Re: hide repeat endings?
THANK YOU! Beautiful. I'm learning...
On 8/29/2015 10:41 AM, Robin Bannister wrote:
\version 2.18.2
%\include ijr-jazzchords.ily
%\include lilyjazz.ily
\header {
title = untitled...
composer = Ian Rashkin
copyright = © 2014 Ian Rashkin (BMI)
tagline = refactored Re: hide repeat endings? lilypond-user 2015-08-29
%need blank to suppress lilypond marker
}
sl = {
\improvisationOn
\override Voice.Stem.stencil = ##f
}
nsl = {
\improvisationOff
\revert Voice.Stem.stencil
}
%% harmony
initialHarmony = {}
introHarmony = \chordmode {
s1*8
}
headHarmony = \chordmode {
f1*8:7 \bar || \break
des1*8:7 \bar || \break
a1*8:7.9- \bar || \break
bes1:7
c1:7
f1:min7
bes1:7
a1:min7+
d1:7
g1:min7
g1:7
c1:7
}
turnaroundHarmony = \chordmode {
bes1:9+.5+ \bar |. \break
}
codaHarmony = \chordmode {
bes1:9+.5+
c1:9+.5+
bes2:9+.5+ b2:7 \bar |.
}
%% melody
initialMelody = {
\clef treble
\key f \major
\tempo Fast Swing 4 = 232 \time 4/4
\numericTimeSignature
}
introMelody = \relative c'' {
\sl
\repeat unfold 8 {\repeat unfold 4 {f4}}
\nsl
}
headMelody = \relative c'' {
f1~--- \repeat unfold 23 {f1~} |
f2\accent-\bendAfter #-4.75 r2
d8 d8 c8 d,8 a'8 c8 r4
r4 aes8 c8 bes8 aes8 ees8 des8
d!8 ees8 aes8 c8 bes8 g8~ g8 r8
gis8 gis8 a8 d8 c8 fis,8~ fis8 r8
fis8 e8 c8 a8 d8 a'8-.- r4
r4 bes8 bes8~ bes8 bes8 bes4
b8 b8~ b8 b8 b4 c4
d8 f8 c8 a8 \tuplet 3/2 {g8 a8 bes8} d8 c8
}
turnaroundMelody = \relative c'' {
bes8 aes8 g8 fis8~ fis8 r4.
}
codaMelody = \relative c'' {
bes8 aes8 g8 fis8~ fis8 r8 b4
c8 bes8 a8 gis8~ gis8 r8 cis4
\tuplet 3/2 {bes4 aes4 g4} fis2 |
}
%% auxiliary
initialAux = {}
introAux = {
-\markup {Intro: Drums (+?) arhythmic improv}
s1*8 \bar || \break
}
headAux = {
^\markup{ \translate #'(-6 . 2) \musicglyph
#scripts.segno}_\markup{\override #'(line-width . 100) \italic
\wordwrap-string #* Use circular breathing, repetition, free
improivisation, or whatrever you can to extend this note through all 24 bars
(freely vary timbre, volume, intonation, etc.)}
s1*8 \bar || \break
s1*8 \bar || \break
s1*8 \bar || \break
s1*8
s8*7 \coda s8
}
turnaroundAux = {
s8*5 _\markup {\translate #'(-30 . -5) { solos {\teeny \musicglyph
#scripts.segno} to end, coda on out head only}}
s8*3
}
codaAux = {
^\markup{ \translate #'(-6 . 2) \musicglyph #scripts.coda}
s1*3
}
%% paper
\score {
\new ChordNames
{ \initialHarmony \introHarmony \headHarmony \turnaroundHarmony
\codaHarmony }
\new Voice \with { \consists Pitch_squash_engraver }
{ \initialAux \introAux \headAux \turnaroundAux \codaAux }
{ \initialMelody \introMelody \headMelody \turnaroundMelody \codaMelody }
\layout {
indent = 0
ragged-last = ##t
\context {
\Score
\remove Bar_number_engraver
}
}
}
%% midi
\score {
{ \initialHarmony \introHarmony \headHarmony \turnaroundHarmony
\headHarmony \codaHarmony }
{ \initialMelody \introMelody \headMelody \turnaroundMelody \headMelody
\codaMelody }
\midi { }
}
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quarter tone - hide natural that appears to cancel key sig
Hi, So, I am in the key of B flat, and one melody line has in it a beh (B quarter-flat). When it renders, I get a natural sign followed by a quarter-flat sign - how can I have just the quarter flat? The natural seems redundant in this context. Thanks. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Aligning c1 |. with R1 |.
thanks so much! I didn't see any way to reply to list, only a button to reply to you. I will give this a shot. I appreciate your time. On 7/28/2015 7:18 AM, Thomas Morley wrote: Hi Ian, welcome to LilyPond and the list. Please always adress the mailing list/reply to all. Others may be interested as well. 2015-07-28 1:02 GMT+02:00 Ian Rashkin irash...@gmail.com: hi, sorry to bother you - this http://lists.gnu.org/archive/html/lilypond-user/2013-05/msg00880.html fix sounds like just what i need, but i am a total newbie to lilypond, trying to decide if it can really do all i want it too. so far the only thing i don't like is the whole rest positions. but, i don't know how to implement this patch. I tried saving it and dropping it into \usr\share\lilypond\current\ly, and then including it in my score. It totally blew the formatting all out. So not sure if it's just not what I need, or if I used it incorrectly. If you don't mind, can you give me a quick clue how to implement? thanks much, ian rashkin Meanwhile David Nalesnik came up with a better function. http://lists.gnu.org/archive/html/lilypond-user/2015-05/msg00834.html I'd put the function in some custom-functions.ily file and include it if needed/wanted via \include custom-functions.ily You may need to set the include-path as appropiate. Don't put it in internal files, it will be overridden and lost with next upgrade. HTH, Harm ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
clip-systems png output?
hi, am a total newbie to lilypond, but way impressed, hope to use it a lot.
interested in outputting clips as png, so trying various combinations, all of
which are the same result.
file scale.ly:
\version 2.12.0 % necessary for upgrading to future LilyPond versions.
#(ly:set-option 'clip-systems #t)
\header{
%title = A scale in LilyPond
}
\score {
\relative c' {
c d e f g a bes c d ees8( e) c4 b c~ c1
}
\layout {
clip-regions
= #(list
(cons
(make-rhythmic-location 3 0 4)
(make-rhythmic-location 4 0 4)))
}
}
lilypond --png scale.ly
i get a clipped eps (or so it would appear), and a full ps and png. if i leave
out the --png, i get a clipped pdf.
am i doing this wrong, or is it not possible to get a png clip?
thanks,
ian
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