Distance between title and music

[Ole Schmidt]

Hi,

I've tried some search in the docs but could not find an working solution for 
increasing the distance between the title and the first staff.
Can someone please give me a hint.


thanks

ole











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change the font for all markups

[Ole Schmidt]

Hi,

What is the way to change the font of all markups into the \typewriter font?
I've tried what is suggested in the manual:

 (#(define fonts
(make-pango-font-tree "Times New Roman"
  "Nimbus Sans"
  "Luxi Mono"
  (/ staff-height pt 20)))

the markups font did not change.



thanks,

ole







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Re: change the font for all markups

[Ole Schmidt]

Am 12.02.2015 um 12:04 schrieb Noeck :

> Hi,
> 
> this works for me (taken from Frescobaldi Insert > Document fonts …):
> 
> \paper {
>  fonts = #
>  (make-pango-font-tree
>"Times New Roman"
>"Nimbus Sans"
>"Luxi Mono"
>   (/ (* staff-height pt) 2.5))
> }
> { a^\markup { "Test" \typewriter "code" } }
> 
> Of course, the fonts must be installed.
> 
> HTH,
> Joram
> 
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Thanks, but I'am looking for a solution where the \typewriter in the markup is 
not neccecary.
I have lots of markups and don't want to change them all manually.


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variable in markup possible?

[Ole Schmidt]

Hi,

Is it possible to use a variable inside a markup, like

def = { \center-column {

\combine
  \draw-line #'(0 . 6)
  \arrow-head #Y #DOWN ##f
  }
}


{c1^\markup {def}}


thanks,

ole












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Re: change the font for all markups

[Ole Schmidt]

Am 12.02.2015 um 11:50 schrieb Richard Shann :

> On Thu, 2015-02-12 at 12:20 +0100, Ole Schmidt wrote:
>> Am 12.02.2015 um 12:04 schrieb Noeck :
>> 
>>> Hi,
>>> 
>>> this works for me (taken from Frescobaldi Insert > Document fonts …):
>>> 
>>> \paper {
>>> fonts = #
>>> (make-pango-font-tree
>>>   "Times New Roman"
>>>   "Nimbus Sans"
>>>   "Luxi Mono"
>>>  (/ (* staff-height pt) 2.5))
>>> }
>>> { a^\markup { "Test" \typewriter "code" } }
>>> 
>>> Of course, the fonts must be installed.
> 
> replace "Times New Roman" with "Luxi Mono" or whatever typerwriter font
> you have, the what would have been in Times will come out in Mono...
> 
> Richard

that makes sense and works!

thanks!
> 
> 
>>> 
>>> HTH,
>>> Joram
>>> 
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>>> https://lists.gnu.org/mailman/listinfo/lilypond-user
>> 
>> 
>> Thanks, but I'am looking for a solution where the \typewriter in the markup 
>> is not neccecary.
>> I have lots of markups and don't want to change them all manually.
>> 
>> 
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> 
> 


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Re: variable in markup possible?

[Ole Schmidt]

Am 12.02.2015 um 12:40 schrieb Noeck :



www.oleschmidt.de



> Hi Ole,
> 
>> Is it possible to use a variable inside a markup
> 
> Yes. With two modifications to your code:
> 1. The definition of def must be a markup (insert \markup before the 
> \center-column)
> 2. You have to call a variable with a backslash (\def).
> The definitions of a variable is: var = …
> The usage of a variable is: \var
> 
> 
> def = \markup \center-column {
>  \combine
>  \draw-line #'(0 . 6)
>  \arrow-head #Y #DOWN ##f
> }
> 
> { c1^\markup {\def} }
> 
> Cheers,
> Joram
> 

works, thanks!




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vertical alignment

[Ole Schmidt]

Hi,

A friend showed me his first leadsheed to proofread and we both stumbled over 
the strange alignment in bar three of the attached file.
Is this a bug or a feature?

thanks for help

ole

code%%%
\version "2.18.2"

 \new Staff 
 \relative c''  
 {  
   \key des\major\time 2/2
  
   
 
<<{c2.} \\ {g2.} >> <<{c4~} \\ {aes4~} >>
<<{c1} \\ {aes1} >>
 <<{ges1} \\ {bes1} >>
 <<{des1} \\ {a1} >>

 }
%%






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how to define rehersal marks globally?

[Ole Schmidt]

Hi,

When I have a score, how can I define rehersal marks globally (instead of in 
every voice) so that they appear in every other voice, when I print it out  
(like below)?

%%
global= {
  \time 4/4
  \key c \major
}

violinOne = \new Voice \relative c'' {
  \set Staff.instrumentName = #"Violin 1 "
\mark \default  
  c2 d \mark \default
  e1

  \bar "|."
}

violinTwo = \new Voice \relative c'' {
  \set Staff.instrumentName = #"Violin 2 "

  g2 f
  e1

  \bar "|."
}

viola = \new Voice \relative c' {
  \set Staff.instrumentName = #"Viola "
  \clef alto

  e2 d
  c1

  \bar "|."
}

cello = \new Voice \relative c' {
  \set Staff.instrumentName = #"Cello "
  \clef bass

  c2 b
  a1

  \bar "|."
}

\score {
%  \new StaffGroup <<
%\new Staff << \global \violinOne >>
%\new Staff << \global \violinTwo >>
\new Staff << \global \viola >>
%\new Staff << \global \cello >>
%  >>
  \layout { }
  \midi { }
}


thanks,  ole
















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octava sign

[Ole Schmidt]

Hi,

I need something like "8va opt."
How can I tweak the "\ottava #1" command to achive this?

thanks for a hint

ole






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jazzchords.ly

[Ole Schmidt]

Hi,

I want to use the jazzchord.ly but it gives me an error (see below)
I am on LP 2.16.0-1
How to remedy this?

attached the jazzchords-include.ily file which does not work properly

thanks

ole


[siehe angehängte Datei: jazzchords-include.ily]


»/Applications/Musikverarbeitung/Lily/Lily_DT/1201_Lily/jazzchords.ly« wird 
verarbeitet
Analysieren...
/Applications/Musikverarbeitung/Lily/Lily_DT/1201_Lily/jazzchords-include.ily:76:58:
 Fehler: GUILE signalisierte einen Fehler für den hier beginnenden Ausdruck
-\markup\jcRaise{ {\larger\larger #
 (ly:export 
(ly:wide-char->utf-8 #x00f8)) } "7" }
/Applications/Musikverarbeitung/Lily/Lily_DT/1201_Lily/jazzchords-include.ily:76:57:
 Fehler: Keine Textbeschriftung
-\markup\jcRaise{ {\larger\larger 
#(ly:export 
(ly:wide-char->utf-8 #x00f8)) } "7" }
Interpretation der Musik...[8][16][24][32][40][48]
Vorverarbeitung der grafischen Elemente...
Interpretation der Musik...
MIDI-Ausgabe nach »jazzchords.midi«...
Ideale Seitenanzahl wird gefunden...
Musik wird auf 1 oder 2 Seiten angepasst...
Systeme erstellen...
Layout nach »jazzchords.ps« ausgeben...
Konvertierung nach »./jazzchords.pdf«...
Unbound variable: ly:export
schwerer Fehler: gescheiterte Dateien: 
"/Applications/Musikverarbeitung/Lily/Lily_DT/1201_Lily/jazzchords.ly"
Processing time: 3 seconds










jazzchords-include.ily
Description: Binary data
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Re: jazzchords.ly

[Ole Schmidt]

thanks for the quick answer!

I'll try that...

ole
Am 30.12.2012 um 19:34 schrieb David Kastrup:

> Ole Schmidt  writes:
> 
>> Hi,
>> 
>> I want to use the jazzchord.ly but it gives me an error (see below)
>> I am on LP 2.16.0-1
>> How to remedy this?
>> % JAZZ CHORDS
>> % (based upon pop-chords.ly by James L. Hammons)
>> %
>> % v3.1
>> % 19 Nov 2011
>> % address@hidden
>> %
>> % tested against lilypond v2.14.2
> 
> I find that
> 
> convert-ly --from=2.14.2 --to=2.16.0 -e jazzchords-include.ily
> 
> does not have a problem converting the problematic construct.
> 
> -- 
> David Kastrup
> 
> 
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jazzchords.ly

[Ole Schmidt]

Hi,

I want to use the jazzchord.ly but it gives me an error (see below)
I am on LP 2.16.0-1
How to remedy this?

attached the jazzchords-include.ily file which does not work properly

thanks

ole

[siehe angehängte Datei: jazzchords-include.ily]



»/Applications/Musikverarbeitung/Lily/Lily_DT/1201_Lily/jazzchords.ly« wird 
verarbeitet
Analysieren...
/Applications/Musikverarbeitung/Lily/Lily_DT/1201_Lily/jazzchords-include.ily:76:58:
 Fehler: GUILE signalisierte einen Fehler für den hier beginnenden Ausdruck
-\markup\jcRaise{ {\larger\larger #
  (ly:export 
(ly:wide-char->utf-8 #x00f8)) } "7" }
/Applications/Musikverarbeitung/Lily/Lily_DT/1201_Lily/jazzchords-include.ily:76:57:
 Fehler: Keine Textbeschriftung
-\markup\jcRaise{ {\larger\larger 
 #(ly:export 
(ly:wide-char->utf-8 #x00f8)) } "7" }
Interpretation der Musik...[8][16][24][32][40][48]
Vorverarbeitung der grafischen Elemente...
Interpretation der Musik...
MIDI-Ausgabe nach »jazzchords.midi«...
Ideale Seitenanzahl wird gefunden...
Musik wird auf 1 oder 2 Seiten angepasst...
Systeme erstellen...
Layout nach »jazzchords.ps« ausgeben...
Konvertierung nach »./jazzchords.pdf«...
Unbound variable: ly:export
schwerer Fehler: gescheiterte Dateien: 
"/Applications/Musikverarbeitung/Lily/Lily_DT/1201_Lily/jazzchords.ly"
Processing time: 3 seconds
> 








x
www.oleschmidt.info
x


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Fwd: jazzchords.ly

[Ole Schmidt]

oops, doubleposting- already solved thanks to David Kastrup

Anfang der weitergeleiteten E-Mail:

> Von: Ole Schmidt 
> Datum: 30. Dezember 2012 19:01:24 MEZ
> An: Lilypond-User Mailing List 
> Betreff: jazzchords.ly
> 
> Hi,
> 
> I want to use the jazzchord.ly but it gives me an error (see below)
> I am on LP 2.16.0-1
> How to remedy this?
> 
> attached the jazzchords-include.ily file which does not work properly
> 
> thanks
> 
> ole
> 
> [siehe angehängte Datei: jazzchords-include.ily]
> 
> 
> 
> »/Applications/Musikverarbeitung/Lily/Lily_DT/1201_Lily/jazzchords.ly« wird 
> verarbeitet
> Analysieren...
> /Applications/Musikverarbeitung/Lily/Lily_DT/1201_Lily/jazzchords-include.ily:76:58:
>  Fehler: GUILE signalisierte einen Fehler für den hier beginnenden Ausdruck
>   -\markup\jcRaise{ {\larger\larger #
>  (ly:export 
> (ly:wide-char->utf-8 #x00f8)) } "7" }
> /Applications/Musikverarbeitung/Lily/Lily_DT/1201_Lily/jazzchords-include.ily:76:57:
>  Fehler: Keine Textbeschriftung
>   -\markup\jcRaise{ {\larger\larger 
> #(ly:export 
> (ly:wide-char->utf-8 #x00f8)) } "7" }
> Interpretation der Musik...[8][16][24][32][40][48]
> Vorverarbeitung der grafischen Elemente...
> Interpretation der Musik...
> MIDI-Ausgabe nach »jazzchords.midi«...
> Ideale Seitenanzahl wird gefunden...
> Musik wird auf 1 oder 2 Seiten angepasst...
> Systeme erstellen...
> Layout nach »jazzchords.ps« ausgeben...
> Konvertierung nach »./jazzchords.pdf«...
> Unbound variable: ly:export
> schwerer Fehler: gescheiterte Dateien: 
> "/Applications/Musikverarbeitung/Lily/Lily_DT/1201_Lily/jazzchords.ly"
> Processing time: 3 seconds
>> 
> 
> 
> 
> 
> 
> 
> 
> 
> x
> www.oleschmidt.info
> x
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Re: Rookie transpose / bookpart questions

[Ole Schmidt]

Maybe this could help too?

http://lsr.dsi.unimi.it/LSR/Item?id=266

best

ole

Am 12.05.2013 um 23:55 schrieb Nathan:

> On Sun, May 12, 2013 at 2:10 PM, Jim Long  wrote:
> I'm creating some jazz charts that require a transposed lead
> sheet for a Bb or Eb instrument.  I haven't messed with \bookpart
> much before. [...]
> 
> Try adding this to the score block:
> 
> \score {
>   % ...
>   \layout {
> \context {
>   \Voice
>   \consists "Pitch_squash_engraver"
> }
>   }
> }
> 
> When typesetting slash notation, I use this snippet: 
> http://lsr.dsi.unimi.it/LSR/Item?id=332. You don't have to worry about 
> transposition because the slashes are really rests. (Also, it doesn't add 
> weird notes to the MIDI output.)
> 
> Regards,
> Nathan
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Re: rhythm marks

[Ole Schmidt]

Hi, 

I've just tried to compile the example below and get the following error 
warning:

 »/Users/ole/Desktop/RM.ly« wird verarbeitet
Analysieren...
/Users/ole/Desktop/RM.ly:2:1: Fehler: syntax error, unexpected \once
 
 \once \override Score.MetronomeMark #'break-align-symbols = #'(clef)
/Applications/LilyPond.app/Contents/Resources/share/lilypond/current/scm/lily.scm:848:21:
 In procedure module-lookup in expression (ly:parse-file file-name):
/Applications/LilyPond.app/Contents/Resources/share/lilypond/current/scm/lily.scm:848:21:
 unbound variable: MetronomeMark


whats wrong?

ole




Am 25.10.2010 um 16:38 schrieb Xavier Scheuer:

> On 24 October 2010 10:47, Herbert Liechti  wrote:
>> 
>> Hello
>> I like to write a rhythm mark as in the attached picture. I found some
>> examples in LSR for swing but not for this kind of marks.
>> Any ideas on how to do that?
> 
> Hi!
> 
> Since one can include a whole \score inside a \markup , we can define
> a special \tempo \markup whith a customized score inside.
> 
> @James:
> I started from a Staff because I do not think it is possible to put
> notes elsewhere than _on_ the line within RhythmicStaff (i.e. not just
> below or above, like in the picture).
> 
> 
> rhythmicMark =
>  \once \override Score.MetronomeMark #'break-align-symbols = #'(clef)
> \tempo \markup {
>  \score {
>\new Staff \with {
>  drumStyleTable = #percussion-style
>  \override StaffSymbol #'line-count = #1
>  \override BarLine #'bar-size = #3
>  \override Clef #'stencil = ##f
>} {
>  \relative b' {
>\time 9/8
>\set Timing.beatStructure = #'(2 2 2 3)
>a8 c a8 c a8 c a8 c c
>  }
>}
>\layout {
>  #(layout-set-staff-size 14)
>}
>  }
> }
> 
> 
> \score {
>  <<
>\new Staff {
>  \relative f' {
>\key f \minor
>\time 9/8
>\set Timing.beatStructure = #'(2 2 2 3)
>\rhythmicMark
>r8 c8 f aes c c bes4 aes8
>  }
>}
>>> 
> }
> 
> 
> Cheers,
> Xavier
> 
> -- 
> Xavier Scheuer 
> 
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Re: rhythm marks

[Ole Schmidt]

ok- thanks.

When I copy & paste some code from my email client, which is "Mail" on Mac OS 
10.6.4, I also tried "Thunderbird" -same Problem, into jedit/Lilypondtool or 
Fraise aka Smultron, the indention of the code always produces errors and I 
have to tweak every line manually- very annoing.
Is this a known mac os bug?

ole

Am 26.10.2010 um 14:16 schrieb Xavier Scheuer:

> On 26 October 2010 13:29, Ole Schmidt  wrote:
>> 
>> Hi,
>> 
>> I've just tried to compile the example below and get the following
>> error warning:
>> 
>>  »/Users/ole/Desktop/RM.ly« wird verarbeitet
>> Analysieren...
>> /Users/ole/Desktop/RM.ly:2:1: Fehler: syntax error, unexpected \once
>> 
>>  \once \override Score.MetronomeMark #'break-align-symbols = #'(clef)
>> /Applications/LilyPond.app/Contents/Resources/share/lilypond/current/scm/lily.scm:848:21:
>>  In procedure module-lookup in expression (ly:parse-file file-name):
>> /Applications/LilyPond.app/Contents/Resources/share/lilypond/current/scm/lily.scm:848:21:
>>  unbound variable: MetronomeMark
>> 
>> 
>> whats wrong?
> 
> MetronomeMark supports 'break-align-symbols only since latest
> development version ( > 2.13.32).
> I should have mentioned that.  :)
> 
> If you want to use the solution I gave with stable version (2.12.3),
> you can replace MetonomeMark by RehearsalMark and \tempo by \mark .
> 
> Cheers,
> Xavier
> 
> -- 
> Xavier Scheuer 


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Snippet does not work anymore

[Ole Schmidt]

Dear List,

Why does the following snippet do not work anymore (with LP 2.13.35)?

It should look like this:<>,


but now look like this:<>




% CODE %%
\markup { { \score {\new Staff \with {
\remove "Time_signature_engraver"
\remove "Clef_engraver"  
\remove "Staff_symbol_engraver"
} {
d'8[ d']
} \layout { ragged-right = ##t indent = 0} } \lower #3 {  "=" }
\score {\new Staff \with { 
\remove "Time_signature_engraver"
\remove "Clef_engraver"  
\remove "Staff_symbol_engraver" 

} {
\times 2/3 { d'4 d'8 }
} \layout { ragged-right = ##t indent = 0}  }

}
} 

%


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Re: Snippet does not work anymore

[Ole Schmidt]

Am 11.02.2011 um 06:52 schrieb James Lowe:
> 
> 
> For those that had trouble actually finding what the .ly code was..
> 
> % CODE %%
> \markup { { \score {\new Staff \with {
> \remove "Time_signature_engraver"
> \remove "Clef_engraver"  
> \remove "Staff_symbol_engraver"
> } {
> d'8[ d']
> } \layout { ragged-right = ##t indent = 0} } \lower #3 {  "=" }
> \score {\new Staff \with { 
> \remove "Time_signature_engraver"
> \remove "Clef_engraver"  
> \remove "Staff_symbol_engraver" 
> 
> } {
> \times 2/3 { d'4 d'8 }
> } \layout { ragged-right = ##t indent = 0}  }
> 
> }
> } 
> 
> %

to answer my own question: it can be done with \general-align #Y #DOWN

the "=" sign is now a bit low, but I don't know how to raise it- I can live 
with that...

ole

% corrected Code 
\markup {\general-align #Y #DOWN  { \score {\new Staff \with {
\remove "Time_signature_engraver"
\remove "Clef_engraver"  
\remove "Staff_symbol_engraver"
} {
d'8[ d']
} \layout { ragged-right = ##t indent = 0} }  {  "=" }
\score {\new Staff \with { 
\remove "Time_signature_engraver"
\remove "Clef_engraver"  
\remove "Staff_symbol_engraver" 

} {
\times 2/3 { d'4 d'8 }
} \layout { ragged-right = ##t indent = 0}  }

}
}
%
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Re: transpose

[Ole Schmidt]

I would do it like this (not sure if the indention is correct...)

hth  ole

%
\version "2.12.3"
\include "english.ly"
\header {
}

clari =  \new Staff {
%   \time 3/4
\set Staff.instrumentName = "Clarinet in Bb"
\set Staff.midiInstrument = "clarinet"
%   \key d \major
%   \clef treble
  \transpose c' d' {
 
 c'4 d' e' f' |

}
}

\score {
<<
   \clari
>>

 \midi {
}

 \layout {
}

}

\paper {

}
%%
Am 02.06.2011 um 17:00 schrieb Peter O'Doherty:

> Hi,
> Can someone please help me adjust this example so it's transposed correctly 
> for Bb clarinet? Where should I put the
> \transpose c' d' \clarinet ?
> Thanks,
> Peter
> 
> \version "2.12.3"
> \include "english.ly"
> 
> \paper {
>  #(set-paper-size "a4" 'landscape)
> }
> 
> clarinet =  {
> 
>  c'4 d' e' f' |
> 
> }
> 
> \score {
>  \new Staff \with {
>midiInstrument = "clarinet"
>  }
>  \clarinet
>  \layout {
>\context {
>  \Score
>   \override TupletBracket #'bracket-visibility = ##t
>   \override TupletNumber #'text = #tuplet-number::calc-fraction-text
>   \override Stem #'stemlet-length = #0.7
>   \override DynamicText #'font-size = #-2
> 
>}
>  }
> }
> 
> -- 
> //=
> ->  Peter O'Doherty
> ->  http://www.peterodoherty.net
> ->  m...@peterodoherty.net
> //=
> 
> 
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Re: lead sheet

[Ole Schmidt]

> 
> I would like to make a lead sheet very schematic and simple. My idea is
> start from the context Chordnames in order to write every name of the chord
> placed over each measure over which I want to write as maximum tow chords.
> My goal is to place the bar lines symmetrically making measures with the
> same size in order to visualize better the structure harmonic and the number
> of measures. Apart of the name of the chord over the measure I would like
> that the content of each measure were empty, not including the symbol of a
> rest in the measure as it appears in my example.
> 

You can use s instead of R and

\set Score.proportionalNotationDuration = #(ly:make-moment 1 4) 

like this:
%%%

\header {
   opus = "Sin titulo"
   piece = "Tenor Sax Bb"
   title = "Sin titulo"
}
#(set-global-staff-size 20)
#(set-default-paper-size "a4")

melody = \relative c' {

s1
s1
s1
s1 | \break
s1
s1
s1
s1 | \break
s1
s1
s1
s1 | \break
s1
s1
s1
s1 | \break
s1
s1
s1
s1 | \break
s1
s1
s1
s1 | \break
s1
s1
s1
s1 | \break
}



harmonies = \chordmode {

g1:m
c1:m7
f1:7
bes1
ees1
a1:7
d1:maj7
d1:m7
g1:m7
c1:7
f1
bes1
b2:m7 e:7
a1
a2 fis:7
b1:m7.5-
e1:7
a
a
aes:m7.5-
cis
fis
d:7
f
d
f
d
f
}

\score {
<<
\set Score.proportionalNotationDuration = #(ly:make-moment 1 4) 

   \new ChordNames {
\set chordChanges = ##t
\harmonies
   }
   \new Staff \melody
>>
 \layout {
   indent = 0\in
  }

\midi { }
}
%%


hth ole



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slightly offtopic

[Ole Schmidt]

Hi,

Can anyone point me in the right direction, I need a little circle above the 
letter (norwegian...)
like this: 
å  (see also attached screenshot if it is not displayed correctly)
Whats do I have to enter, I can not found the utf-code that fits the 
description in the manual...
 
thanks for a hint

ole





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Fwd: repeat

[Ole Schmidt]

Anfang der weitergeleiteten E-Mail:

> Von: ole 
> Datum: 25. Januar 2012 23:01:13 MEZ
> An: Thomas Morley 
> Betreff: Re: repeat
> 
> 
> Am 25.01.2012 um 22:50 schrieb Thomas Morley:
> 
>> 2012/1/25 ole :
>>> here is the code (slightly stripped):
>>> 
>>> \version "2.14.2"
>>> \language "nederlands"
>>> 
>>> 
>>> staffTrombone = \new Staff {
>>>   \time 4/4
>>>  \key f \major
>>>   \clef bass
>>>   \relative c {
>>>   \set Score.markFormatter = #format-mark-box-alphabet
>>> 
>>>   \partial 2. f8 f as as f c
>>> 
>>>   es4 f2. |
>>> 
>>>   r4 f8 f as4 bes8 bes |
>>> 
>>>   \times 2/3 {ces8 bes as} f2. |\break
>>> 
>>>   r4 f8 f c'4 es8 c |
>>> 
>>>   \times 2/3 {ces8 bes as} f2. |
>>> 
>>>   r4 f8 f as as f c |
>>> 
>>>   \repeat volta 2  {es4 f2.|}
>>> 
>>>  \alternative {
>>> 
>>>   {r4 f8 f as as f c | }
>>> 
>>>   { r2 f4 f |  }} \mark #2
>>> 
>>> 
>>>   \bar "||" c'2 \times 2/3 {ces8 bes f }
>>>   bes8 f |
>>> 
>>>   \bar "|."
>>>   }
>>> 
>>> }
>>> staffTromboneII = \new Staff {
>>> 
>>>   \key f \major
>>>   \clef bass
>>>   \relative c {
>>>       \partial 2. s2. |
>>>   r2 4. 8 |
>>>   R1 |r2 4. 8 |
>>>   R1 |
>>>   r2 4. 8 |
>>>   R1|
>>>   r2 4. 8 |
>>>   R1 |
>>> 
>>>   \bar "|."
>>>   }
>>> 
>>> }
>>> 
>>> 
>>> \score {
>>>   <<
>>>   \staffTrombone
>>>   \staffTromboneII
>>>>> 
>>> 
>>> 
>>> \layout {
>>> }
>>> }
>>> 
>>> \paper {
>>> }
>>> 
>>> Am 25.01.2012 um 22:36 schrieb Xavier Scheuer:
>>> 
>>>> On 25 January 2012 22:26, Ole Schmidt  wrote:
>>>>> Hi,
>>>>> 
>>>>> I've try to typeset a simple jazztune for my son.
>>>>> Can someone please tell me how to move the start-repeat to bar one
>>>>> (after the partial)?
>>>>> I could not find any useful information on that in the manual (I have
>>>>> a pdf-version which is maybe a bit out of date).
>>>> 
>>>> It would be easier to help you if you actually provide your Lily code.
>>>> 
>>>> You need to use the  \repeat volta 2  command at this place.
>>>> It is explained in the Notation Reference manual, NR 1.4.1 Long repeats.
>>>> http://lilypond.org/doc/v2.14/Documentation/notation/long-repeats.html
>>>> 
>>>> Please use at least LilyPond version 2.14, which is the last stable
>>>> version.  It will be be easier for us to help you.
>>>> 
>>>> Cheers,
>>>> Xavier
>>>> 
>>>> --
>>>> Xavier Scheuer 
>>> 
>>> 
>>> ___
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>>> https://lists.gnu.org/mailman/listinfo/lilypond-user
>> 
>> \version "2.14.2"
>> \language "nederlands"
>> 
>> staffTrombone = \new Staff {
>>  \time 4/4
>> \key f \major
>>  \clef bass
>>  \relative c {
>>  \set Score.markFormatter = #format-mark-box-alphabet
>> 
>>  \partial 2. f8 f as as f c
>> 
>>  \repeat volta 2 {
>> 
>>  es4 f2. |
>> 
>>  r4 f8 f as4 bes8 bes |
>> 
>>  \times 2/3 {ces8 bes as} f2. |\break
>> 
>>  r4 f8 f c'4 es8 c |
>> 
>>  \times 2/3 {ces8 bes as} f2. |
>> 
>>  r4 f8 f as as f c |
>> 
>>  es4 f2.|}
>> 
>> \alternative {
>> 
>>  {r4 f8 f as as f c | }
>> 
>>  { r2 f4 f |  }} \mark #2
>> 
>> 
>>  \bar "||" c'2 \times 2/3 {ces8 bes f }
>>  bes8 f |
>> 
>>  \bar "|."
>>  }
>> 
>> }
>> staffTromboneII = \new Staff {
>> 
>>  \key f \major
>>  \clef bass
>>  \relative c {
>>  \partial 2. s2. |
>>  r2 4. 8 |
>>  R1 |r2 4. 8 |
>>  R1 |
>>  r2 4. 8 |
>>  R1|
>>  r2 4. 8 |
>>  R1 |
>> 
>>  \bar "|."
>>  }
>> 
>> }
>> 
>> 
>> \score {
>>  <<
>>  \staffTrombone
>>  \staffTromboneII
>>>> 
>> 
>> 
>> \layout {
>> }
>> }
>> 
>> \paper {
>> }
>> 
>> Seems to do what you want.
>> 
>> Cheers,
>> Harm
> 
> ok, now I see how it works...but why does the end-repeat do have no : any 
> longer?
> 
> Sorry for top-posting :-)
> 
> 
> ole


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DrumStaff in percussion-style

[Ole Schmidt]

Hi,

I want a DrumStaff in "percussion-style" to show some rhythms...
The manual says:  

"There are also other layout possibilities. To use these, set the property 
drumStyleTable in context DrumVoice. The following variables have been 
predefined:..."

How can I do that?

What I have so far (also the  removal of the Time Sig does not work, why?)

thanks for help

ole


\version "2.14.2"

\language "nederlands"



staffPerc = \new DrumStaff  
\drummode {
\time 4/4

 { 
  tri4 tri2 tri4. tri4 tri2 tri4. tri4 tri2 tri4. tri4 tri2 tri4.


}

}


\score {
<<
\staffPerc
>>

 \layout {  
\context { \Score  \remove "Bar_number_engraver" 
\remove "Default_bar_line_engraver"} 
\context { \Staff  \remove "Time_signature_engraver"
\remove "Bar_line_engraver"
 }
  }

}

\paper {
}

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Frescobaldi- python-poppler-qt4

[Ole Schmidt]

Hi,

I've just installed Frescobaldi from source on my mac, running Mac OS 10.6.8
How can I install python-poppler-qt4 (for pdf-viewing)?

When I follow the instructions I get the following error:

ja?~/Public/python-poppler-qt4-0.16.2$ python setup.py build
running build
running build_ext
building 'popplerqt4' extension
Can't determine version of poppler-qt4
/Library/Frameworks/Python.framework/Versions/2.7/bin/sip -I 
/Library/Frameworks/Python.framework/Versions/2.7/share/sip -t POPPLER_V0_12_0 
-c build/temp.macosx-10.6-intel-2.7 -b 
build/temp.macosx-10.6-intel-2.7/poppler-qt4.sbf -I 
/Library/Frameworks/Python.framework/Versions/2.7/share/sip/PyQt4 -x VendorID 
-t WS_MACX -x PyQt_NoPrintRangeBug -t Qt_4_8_0 -x Py_v3 -g poppler-qt4.sip
unable to execute /Library/Frameworks/Python.framework/Versions/2.7/bin/sip: No 
such file or directory
error: command '/Library/Frameworks/Python.framework/Versions/2.7/bin/sip' 
failed with exit status 1

what am I missing?


thanks  ole


x
www.oleschmidt.info
x


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collision avoidance between ties and articulation marks?

[Ole Schmidt]

Hi,

how can I move away the articulation signs from the ties?

\version "2.15.38"

\language "nederlands"


\score { \new Staff {
\time 4/4
\key bes \major
\clef treble
\relative c'' { 

r4 f8-- g-^ ~ g f-- g4-^ |f4.-^  bes,8-^ ~ bes2 | r4 es8-- f-^ ~ f es-- f4-^ | 
es4. a,8-^ ~a2 |
} } }

[siehe angehängte Datei: Screenshot 2012-08-23 um 09.58.31.jpg]


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markup

[Ole Schmidt]

Hi,

This is  probably a silly question but I can't find the right answer in the 
manual:

I want the text below the music on the right side of the sheet...


\score { \new Staff { \relative c' {c4 d e f g a b c d c b a g f e d }}}
\markup  {"blablabla"}

I've tried several commands from chapter A.10 Text markup commands but without 
success

thanks

ole
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Re: what's wrong?

[Ole Schmidt]

Thanks for your help!

Normally I use barline checks- I didn't use Lilypond for a while and was a bit 
hasty.

ole


Am 24.11.2009 um 23:32 schrieb Reinhold Kainhofer:

> Am Dienstag, 24. November 2009 22:59:26 schrieb Ole Schmidt:
>> Can someone please take a look at my code- it compiles whithout an
>> errorwarning but looks very strange. Maybe I overlooked something simple?
> 
> HINT: Sometimes it can be extremely helpful to add some barline 
> checks every now and then (actually, in all scores that I write with 
> lilypond, I insert a barcheck, i.e. a |, after each and evry measure, 
> and a bar number check, i.e. \barNumberCheck #10, every 5 or 10 
> measures. 
> 
> See:
> http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Bars#Bar-and-bar-number-checks
> 
> The problem with your score is that you messed up one measure 
> somewhere down the line, so that the bar lines would happen 
> during notes, so lilypond can't find proper positions to break the 
> staves.
> 
> Simply try to insert | every few measures and lilypond will immediately 
> tell you where the notes don't sum up nicely to these bar lines...
> 
> Cheers,
> Reinhold
> 
> PS: I strongly discourage you to structure the lilypond input after the 
> original you are copying. In particular, while it might seem much easier 
> if you use one line in the lilypond file per music line on your original 
> score, 
> as soon as you get to the proofreading stage, you'll have trouble finding 
> the correct place in the lilypond file if you need to change some notes...
> My advice is to add measure numbers to your original and structure the 
> input file by bar numbers. In particular, I usually write exactly one measure 
> per line, but for your score it might be easier to write exactly five 
> measures 
> per line in the lilypond file. 
> Since lilypond prints bar numbers in the output, you'll always easily find 
> the 
> lilypond code that generated a particular note...
> 
> 
> PS 2: If you really don't find the problem(s) yourself:
> -) Zweite Seite, fünfte Zeile: There is a 8. where an 8 would be correct 
> (i.e. 
>you have 1/16 too much in that measure)
> -) Dritte Seite, dritte Zeile: I suppose the first ties as should be as4~, 
> while 
>in your example it takes the duration from the note before (i.e. a half 
> note).
> -) Dritte Seite, fünfte Zeile: You write "\times 3/4 ces4 ", which is a 
> triplet on 
>the ces, not a 3/4 time signature (notice the difference between \times 
>and \time...)
> 
> 
> -- 
> --
> Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/
> * Financial & Actuarial Math., Vienna Univ. of Technology, Austria
> * http://www.fam.tuwien.ac.at/, DVR: 0005886
> * LilyPond, Music typesetting, http://www.lilypond.org
> 
> 
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vertical spacing

[Ole Schmidt]

Dear all,

I want multiple litte examples- everyone with an extra title-  on one page.
How can I control the vertical spacing between those (two) systems.
All I've tried had no effect...
Thanks for a hint

ole

%%
\version "2.13.7"

\header { tagline =  ##f }
 \layout { \context
  {  \Score
  \remove "Bar_number_engraver"  }   }
  \paper { indent= 0\cm  ragged-right= ##t}
\book {

\score {
\new Staff {
\relative c'' {
g8 f f2. |\break
c4 bes4 r2 }
}
\header { piece = "One"
opus =  "Kurzfassung"
}
}

 \score {
\new Staff {
\relative c'' {
g8 f f2. |\break
c4 bes4 r2 }
}
}
\header { piece = "Two"
opus =  "Kurzfassung"
}

 }

%



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Re: vertical spacing

[Ole Schmidt]

Am 05.02.2010 um 02:08 schrieb Neil Puttock:

> Try setting padding in between-system-spacing:
> 
> \paper {
>  between-system-spacing = #'((padding . 1))
> }
> 
> Regards,
> Neil

Thanks, but
when I put this line in my paper block it does have no effect, what am I doing 
wrong?


ole

%

\version "2.13.7"
 
\header { tagline =  ##f }
 \layout {  \context 
{  \Score
\remove "Bar_number_engraver"  }   }

\paper { indent= 0\cm  ragged-right= ##t  
 between-system-spacing = #'((padding . 3))  }
\book {
 
\score {
\new Staff {
\relative c'' { 
g8 f f2. |\break
c4 bes4 r2

}
}

\header { piece = "One"
opus =  "Kurzfassung" 
}

}

 \score {
\new Staff {
\relative c'' { 
g8 f f2. |\break
c4 bes4 r2

}
}
}
\header { piece = "Two"
opus =  "Kurzfassung" 
}



 }





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Fwd: vertical spacing

[Ole Schmidt]

oops, it does have an effect, but between the wrong systems (see attached jpg),how can I achive distance between the first two and the second two systems?thanksole              <>Am 05.02.2010 um 02:08 schrieb Neil Puttock:Try setting padding in between-system-spacing:\paper { between-system-spacing = #'((padding . 1))}Regards,NeilThanks, butwhen I put this line in my paper block it does have no effect, what am I doing wrong?ole%\version "2.13.7"\header { tagline =  ##f } \layout { 	\context   	{  \Score  	\remove "Bar_number_engraver"  }   }  	\paper { indent= 0\cm  ragged-right= ##t  	 	 between-system-spacing = #'((padding . 3))  }\book {\score {\new Staff {\relative c'' { 			g8 f f2. |\break		c4 bes4 r2}}\header { piece = "One"	opus =  "Kurzfassung" }} \score {\new Staff {\relative c'' { 			g8 f f2. |\break		c4 bes4 r2}}}\header { piece = "Two"	opus =  "Kurzfassung" } }___
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Fwd: vertical spacing

[Ole Schmidt]

oops, it does have an effect, but between the wrong systems (see attached jpg),how can I achive distance between the first two and the second two systems?thanksole              <>Am 05.02.2010 um 02:08 schrieb Neil Puttock:Try setting padding in between-system-spacing:\paper { between-system-spacing = #'((padding . 1))}Regards,NeilThanks, butwhen I put this line in my paper block it does have no effect, what am I doing wrong?ole%\version "2.13.7"\header { tagline =  ##f } \layout { 	\context   	{  \Score  	\remove "Bar_number_engraver"  }   }  	\paper { indent= 0\cm  ragged-right= ##t  	 	 between-system-spacing = #'((padding . 3))  }\book {\score {\new Staff {\relative c'' { 			g8 f f2. |\break		c4 bes4 r2}}\header { piece = "One"	opus =  "Kurzfassung" }} \score {\new Staff {\relative c'' { 			g8 f f2. |\break		c4 bes4 r2}}}\header { piece = "Two"	opus =  "Kurzfassung" } }___
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Re: vertical spacing

[Ole Schmidt]

Am 05.02.2010 um 02:08 schrieb Neil Puttock:

> 
> http://lilypond.org/doc/v2.13/Documentation/notation/page-formatting#Page-formatting
> 
> Try setting padding in between-system-spacing:
> 
> \paper {
>  between-system-spacing = #'((padding . 1))
> }
> 
> Regards,
> Neil


this increases the distance, but between the wrong systems (see attached 
picture)
how can I change the distance between the two \score blocks?
Can someone please take a look at my code- I do not understand exactly how to 
use \book

thanks  ole

<>


%%

\version "2.13.7"
 
\header { tagline =  ##f }
 \layout {  \context 
{  \Score
\remove "Bar_number_engraver"  }   }
\paper { indent= 0\cm  ragged-right= ##t   between-system-spacing = 
#'((padding . 20)) } 
\book {
 
\score {
\new Staff {
\relative c'' { 
g8 f f2. |\break
c4 bes4 r2

}
}

\header { piece = "One"
opus =  "Kurzfassung" 
}

}

 \score {
\new Staff {
\relative c'' { 
g8 f f2. |\break
c4 bes4 r2

}
}
}
\header { piece = "Two"
opus =  "Kurzfassung" 
}



 }

%%

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Re: vertical spacing

[Ole Schmidt]

>  \paper {
>before-title-spacing = #'((space . 20))
>  }

that worked, thanks!
I could not find that one in the docs btw
> 
> If you don't have a title between two \score blocks, then you would use
> "between-scores-system-spacing" (and not between-system-spacing, be
> careful of the name, which is similar but the first one is about
> spacing between two systems **if they are in different scores**).
> 
nor did I find that one...
> 
>> 
> I also changed the indentation (which software do you use to input .ly
> files, that produced this indentation?).
I use Jedit/Lilypondtool.
if you could give me a hint how to configure jedit properly I would be 
greatful:-)
> 
> PS: "Kurzfassung" as opus seems a bit odd in the result...  ;
I found that whole using-header-whithin-book complex and 
what-is-displayed-and-what-is-not-displayed
 somewhat confusing and "Opus" did work...


ole





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vertical aligning of markups

[Ole Schmidt]

Hi,

I want the markups in the following snippet all at the same height. How can I 
do that?
Thanks for a hint

ole



\version "2.13.7"

\score {

\new Staff {
\time 4/4
\relative c {   c4^\markup {-h}  f^\markup {-g} b^\markup {-f} 
d'^\markup {-e} g^\markup {-d}
  }  }
}
%
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default beaming

[Ole Schmidt]

Hi, 

When I write  \times 2/3 { c8 c16 c8. } the second beam of the sixteenth note 
goes to the left which in my opinion is wrong.
Am I missing something or do I have to overwrite the default settings? (if yes, 
how can I do that permanently for the whole score?) 

Thanks for an answer,

ole

%%%
\version "2.13.7"

\times 2/3 { c8 c16 c8. }

\times 2/3 { c8
 \set stemRightBeamCount = #2
\set stemLeftBeamCount = #1
c16 c8. }   
%%%
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Re: default beaming

[Ole Schmidt]

thank you for the information!

so, until the bug is fixed I have to override manually and than reset again for 
every triplet, right?

ole

Am 03.03.2010 um 20:08 schrieb Carl Sorensen:

> On 3/3/10 9:15 AM, "Mats Bengtsson"  wrote:
>> Ole Schmidt wrote:
>>> Hi,
>>> 
>>> When I write  \times 2/3 { c8 c16 c8. } the second beam of the sixteenth 
>>> note
>>> goes to the left which in my opinion is wrong.
>>> Am I missing something or do I have to overwrite the default settings? (if
>>> yes, how can I do that permanently for the whole score?)
>>> 
>> 
>> This is described in the manual, at
>> http://lilypond.org/doc/v2.13/Documentation/notation/beams#Beams
>> (note that this has changed from version 2.12):
>> 
>> \version "2.13.14"
>> \relative c'{
>> \set subdivideBeams = ##t
>> \overrideBeamSettings #'Score #'(4 . 4) #'end #'((* . (3 6 9 12)))
>> \set beatLength = #(ly:make-moment 1 12)
>> \times 2/3 { c8 c16 c8. }
>> }
> 
> If I understand correctly, this works for triplets, but breaks things for
> standard eighth notes.
> 
> The beamlet pointing in the wrong direction on triplets is one of our
> earliest bugs -- issue 11.
> 
> http://code.google.com/p/lilypond/issues/detail?id=11
> 
> Thanks,
> 
> Carl



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Re: os x 6

[Ole Schmidt]

which version did you exactly download?
Did you download the right architecture (x86)?
Can you describe exactly what how do you compile what file?

I'am on Mac OS 10.6.3. here and Lilypond Version 2.13.7 works like a charm.

ole

Am 21.05.2010 um 09:37 schrieb moritz:

> Hi, i tried to download the newest version of lilypond where it says 0S X 4 
> and
> newer, but it didn't work. I have a macbook pro, bought in February (os x 6).
> Although it says the download was successful, when i follow the steps and open
> the mentioned menu part under "compile", it crashes. 
> Any ideas? Thanks,
> Moritz
> 
> 
> 
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Fwd: multi-tempi

[Ole Schmidt]

forgot to c to mailing list...

> 
> 
> 
> search for "different tempos" in the mailing list archive.
> a thread from a guy namend Kostia from 2008.
> 
> 
> http://lists.gnu.org/archive/cgi-bin/namazu.cgi?query=different+tempos&submit=Search&idxname=lilypond-user
> 
> concerning the midi import there is a midy2ly function, but I don't know if 
> it can handle such a (complex) task.
> 
> 
> hth  ole
> 
> 
> 
> 
> Am 14.06.2010 um 15:20 schrieb Hans Roels:
> 
>> 
>> I don't really know Lilypond well (I just had a quick look at the 
>> documentation)
>> but I have some music notation problems and maybe somebody could tell me if
>> Lilypond is the right tool to solve my problems.
>> 
>> 1. Is it possible to create a score with a fixed number of seconds (not bars)
>> per system? 
>> 
>> 2. Is it possible to create a score with different parts/voices that each 
>> have a
>> different tempo? for example a score with a first part in tempo 56 bpm, a 
>> second
>> in 64 bpm and a third in 92 bpm?
>> 
>> 3. Would it be possible to create a kind of script/template/score in Lilypond
>> that imports midi files (or some other file format) and creates a multi-tempo
>> score after the user has assigned midifile1 to part 1, midifile2 to part
>> 2adjust,... 
>> 
>> I hope someone has some advice!
>> Hans Roels
>> 
>> 
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displaying triplet in 3/4 time

[Ole Schmidt]

Hi,

While engraving I came across the  problem to display a simple triplet which 
consists of a quarter and an eighth note
and it seems to be difficult. The default beaming is odd and using brackets 
leads to an error warning.
Do I completely miss something or is it a known problem?
thanks for a hint

ole

%
 \version "2.13.7"
   
   \new Staff{
\clef "bass" 
\key g \minor 
\time 3/4
\relative e { 
 
c2. ~ | \times 2/3 { c4 c8 } \times 2/3 { c'8 b c } d,4 ~ | \break
   
  c2. ~ |   \times 2/3 { c4[ c8] } \times 2/3 { c'8 b c } d,4 ~ | \break
  
   } }
   
   \layout { ragged-right = ##t }

%


<>

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Re: displaying triplet in 3/4 time

[Ole Schmidt]

Am 22.06.2010 um 00:02 schrieb Nick Payne:

> On 22/06/10 07:51, Ole Schmidt wrote:
>> Hi,
>> 
>> While engraving I came across the  problem to display a simple triplet which 
>> consists of a quarter and an eighth note
>> and it seems to be difficult. The default beaming is odd and using brackets 
>> leads to an error warning.
>> Do I completely miss something or is it a known problem?
>> thanks for a hint
>> 
>> ole
>> 
>> %
>>  \version "2.13.7"
>> 
>>\new Staff {
>> \clef "bass"
>> \key g \minor
>> \time 3/4
>> \relative e {
>> 
>>  c2. ~ | \times 2/3 { c4 c8 } \times 2/3 { c'8 b c } d,4 ~ | \break
>> 
>>   c2. ~ |\times 2/3 { c4[ c8] } \times 2/3 { c'8 b c } d,4 ~ | 
>> \break
>> 
>>} }
>> 
>>\layout { ragged-right = ##t }
>> 
>> %
>>   
> c2. ~ |\times 2/3 { c4 c8 } \times 2/3 { c'8[ b c] } d,4
> 
> Seems to render satisfactorily.
> 
which LP Version do you use?
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horizontal center-align of systems?

[Ole Schmidt]

Dear List,

is it possible to center-align each system in the following snippet 
horizontally on the page?
Like:
| - |
|---|
|   --  |
|---|
| - |




\version "2.13.7"

\new Staff 
\time 4/4
\relative c' {
 
 c4 d e f \break
  g2 f \break 
  c4 d e f g a b a  \break 
  g4 f e g b a g
  
}
\paper { ragged-right = ##t indent = 0.0\cm }

%%%

thanks  ole
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Re: horizontal center-align of systems?

[Ole Schmidt]

Thanks, it is a bit cumbersome to write a new score for every line.
If anyone knows an easier solution I would be greatful.

I will provide the LSR-Snippet, if no one chimes in.


ole



Am 04.07.2010 um 14:14 schrieb Jan Nieuwenhuizen:

> Op zondag 04-07-2010 om 13:45 uur [tijdzone +0200], schreef Ole Schmidt:
> 
>> is it possible to center-align each system in the following snippet 
>> horizontally on the page?
>> Like:
>>| - |
>>  |---|
>>  |   --  |
>>  |---|
>>  | - |
> 
> You can center each line individually...
> 
> If this can't be done more easily, this might be a nice
> lsr snippet.  Otherwise, let's have the easier one :-)
> 
> Greetings,
> Jan.
> 
> 
> 
> -- 
> Jan Nieuwenhuizen  | GNU LilyPond http://lilypond.org
> Freelance IT http://JoyOfSource.com | Avatar®  http://AvatarAcademy.nl  
> 
> 


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Re:Re: horizontal center-align of systems?

[Ole Schmidt]

Thanks, it is a bit cumbersome to write a new score for every line.
If anyone knows an easier solution I would be greatful.

I will provide the LSR-Snippet, if no one chimes in.


ole



Am 04.07.2010 um 14:14 schrieb Jan Nieuwenhuizen:

> Op zondag 04-07-2010 om 13:45 uur [tijdzone +0200], schreef Ole Schmidt:
> 
>> is it possible to center-align each system in the following snippet 
>> horizontally on the page?
>> Like:
>>   | - |
>>  |---|
>>  |   --  |
>>  |---|
>>  | - |
> 
> You can center each line individually...
> 
> If this can't be done more easily, this might be a nice
> lsr snippet.  Otherwise, let's have the easier one :-)
> 
> Greetings,
> Jan.
> 
> 
> 
> -- 
> Jan Nieuwenhuizen  | GNU LilyPond http://lilypond.org
> Freelance IT http://JoyOfSource.com | Avatar®  http://AvatarAcademy.nl  
> 
> 


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Re: horizontal center-align of systems?

[Ole Schmidt]

Thanks, looks like  only some slight modifications are needed, see code, but I can't solve it myself- that scheme part is all Greek to me...ole%%#(define-markup-command (ignoreInstrumentName layout props score) (markup?)  (let* (         ;; get stencil from markup         (stencil (interpret-markup layout props score))         ;; get dimensions of stencil in X and Y axes         (x-extent (ly:stencil-extent stencil X))         (y-extent (ly:stencil-extent stencil Y)))    ;; reset left part of x-extent so it's the same as    ;; a score markup without an instrument name    (set-car! x-extent -0.2)    ;; return a copy of original stencil with altered bounding box    (ly:make-stencil (ly:stencil-expr stencil) x-extent y-extent)))\markup {  \fill-line {    \ignoreInstrumentName    \score {      \new Staff \with { instrumentName = "Instrument Name" } { a4 g a f\break a4 g a f g2 f2       \break a4 g a f a2 f2 g1 }      \layout { indent = 0 }    }  }}\paper { ragged-right =  ##t }%

Untitled.pdf
Description: Adobe PDF document
Am 04.07.2010 um 19:24 schrieb James Bailey:
This looks similar to something I asked a while ago. Does this help:http://lists.gnu.org/archive/html/lilypond-user/2009-05/msg00040.htmlOn 04.07.2010, at 13:45, Ole Schmidt wrote:Dear List,is it possible to center-align each system in the following snippet horizontally on the page?Like:                        |     -     |			|    ---    |			|   --  |			|    ---    |			|     -     |\version "2.13.7"\new Staff \time 4/4\relative c' { c4 d e f \break  g2 f \break   c4 d e f g a b a  \break   g4 f e g b a g}\paper { ragged-right = ##t indent = 0.0\cm }%%%thanks  ole___lilypond-user mailing listlilypond-user@gnu.orghttp://lists.gnu.org/mailman/listinfo/lilypond-user ___
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Re: horizontal center-align of systems?

[Ole Schmidt]

ok, now I fully understand that, thanks

ole


Am 07.07.2010 um 00:22 schrieb Neil Puttock:

> As I suggested previously, to use \markup in this situation without
> separate scores would require a \score-lines command to be added to
> LilyPond.


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Re: polymetric help

[Ole Schmidt]

Hi Andrea,

maybe the attached example can serve as a model for your purposes?

ole





bcl&perc.ly
Description: Binary data







Am 09.07.2010 um 16:24 schrieb Andrea La Rose:

> Dear Collective Wisdom,
> 
> I am a lilypond noob using version 2.12.3.
> 
> I am working on making a score for a piece where each part has its own
> independent time signatures like this example ""Staves with different
> time signatures, unequal bar lengths":
> http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Displaying-rhythms#Polymetric-notation
> 
> When I cut and paste the \layout code into my document I got error
> messages saying \Score and \Staff are unacceptable.
> 
> I found a different solution (though now I can't find it anymore),
> where you put these commands at the top, using \new Score instead of
> just \score:
> 
> \new Score \with {
>   \remove "Timing_translator"
>   \remove "Default_bar_line_engraver" }
> 
> ...
> \new Staff = "violin 1" \with {
>   \consists "Timing_translator"
>   \consists "Default_bar_line_engraver" }
> 
> 
> It kind of worked, as in, it actually would parse the file and create
> a .pdf. But everything is off by a sixteenth or so. For example it
> prints 4/4, the first sixteenth, then a bar line, then the rest of the
> piece.
> 
> The compiler window writes the following error message 24 times (I
> thought the number would correspond to the number of measures rest the
> violins have at the beginning, but alas, that is not so):
> 
> programming error: Multi_measure_rest::get_rods (): I am not spanned!
> continuing, cross fingers
> 
> I cannot find anything about spanning multi-measure rests nor rods.
> But my guess is that the multi-measure rests are merely a symptom and
> not the actual issue.
> 
> Unfortunately, I don't know where to look anymore, having scoured the
> documentation both on and offline.
> 
> Your help is greatly appreciated.
> 
> cheers,
> Andrea
> 
> 
> 
> 
> 
> -- 
> ™™
> http://reloadsanear.com
> http://antisocialmusic.org
> 
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Re: transposing instruments

[Ole Schmidt]

Hi,

maybe this snippet helps?

http://lsr.dsi.unimi.it/LSR/Snippet?id=266


<>




for some strange reason it does not display when I type in "transpose"...


ole

Am 18.07.2010 um 17:03 schrieb Jatziri Valtierra:

> Hi everyone,
> 
> Your suggestions help me very much, but now I have other problem whit
> the notes when I write des or ges the transposing is incorrect in
> atonal writing des - ces and ges - fes (and I want that des change to
> b and ges change to e)
> 
> ej.
> 
> music = \relative c' { des ges }
> <<
> \new Staff {
> \transpose c c {\music}
> }
> 
> %This is incorrect outside the context tonal
>  \new Staff {
> \transpose c' bes { \music }
> }
> 
> %This is for mi the correct result
> 
> \new Staff {
> b e'
> }
>>> 
> 
> thanks,
> Jatziri.
> 
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Re: transposing instruments

[Ole Schmidt]

What keyword did you type in the lsr search?

neither "transpose" nor "accidental" will lead to snipppet 266 here...

Am 18.07.2010 um 17:25 schrieb Jethro Van Thuyne:

> Hi,
> 
> Have you taken a look at the smart-transpose snippet?
> 
>  http://lsr.dsi.unimi.it/LSR/Item?id=266
> 
> Best regards,
> 
> Jethro.
> 
> 
> On Sun, 18 Jul 2010, Jatziri Valtierra wrote:
> 
>> Hi everyone,
>> 
>> Your suggestions help me very much, but now I have other problem whit
>> the notes when I write des or ges the transposing is incorrect in
>> atonal writing des - ces and ges - fes (and I want that des change to
>> b and ges change to e)
>> 
>> ej.
>> 
>> music = \relative c' { des ges }
>> <<
>> \new Staff {
>> \transpose c c {\music}
>> }
>> 
>> %This is incorrect outside the context tonal
>>  \new Staff {
>> \transpose c' bes { \music }
>> }
>> 
>> %This is for mi the correct result
>> 
>> \new Staff {
>> b e'
>> }
 
>> 
>> thanks,
>> Jatziri.
>> 
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Re: Mute notation

[Ole Schmidt]

are you aware of

 http://pagespro-orange.fr/christian.texier/mididesi/

which you can embed in lilypond like this


blah = \markup {\override #'(font-name . "Concreta") %loads Concreta font
\fontsize #2
"%" %bow char
}

{
c4^\blah }


looks (for example):

<>


hth   ole









Am 19.07.2010 um 22:09 schrieb James Bailey:

> 
> On Jul 19, 2010, at 9:47 PM, lilyp...@bernardhulsman.nl wrote:
> 
>> Hello,
>> 
>> I want to write a notation for Djembe. Normal notation in Lilypond is fine. 
>> But how can I write a "mute" tone. This is one hand on the Djembe, which 
>> mutes the sound and the other hand plays the normal tone, f.e. the bass. 
>> Mute is rarely used. I think about a special token which mark the tone 
>> should be played as mute.
>> 
>> But how?  Any suggestions?
>> 
>> With regards,
>> 
>> Bernard
> 
> I think the important question is how do you want it to look. If there is an 
> established practice, there is probably (at least with postscript) a way to 
> implement it in lilypond, there is also the possibility of repurposing 
> existing symbols for you goal.
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ottava bracket above markups

[Ole Schmidt]

Hi,

Is it possible to set the ottava bracket -- above the markups?

thanks

ole


%%%
\version "2.13.7"
\new Staff \relative c'' { c^\markup {1}
 d \ottava #1 
 e^\markup {2}
 f^\markup {3} 
 g a b c }
%%

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Re: ottava bracket above markups

[Ole Schmidt]

thanks- this explaines a little more the logic behind it- is there a point in 
the docs where I can find those things?

ole

Am 08.08.2010 um 23:12 schrieb Xavier Scheuer:

> On 8 August 2010 17:03, Ole Schmidt  wrote:
>> Hi,
>> 
>> Is it possible to set the ottava bracket -- above the markups?
>> 
> 
> Hi!
> 
> Change the value of OttavaBracket #'outside-staff-priority to something
> *strictly* higher than 450 (451 for example)
>  \override Staff.OttavaBracket #'outside-staff-priority = #451
> 
>  OR
> 
> Change the value of TextScript #'outside-staff-priority to something
> *strictly* _lower_ than 400 (399 for example).
>  \override TextScript #'outside-staff-priority = #399
> 
> But in your case why not use Fingering instead of \markup ?
> That seems more logical, isn't it?
> 
> \new Staff {
>  \relative c'' {
>c-1
>d \ottava #1
>e-2
>f-3
>g a b c
>  }
> }
> 
> 
> Cheers,
> Xavier
> 
> -- 
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Re: Chord Names Between Piano Staff Treble and Bass Clefs

[Ole Schmidt]

Learning Manual "2.2.3 Staff groups"

first example:

\new PianoStaff <<
  \new Staff …
  \new Staff …
>>
 
or in your case:

\new PianoStaff <<
  \new Staff …
  \new ChordNames...
\new Staff …
>>


hth   ole



Am 09.09.2010 um 10:32 schrieb Éditions IN NOMINE:

> Hi.
> 
> If you encapsulate right and left hand, I think this is not possible.
> I've tried this : 
> 
> \version "2.13"
> right = \relative c'' {c4 c c d e2 d c4 e d d c1 \bar "|."}
> left = \relative c {\clef bass c2. g4 c2 b c4 f, g g c1 \bar "|."}
> accords = \chordmode {c2. g4:7 c1 c4 f g g:7 c1}
> 
> \score {
> <<
>   \new Staff <<\right>>
>   \new ChordNames {\accords}
>   \new Staff <<\left>>
> >>
> \layout{}
> }
> 
> but these are no PIANO staves... it seems that "PianoStaff" forbids anything 
> between the staves ?
> 
> Best regards
> 
> JMarc
> On 09/09/2010 08:05, keith Luke wrote:
>> 
>> I have:
>> 
>> 
>> 
>> I can place the chord names above the treble clef, but would like to place 
>> them between the clefs.
>> 
>> How do I put chord names between the treble and bass clef parts in \new 
>> Piano Staff instead above the treble clef part?
>> 
>> Thanks,
>> 
>> Keith 
>> 
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Re: Header separation from markup or music

[Ole Schmidt]

did you try:

\paper {before-title-spacing = #'((space . 30)) }  


hth

ole



Am 06.10.2010 um 14:31 schrieb Jiri Zurek (Prague):

> 
> I cannot figure out how to increase the space (the separation) between the
> header of the page and anything else on the page, which can be either lines
> of markup or music. The head-separation settings in the paper block does not
> seem to work: regardless of any value which I put there (even very large)
> the setting seems to be ignored and the space is always very small. Is there
> another setting, property, command or anything where I can set the amount of
> white space between the header and the rest of the page?
> -- 
> View this message in context: 
> http://old.nabble.com/Header-separation-from-markup-or-music-tp29896213p29896213.html
> Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
> 
> 
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Re: musicxml2ly, midi2ly etc. broken ?

[Ole Schmidt]

is this the same problem?
 
it happens with 2.12.3 as well as with 2.13.35

Last login: Sun Oct 10 17:05:44 on ttys001
ja?~$ midi2ly /Applications/SCOM\ 6.2.3/Output/Bcl\&p_1.mid 
Traceback (most recent call last):
  File "/Applications/LilyPond.app/Contents/Resources/bin/midi2ly", line 50, in 

import midi
ImportError: 
dlopen(/Applications/LilyPond.app/Contents/Resources/lib/lilypond/current/python/midi.so,
 2): no suitable image found.  Did find:

/Applications/LilyPond.app/Contents/Resources/lib/lilypond/current/python/midi.so:
 mach-o, but wrong architecture

thanks,

ole

Am 10.10.2010 um 16:28 schrieb Valentin Villenave:

> On Mon, May 17, 2010 at 12:05 AM, flup2  wrote:
>> Since a few versions (in the development branch, now 2.13.21), I get that
>> kind of message while running converters included in Lilypond. This is the
>> message shown when running midi2ly from the Terminal under Mac OS X
>> 
>> Could not find platform independent libraries 
>> Could not find platform dependent libraries 
>> Consider setting $PYTHONHOME to [:]
>> 'import site' failed; use -v for traceback
>> Traceback (most recent call last):
>>  File "/Applications/LilyPond.app/Contents/Resources/bin/midi2ly", line 37,
>> in 
>>import os
>> ImportError: No module named os
> 
> CCing to the bug list.
> 
> Looks like there's a problem with Python libraries path variables on
> OSX, can anyone confirm?
> 
> Cheers,
> Valentin
> 
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> http://lists.gnu.org/mailman/listinfo/lilypond-user


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Re: Surpress CC#7 commands in MIDI output

[Ole Schmidt]

Hi,

As far as I remember- when you typeset a dynamic sign like \mf this will be 
mirrored in the midifile. So maybe it's the easiest way to specify the dynamics 
in the .ly-file..

hth

ole

www.oleschmidt.de



Am 19.01.2014 um 13:38 schrieb Speldosa :

> I've noticed that Lilypond, for its midi output, starts each track off by
> sending a CC#7 command (channel volume) on each channel with a value of 100.
> This create some problems for me, for example when I'm importing and playing
> the data in Logic and want to change the channel volume (yes, I could simply
> remove the CC command on each track there, but I'm dealing with a lot of
> files and they are going to get distributed to other people).
> 
> Is there any way for me to remove these initial CC#7 commands from the midi
> file that Lilypond creates?
> 
> 
> 
> --
> View this message in context: 
> http://lilypond.1069038.n5.nabble.com/Surpress-CC-7-commands-in-MIDI-output-tp158188.html
> Sent from the User mailing list archive at Nabble.com.
> 
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Liederkreis, Op.39 by Robert Schumann

[Ole Schmidt]

Hi,

I want to make transcriptions for bassclarinet from some "Liederkreis" op.39 
Robert Schumann songs, are there any .ly files around?

Thanks!

ole






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Fwd: Lilypond as a library

[Ole Schmidt]

Anfang der weitergeleiteten Nachricht:

> Von: Mike Solomon 
> Betreff: Aw: Lilypond as a library
> Datum: 8. Juni 2014 10:37:49 MESZ
> An: Mauren Berti 
> Kopie: lilypond-user , Dominique Fober 
> 
> 
> On Jun 7, 2014, at 10:43 PM, Mauren Berti  wrote:
> 
>> Hello!
>> 
>> I am writing a software as my graduation project which captures audio and 
>> generates a .ly file. I'd like to embed Lilypond as a library in my 
>> software, so that it can generate the .pdf file directly, but was not able 
>> to find a library-like compilation of Lilypond. Is there such a thing?
>> 
>> Thanks in advance!
>> Mauren.
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> 
> Dear Maruen,
> 
> You may want to check out Guido, which is (as far as I know) the only 
> embeddable music engraving library:
> 
> http://sourceforge.net/p/guidolib
> 
> Cheers,
> MS
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There is also fomus (http://fomus.sourceforge.net)..


best

ole


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midi2ly

[Ole Schmidt]

Hi, 

I just want to import something from a midifile and get the following 
errorwarning:

Last login: Sun Aug  3 17:46:40 on console
ja?~$ midi2ly rhythms.mid 
Traceback (most recent call last):
  File "/Applications/LilyPond.app/Contents/Resources/bin/midi2ly", line 54, in 

import midi
ImportError: 
dlopen(/Applications/LilyPond.app/Contents/Resources/lib/lilypond/current/python/midi.so,
 2): no suitable image found.  Did find:

/Applications/LilyPond.app/Contents/Resources/lib/lilypond/current/python/midi.so:
 mach-o, but wrong architecture


Is that a known issue?

I'am using LP 2.18.2 on a Macbook, OS 10.8.5


thanks for help,

ole






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Re: ANSWER, Re: problem with full-measure rests in differently time-scaled staves

[Ole Schmidt]

Hi Adam, hi all,

I'am relativly new to lilypond and already made some attempts to  
typeset a piece by morton feldman "bassclarinet and percussion"-  
without success.

Now your snippet give me new hope:

The piece is written in two systems, the first system changing the  
meter almost every bar, the second system entirely in 3/4. The two  
systems are synchronized vertically so that a 7/8 bar use the same  
space than a 3/4 bar, than a 2/4, than a 3/8
in a small footer it is said: "Every 135 Quarter Notes for both the  
bassclarinet and percussion"
Is it possible to make it more (human) readible on the base of your  
snippet ( to have meter changes in the lower system of your snippet)?


best,
ole

<><>

Am 20.09.2007 um 23:48 schrieb Adam James Wilson:


Hi Valentin,

I added  snippet to LSR under the title:
"How to compress full-measure rests (e.g. "R4")  in a compressMusic
block in a poly-tempo situation."

Let me know it passes muster.

Best,
Adam

On 9/20/07, Valentin Villenave <[EMAIL PROTECTED]> wrote:

2007/9/20, Adam James Wilson <[EMAIL PROTECTED]>:

Will the chunk of code I sent to the list suffice for an LSR  
snippet?


Yes, definitely. Maybe you can add some notes on one of the staves to
make it look more "realistic" (but thats up to you)...

Regards,
Valentin




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typeset lyrics

[Ole Schmidt]

I have to typeset lyrics for the first time. I've studied the manual  
and everything work until now. Now I have six bars without lyrics and  
than lyrics again. So how can I achive lyric-free notes (bars) in  
between?

Thank you for a hint

best,

ole


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Re: typeset lyrics

[Ole Schmidt]

I read "Divisi Lyrics" over and over but I'am afraid I don't  
understand it. There are two different voices at one point and on  
this point there are two different lyrics assigned. How can I use it  
for my problem?


ole


Am 01.11.2007 um 22:18 schrieb Mats Bengtsson:


One solution is described in section "Divisi Lyrics",
namely to use different Voice contexts for the different
parts of music. Notice that you have to keep the
original Voice context alive over the 6 measures
using s1*6.

  /Mats

Ole Schmidt wrote:

I have to typeset lyrics for the first time. I've studied the  
manual  and everything work until now. Now I have six bars without  
lyrics and  than lyrics again. So how can I achive lyric-free  
notes (bars) in  between?

Thank you for a hint

best,

ole


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--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 
   Fax:   (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=




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Re: typeset lyrics

[Ole Schmidt]

thank you very much for the example, now I see how to use it and it  
works fine


best

ole


Am 01.11.2007 um 22:56 schrieb Mats Bengtsson:




Ole Schmidt wrote:

I read "Divisi Lyrics" over and over but I'am afraid I don't   
understand it. There are two different voices at one point and on   
this point there are two different lyrics assigned. How can I use  
it  for my problem?


What I primarily had in mind was the second example in the section.
For example you could do something along the lines of.

\version "2.10.0"
song = \relative c'{c d e f | g f e ( d ) | c1 | s1*4 | g4 ( a ) b  
g | c1 }

interlude = \relative c'{ s1*3 | d1 | b | g | b | }
text = \lyricmode { Here's some ly -- rics for the first part.   
Here comes the rest }


\score{
<<
 \new Staff <<
   \new Voice = songvoice \song
   \new Voice = interludevoice \interlude
 >>
 \new Lyrics \lyricsto songvoice \text
>>
}

   /Mats




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Re: typeset lyrics

[Ole Schmidt]

Am 02.11.2007 um 15:13 schrieb Mats Bengtsson:

Another point are the rules of  the \relative mode when you have  
polyphony/chord constructions (how to use , and ' properly)

Could you please check the following draft of the new revised manual
and see if it provides the relevant information:
http://kainhofer.com/~lilypond/Documentation/user/lilypond/Relative- 
octave-entry.html#Relative-octave-entry



here I find immediatly:

If the preceding item is a chord, the first note of the chord is used  
as the reference point for the octave placement of a following note  
or chord:


but because I mixed up chords and polyphony I also need:

Polyphony does not change the relationship of notes within a  
\relative { } block. Each note is calculated relative to the note  
immediately preceding it.


\relative { noteA << noteB \\ noteC >> noteD }

noteC is relative to noteB, not noteA; noteD is relative to noteC,  
not noteB or noteA.


(from the new manual 3.2.1 "I'm seeing Voices")


These issues are described to some extent in the section on  
"Explicitly instantiating

voices".

this chapter indeed answers my questions

thank you for the help

ole
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Re: typeset lyrics

[Ole Schmidt]

I'am a bit shy to out my ignorance...

what I'am missing (maybe I overlooked it) is an overview (maybe a  
sort of tree?) of how the

all the terms:
\score
 \new Staff
 \new Voice
 \VoiceOne
 \VoiceTwo
\oneVoice
are (hieracial) related and how their encapsulation  (<<  >> and { })  
works
There is also the << {  } \\ {  } >> model for polyphony, when to use  
which construction?


Another point are the rules of  the \relative mode when you have  
polyphony/chord constructions (how to use , and ' properly)


I work partly by trial&error which can be very time-consuming.

I always use the search function of the lilypond.pdf and most of the  
times I found an example that covers what I'am after. I find this  
most convenient (to work with examples) e.g. I immediatly understood  
the example Mats mailed me so maybe it would be a good idea to  
include it to the manual...


I hope this answers your question somehow...

best

ole

Am 02.11.2007 um 00:23 schrieb Werner LEMBERG:


Now that you know how it works it would be a great help for us if you
tell us what exactly have missed in the docs which prevented you from
understanding it.


Werner




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Re: partcombine/drummode

[Ole Schmidt]

I don't know if there are better solutions but you can suppress the  
rest in one voice using s instead of r and center the rest from the  
other voice by changing temporarily to \notemode and using the \rest  
feature:


sn4 \notemode {c''2. \rest}
%% the c'' makes the position of the rest %%%

also you can override the position of the rest:

 \once \override Rest #'staff-position = #1 r2.

hope that helps

ole


Am 11.11.2007 um 13:08 schrieb Bert Verbeek:


Hello All,

First of all, thanks for this wonderfull program.
I'm using  lilypond version 2.10.29 on Debian Linux testing.

I'm using lilypond for the first time for a complete BigBand score,  
every

thing is going great, but I'm stuck with one minor problem.

Is it possible to use \partcombine and \drummode together in order  
to print
common rests of snare and bassdrum voices only once in the normal  
position of

the \DrumStaff?

If not, how should I fake this?

Thanks in advance,
Bert Verbeek

 ly input -

\version "2.10.29"

SNARE = \drummode { sn8-> r r4 }
BASSDRUM = \drummode { bd8  r r4 }

\score{
<<
  \new DrumStaff <<
  \set Staff.instrumentName = "Drums"
  \new DrumVoice { \voiceOne \SNARE }
  \new DrumVoice { \voiceTwo \BASSDRUM }





\layout {}
}


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[no subject]

[Ole Schmidt]

Dear all,

I want to have both of the first two notes tied -the d and the f- 
sharp. How do I achieve that?

Thanks for a hint

ole

%%%

\version "2.10.15"

 \new Staff {
 \time 3/4

 \relative c' {

r4 2| \voiceOne

<< { fis8. d'16 }  \new Voice = "1" { \voiceTwo d,4  }  >> \oneVoice  
r2 |


 } }

%%


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once again with a header, tie into polyphony question

[Ole Schmidt]

Dear all,

I want to have both of the first two notes tied -the d and the f- 
sharp. How do I achieve that?

Thanks for a hint

ole

%%%

\version "2.10.15"

 \new Staff {
 \time 3/4

 \relative c' {

r4 2| \voiceOne

<< { fis8. d'16 }  \new Voice = "1" { \voiceTwo d,4  }  >> \oneVoice  
r2 |


 } }

%%


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Re: tie into polyphony question

[Ole Schmidt]

thanks, but is it possible to tie more than one note ( <   > ) into  
polyphony?
And do I use the correct syntax for getting polyphonic and than  
homophonic again?

(if I use \\ instead of \new Voice = "1" I get no tie at all...)


ole





Am 21.11.2007 um 05:17 schrieb Paul Scott:


Ole Schmidt wrote:



Dear all,

I want to have both of the first two notes tied -the d and the f- 
sharp. How do I achieve that?

Thanks for a hint

ole

%%%

\version "2.10.15"

 \new Staff {
 \time 3/4

 \relative c' {

r4 2| \voiceOne

<< { fis8. d'16 }  \new Voice = "1" { \voiceTwo d,4  }  >>  
\oneVoice r2 |


 } }

%%
It's not clear what you might have needed around this snippet but  
the following works in 2.11.34


\version "2.10.15"

\new Staff {
 \time 3/4
 \relative c' {
 r4 << { fis2 ~ fis8. d'16 }  \\ { d,2 ~ d4  }  >> r2 |
   }
}


Paul Scott





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Re: Why can't I get a barline at the end of this"

[Ole Schmidt]

unfortunatly I'am not and I do not understand the difference between   
"||:" and "|:"

why does "||:" exist and ":||" not? seems unlogical to me...

best  ole

%%%

\version "2.10.15"
 \new Staff {
 \time 2/4
\relative c'{

s2 \bar "||:" s2  s2 \bar "|:" s2

 } }


Am 08.12.2007 um 13:47 schrieb Father Gordon Gilbert:


Wow!! Ole!!  You're a genius!  Exactly the right thing!

Gordon

On 08/12/2007, Ole Schmidt <[EMAIL PROTECTED] > wrote:
try to replace \bar ":||"  with  \bar ":|"

hope that helps


ole



Am 08.12.2007 um 12:57 schrieb Father Gordon Gilbert:


Hi all,

I'm running 2.11.32 on Windoze, and using jEdit to enter the  
material.  In the following, why can't I get a  \bar ":||"  to  
appear at the end?  At least something should be there afaik, but  
I'd like to close the repeat the way my (very poor fax of a  
photocopy of a photocopy) shows it.  This is copyright music, btw,  
but my daughter has permission to arrange it -- thus the copy.


% Generated by lilypond-book
% Options: [printfilename,texidoc,line-width]
\paper {#(set-paper-size "letter")
between-system-padding = #1
}
\layout {
line-width = 180 \mm
}
\version "2.11.32"
\header
{
filename = "TheHockeySong.ly"
enteredby = "Gordon Gilbert"
title = "The Hockey Song"
subtitle = ""
composer = "Tom C. Connors"
poet = "Tom C. Connors"
date="1992"
copyright = "Crown Vetch Music Ltd. (CAPAC)"
footer = "1343 Matheson Blvd W. Mississauga, ON L4W 1R1"
maintainer = "Gordon Gilbert"
maintainerEmail = "[EMAIL PROTECTED]"
lastupdated = "2007/Dec/8"

}
%shorthand for Skip Lyric
sl =  { \skip 4 }
melody =  {
 #(set-global-staff-size 18)
\override Staff.VerticalAxisGroup #'minimum-Y-extent = #'(-4 . 4)
\time 4/4 \key c \major
\relative c' {
\bar "||:" \partial 4
g'4 g e c4. e8 g4 e c
e g g f e f2. e8 e f4 e d ~ d8 e
f4 e d d8 d g4 g a g g8( e4.)
r4 r8 e8 g4 e c g'8 g g4 e c c8 c
g' ~ g g ~ g a4 g f2.. c'8
c8 c4 c8 ~ c4. a8
g g4 g4. g8 g g f4. d8 b4. c4 r4
g'4. g,8 g g4. c8 e4. g2.
a8 g a4 g e8 c4. b2. b8 a g4 g b8 d4. g2.
g8 g g f4. d8 b4. c1 r r r2 r4 \bar ":||"
}


}

text = \lyricmode {
\set stanza = "1."  Hel -- lo out there, we're on the air,
It's hock -- ey night  to -- night;
\sl \sl Ten -- sion grows, the whis -- tle blows,
and the puck goes down the ice;
The goal -- ie jumps and the play -- ers bump
and the fans all go in -- sane;
\sl Some -- one roars,  \sl Bob -- by scores at the good old  
hock -- ey game.

%Refrain
Oh, the good old hock -- ey game
is the best game you can name;
And the best game you can name
is the good old hock -- ey game


}

textVerseTwo = \lyricmode {
\set stanza = "2."
Where play -- ers dash with skates a -- flash,
the home team trails be -- hind;
But they grab the puck-and go burs -- ting up
and they're down a -- cross the line;
They storm the crease, like \sl bum -- ble bees,
they \sl travel like-a burn -- ing flame;
We see them slide the puck in -- side;
It's a one one hock -- ey game.
}

textVerseThree = \lyricmode {
\set stanza = "3."
Oh, take me where the hock -- ey play -- ers
face off down the rink
And the Stan -- ley Cup is all filled up for the champs
who win the drink
Now-the fin -- al flick of a hock -- ey stick and \sl
one gig -- an -- tic scream
The puck is in, the home team wins
the \sl  good old hock -- ey game

}



accompaniment = \chordmode {
{

}
}

\score {
  <<
\context ChordNames \accompaniment
\context Voice = "one" {
\melody}
\lyricsto "one" \new Lyrics  \text
\lyricsto "one" \new Lyrics \textVerseTwo
\lyricsto "one" \new Lyrics \textVerseThree

  >>
  \layout { }
  \midi  {
  \context {
  \Score
  tempoWholesPerMinute = #(ly:make-moment 120 4)
  }}
}


Thanks, as always, for your help.

Gordon+

--
Fr. Gordon Gilbert
Penetanguishene, ON
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--
Fr. Gordon Gilbert
Penetanguishene, ON


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Re: Why can't I get a barline at the end of this"

[Ole Schmidt]

thank you for your explanation

ole


Am 08.12.2007 um 14:21 schrieb Trevor Daniels:



This is the difference, taken from the new GDP NR manual:

"In addition, you can specify "||:", which is equivalent to
"|:" except at line breaks, where it gives a double bar line
at the end of the line and a start repeat at the beginning
of the next line."

HTH

Trevoe D


-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
On Behalf Of Ole Schmidt
Sent: 08 December 2007 13:08
To: Father Gordon Gilbert; lilypond-user@gnu.org
Subject: Re: Why can't I get a barline at the end of this"


unfortunatly I'am not and I do not understand the difference
between "||:" and "|:"
why does "||:" exist and ":||" not? seems unlogical to me...


best ole



%%%


\version "2.10.15"
\new Staff {
\time 2/4
\relative c'{
s2 \bar "||:" s2 s2 \bar "|:" s2


} }




Am 08.12.2007 um 13:47 schrieb Father Gordon Gilbert:


Wow!! Ole!! You're a genius! Exactly the right thing!

Gordon


On 08/12/2007, Ole Schmidt <[EMAIL PROTECTED] > wrote:
try to replace \bar ":||" with \bar ":|"


hope that helps




ole






Am 08.12.2007 um 12:57 schrieb Father Gordon Gilbert:


Hi all,

I'm running 2.11.32 on Windoze, and using jEdit to enter the
material. In the following, why can't I get a \bar ":||" to
appear at the end? At least something should be there afaik,
but I'd like to close the repeat the way my (very poor fax
of a photocopy of a photocopy) shows it. This is copyright
music, btw, but my daughter has permission to arrange it --
thus the copy.

% Generated by lilypond-book
% Options: [printfilename,texidoc,line-width]
\paper {#(set-paper-size "letter")
between-system-padding = #1
}
\layout {
line-width = 180 \mm
}
\version "2.11.32"
\header
{
filename = "TheHockeySong.ly"
enteredby = "Gordon Gilbert"
title = "The Hockey Song"
subtitle = ""
composer = "Tom C. Connors"
poet = "Tom C. Connors"
date="1992"
copyright = "Crown Vetch Music Ltd. (CAPAC)"
footer = "1343 Matheson Blvd W. Mississauga, ON L4W 1R1"
maintainer = "Gordon Gilbert"
maintainerEmail = "[EMAIL PROTECTED]"
lastupdated = "2007/Dec/8"

}
%shorthand for Skip Lyric
sl = { \skip 4 }
melody = {
#(set-global-staff-size 18)
\override Staff.VerticalAxisGroup #'minimum-Y-extent = #'(-4
. 4)
\time 4/4 \key c \major
\relative c' {
\bar "||:" \partial 4
g'4 g e c4. e8 g4 e c
e g g f e f2. e8 e f4 e d ~ d8 e
f4 e d d8 d g4 g a g g8( e4.)
r4 r8 e8 g4 e c g'8 g g4 e c c8 c
g' ~ g g ~ g a4 g f2.. c'8
c8 c4 c8 ~ c4. a8
g g4 g4. g8 g g f4. d8 b4. c4 r4
g'4. g,8 g g4. c8 e4. g2.
a8 g a4 g e8 c4. b2. b8 a g4 g b8 d4. g2.
g8 g g f4. d8 b4. c1 r r r2 r4 \bar ":||"
}


}

text = \lyricmode {
\set stanza = "1." Hel -- lo out there, we're on the air,
It's hock -- ey night to -- night;
\sl \sl Ten -- sion grows, the whis -- tle blows,
and the puck goes down the ice;
The goal -- ie jumps and the play -- ers bump
and the fans all go in -- sane;
\sl Some -- one roars, \sl Bob -- by scores at the good old
hock -- ey game.
%Refrain
Oh, the good old hock -- ey game
is the best game you can name;
And the best game you can name
is the good old hock -- ey game


}

textVerseTwo = \lyricmode {
\set stanza = "2."
Where play -- ers dash with skates a -- flash,
the home team trails be -- hind;
But they grab the puck-and go burs -- ting up
and they're down a -- cross the line;
They storm the crease, like \sl bum -- ble bees,
they \sl travel like-a burn -- ing flame;
We see them slide the puck in -- side;
It's a one one hock -- ey game.
}

textVerseThree = \lyricmode {
\set stanza = "3."
Oh, take me where the hock -- ey play -- ers
face off down the rink
And the Stan -- ley Cup is all filled up for the champs
who win the drink
Now-the fin -- al flick of a hock -- ey stick and \sl
one gig -- an -- tic scream
The puck is in, the home team wins
the \sl good old hock -- ey game

}



accompaniment = \chordmode {
{

}
}

\score {
<<
\context ChordNames \accompaniment
\context Voice = "one" {
\melody}
\lyricsto "one" \new Lyrics \text
\lyricsto "one" \new Lyrics \textVerseTwo
\lyricsto "one" \new Lyrics \textVerseThree




\layout { }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 120 4)
}}
}


Thanks, as always, for your help.

Gordon+

--
Fr. Gordon Gilbert
Penetanguishene, ON
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--
Fr. Gordon Gilbert
Penetanguishene, ON





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Re: Double choir music with different time signatures

[Ole Schmidt]

the following example is a modified version of something that Adam  
James Wilson wrote for me (you can search the archives for "problem  
with full-measure rests in differently time-scaled staves"
Maybe there is an easier solution to your problem and this is a bit  
overshoot


ole

%%

\version "2.10.15"

\layout {
 \context { \Score
\remove "Timing_translator"
\remove "Default_bar_line_engraver"
 }
 \context {
   \Staff
   \consists "Timing_translator"
   \consists "Default_bar_line_engraver"
 }
}

<<

 \new Staff {

 \time 12/8
 \compressMusic #'( 2 . 3 ) {

 \set Timing.measureLength = #(ly:make-moment 6 6)

b8 b b b b b a a a a a a

 b8 b b b b b a a a a a a

 b8 b b b b b a a a a a a
}

 }


 \new Staff {
   \clef bass
   \time 4/4
   c4 d e f

c4 d e f

c4 d e f  }

 >>





Am 08.12.2007 um 19:54 schrieb Roz Sherris:


Hello folks

I'm transcribing a piece for two 6-part choirs, arranged in 2  
ChoirStaffs, Choir 1 and Choir 2. At first the time signatures for  
both choirs are the same, but part way through they change to  
separate time sigs: Choir 1 to 12/8 dotted crotchet = 40; Choir 2  
to 4/4 crotchet = 40. So bar lines still fall together.  I've tried  
entering \time and \tempo for each line, but the Choir 2 4/4 over- 
rides the Choir 1 12/8.  I suppose I could enter all the Choir 1  
stuff as triplets in 4/4, but I'd prefer to retain the two  
different time sigs if possible.


Anyone know of a way of achieving this?

Thanks
Roz
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Re: Double choir music with different time signatures

[Ole Schmidt]

I find the following "orginal" snippet  also worth for the lsr -it  
shows the ability to realize contemporary Music with Lilypond


ole


%%%

\version "2.10.15"

\paper {
indent = #0
ragged-right = ##t
}

global = { \time 3/4 { s2. * 3 } \bar "" \break { s2. * 3 }}

\layout {
\context { \Score
\remove "Timing_translator"
\remove "Time_signature_engraver"
\remove "Default_bar_line_engraver"
\override SpacingSpanner #'uniform-stretching = ##t
\override SpacingSpanner #'strict-note-spacing = ##t
proportionalNotationDuration = #(ly:make-moment 1 64)
}
\context { \Staff
\consists "Timing_translator"
\consists "Default_bar_line_engraver"
\consists "Time_signature_engraver"
}
\context { \Voice
\remove Forbid_line_break_engraver
tupletFullLength = ##t
}
}


Bassklarinette =\new Staff <<
\global
{
\bar "|"
\clef treble
\time 3/8
d''4.

\bar "|"
\time 3/4
r8 des''2( c''8)

\bar "|"
\time 7/8
r4. ees''2 ~

\bar "|"
\time 2/4
\tupletUp
\times 2/3 {ees''4 r4 d''4 ~}

\bar "|"
\time 3/8
\tupletUp
\times 3/4 {d''4 r4}

\bar "|"
\time 2/4
e''2

\bar "|"
\time 3/8
es''4.  
\bar "|"
\time 3/4
r8 d''2 r8
\bar "|"
}
>>
Perkussion =\new StaffGroup <<
\new Staff <<
\global
{
\bar "|"
\clef percussion
\time 3/4
r4 c'2 ~

\bar "|"
c'2.

\bar "|"
R2.

\bar "|"
r2 g'4 ~

\bar "|"
g'2. ~

\bar "|"
g'2.
}
>>
\new Staff <<
\global
{
\bar "|"
\clef percussion
\time 3/4
R2.

\bar "|"
g'2. ~

\bar "|"
g'2.

\bar "|"
        r4 g'2 ~

\bar "|"
g'2 r4

\bar "|"
g'2.
}
>>
>>

\score { <<  \Bassklarinette \Perkussion >>

\midi {  }
\layout { }

}


%
Am 09.12.2007 um 19:20 schrieb Valentin Villenave:


2007/12/8, Ole Schmidt <[EMAIL PROTECTED]>:
 the following example is a modified version of something that  
Adam James

Wilson wrote for me (you can search the archives for "problem with
full-measure rests in differently time-scaled staves"


Thanks, added as
http://lsr.dsi.unimi.it/LSR/Item?u=1&id=344

Cheers,
Valentin




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Re: Two output questions

[Ole Schmidt]

Manual (searching for MIDI):

10.3.1 Creating MIDI files

To create a MIDI from a music piece of music, add a \midi block to a  
score, for example,

\score {
...music...
\midi { }
}


so you have to create a \score { } block around your music...

if it do not work post your code (or a small representative snippet  
of it) to the mailing list including the \version you are using...



hope that helps


ole


Am 11.12.2007 um 18:30 schrieb Jim Neubauer:


This program is wonderful. I really enjoy using it. I have two output
questions however.
I've written a very simple hymn and used lilypond to get it onto  
paper. I am
wondering about the *.ps files that are generated. I think I've  
figured out
that they are acutally image files. What is the minimum program I  
need from
Adobe to view those images or use them directly outside of the pdf  
format?
Right now I'm working around by using a pdf to tiff converter, but  
would like

to create a 1/2 page insert for the bulletin in a more direct way.

Also for this hymn I would like to generate a midi file so that I  
can listen
and make small adaptations right at my computer without having to  
go to the
piano which is no where near my computer. I'm somewhat confused as  
to what
code needs to be present to get the midi output. I can generate the  
one note
that is used in the example, but when I try to copy the example  
into my hymn

file, I don't get the midi file generated.

Thanks for putting up with a nubbie

Jim



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Re: Win XP Notepad-related lilypond bugs

[Ole Schmidt]

I can strongly recommand jedit (http://www.jedit.org/)
with  LilyPondTool-plugin (http://www.organum.hu/78.0.html)

"LilyPondTool is a LilyPond plugin for JEdit. It is not a graphical  
front-end, but an edit mode and plug-in, which gives similar  
functionality as Emacs LilyPond mode."


best

ole







Am 12.12.2007 um 20:56 schrieb Garrett Fitzgerald:


On Dec 10, 2007 1:49 PM, daf <[EMAIL PROTECTED]> wrote:
Anyhow, two problems with Notepad when invoked via right-click  
menu for a

.ly file:


At the risk of sounding flip, don't use Notepad. :-) I use Notepad++
for most text editing, but I use emacs with lilypond-mode for .ly
files, and I wouldn't dream of working without it.


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Re: Removing time signatures (yet again!)

[Ole Schmidt]

Am 16.12.2007 um 22:56 schrieb Mats Bengtsson:


There are several other alternatives to do this kind of
property settings, for example if want to make one setting
that applies to all staves of all scores.


would this be a correct solution?

%%
\layout {  \context {

\Score \override TimeSignature #'stencil = ##f  } }

 {
 <<
   \new Staff   {
   \clef treble
{\partial 4 d'  }

}
   \new Staff {
 \clef bass
{\partial 4  f,}

}
>>

}

%%%

best

ole


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Re: tuplets other than standard 8th into quarter note

[Ole Schmidt]

 \new Staff {

\time 1/4
\relative c' { \times 2/3 { d8 e f } \break
%in the time of 2 8th notes 3 8th notes

\times 2/5 { d8 e f g a } \break
%in the time of 2 8th notes 5 8th notes

\times 2/3 { d16[ e f ]} \times 2/3 { d16 e f } \break
%in the time of 2 16th notes 3 16th notes

\times 4/6 { d16 e f  e f g } \break
%in the time of 4 16th notes 6 16th notes

\times 4/7 { d16 e f  e f g a } \break
%in the time of 4 16th notes 7 16th notes

\times 4/9 { g16 a b f g a e f g  }
%in the time of 4 16th notes 9 16th notes
} }


%%%


hope that helps

ole


Am 17.12.2007 um 11:35 schrieb David Fedoruk:


Hello:

I don't understand how the triplet durations work mathematically. The
examples are all standard 3  8th notes into 1 quarter. These are all
whole numbers. What happens when you need triplet 16th notes into half
a beat in a 2/4 time signature? There are about 50 bars of them so I
can't do this as a one of exception.

While I'm asking questions, how is a single voice notation done
between staves in a piano score? Does the notation have to be two
voiced although the score will not indicate rests for one hand while
the other is playing.? I've looked at the documentation for staff
switching, but it seems to be useful in singular situations. I don't
think I can leave this to auto staff changes  if what I'm doing is
considered staff changes.

I need to understand what I'm attempting before trying something which
may be doomed to failure.

cheers.
david

--
David Fedoruk
B.Mus. UBC,1986
Certificate in Internet Systems Administration, UBC, 2003


http://recordjackethistorian.wordpress.com
"Music is enough for one's life time, but one life time is not enough
for music" Sergei Rachmaninov


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Re: tuplets other than standard 8th into quarter note

[Ole Schmidt]

and for saving typing you can use \set tupletSpannerDuration ...
(as described in the manual Chapter 6.2.3 Tuplets)


%

\version "2.10.15"

 \new Staff {
 \time 2/4

 \relative c'{
\set tupletSpannerDuration = #(ly:make-moment 1 4)

\times 4/6 { c16 d e d e f f g a g a b c,16 d e d e f f g a g a b c, 
16 d e d e f f g a g a b c,16 d e d e f f g a g a b c,16 d e d e f f  
g a g a b }


} }

%%%

hope that helps

ole

Am 17.12.2007 um 11:35 schrieb David Fedoruk:


Hello:

I don't understand how the triplet durations work mathematically. The
examples are all standard 3  8th notes into 1 quarter. These are all
whole numbers. What happens when you need triplet 16th notes into half
a beat in a 2/4 time signature? There are about 50 bars of them so I
can't do this as a one of exception.

While I'm asking questions, how is a single voice notation done
between staves in a piano score? Does the notation have to be two
voiced although the score will not indicate rests for one hand while
the other is playing.? I've looked at the documentation for staff
switching, but it seems to be useful in singular situations. I don't
think I can leave this to auto staff changes  if what I'm doing is
considered staff changes.

I need to understand what I'm attempting before trying something which
may be doomed to failure.

cheers.
david

--
David Fedoruk
B.Mus. UBC,1986
Certificate in Internet Systems Administration, UBC, 2003


http://recordjackethistorian.wordpress.com
"Music is enough for one's life time, but one life time is not enough
for music" Sergei Rachmaninov


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Fwd: ottava bracket not dashed

[Ole Schmidt]

Anfang der weitergeleiteten E-Mail:


Von: Ole Schmidt <[EMAIL PROTECTED]>
Datum: 19. Dezember 2007 18:59:32 MEZ
An: "Neil Thornock" <[EMAIL PROTECTED]>
Betreff: Re: ottava bracket not dashed

 in \version "2.10.15" and in \version "11.34-1"
the following code:

%%%

 \new Staff {
 \time 4/4 \override Staff.TimeSignature #'style = #'()

\relative c' {#(set-octavation 1) c' c c c #(set-octavation 0)}

 }

%%%

gives a dashed line

hope that helps

ole

Am 19.12.2007 um 18:34 schrieb Neil Thornock:


Hello all,

Why is the ottava bracket a solid line these days?  I've set dash- 
period and -fraction and all that, and I can't get anything but a  
solid line, in even the simplest examples.  I noticed it in  
2.11.35 as well.


2.11.36

\relative {#(set-octavation 1) c' c c c #(set-octavation 0)}

Any help appreciated.

--
Neil Thornock, D.M.
Visiting Assistant Professor of Music
Theory/Composition
Brigham Young University
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Re: Question: stemlets, tuplets, and beams

[Ole Schmidt]

hope that helps

ole



Am 26.12.2007 um 02:10 schrieb Casey Hale:




2) When creating tuplets,
is there a way to specify that
brackets always appear, whether
or not the beam is complete?


\override TupletBracket #'bracket-visibility = ##t



3) How do I specify the subdivision
of 16ths (or 32nds or 64ths) beneath
a tuplet beam (without breaking
things up into separate beats)?



http://lsr.dsi.unimi.it/LSR/Item?id=275












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Re: Defining user abbreviations

[Ole Schmidt]

rb = { \set stemRightBeamCount = #1 }
lb =  { \set stemLeftBeamCount = #1 }

and than:

g32[ a b \rb c \lb d c b a]

"The name of an identifier should have alphabetic characters only: no  
numbers, underscores,

or dashes. The assignment should be outside of running music."

see also:  "2.18 Organizing larger pieces" in the manual

hope that helps

ole

Am 29.12.2007 um 11:33 schrieb Alasdair McAndrew:

The problem I have is placing a single beam between the fourth and  
fifth notes of a run of 32nd notes, as in:


g32[ a b \set stemRightBeamCount = #1 c \set stemLeftBeamCount = #1  
d c b a]


But this is rather verbose.  How can I define my own commands or  
abbreviations to do this with less typing, and where in my file  
would such commands go?


Thanks,
Alasdair
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remove Time_signature_engraver only partially

[Ole Schmidt]

Hi all,

In the following snippet I want to remove the Time_signature_engraver  
only in the second and the third bar (no timesign 6/4 and 4/4 again).

How can I achive that?

thanks for a hint

ole



\version "2.11.36"

staffClarinet = \new Staff
{   \time 4/4
\key bes \major
\clef  "G_8"
\relative c' {  
 es4 g f d  
\time 6/4
es2 d1\bar "||:"
\time 4/4
d4 c d2 \bar ":|"
}
}
staffTrumpet = \new Staff  {
\key bes \major
\clef treble
\relative c'' { 
 bes2 c4 d ~

d8 bes c4 d1 c2 d2

}
}
\score {
<<
\staffTrumpet
\staffClarinet
>>
\layout  {
%%% \context { \Staff   \remove Time_signature_engraver  }
}
}
%%


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combining little complete pieces in one "book"?

[Ole Schmidt]

Dear list,

Is it possible to create one file/pdf out of many little files who  
look like below with the

 \include command? (Having all the titles included...)
using the\book { } command...?
I can produce only lots of error warnings...

thanks for a hint

ole

%%
\header {
title = "bla"
}

staffClarinet = \new Staff  {
blablabla   
}
staffTrumpet = \new Staff  {
blablabla
}
\score {
<<
\staffTrumpet
\staffClarinet
>>
\layout  {
\context { \Score
\remove "Bar_number_engraver" }
}
}
%
 



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Re: getting line feeds and page feeds in \markup between scores

[Ole Schmidt]

When I try:

\book {

\markup { blah blah }
\include "Benedictus.ly"
}

I get:

Benedictus.ly:13.0: Fehler: syntax error, unexpected STRING
staffClarinet = \new Staff

my Benedictus.ly file looks like this:

staffClarinet = \new Staff  {
blablabla(music)
}
staffTrumpet = \new Staff  {
blablabla(music)
}

\score {
<<
\staffTrumpet
\staffClarinet
>>
\layout  {
\context { \Score
\remove "Bar_number_engraver" }
}
}


What's wrong?

thanks for a hint

ole






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Re: combining little complete pieces in one "book"?

[Ole Schmidt]

oops, I just posted again about this problem

it works perfect as you described it...

I had a vague memory that the \book command exists and read the  
manual again only to see how to use the command and not if I have to  
use it to achive my goal...


What is still unclear to me- There are \headers { } in my .ly files  
that I want to combine. A quick test whith

\include "file1.ly"
\include "file2.ly"


only show the header from the second file. Do I have to erase all the  
\headers in my files that I whish to combine and use \markups in the  
meta-file (or can I use a \header inside a \markup)? Or is there only  
one \header whatsoever?



thanks for your patience

ole


Am 02.01.2008 um 15:26 schrieb Mats Bengtsson:


As long as you only want a single output PDF file, there's
no need for a \book command. Just make a .ly file which
looks like:

\include "file1.ly"
\include "file2.ly"
% ...


Is there still information in the manual that gives you the
impression that you need \book in these circumstances?
I recall that I tried hard to reformulate all those passages
in the manual, some half a year ago.

   /Mats

Ole Schmidt wrote:


Dear list,

Is it possible to create one file/pdf out of many little files  
who  look like below with the

 \include command? (Having all the titles included...)
using the\book { } command...?
I can produce only lots of error warnings...

thanks for a hint

ole

%%
\header {
title = "bla"
}

staffClarinet = \new Staff  {
blablabla   }
staffTrumpet = \new Staff  {
blablabla
}
\score {
<<
\staffTrumpet
\staffClarinet
>>
\layout  {
\context { \Score
\remove "Bar_number_engraver" }
}
}
%


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--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 
   Fax:   (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=


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Re: combining little complete pieces in one "book"?

[Ole Schmidt]

I overlooked that the \header(s) have to be inside the \score blocks  
in the files (and than work only with

piece = " " and opus = " ") as described in the manual (mea culpa...)

ole

Am 02.01.2008 um 16:11 schrieb Kieren MacMillan:


Hi Ole,


only show the header from the second file.


The last included bit of code will override any previous includes  
(or explicit entries).



Or is there only one \header whatsoever?


There's only one title, subtitle, etc.
However, they may be included in separate \header blocks, even  
scattered across several \include-d files.


Hope this helps!
Kieren.




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Re: Polyphonic problem...

[Ole Schmidt]

you forgot to close the << with  >> in the


seven = {


<<{ \first} \\
{ \second } >>


block

best

ole





Am 05.01.2008 um 22:30 schrieb milarepa7:



Hello,
I've got a problem with this little piece of code, can someone  
explain where

it comes from?
The code seems a bit complex for that example but I'm transcribing  
a larger
piece and I'm calling the different movements like that, so that's  
in the
seventh (variation of Bach's Dmin Ciaccona) the pdf is fine but the  
console
tells me "programming error: cruelty to springs continuing, cross  
fingers" I
comment another version of each voice and that's the single that  
gave me

that result :

%%%
\version "2.11.36"
first = \relative c'
{
f'8 s d s s s   %1.1
%f'8 f d d d d%1.2
}

second = \relative c'
{
d'16 cis d a f e f d bes g' d' bes' %2.1
%d16 cis d a f e f d bes g' d' bes'  %2.2
}

seven = {
<<{ \first} \\
{ \second }

}


\score {
\new Staff {\time 3/4
\seven} }

%%

1.2/2.1 works fine, 1.1/2.2 too and the weirdest : 1.1+1.2/2.1  
works without
probleme... strange... and 1.1+1.2/2.1+2.2 fails... I can't  
understand why.

Regards
Matth
PS I just tried with the 2.11.37 : same problem, with 2.10 it works  
fine

maybe it's close to the 540 issue.
--
View this message in context: http://www.nabble.com/Polyphonic- 
problem...-tp14615208p14615208.html
Sent from the Gnu - Lilypond - User mailing list archive at  
Nabble.com.




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Re: Polyphonic problem...

[Ole Schmidt]

 sorry,
my fault, I did not really understand  what your problem was...

ole




Ole Schmidt wrote:


you forgot to close the << with  >> in the
seven = {


<<{ \first} \\
{ \second } >>


block



Thanks but maybe it was an error when I copied the code to insert  
it in the
message, if I forget that it won't be compiled at all. I just  
extracted from

the whole movement the single measure wich generates the error.
Thanks for your interest
Matth
NB : there's the last bracket missing in the second exemple.
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Re: Halving the duration of every note

[Ole Schmidt]

how about \compressMusic (see Polymetric Notation in the manual)?

ole


Am 06.01.2008 um 13:27 schrieb Trevor Daniels:



You can use \times and suppress the tuplet number with

\override TupletNumber #'transparent = ##t

or your can change the duration of a note by appending a
number or fraction:  eg a4*2/3

but both will affect the barring.

See section 1.2.1 in the R11 documentation for details.

Trevor D



-Original Message-
From: [EMAIL PROTECTED]
[mailto:lilypond-user-bounces+t.daniels=treda.co.u
[EMAIL PROTECTED] Behalf Of
Stefan Slapeta
Sent: 06 January 2008 10:52
To: Kieren MacMillan; lilypond-user@gnu.org
Subject: Re: Halving the duration of every note



...is it also possible to achieve this without
changing the appearance?
Means: printing notes that have a different
duration than they look like
(something that \times does, just without
brackets and numbers).

thanks!

stefan

Kieren MacMillan wrote:

Hi Alasdair:


This means halving the duration of every note

in the original.  Is

there an easy way to do this?




Best wishes,
Kieren.


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Re: Tuplet Collision

[Ole Schmidt]

maybe \tweak #'direction #up \times 3/2 { \times 2/3 { f'16 [d b] }  
g8 }  ??


hope that helps

best

ole


Am 07.01.2008 um 20:13 schrieb Brian Romero:

In this I have the tuplet bar of one tuplet colliding with the  
tuplet number of another.  I've tried moving them but I don't know  
how to move just one tuplet.  A \once \override moves both tuplets  
the same direction.


\times 3/2 { \times 2/3 { f'16 [d b] } g8 }
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collision, is there a workaround?

[Ole Schmidt]

Dear all,

in the third bar on the first beat is a collision in the upper voice  
(between the rest and the bis).
Is this is known issue? Does this have to do with the usage of  
\partcombine? Is there a workaround?

thanks for help

best

ole

%
\version "2.11.36"

\layout { ragged-right = ##t }

testfile = \new Staff  {

\set Staff.printPartCombineTexts = ##f

\time 6/4
\clef "G_8"
 \partcombine
\relative c' {  
R1.|
r2
\times 2/3 { r8 gis'4( } cis,4) r2 |
\times 2/3 { r8 bis'4( } gis4~ gis fis ~ fis) r4 |
}
\relative c' {  
 R1.| r2 r2  r4 b~( | b~ \times 2/3 { b8 cis4~ } cis4 cis e!) r |   

} }

\score {

\testfile

}

%


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systemSeperators

[Ole Schmidt]

Hi all,

where do I have to put "systemSeperatorMarkup = ##t" to get those  
double slashes in my score. I've tried inside the \paper { } block  
whith no success


thank you for help

ole


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Re: systemSeperators

[Ole Schmidt]

thanks a lot,

I don't now how to concatenate the information given in the manual,  
it was pretty cryptic to me:


"systemSeparatorMarkup
This contains a markup ob ject, which will be inserted between systems.
This is often used for orchestral scores. Unset by default.
The markup command \slashSeparator is provided as a sensible de-
fault, for example"

ole



Am 10.01.2008 um 20:22 schrieb Valentin Villenave:


2008/1/10, Ole Schmidt <[EMAIL PROTECTED]>:

where do I have to put "systemSeperatorMarkup = ##t" to get those
double slashes in my score. I've tried inside the \paper { } block
whith no success


\paper {
  systemSeparatorMarkup = \slashSeparator
}

works here.

Maybe it's just a typo error...

Cheers,
Valentin


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Re: systemSeperators

[Ole Schmidt]

btw, can I change the size of the seperators- they look pretty cute  
but I doubt if they help...(see jpg)


thanks

ole
<>


Am 10.01.2008 um 20:22 schrieb Valentin Villenave:


2008/1/10, Ole Schmidt <[EMAIL PROTECTED]>:

where do I have to put "systemSeperatorMarkup = ##t" to get those
double slashes in my score. I've tried inside the \paper { } block
whith no success


\paper {
  systemSeparatorMarkup = \slashSeparator
}

works here.

Maybe it's just a typo error...

Cheers,
Valentin


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manual staff switch

[Ole Schmidt]

dear all,

I have a score like the excerpt below and want to switch the last  
note of the second

staff (staffClassicalGuitarII) to the first staff.
Is it possible to use \change Staff = command in such a  
construction?

And if yes what would be the right syntax?
Unfortunatly  I do not understand once again how to apply the  
information from the manual to my example...


thanks for help

ole

%%%

\version "2.11.36"

staffClassicalGuitar =  \include "GitarreEins.ly"


staffClassicalGuitarII = \include "GitarreZwei.ly"

\score {
<<
\new StaffGroup {
\set StaffGroup.instrumentName="Solo"
\set StaffGroup.shortInstrumentName = "solo "
<<\staffClassicalGuitar
\staffClassicalGuitarII >> }
%%%


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Re: manual staff switch

[Ole Schmidt]

thank you very much, now I understand how it works- unfortunatly I  
need the note to be tied ~  like below

and that does not work - but maybe that's a tall order...

best

ole

%%

staffClassicalGuitar =  {c'4 c' c' c'}

staffClassicalGuitarII = {g'4 g' g'~ \change Staff ="one" g'}


\score {
\new StaffGroup {
   \set StaffGroup.instrumentName="Solo"
   \set StaffGroup.shortInstrumentName = "solo "
   <<  \new Staff ="one" \staffClassicalGuitar
 \new Staff  \staffClassicalGuitarII >>

%%







Am 12.01.2008 um 00:26 schrieb milarepa7:



Hello,
Maybe there's another way to do but I would edit the  
"GitarreZwei.ly" like

that :

%
staffClassicalGuitar =  {c'4 c' c' c'}

staffClassicalGuitarII = {g'4 g' g' \change Staff ="one" g'}


\score {
\new StaffGroup {
   \set StaffGroup.instrumentName="Solo"
   \set StaffGroup.shortInstrumentName = "solo "
   <<  \new Staff ="one" \staffClassicalGuitar
 \new Staff  \staffClassicalGuitarII >>




note that you have to give a name to the first staff to be able to  
call it

after, example with the name "one" :
 \new Staff ="one" \staffClassicalGuitar.
I hope it can help you
Regards.
Matth

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percussion clef transposes?

[Ole Schmidt]

dear all,

is it a normal behaviour that the \clef percussion transposes like in  
the following snippet?



\new Staff {

 \clef percussion
{ c' d' e' f' g' }

%%%

thanks for a hint

ole



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Re: percussion clef transposes?

[Ole Schmidt]

when I compile the following snippet I get what you can see in the  
pdf...



\version "2.11.36"


 testfile = \new Staff {
 \time 4/4
\clef percussion
{ c d e f g a b c
} }
 testfileZwei = \new Staff {
 \time 4/4

{\clef percussion c d e f g a b c
} }

\score {
<<
\testfile
\testfileZwei
>>

}

%%



bug?.pdf
Description: Adobe PDF document






Am 13.01.2008 um 00:40 schrieb Rune Zedeler:


Ole Schmidt skrev:

is it a normal behaviour that the \clef percussion transposes like  
in the following snippet?


It does not transpose. It behaves like a C clef.
What did you expect?
Did you read the section about percussion notation in the nr?

-Rune


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Re: percussion clef transposes?

[Ole Schmidt]

I looks like it treats percussion like alto clef with middle C on  
the center line.


alto clef is so hard to read :)






This is possibly related to


 Showing melody rhythms

in Section 2.4.1 in the documentation.


why? in which way?

ole


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Re: percussion clef transposes?

[Ole Schmidt]

What instruments are you writing for that need pitches and also  
need percussion staff.



I write for "Schlitztrommel" which is a tuned percussion instrument




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Re: percussion clef transposes?

[Ole Schmidt]

oh, I missunderstood that, I confused C with G (treble with alto) clef..
that "Schlitztrommel" is not really tuned...


Am 13.01.2008 um 01:35 schrieb Rune Zedeler:


Ole Schmidt skrev:
when I compile the following snippet I get what you can see in the  
pdf...



It does not transpose. It behaves like a C clef.


Yep.
As I said, it behaves as a C-clef (having central c on the middle  
line).


If you are using a tuned percussion instrument then you should not  
use the percussion clef. The percussion clef means that the  
instrument is NOT tuned.


-Rune




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