'm going to make an Anki flashcard deck to help people (including me) learn the guitar fretboard in general. First B's and C's, then E's and F's, and then filling in the rest. Curt On Nov 23, 2012, at 5:27 AM, Eluze elu...@gmail.com wrote: Curt Siffert wrote Hi, I'm thinking of generating guitar fret diagrams to drill note names for beginning guitar, and I've gotten this far: Can anyone think of a way to put the fretboard inlay markers in there? Either on the diagram, or as labels above or below the fret diagram in the right fret location? dots on 3rd, 5th, 7th, 9th, double on the 12th. here is a way (to be refined) - but I have no idea if this withholds attempts to scale it! guitarInlay.ly http://lilypond.1069038.n5.nabble.com/file/n136738/guitarInlay.ly guitarInlay.png http://lilypond.1069038.n5.nabble.com/file/n136738/guitarInlay.png Eluze -- View this message in context: http://lilypond.1069038.n5.nabble.com/guitar-inlays-labels-tp136730p136738.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Centering / Indenting a paragraph?
On November 23, 2012 at 4:08 PM Thomas Morley thomasmorle...@googlemail.com
wrote:
2012/11/23 Bric b...@flight.us:
Hi, I'm new to this list and to lilypond
I just learned that I can do this:
\markup {
\fill-line {
\hspace #1
\column {
\line { This is my first verse }
\line { For Column 1 as a supplemental }
\line { Text blurb below the score }
\line { This is when I don't }
\line { Want to align multiple }
\line { Verses directly beneath the score staves }
}
\hspace #2
\column {
\line { This is my second verse }
\line { It is for Column 2 }
\line { of the second }
\line { Blurb. }
\line { Pretty cool and all is well }
\line { Wit these two columns }
}
\hspace #3
}
The above is rendered fine, with two columns well balanced.
the problem is: How do I add a third paragraph, centered and indented?
If I add the following after the above...
\markup {
\fill-line {
\column {
\line { \italic { I want this } }
\line { \italic { Centered underneath } }
\line { \italic { The above two verses } }
\line { \italic { Apparently, that isn't easy! } }
}
\hspace #4
}
}
it is left-justified, left-aligned. How do I shift the paragraph?
Lily does what you told her:
\fill-line with \column { ... } on the left and \hspace #4 on the right.
Visible, if you add \box before \hspace #4.
Deleting \hspace #4 will center it horizontally on the page.
Nope. Removed all the \hspaces. The third paragraph (set of \line's) is
still rammed all the way to the left, crossing the gutter.
Actually, changing \column to \center-column shoves the paragraph left,
beyond the absolute margin ( pixel 0)
When it's \column the paragraph is left-aligned, but with a 2-cm or so left
margin
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Re: Centering / Indenting a paragraph?
Bric wrote
Lily does what you told her:
\fill-line with \column { ... } on the left and \hspace #4 on the right.
Visible, if you add \box before \hspace #4.
Deleting \hspace #4 will center it horizontally on the page.
Nope. Removed all the \hspaces. The third paragraph (set of \line's)
is
still rammed all the way to the left, crossing the gutter.
Actually, changing \column to \center-column shoves the paragraph
left,
beyond the absolute margin ( pixel 0)
When it's \column the paragraph is left-aligned, but with a 2-cm or so
left
margin
better send the new code instead of quoting the old one …
for me Harm's solution works perfectly!
Eluze
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Re: Centering / Indenting a paragraph?
Bric, you wrote Friday, November 23, 2012 10:57 PM
Nope. Removed all the \hspaces. The third paragraph (set of \line's) is
still rammed all the way to the left, crossing the gutter.
Actually, changing \column to \center-column shoves the paragraph left,
beyond the absolute margin ( pixel 0)
When it's \column the paragraph is left-aligned, but with a 2-cm or so left
margin
If you look at the example at the end of section 2.1.3 in the Notation
Reference,
and add the following to the end, it will add a centered sixth verse. You
should be able to work out from this what you need to do. Here's the
extra verse - make sure you get fill-line (which centres a single argument)
and line (which makes a single argument from two) right!
\markup {
\fill-line {
\line {
\bold 6.
\column {
This is verse six.
It has two lines.
}
}
}
}
Trevor
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vspace with non-integer argument does not work
Hi all,
Is it possible to specify non-integer values for vertical spacing with
vspace? I read once that it was possible, but apparently not (anymore) in
version 2.16.0 or 2.16.1.
The following does compile without errors but the non-integer values are
apparently silently transformed into 1:
% BEGIN
\version 2.16.1
\markup {
\center-column {
This
is
a
\vspace #1
\bold {test}
\vspace #2
And
\vspace #2/300
this
\vspace #.01
too.
\vspace #3
\line {\italic {I think.}}
}
}
% END
Best regards,
Olivier
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Re: guitar inlays / labels
Curt Siffert wrote Wow, Eluze. Just, wow! glad I could help Works great for my purposes. The inlay doesn't scale if I increase the size of the fret diagram itself, but it all scales just fine if I change the global staff size - that works even if I don't attach the fret to a staff. Thanks so much! using \override TextScript.size doesn't impress the inlay part (who knows why?), but you can /\markup \scale #'(.3 . .3) …/ so that relations are preserved (at least it worked in my litttle examples) It's not for any particular students I have - I'm going to make an Anki flashcard deck to help people (including me) learn the guitar fretboard in general. First B's and C's, then E's and F's, and then filling in the rest. btw, reversing the order of combining seems more appropriate to hide the inlay and bring forth the note if it's useful for more people we could raise an enhancement request to make it more conform to LilyPond standards. Eluze -- View this message in context: http://lilypond.1069038.n5.nabble.com/guitar-inlays-labels-tp136730p136761.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Centering / Indenting a paragraph?
2012/11/23 Bric b...@flight.us:
On November 23, 2012 at 4:08 PM Thomas Morley thomasmorle...@googlemail.com
wrote:
[...]
Deleting \hspace #4 will center it horizontally on the page.
Nope. Removed all the \hspaces. The third paragraph (set of \line's) is
still rammed all the way to the left, crossing the gutter.
[...]
Please excuse, if I'm a bit grumpy today.
Being a music-teacher in germany, I can confirm: german so called
learning-an-instrument-pupil are the worsest you can ever imagine.
So I will not further explain anything at the end of this horrible day.
Maybe the code below will give you some hints.
Some links included. (Compile the code and you can simply click on them.)
\version 2.16.0
\markup \rounded-box \fill-line {
\override #'(font-name . Comic Sans MS Bold)
\center-column {
\fontsize #5 It's all in the docs
\smaller Some examples (with links) below
}
}
\markup \fill-line {
\center-column {
\vspace #2
\line \bold \large { The \\paragraph markup-command }
\with-url
#http://lilypond.org/doc/v2.17/Documentation/extending-big-page#index;
\line \bold \large { From \Extending\ }
\with-url
#http://lilypond.org/doc/v2.17/Documentation/extending-big-page#new-markup-list-command-definition;
\line \bold \large { 2.5.4 New markup list command definition }
\null
}
}
#(define-markup-list-command (paragraph layout props args) (markup-list?)
#:properties ((par-indent 2))
(interpret-markup-list layout props
#{\markuplist \justified-lines { \hspace #par-indent #args } #}))
\markuplist {
\paragraph {
The art of music typography is called \italic {(plate) engraving.}
The term derives from the traditional process of music printing.
Just a few decades ago, sheet music was made by cutting and stamping
the music into a zinc or pewter plate in mirror image.
}
\override-lines #'(par-indent . 10) \paragraph {
The plate would be inked, the depressions caused by the cutting
and stamping would hold ink. An image was formed by pressing paper
to the plate. The stamping and cutting was completely done by
hand.
}
\vspace #2
}
\markup \fill-line { \center-column {
\with-url
#http://lilypond.org/doc/v2.17/Documentation/notation-big-page#index;
\line \bold \large { From \Notation Reference\ }
\with-url
#http://lilypond.org/doc/v2.17/Documentation/notation-big-page#align;
\line \bold \large { A.10.2 Align }
\null
}
}
\markup \fill-line {
\override #'(line-width . 40)
\justify-string #Lorem ipsum dolor sit amet, consectetur
adipisicing elit, sed do eiusmod tempor incididunt ut labore
et dolore magna aliqua.
Ut enim ad minim veniam, quis nostrud exercitation ullamco
laboris nisi ut aliquip ex ea commodo consequat.
Excepteur sint occaecat cupidatat non proident, sunt in culpa
qui officia deserunt mollit anim id est laborum
}
\markup \vspace #2
\markup {
\fill-line {
\hspace #1
\column {
\line { This is my first verse }
\line { For Column 1 as a supplemental }
\line { Text blurb below the score }
\line { This is when I don't }
\line { Want to align multiple }
\line { Verses directly beneath the score staves }
}
\hspace #2
\column {
\line { This is my second verse }
\null
\line { It is for Column 2 }
\null
\line { of the second }
\line { Blurb. }
\line { Pretty cool and all is well }
\line { Wit these two columns }
}
\hspace #3
}
}
\markup {
\column {
\vspace #1
\draw-hline
}
}
\markup {
\fill-line {
\column {
\vspace #1
\line { \italic { I want this } }
\line { \italic { Centered underneath } }
\line { \italic { The above two verses } }
\line { \italic { Apparently, that isn't easy! } }
}
}
}
\markup {
\column {
\vspace #2
\draw-hline
}
}
\markup \fill-line {
\center-column {
\vspace #2
\with-url
#http://lsr.dsi.unimi.it/LSR/;
\line { \italic Btw, do you know the LSR? }
}
}
-Harm
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Re: vspace with non-integer argument does not work
2012/11/24 Olivier Biot olivier.b...@gmail.com: Hi all, Is it possible to specify non-integer values for vertical spacing with vspace? I read once that it was possible, but apparently not (anymore) in version 2.16.0 or 2.16.1. vspace works with integers: \vspace #1 etc numbers: \vspace #1.23 (even \vspace #(* 4 (atan 1)) is valid input) and fractions: \vspace #1/2 The following does compile without errors but the non-integer values are apparently silently transformed into 1 No, don't forget that the \center-column-command uses a baseline-skip with value 3 Very little divergations (0.01 or 2/300) will hardly be noticeable. -Harm ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
use of 1/2 staff divisio maior in gregorian chant.
Greetings All; In many some of the Gregorian Chant's I have access to they show the divisio Maior as starting slightly above the third line of the staff and continuing to just below the second line of the staff instead of a full bar line like the Divisio Maxima only less bold. Is it possible to get this configuration using lilypond 2.16? Regards Keith ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: review of a Mutopia file (why TabStaff gives error here?)
Federico Bruni fedelogy at gmail.com writes:
I've updated to 2.16 the following piece of Mutopia:
http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=636
Can anyone review it?
I made one pass through, and made potential-corrections as I went. (attached)
Hopefully you can use a 'diff' program to see the changes.
You could use \open or -0 to indicate open strings.
Some string numbers were applied to a whole chord (single-note chords
presumably because fingering to the left only works within chords) so they
didn't print. I put string numbers for the bass notes below the staff.
With a few more fingerings to resolve ambiguity, you could leave the string
numbers un-printed. I suppose LilyPond still needs them in the input to
generate tablature.
The more-usual bar numbering for alternatives is available in 2.16
\set Score.alternativeNumberingStyle = #'numbers
You can put the coda on its own line, and ragged-right, with
\bar || \break
%% Coda
%{ ... the music in the coda ... %}
\bar |. \stopStaff s1
You might not have seen that Nick posted a much nicer formatting for barre
indications.
http://lists.gnu.org/archive/html/lilypond-user/2012-11/msg00570.html
It avoids taking apart LilyPond's internal data structures, which makes it
better for mutopiaproject.
You can adjust Nick's function to use it as \barre 3 { %{ music %} } and have
it set minimumFret=3 so you don't need so many string number entries. Scheme
can convert to Roman numerals.
barre = #(define-music-function (parser location
strg music) (number? ly:music?)
#{
\set TabStaff.minimumFret = $strg
\set TabStaff.restrainOpenStrings = ##t
\once\override TextSpanner #'(bound-details left text)
= #(format #f B ~@r strg)
%{ ... Nick's other style settings ...%}
\startTextSpan
$music
\stopTextSpan
\unset TabStaff.minimumFret
\unset TabStaff.restrainOpenStrings
#})
guitar.ly
Description: Binary data
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\repeat volta
Hi, lily user,
The following lily code did not produce \bar|: at the beginning.
\version 2.17.7
\relative c' {
\key c \major \time 6/8
\bar||: \repeat volta 2 {c4 e4. g8 | e8( d8) d4 r8 c8 | c4 e4. g8 | e2 r8 d8
|
} \alternative {{ c2. d2. } {d2. d2.}} e4 e8 f4 f8 \bar|.
}
The output is attached.
Blessing in+,attachment: 2012-11-23_222621.png___
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Re: \repeat volta
MING TSANG wrote
Hi, lily user,
The following lily code did not produce \bar|: at the beginning.
\version 2.17.7
\relative c' {
\key c \major \time 6/8
\bar||: \repeat volta 2 {c4 e4. g8 | e8( d8) d4 r8 c8 | c4 e4. g8 | e2
r8 d8 |
} \alternative {{ c2. d2. } {d2. d2.}} e4 e8 f4 f8 \bar|.
}
The output is attached.
Blessing in+,
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I'm confused. Why would you want a repeat bar at the very beginning of a
piece? In this case it should only go at the end. See here:
From LilyPond documentation:
volta
The repeated music is not written out but enclosed between repeat bar lines.
If the repeat is at the beginning of a piece, a repeat bar line is only
printed at the end of the repeat. Alternative endings (volte) are printed
left to right with brackets. This is the standard notation for repeats with
alternatives.
-
composer | sound designer
--
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Re: \repeat volta
MING TSANG wrote
Hi, lily user,
The following lily code did not produce \bar|: at the beginning.
\version 2.17.7
\relative c' {
\key c \major \time 6/8
\bar||: \repeat volta 2 {c4 e4. g8 | e8( d8) d4 r8 c8 | c4 e4. g8 | e2
r8 d8 |
} \alternative {{ c2. d2. } {d2. d2.}} e4 e8 f4 f8 \bar|.
}
The output is attached.
Blessing in+,
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If you really must insert a repeat at the beginning, you can use this
snippet from the documentation:
___
Printing a repeat sign at the beginning of a piece
A |: bar line can be printed at the beginning of a piece, by overriding the
relevant property:
\relative c'' {
\once \override Score.BreakAlignment #'break-align-orders =
#(make-vector 3 '(instrument-name
left-edge
ambitus
span-bar
breathing-sign
clef
key-signature
time-signature
staff-bar
custos
span-bar))
\bar |:
c1
d1
d4 e f g
}
___
At least, I think you can still do this - I know you could in previous
versions of LilyPond.
Ben
-
composer | sound designer
--
View this message in context:
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Sent from the User mailing list archive at Nabble.com.
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Re: review of a Mutopia file (why TabStaff gives error here?)
Federico Bruni fedelogy at gmail.com writes:
I've updated to 2.16 the following piece of Mutopia:
http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=636
Can anyone review it?
I made one pass through, and made potential-corrections as I went. (attached)
Hopefully you can use a 'diff' program to see the changes.
Some string numbers were applied to a whole chord (single-note chords
presumably because fingering to the left only works within chords) so they
didn't print. I put string numbers for the bass notes below the staff.
With a few more fingerings to resolve ambiguity, you could leave the string
numbers un-printed. I suppose LilyPond still needs them in the input to
generate tablature.
The more-usual bar numbering for alternatives is available in 2.16
\set Score.alternativeNumberingStyle = #'numbers
You can put the coda on its own line, and ragged-right, with
\bar || \break
%% Coda
%{ ... the music in the coda ... %}
\bar |. \stopStaff s1
You might not have seen that Nick posted a much nicer formatting for barre
indications.
http://lists.gnu.org/archive/html/lilypond-user/2012-11/msg00570.html
It avoids taking apart LilyPond's internal data structures, which makes it
better for mutopiaproject.
You can adjust Nick's function to use it as \barre 3 { %{ music %} } and have
it set minimumFret=3 so you don't need so many string number entries. Scheme
can convert to Roman numerals.
barre = #(define-music-function (parser location
strg music) (number? ly:music?)
#{
\set TabStaff.minimumFret = $strg
\set TabStaff.restrainOpenStrings = ##t
\once\override TextSpanner #'(bound-details left text)
= #(format #f B ~@r strg)
%{ ... Nick's other style settings ...%}
\startTextSpan
$music
\stopTextSpan
\unset TabStaff.minimumFret
\unset TabStaff.restrainOpenStrings
#})
guitar.ly
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Re: review of a Mutopia file (why TabStaff gives error here?)
Federico Bruni fedelogy at gmail.com writes:
I've updated to 2.16 the following piece of Mutopia:
http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=636
Can anyone review it?
I made one pass through, and made potential-corrections as I went. (attached)
Hopefully you can use a 'diff' program to see the changes.
You could use \open or -0 to indicate open strings.
Some string numbers were applied to a whole chord (single-note chords
presumably because fingering to the left only works within chords) so they
didn't print. I put string numbers for the bass notes below the staff.
With a few more fingerings to resolve ambiguity, you could leave the string
numbers un-printed. I suppose LilyPond still needs them in the input to
generate tablature.
The more-usual bar numbering for alternatives is available in 2.16
\set Score.alternativeNumberingStyle = #'numbers
You can put the coda on its own line, and ragged-right, with
\bar || \break
%% Coda
%{ ... the music in the coda ... %}
\bar |. \stopStaff s1
You might not have seen that Nick posted a much nicer formatting for barre
indications.
http://lists.gnu.org/archive/html/lilypond-user/2012-11/msg00570.html
It avoids taking apart LilyPond's internal data structures, which makes it
better for mutopiaproject.
You can adjust Nick's function to use it as \barre 3 { %{ music %} } and have
it set minimumFret=3 so you don't need so many string number entries. Scheme
can convert to Roman numerals.
barre = #(define-music-function (parser location
strg music) (number? ly:music?)
#{
\set TabStaff.minimumFret = $strg
\set TabStaff.restrainOpenStrings = ##t
\once\override TextSpanner #'(bound-details left text)
= #(format #f B ~@r strg)
%{ ... Nick's other style settings ...%}
\startTextSpan
$music
\stopTextSpan
\unset TabStaff.minimumFret
\unset TabStaff.restrainOpenStrings
#})
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Re: review of a Mutopia file (why TabStaff gives error here?)
Il 24/11/2012 03:34, Keith OHara ha scritto:
Federico Bruni fedelogy at gmail.com writes:
I've updated to 2.16 the following piece of Mutopia:
http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=636
Can anyone review it?
I made one pass through, and made potential-corrections as I went.
(attached) Hopefully you can use a 'diff' program to see the changes.
Thanks Keith!
I see that you've fixed a lot of fingerings, now it makes sense. You
just missed a string number in the second voice of bar 15.
I've also added the right harmonic (fifth fret of third string) in the
last bar:
\harmonicByFret #5 g,4.\3\fermata^Octav.
The barré formatting is awesome.
\version 2.16.0
#(define RH rightHandFinger)
% Function contributed by Thomas Morley:
% http://lsr.dsi.unimi.it/LSR/Item?id=857
barre =
#(define-music-function (parser location strg music)(number? ly:music?)
#{
\set TabStaff.minimumFret = $strg
\set TabStaff.restrainOpenStrings = ##t
\once\override TextSpanner #'(bound-details left text) = #(format #f B ~@r strg)
\once\override TextSpanner #'font-shape = #'upright
\once\override TextSpanner #'bound-details #'left #'stencil-align-dir-y = #CENTER
\once\override TextSpanner #'style = #'line
\once\override TextSpanner #'bound-details #'right #'text = \markup \draw-line #'(0 . -1)
\once\override TextSpanner #'to-barline = ##t
\once\override TextSpanner #'(bound-details right padding) = #1.5
\startTextSpan
$music
\stopTextSpan
\unset TabStaff.minimumFret
\unset TabStaff.restrainOpenStrings
#})
\header {
title = Sicilienne (Op 78)
composer = Gabriel Fauré
copyright = Domaine Public - Transcription guitare Ludovic Alexandre Morin - revue et doigtée Olivier Flatrès - 20/11/05
mutopiatitle = Sicilienne
mutopiacomposer = FaureG
mutopiaopus = O 78
mutopiainstrument = Guitar
date = 19th Century
source = Transcription
style = Romantic
typesetter = Olivier Flatrs
maintainer = Federico Bruni
lastupdated = \markup {
\simple #(strftime %x (localtime (current-time)))
}
footer = Mutopia-2005/11/25-636
tagline = \markup {
\override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7)
\box \center-column { \small
\line { Sheet music from \with-url #http://www.MutopiaProject.org; \line { \teeny www. MutopiaProject \teeny .org \hspace #0.5 } ⢠\hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. }
\line { \small \line { Typeset using \with-url #http://www.LilyPond.org; \line { \teeny www. LilyPond \teeny .org } by \typesetter \hspace #-1.0 ⢠Updated by \maintainer on \lastupdated } }
\line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #http://creativecommons.org/licenses/publicdomain; http://creativecommons.org/licenses/publicdomain } } }
}
}
global = {
\set Score.alternativeNumberingStyle = #'numbers
\time 6/8
\key bes \major
}
first = \relative c {
\global
\partial 8 d\5-3-\RH #2 8_
\repeat volta 2 {
%\override StringNumber #'padding = #1.5
g-\RH #3 16- d\5-3-\RH #2 g\4-4-\RH #4 d\5 \barre3 { bes'\3-1-\RH #3 - g\4-\RH #2 d'-\RH #3 - f,-\RH #1 bes-\RH #2 d-\RH #3 g-\RH #4 8- } |
bes-1-\RH #3 16- d,\3-3-\RH #2 g\2-4-\RH #4 a- g8\2- \barre3 { a16-4 c,\3 d c\3 d8- } |
\barre1 { d-\RH #3 8.- c-1-\RH #3 16- e8- d8.- c16- e8- } |
d-2-\RH #3 16- fis,-3-\RH #1 a-1-\RH #2 fis a fis d'-\RH #4 8 a-\RH #3 d,\4\open-\RH #2 - |
g16- d\5-3-\RH #2 g\4-\RH #4 d\5 \barre 3 { bes'\3-1-\RH #3 - g\4 d'- f, bes d f8\2- } |
\barre 1 { aes-4-\RH #4 16- aes,-\RH #2 c-\RH #3 g'-3-\RH #4 - f8- } g-2-\RH #4 16- g, b g f'8\2- |
e\open-\RH #4 16- g,\4-4-\RH #1 bes-2-\RH #2 g ees'-3-\RH #4 8- d-2-\RH #4 16- fis,-4 a-1 fis bes-18-^\coda |
}
\alternative {
{ g\3-\RH #3 8- g\4-4-\RH #2 16 d\5-\RH #1 g\4 d\5 g-\RH #3 4- d\5-\RH #2 8- | }
{ g8- g16\4 d\5 g\4 d\5 g4- r8 | }
}
\repeat volta 2 {
\barre 5 { b'-4-\RH #4 16- g,-\RH #1 d'-3-\RH #2 g-4-\RH #3 - a-1-\RH #4 8- bes-3-\RH #3 16- g,-\RH #1 c-\RH #2 c'-4-\RH #3 - cis-4-\RH #4 8- } |
\barre 8 { d-3-\RH #4 16- ees,-\RH #2 a-3-\RH #3 ees-\RH #2 - f-\RH #3 8- } \barre 1 { g-4-\RH #4 16- f,-3-\RH #1 aes-\RH #1 f-3-\RH #1 d'-4-\RH #3 8- } |
bes-4-\RH #3 16- bes,-2-\RH #1 d-\RH #1 g-\RH #3 - a-2-\RH #4 8- \barre 1 { bes-4-\RH #3 16- ees,-\RH #1 bes'-\RH #2 c-\RH #3 - cis-2-\RH #4 8- } |
d-2-\RH #3 16- fis,-3-\RH #1 a-1-\RH #2 e'\open-\RH #3 - fis-1-\RH #4 8- \barre 3 g-\RH #4 d-\RH #3 bes-\RH #2 4- r8 |
}
\break
\repeat volta 2 {
g\2-4-\RH #4 16- a,-1\4-\RH #2 ees'-3\3-\RH #3 a,\4 ees'8\3 \barre 3 { d-1-\RH #4 16 g,-4 bes-1 g bes8 } |
\barre 6 { bes'-1-\RH #4 16- bes,-2-\RH #1 des-1-\RH #2 a'-4-\RH #3 - g-3-\RH #2 8- } \barre 5 { a-1-\RH #4 16- a,-2-\RH #1 c-1-\RH #2 g'-4-\RH #3 - fis-3-\RH
