Re: Change print-appearance of chord members to different duration, but not the logic behind.
Eventhough I thought I had prevented this it happened :)
That you can rewrite the notehead replacement to any glyph I want does not
change the fact that it is exactly the glyph/notehead I give it. Once the
enviroment changes I have to replace all the noteheads. Imagine this for a
complex piano score where you need this kind of mixed-duration chords.
Yes, I know I can use variables but its still less elegant than using
duration-log.
Nils
On Tue, 26 Apr 2011 06:10:30 -0400
"m...@apollinemike.com" wrote:
> On Apr 26, 2011, at 6:04 AM, Nils wrote:
>
> > Thank you for your answer. This is what I'm looking for.
> > { }
> > because it respects notehead-styles.
> >
> > The other method mentioned is limited to one style.
> >
>
> The other one can use any glyph you'd like.
>
> > Do you know how breve and longa can be produced with that? #breve or #0.5
> > does not give an error, but it also does not work.
>
> { <\tweak #'stencil #(lambda (grob) (grob-interpret-markup grob (markup
> #:musicglyph "noteheads.slmensural"))) f' a' c''> }
>
> You can throw whatever you want in there...
>
> { <\tweak #'stencil #(lambda (grob) (grob-interpret-markup grob (markup
> #:musicglyph "clefs.G"))) f' a' c''> }
>
> Cheers,
> MS
>
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Re: score transposition problem
You can use Denemo for this. Choose the clefs the original has, insert the notes just as if they were dots on lines and in the end change the clef to what you want. Nils > On 04/13/2011 00:15 AM, Tom Cloyd wrote: > > I want to arrange a Bach chorale for guitar. My score for the chorale is > > a nightmare. I can barely read bass clef, and can do that in my mind, > > but the scores for soprano, alto, and tenor all use C-clefs, and in a > > way that each score must be read in a unique way. I've never before seen > > a score like this. The notes fit nicely on the staff, but I cannot read > > them without a lot of mental gymnastics. > > I’m afraid there’s not much for it except to learn to read them (these > are probably tenor and alto clefs). As others have pointed out, a > simple transposition is going to produce weird effects. And speaking as > a trombone player who had to learn tenor clef to play orchestral stuff, > you actually do get used to it fairly quickly. If it’s giving you > trouble, use a paper copy with the line-notes penciled in (e.g., D F A C > E for tenor clef) at the start of the line. > > I find that I mostly think in relative terms when reading tenor; e.g., > the first note is a C, then there’s a third so it’s an E, etc. > > You could also try using some math as you go along: in the tenor clef, > every note is one “notch” high relative to the treble clef, so a note on > the 4th line should be moved down one to the 3rd space, which is a > treble C. (You’ll be an octave off, but that is a much easier problem > to solve.) For the alto clef, move the note up a notch for the treble > note value. > > HTH, > crism > - -- > Chris Maden, text nerd http://crism.maden.org/ > > “Those in power write the history, while those who suffer > write the songs.” — Frank Harte > GnuPG Fingerprint: C6E4 E2A9 C9F8 71AC 9724 CAA3 19F8 6677 0077 C319 > -BEGIN PGP SIGNATURE- > Version: GnuPG v1.4.10 (GNU/Linux) > Comment: Using GnuPG with Mozilla - http://enigmail.mozdev.org/ > > iEYEARECAAYFAk2lq3AACgkQGfhmdwB3wxkusgCfTf+s1w/Yl7xLJmxsPAvGb5yy > HFAAniP/1T//Sd63gKdV6SOJoKdsNe/T > =pVLZ > -END PGP SIGNATURE- > > ___ > lilypond-user mailing list > lilypond-user@gnu.org > http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Lilypond with Cubase/DAW for Musical
How is integration possible at all with the GPL? On Tue, 12 Apr 2011 20:01:06 +0200 Jan Nieuwenhuizen wrote: > JCHarris Music writes: > > > I have been looking at LilyPond, which produces marvelous looking > > output > > Nicest would be to integrate LilyPond with Cubase, somehow. You could > always do a feature-request with Cubase or ask on a Cubase forum. I'm > currently working on LilyPond integration with FL Studio. > > Greetings, > Jan > > -- > Jan Nieuwenhuizen | GNU LilyPond http://lilypond.org > Freelance IT http://JoyofSource.com | Avatar® http://AvatarAcademy.nl > > ___ > lilypond-user mailing list > lilypond-user@gnu.org > http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: [OT] Vivi, the Virtual Violinist, plays LilyPond music
How do I get the video? I just got a wave file from
../build/src/actions2wav unit.actions
Nils
On Thu, 7 Apr 2011 11:07:28 +0100
Graham Percival wrote:
> On Wed, Mar 23, 2011 at 02:58:39AM -0300, Pato Press wrote:
> >And, if you want to, I have a not so good violin made in Blender, nearly
> >with all it's pieces. I have never completely finish it.
>
> In case anybody is wondering about this, the blender model is
> absolutely awesome, and it's now part of Artifastring. You can
> get it here:
> https://github.com/gperciva/artifastring
>
> Artifastring ("artificial fast string") produces a not-very-good
> .wav file and an visually amazing .mpeg or .avi file, based on a
> series of physical actions stored in an .actions file. I've just
> submitted a patch to extract music events from from lilypond --
> the goal[1] is to produce sound and video from a .ly file
> automatically.
>
> [1] well, I already have this "goal" working... so rather, I
> should say that the goal is to make this work on other people's
> computers, and to make the code meet lilypond's standards.
>
> If you check out Artifastring right now, treat it more like a
> "technology preview" -- you can't easily produce anything other
> than the "unit test" video. The other bits and pieces will be
> coming over the next week or two.
>
> Cheers,
> - Graham
>
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