Re: Lilypondtool conf
How could I avoid this ? you need to use backslashes before each of the spaces like this: %lilypond %args /home/yoochan/classeur/lilypond/danse\ macabre\ -\ St\ Saens/alto.ly Moreover, I would like to use evince instead of JPedal as pdf reader, does someone have some tips on how to do this ? a lot of the specifics here depend on which window manager you are using (i.e. kde, gnome ...). if you're using kde, just right click on any pdf file and select properties. then push the button that looks like a wrench. here you can choose which program is the default for opening this file type and a lot of other things. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: adding fingering diagrams
is there a way to make the circles closer in the macro definition?
i overrode the baseline-skip property, and now the circles are closer together.
fingerD = \markup{\override #'(baseline-skip . 2) \column{◍ ● ● }}
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Re: adding fingering diagrams
Chris Capoccia chriscapoccia at spamcop.net writes:
the tin whistle fingering tips might be helpful:
http://comments.gmane.org/gmane.comp.gnu.lilypond.general/3651
using the idea from the tin whistle fingering discussion, i was able to come up
with something that i think will work well:
\paper {
#(define dump-extents #t)
indent = 0\mm
line-width = 180\mm - 2.0 * 0.4\in
}
\layout {
}
\version 2.8.7
\header {
title = The Ninety and Nine
composer = Ira D. Sankey (1874)
poet = Elizabeth C. Clephane (1868)
}
melody = \relative c' {
\clef treble
\key g \major
\time 6/8
\partial 8
d16_◍_●_● d_◍_●_● g8._◍_●_● g16_◍_●_● g8_◍_●_●
g4_◍_●_● g8_◍_●_● fis4_●_○_○ fis8_●_○_○ g4_◍_●_●
g16_◍_●_● g_◍_●_● b4_◍_●_● b8_◍_●_● g4_◍_●_●
g8_◍_●_● a4._●_●_○ r4
\bar ||
\break
\partial 8
d,8_◍_●_● g4_◍_●_● g8_◍_●_● g4_◍_●_● g16_◍_●_●
g_◍_●_● b4_◍_●_● b8_◍_●_● g4_◍_●_●
g8_◍_●_● a4_●_●_○ a16_●_●_○ a_●_●_○ fis4_●_○_○
fis8_●_○_○ g4._◍_●_● r4
\bar ||
\break
\partial 8
g8_◍_●_● b8._◍_●_● b16_◍_●_● b8_◍_●_● g4_◍_●_●
g8_◍_●_● b4_◍_●_● b8_◍_●_● g4_◍_●_●
d'8_●_◍_● d8._●_◍_● d16_●_◍_● d8_●_◍_●
d8(_●_◍_● b8)_◍_●_● g8_◍_●_● a8(_●_●_○ g8)_◍_●_●
a8_●_●_○ b4_◍_●_●
d8_●_◍_● d8.^\fermata_●_◍_● d16_●_◍_● e8_○_○_○
d8(_●_◍_● b8)_◍_●_● g8_◍_●_● a8(_●_●_○
b8^\fermata)_◍_●_● a8_●_●_○ g4_◍_●_●
\bar |.
}
text = \lyricmode {
\set stanza = 1.
There were nine -- ty and nine, that safe -- ly lay
In the shel -- ter of the fold,
But one was out on the hills a -- way,
Far off from the gates of gold.
A -- way on the moun -- tains wild and bare,
A -- way from the ten -- der Shep -- herd’s care,
A -- way from the ten -- der Shep -- herd’s care.
}
\book{
\score{
\new Voice = one {
\autoBeamOn
\melody
}
\new Lyrics \lyricsto one \text
\layout { }
\midi { }
}
\markup{
\wordwrap-string #
Verse 2.
“Lord, Thou hast here Thy ninety and nine;
Are they not enough for Thee?”
But the Shepherd made answer: “This of Mine
Has wandered away from Me;
And although the road be rough and steep,
I go to the desert to find My sheep,
I go to the desert to find My sheep.”
}
}
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Re: adding fingering diagrams
Mats Bengtsson mats.bengtsson at ee.kth.se writes:
If you want to save some typing, you can define macros for these
patterns, like
fingerD = \markup{\column{◍ ● ● }}
and then use them like d16^\fingerD
/Mats
i like the idea of using a macro, but there is more space in the vertical
direction between each circle with this method.
d16_◍_●_●
has the circles closer together.
is there a way to make the circles closer in the macro definition?
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adding fingering diagrams
is it possible to place fingering diagrams in the score like this: http://www.interopp.org/flute/htm/fu_fingerings.htm the solid holes are closed finger holes. the open holes are not covered by the finger. the cracked closed hole is the one used to make vibrato. i don't need to reproduce the diagram clint gloss uses, i would be happy with something much simpler: three characters in a vertical line above or below the staff for each note. i could come up with my own scheme for which characters represent whether the hole should be covered or not. maybe x for covered, o for open and ~ for closed with vibrato. in case you're curious, the notation is for the fujara. it's a traditional three hole overtone flute from central slovakia. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
