Re: \RemoveEmptyStaves not removing first line

2018-10-31 Thread Susan Buckingham
Have also used the \override VerticalAxisGroup.remove-first = ##t and can
confirm this works with 2.18.2 when added to score block.

\score {
  <<
\flutePart
\pianoPart
  >>
  \layout { #(layout-set-staff-size 22)
 \context { \Staff \RemoveEmptyStaves
  \override VerticalAxisGroup.remove-first
= ##t }
   }
  \midi { }
}

On Mon, 29 Oct 2018 at 03:41, Malte Meyn  wrote:

>
>
> Am 29.10.18 um 05:52 schrieb Lukas-Fabian Moser:
> >
> >> I am currently engraving a song for soprano and piano which begins
> >> with 15 measures of piano solo. I would like the soprano's staff not
> >> to show since it is not playing. \RemoveEmptyStaves does not seem to
> >> hide the first line of the piece.
> >>
> > In current versions (there's no reason not to use the 2.19.xx
> > development versions which are stable enough for professional everyday
> > use), there's |\RemoveAllEmptyStaves| which does just that (like
> > \RemoveEmptyStaves but also remove the respective staves in the first
> > system).
>
> In 2.18.2 there is \override VerticalAxisGroup.remove-first = ##t for that.
>
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Re: handbell shake

2018-05-31 Thread Susan Buckingham
I had been trying to use Finale for handbells but kept running into an
issue when I wanted handchimes ( x-notehead) and handbells (regular
notehead). Lilypond has been just the thing - thank you, thank you, thank
you!

I have worked up two templates for when I start a new piece, which are
definitely works in progress. I do have the Finale percussion font on my PC
so I am using the damp symbol (and others) from this font, rather than
building my own.

Both of these should compile on 2.18.2 which is what I have downloaded and
am using.


On 31 May 2018 at 07:44, Stanton Sanderson  wrote:

> I’ve attempted some handbell pieces for our bell choir. Attached is one
> which has a few special symbols. Not intended as samples of “good practice!”
>
> Stan
>
>
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>
\version "2.18.2"
\language "english"

\header {
  % dedication = \markup { \italic "dedication text - use percent sign if no dedication" }
  title = "TITLE"
  subtitle = "for 3 octaves Handbell trio"
  composer = "name of composer"
  arranger = "Arranged by name of arranger"
  copyright = \markup { \column { " " "Copyright © date name of copyright holder" } }
  tagline = ##f
  % tagline = "transcribed 201x-xx-xx by S Buckingham using lilypond version 2.18.2"
}

\paper {  #(set-paper-size "letter")
  system-system-spacing #'basic-distance = #14
  last-bottom-spacing  = #20
  ragged-bottom = ##f
  top-margin = 10
  bottom-margin = 10
  left-margin = 15
  right-margin = 15
  % first-page-number = 2 % use to change page numbering
  }

\layout {  \context {  \Voice  \consists "Melody_engraver"}  }

% function parentheAll allows for accidental symbol to be included in parentheses
parentheAll = #(define-music-function (parser location note) (ly:music?)
#{
  \once \override ParenthesesItem.font-size = #-1
  \once \override ParenthesesItem.stencil = #(lambda (grob)
   (let* ((acc (ly:grob-object (ly:grob-parent grob Y) 'accidental-grob))
  (dot (ly:grob-object (ly:grob-parent grob Y) 'dot)))
 (if (not (null? acc)) (ly:pointer-group-interface::add-grob grob 'elements acc))
 (if (not (null? dot)) (ly:pointer-group-interface::add-grob grob 'elements dot))
 (parentheses-item::print grob)))
  \parenthesize $note
#})



global = {%handbells used chart
  \key c \major
  \numericTimeSignature
}

handbellsusedone = \relative c' { % input notes for treble handbells used
  \clef treble
  \key c \major
   % count handbell notes & spaces to get time signature
  \numericTimeSignature \time 20/4 \once \omit Staff.TimeSignature 
  \override Staff.BarLine.color = #white  
  \override Stem.transparent = ##t
   % use spaces as needed to get bar to desired length
   s4^\markup { \left-column { " " "3 octaves - Handbells used: 26" } } 
   s s s s s s s e4_\markup { \column { \small \italic "4 bells shared" 
 \small \italic "Peri"} }  
   fs g a s gs b c cs d e fs 
}

handbellsusedtwo = \relative c' { % input notes for treble handbells used
  \clef treble
  \key c \major
   % count handbell notes & spaces to get time signature
  \once \omit Staff.TimeSignature 
  \override Staff.BarLine.color = #white  
  \override Stem.transparent = ##t
   % use spaces as needed to get bar to desired length
   b4 c4 cs s d ds f s e fs g a s s s s s s s s 
}

handbellsusedthree = \relative c { % input notes for bass handbells used
  \clef bass  
  \once \omit Staff.TimeSignature
  \key c \major
  \override Staff.BarLine.color = #white  
  \override Stem.transparent = ##t
   % use spaces as needed to get bar to desired length
b'4^\markup { \column { \small \italic "3 bells shared" \small \italic "Karen" } }
 c cs s_\markup { \column { " " \small \italic
"PERFORMANCE NOTE: recommend setup on 4 tables" } }
 s s s s cs, d ds e fs g gs a as bf s s
}

 \score { % setup staffgroup with treble & bass handbells used
  <<
 \new Staff \accidentalStyle forget
  \handbellsusedone
 \new Staff \handbellsusedtwo
 \new Staff \handbellsusedthree
>>
}  

global = {
  \key d \major
  \numericTimeSignature
   % input initial time signature here
  \time 6/8
  \tempo "Moderately" 4. = 80
  \override Score.BarNumber.break-visibility = ##(#f #t #t)
  \set Score.currentBarNumber = #1
% Permit first bar number to be printed
  \bar ""
}

% this section has special handbells articulations and extra dynamic markings
subP = \markup { "sub." \dynamic p }
subMP = \markup { "sub." \dynamic mp }
mart = \markup { \magnify #0.7 ▼ }
martlift = \markup { \concat { \magnify #0.7 ▼ \magnify #1.3 ↑ } }
malltab = \markup { ⨥ 

Re: Do we have a "damp" symbol?

2018-04-26 Thread Susan Buckingham
I use the handbell damp symbol from the Finale percussion font, which is a
double circle with a large plus symbol overlaid where the arms of the plus
extend beyond the two circles.


_\markup { \fontsize #+4 \override #' (font-name . "Finale Percussion") { 3
} }



On 25 April 2018 at 23:11, Karlin High  wrote:

> On 4/25/2018 9:55 PM, Shane Brandes wrote:
>
>> Is this a tomayto vs. tomahto problem? Is there really a discrete
>> difference? or is it just diiferent fonts making it look different?
>>
>
> Dunno. Google found some MuseScore people discussing it back in 2014.
>
> 
>
> Of course, whole different project, vastly different design choices than
> LilyPond. But some of the comments concern things that are
> software-independent.
> --
> Karlin High
> Missouri, USA
>
>
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Re: trillspann without trill

2018-03-19 Thread Susan Buckingham
If you set the TrillSpanner.bound-details.left.text = ##f this gets rid of
the "tr"

On Mar 19, 2018 2:06 PM, "Malte Meyn"  wrote:

>
>
> Am 19.03.2018 um 18:11 schrieb Ali Cuota:
>
>> Hi again,
>>
>> for Bach BWV 528, 2nd mvt,  meas. 38-39, I need a trillspann without
>> trill (see not-so-tiny pic).
>>
>> How can I achieve this?
>>
>
> Try one of the following:
>
> \version "2.19.81"
>
> {
>   \override TrillSpanner.bound-details.left.text = #'()
>   b1\startTrillSpan b\stopTrillSpan
>   b\prall
>   b\prallprall
> }
>
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