Re: How to extract the current time signature
Harm,
Thomas Morley-2 wrote
Maybe:
\version 2.19.15
printTimeSignatureFraction =
\applyContext #(lambda (ctx)
(let* ((context
(ly:context-property-where-defined ctx 'timeSignatureFraction))
(time-sig-frac
(ly:context-property context 'timeSignatureFraction)))
(display time-sig-frac)))
\relative c' {
\time 3/2
\printTimeSignatureFraction % = (3 . 2)
c''1
\compoundMeter #'((1 4) (3 8))
\printTimeSignatureFraction % = (5 . 8) !!
\repeat unfold 5 c8 \repeat unfold 10 c16
}
Though the compound TimeSig will return summarized
Cheers,
Harm
That works great! Thanks so much for your help. Perhaps I should have
mentioned it in the original post, but I'd like to be able to use the values
in time-sig-frac to automatically make a MultiMeasureRest with the duration
of the full measure, but when I attempt to do so, nothing gets added to my
score. Here's my latest and greatest:
%--
\version 2.18.2
autoMMR =
\applyContext #(lambda (ctx)
(let* ((context
(ly:context-property-where-defined ctx 'timeSignatureFraction))
(time-sig-frac
(ly:context-property context 'timeSignatureFraction))
(num (car time-sig-frac))
(den (cdr time-sig-frac)))
(make-music 'MultiMeasureRestMusic
'duration
(ly:make-duration 0 0 num den)
'articulations
'())
))
\relative c' {
\time 3/2
\autoMMR
c'1.
\compoundMeter #'((1 4)(3 8))
\autoMMR
\repeat unfold 5 c8 \repeat unfold 10 c16
}
%--
I know that applyContext creates its own (make-music ... block, so maybe
there's some scoping issue I'm not aware of. Any further help would be
greatly appreciated!
-Abraham
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Re: Looking for a nothingBut function
Hi again,
this is close to what I'm looking for :
\version 2.19.15
\new Devnull
\with {
\consists Note_heads_engraver
\consists Accidental_engraver
\consists Clef_engraver
\omit Clef
}
{ \repeat unfold 8 cis'8 }
Please consider my problem as solved.
Cheers,
Pierre
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Re: Custos and rest
Hi Pierre, very helpful, as always, Thank you, Andrea -- View this message in context: http://lilypond.1069038.n5.nabble.com/Custos-and-rest-tp170860p170863.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Custos and rest
Hi Andrea,
Since I've never explored this context in detail I do not have the
explanation you're looking for.
Anyway, here are two workarounds; none of them are good but, at least, do
the job :
\version 2.18.2
\new MensuralStaff {
\relative c' {
a b c d e f g a g a a g a a \bar \break
%r2
\tweak Stem.stencil #f
\tweak stencil #(lambda (grob)
(grob-interpret-markup grob
(markup #:musicglyph rests.1mensural))) a2
a4 f
}
}
\new MensuralStaff {
\relative c' {
a b c d e f g a g a a g a a \bar \break
\once\hideNotes\grace a4
\tweak extra-offset #'(-6 . 0) r2*1/2
a4 f
}
}
Cheers,
Pierre
2015-01-22 8:28 GMT+01:00 Jayaratna jayara...@gmail.com:
Dear lilypondians,
Lilypond doesn't engrave the custos at the end of a line if the next line
begins with a rest.
Can I change this behaviour? Is it a setting of break-visibility?
Thank you,
Andrea
\score{
{
\new MensuralStaff {
\relative c'{
a b c d e f g a g a a g a a \bar \break r1 a4 f
}
}
}
}
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Re: Custos and rest
Oups, sorry, copy/paste error :
\tweak extra-offset #'(-6 . 0) r2
for workaround #2
Pierre
2015-01-22 10:51 GMT+01:00 Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com:
Hi Andrea,
Since I've never explored this context in detail I do not have the
explanation you're looking for.
Anyway, here are two workarounds; none of them are good but, at least, do
the job :
\version 2.18.2
\new MensuralStaff {
\relative c' {
a b c d e f g a g a a g a a \bar \break
%r2
\tweak Stem.stencil #f
\tweak stencil #(lambda (grob)
(grob-interpret-markup grob
(markup #:musicglyph rests.1mensural))) a2
a4 f
}
}
\new MensuralStaff {
\relative c' {
a b c d e f g a g a a g a a \bar \break
\once\hideNotes\grace a4
\tweak extra-offset #'(-6 . 0) r2*1/2
a4 f
}
}
Cheers,
Pierre
2015-01-22 8:28 GMT+01:00 Jayaratna jayara...@gmail.com:
Dear lilypondians,
Lilypond doesn't engrave the custos at the end of a line if the next line
begins with a rest.
Can I change this behaviour? Is it a setting of break-visibility?
Thank you,
Andrea
\score{
{
\new MensuralStaff {
\relative c'{
a b c d e f g a g a a g a a \bar \break r1 a4 f
}
}
}
}
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Re: tie to {} \\ {}
Putting the d~ and ees~ inside the ... block gets a bit closer. You can
see the ties, but has other differences from your original example. I'm not
sure exactly what your final goal is:
\relative c' {
{ d16~ \once \override NoteColumn.force-hshift = #-0.6 \once \override
Stem.direction = #DOWN d2 }
\\ { ees16~ \once \override NoteColumn.force-hshift = #0.6 \once \override
Stem.direction = #up ees2^\trill }
}
OR
\relative c' {
{ ees16~ \once \override NoteColumn.force-hshift = #0.6 \once \override
Stem.direction = #up ees2^\trill } \\
{ d16~ \once \override NoteColumn.force-hshift = #-0.6 \once \override
Stem.direction = #DOWN d2 }
}
On Thu, Jan 22, 2015 at 10:03 AM, Luca Danieli mr.luce...@hotmail.it
wrote:
Hi all,
how can I tie the notes in the following example?
d~ ees~16
{ \once \override NoteColumn.force-hshift = #-0.6 \once \override
Stem.direction = #DOWN d2 }
\\ { \once \override NoteColumn.force-hshift = #0.6 \once \override
Stem.direction = #up ees2^\trill }
the ~ do not show in the score.
Luca
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Re: polyphony and bendAfter
http://lilypond.org/bug-reports.html
--
Phil Holmes
- Original Message -
From: Gagi Petrovic
To: LilyPond Users
Sent: Thursday, January 22, 2015 2:58 PM
Subject: Re: polyphony and bendAfter
Hi all,
Could the ignoring of the before mentioned bendAfter be a bug, or does it
work as intended?
If it isn't, where can I do bug reports?
And in case it is, where can I propose enhancement requests?
Thanks!
Gagi
On Jan 19, 2015 9:39 AM, Gagi Petrovic gagig...@gmail.com wrote:
Dear LilyPond group,
Does anyone know how to correctly implement a bendAfter with polyphony?
When i do
e a,\bendAfter #1 c c
LilyPond simply ignores the bendAfter.
The following example works, but isn't a very efficient/elegant workaround.
Besides, it's technically not correct either since the bend should depart from
both notes.
{
\hideNotes
e2\bendAfter #2
}
\\
{ \unHideNotes
e a,2 c c c
}
Any clue would be greatly appreciated :)
Thanks in advance and all the best,
Gagi
full code:
\version 2.18.2
\score {
\new Staff {
\relative c' { \cadenzaOn
{
\hideNotes
e2\bendAfter #2
}
\\
{ \unHideNotes
e a,2 c c c
}
e a,\bendAfter #1 c c
}
}
}
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Re: polyphony and bendAfter
Hi all,
Could the ignoring of the before mentioned bendAfter be a bug, or does it
work as intended?
If it isn't, where can I do bug reports?
And in case it is, where can I propose enhancement requests?
Thanks!
Gagi
On Jan 19, 2015 9:39 AM, Gagi Petrovic gagig...@gmail.com wrote:
Dear LilyPond group,
Does anyone know how to correctly implement a bendAfter with polyphony?
When i do
e a,\bendAfter #1 c c
LilyPond simply ignores the bendAfter.
The following example works, but isn't a very efficient/elegant
workaround. Besides, it's technically not correct either since the bend
should depart from both notes.
{
\hideNotes
e2\bendAfter #2
}
\\
{ \unHideNotes
e a,2 c c c
}
Any clue would be greatly appreciated :)
Thanks in advance and all the best,
Gagi
*full code:*
\version 2.18.2
\score {
\new Staff {
\relative c' { \cadenzaOn
{
\hideNotes
e2\bendAfter #2
}
\\
{ \unHideNotes
e a,2 c c c
}
e a,\bendAfter #1 c c
}
}
}
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Re: Custom DrumStaff
On Jan 22, 2015, at 6:06 PM, Rutger Hofman rut...@cs.vu.nl wrote: On 01/23/2015 12:28 AM, Cynthia Karl wrote: I'm trying to duplicate the behavior shown in the next two images: The major things wrong with this output are: * the rests should be centered on their line, not above it * there should be a full-measure rest on the lower line of measure 5 * the 8th rest in beat 2 of measure 4 of upperMusic has disappeared, presumable consumed by the corresponding quarter rest in lower music at that time. * I get the warning: 30: 5: warning: cannot resolve rest collision: rest direction not set 4 r4 % 4 Can anyone give me a hint or two? Is a DrumStaff the wrong approach? ( Maybe a couple of RhythmicStaffs would be better?) Using version 2.19.15. The rest positions are correct when you use \voiceOne for the upper line in stead of \stemUp, and \voiceTwo for the lower line in stead of \stemDown. Sadly, for full-measure rests in the upper line the result is incorrect. These must be positioned with \oneVoice. HTH I think that's going to help a lot. Thanks. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Custom DrumStaff
I just tried your example and Lilypond produced the following error messaages. Could it be due to my version of 2.18.2? Parsing... TwoInstruments.ly:14:16: error: syntax error, unexpected UNSIGNED r8\p bol8 r8 8% 4 TwoInstruments.ly:26:10: error: syntax error, unexpected UNSIGNED boh8\p 8 r8 8 % 1 TwoInstruments.ly:33:1: error: errors found, ignoring music expression On Thu, 2015-01-22 at 22:19 -0600, Cynthia Karl wrote: On Jan 22, 2015, at 6:06 PM, Rutger Hofman rut...@cs.vu.nl wrote: On 01/23/2015 12:28 AM, Cynthia Karl wrote: I'm trying to duplicate the behavior shown in the next two images: The major things wrong with this output are: * the rests should be centered on their line, not above it * there should be a full-measure rest on the lower line of measure 5 * the 8th rest in beat 2 of measure 4 of upperMusic has disappeared, presumable consumed by the corresponding quarter rest in lower music at that time. * I get the warning: 30: 5: warning: cannot resolve rest collision: rest direction not set 4 r4 % 4 Can anyone give me a hint or two? Is a DrumStaff the wrong approach? ( Maybe a couple of RhythmicStaffs would be better?) Using version 2.19.15. The rest positions are correct when you use \voiceOne for the upper line in stead of \stemUp, and \voiceTwo for the lower line in stead of \stemDown. Sadly, for full-measure rests in the upper line the result is incorrect. These must be positioned with \oneVoice. HTH I think that's going to help a lot. Thanks. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Custom DrumStaff
I'm trying to duplicate the behavior shown in the next two images:
(the dash above the eighth rest in the upper line in beat 1 of measure 4 is an
artifact; ignore it)
My best effort so far is:
\version 2.19.15
\paper {
ragged-right = ##t
}
#(define percussion '((lobongo default #t 3)
(hibongo default #t -3)))
upperMusic = \drummode {
\time 2/4
\stemUp
R1*2/4% 1
\break
R1*2*2/4 % 2-3
r8\p bol8 r8 8% 4
R1*2/4% 5
}
lowerMusic = \drummode {
\time 2/4
\overrideTimeSignatureSettings
2/4 % timeSignatureFraction
1/4 % baseMomentFraction
#'(2) % beatStructure
#'() % beamExceptions
\stemDown
boh8\p 8 r8 8 % 1
8 8 8 8 % 2
8 8 8 8 % 3
4 r4 % 4
R1*2/4% 5
}
\new DrumStaff {
\set DrumStaff.instrumentName = \markup { \center-column { Tri CS} }
\override DrumStaff.StaffSymbol #'line-positions = #'(3 -3)
\set DrumStaff.drumStyleTable = #(alist-hash-table percussion)
\new DrumVoice \lowerMusic
\new DrumVoice \upperMusic
}
which yields:
DrumStaffExperiment1.pdf
Description: Adobe PDF document
The major things wrong with this output are:
* the rests should be centered on their line, not above it
* there should be a full-measure rest on the lower line of measure 5
* the 8th rest in beat 2 of measure 4 of upperMusic has disappeared,
presumable consumed by the corresponding quarter rest in lower music at that
time.
* I get the warning: 30: 5: warning: cannot resolve rest collision:
rest direction not set
4
r4 % 4
Can anyone give me a hint or two? Is a DrumStaff the wrong approach? ( Maybe a
couple of RhythmicStaffs would be better?)
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Re: Custom DrumStaff
On 01/23/2015 12:28 AM, Cynthia Karl wrote: I'm trying to duplicate the behavior shown in the next two images: The major things wrong with this output are: * the rests should be centered on their line, not above it * there should be a full-measure rest on the lower line of measure 5 * the 8th rest in beat 2 of measure 4 of upperMusic has disappeared, presumable consumed by the corresponding quarter rest in lower music at that time. * I get the warning: 30: 5: warning: cannot resolve rest collision: rest direction not set 4 r4 % 4 Can anyone give me a hint or two? Is a DrumStaff the wrong approach? ( Maybe a couple of RhythmicStaffs would be better?) Using version 2.19.15. The rest positions are correct when you use \voiceOne for the upper line in stead of \stemUp, and \voiceTwo for the lower line in stead of \stemDown. Sadly, for full-measure rests in the upper line the result is incorrect. These must be positioned with \oneVoice. HTH Rutger ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: tie to {} \\ {}
Hi Luca, hi Steve,
Luca, do you mean :
\version 2.18.2
\transpose c c' {
%d ees16 ~
{
\once\stemDown
\once\hideNotes ees16~
\once\override NoteColumn.force-hshift = #0.6
ees2^\trill
}
\\
{
\once\stemUp
d~ ees16
\once\override NoteColumn.force-hshift = #-0.6
d2
}
}
HTH,
Pierre
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tie to {} \\ {}
Hi all,
how can I tie the notes in the following example?
d~ ees~16
{ \once \override NoteColumn.force-hshift = #-0.6 \once \override
Stem.direction = #DOWN d2 }
\\ { \once \override NoteColumn.force-hshift = #0.6 \once \override
Stem.direction = #up ees2^\trill }
the ~ do not show in the score.
Luca
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Pitched trill glissando
Hi list,
I'm trying to create a pitched trill where the parenthesized note glisses
to a new note.
I've got quite close to the notation I'm after, but I can't find a way to
parenthesize the goal note the same way as the pitchedTrill. \parenthesize
doesn't seem to include the accidental, and is in a different style to
pitchedTrill. Any ideas?
Thanks!
Best,
David
\version 2.19.13
{
\clef altovarC
\once \override Glissando.minimum-length = #10
\once \override Glissando.springs-and-rods = #ly:spanner::set-spacing-rods
\once \override Glissando.bound-details.left.Y = #-3.25
\once \override Glissando.bound-details.right.Y = #-2.75
\once \override Glissando.bound-details.left.padding = #3.5
\pitchedTrill c2\startTrillSpan \glissando ~ des
\once \omit Staff.Flag
\once \omit Staff.Stem
\grace {d8} c8\stopTrillSpan r8
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