Re: Psalm notation
Hi Georg,
> I am scoring some psalms like:
> http://de.wikipedia.org/wiki/Bild:Psalm0.jpg
> and wonder, how to get these noteheads for repeatable notes, these
> stemless quarters on the left with vertical lines on each side.
I don't know how to put vertical lines around quarters, but for the
rest you can try something like the following (until somebody can show
a better solution):
%
\version "2.11.34"
\paper{ ragged-right=##t }
\score{
<<
\new Voice \relative e' {
\set Staff.instrumentName = "IV "
\cadenzaOn
\override Stem #'transparent = ##t
s4 e4 g \bar "dashed" a\breve
\set fontSize = #-2
s4
< \parenthesize g >
a\breve
\set fontSize = #+2
g4_- a
\once \override TextScript #'extra-offset = #'(0.7 . 0.0)
b^\markup{\fontsize #-7 "/"}
< \parenthesize a >
\bar "|" \once \override Score.RehearsalMark #'extra-offset = #'(0.0 .
-7.0) \mark "*"
a\breve g4_- a b
\once \override TextScript #'extra-offset = #'(0.7 . 0.0)
g^\markup{\fontsize #-7 "/"}
e \bar "||"
\cadenzaOff
}
>>
\layout{
\context{
\Staff
\remove "Time_signature_engraver"
\remove "Clef_engraver"
}
}
}
%
Bye,
Zoltán
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Re: Assembling a hymnal with Lilypond - any way to do text-only verses?
Hi, On Thu, 6 Dec 2007, daf wrote: > It's standard in a hymnal if you have more than 6 verses or so to put the > remaining verse texts at the bottom of the page, unattached to any notes. > > Does Lilypond have a way to do that? See sections "Printing stanzas at the end" and "Printing stanzas at the end in multiple columns" in the manual. The section "Overview of text markup commands" may be helpful, too. Bye, Zoltan ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Hiding Staves with Lyrics
Hi Robert, I'm afraid I don't really understand your problem, but if you don't want barlines I recommend to you that you simply use ChoirStaff instead of StaffGroup. Sorry if that doesn't help. Happy New Year! Zoltán ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Making a transparant of the created musicsheet
Dear Paul, > For a presentation in PowerPoint I want to create a musicsheet > with bars and and even text witch i can make transparant and > copy/paste to ppt. > Is that and option within Lilypond ? LilyPond can create image files. If, for example, your .ly source is called music.ly you can call LilyPond from the command line as follows: lilypond --png music.ly This will create an image file (.png) instead of a .pdf file. You can set the resolution in DPI with the -dresolution option: lilypond --png -dresolution=150 music.ly Bye, Zoltan ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: fermata over rest, tempo positioning, solo/tutti
On Thu, 11 Sep 2008, James E. Bailey wrote: I would like to know if it's possible to get a fermata over a full-measure rest (i.e., R1\fermata). So far, my attempts haven't worked, and I end up having to use a whole rest shifted over. The solution is:R1^\fermataMarkup It can be found in - section "8.2.1 Multi measure rests" of the 2.10 User Manual; or - section "1.2.2.3 Full measure rests" of the 2.11 Notation Reference Bye, Zoltan ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
MetronomeMark alignment
Hi all, I like the new textual description feature of metronome marks. Is there a way to position (align) metronome marks the way it is possible with rehearsal marks? As far as I can see, MetronomeMark doesn't have a self-alignment-X property, nor a break-align-symbols property. I would like to have these... This old post should explain why I need this function: http://lists.gnu.org/archive/html/lilypond-user/2007-04/msg00167.html Thank you, Zoltán ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Translating the Music Glossary (Was: Newbie question: tie between a and b)
Hi, On Mon, 5 Jan 2009, Mats Bengtsson wrote: I'm afraid that the Music Glossary included in the LilyPond documentation does not yet include Hungarian, perhaps you would be interested in helping out with that? I'm interested in helping with including Hungarian terms in the Music Glossary! Though I'm not sure how much time I will have for it, but I certainly would like to be part of that work. The question is: Where and in what format should I send the Hungarian terms? I suppose the Music Glossary is made with lilypond-book. Is the source file available? Zoltán___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Hairpin after-line-breaking -- how?
Hi all,
I want the hairpin to end on the first note of a new line.
I tried this:
\version "2.12.2"
\paper{ ragged-right=##t }
\relative g'{
\override Score.Hairpin #'after-line-breaking = ##t
g2\< a4 a4 | \break
b2.\! r4
}
But it doesn't work. What am I doing wrong?
Thanks,
Zoltán
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Musica ficta inside slur - how?
% Hi,
%
% How can I put "musica ficta" accidentals inside a slur?
% I tried \override AccidentalSuggestion #'avoid-slur = inside
% but it didn't help.
\version "2.13.50"
ficta = { \once \set suggestAccidentals = ##t }
\paper{ ragged-right = ##t }
\relative a' {
\key bes \major
a4 bes4.(a8 g4~ |
g8 fis16 \ficta e fis4) g2 |
}
% Thanks,
%
% Zoltan<>___
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Re: Musica ficta inside slur - how?
% Hi,
%
% I have found the solution:
\version "2.13.51"
ficta = { \once \set suggestAccidentals = ##t }
\paper{ ragged-right = ##t }
\relative a' {
\override AccidentalSuggestion #'avoid-slur = #'inside
\override AccidentalSuggestion #'outside-staff-priority = ##f
\key bes \major
a4 bes4.(a8 g4~ |
g8 fis16 \ficta e fis4) g2 |
}
%
%
% Zoltan<>___
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Stanza number placing question
Hi all, When the lyrics begin with a stanza number, the number doesn't take up space in the score (as it can be seen in the attached example). When the stanza number is in the middle of a line, the number does take up space, moving the notes apart from the previous bar line. This makes sense in most cases, but with no lyrics in the previous measure, it would look better to place the stanza number before the bar line. Is there a way to achieve this? You can see the difference in the center of the attached pictures, right after the repeat sign. Thank you in advance for your answers. Zoltan <><>___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Initial Tempo?
On Thu, 19 Apr 2007, Matt Bethe wrote: > I am surprised that there is not an initial header that > establishes the text for the tempo. In all the music I have > seen the leftmost edge of the initial tempo text lines up with > the leftmost edge of the meter. See: http://lists.gnu.org/archive/html/lilypond-user/2007-04/msg00167.html Zoltan ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: lilypond-placement of lyrics
> Absolute beginner with music notation, I often have to enter unmetered music
> in
> Lilypond. My problem is that a long phrase (Bénis_le_Seigneur_ô_mon_âme, for
> example) is often sung over the same note, breve or other in notation. Now,
> Lilypond centers the text bloc under the note; so, I have text outside the
> page
> marges, left or right.
> I tried to add "ghost-notes" (I mean, to distribute the same phrase over more
> than one note), and the situation improves. But it does not respect the
> original
> score, that I have to copy, and the appearance of the final score is not
> completely satisfactory (the distribution of music and lyrics is rather
> irregular). Do you have other solutions? for example, in order every phrase to
> start exactly under the corresponding note, and not to be centered? Or other.
To left-align the note with the words you have to change the
self-alignment-X parameter of LyricText.
If the words are too close to each other you can increase
the distance between the syllables with the minimum-distance
parameter of LyricSpace.
For example:
%---
\version "2.11.21"
\paper{ ragged-right=##t }
\relative a' {
\time 4/2
a\breve | g1 a
}
\addlyrics{
\override LyricSpace #'minimum-distance = #3.0
\override LyricText #'self-alignment-X = #LEFT
Bénis_le_Seigneur_ô_mon_âme
A -- men
}
%---
Zoltán
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Re: Initial Tempo?
> Thanks so much! That's almost perfect. I don't know how to raise
> the text up above the first few notes.
> What could I add to raise it up above the ledger line notes in the
> first measure?
Version 2.11 automatically positions the text correctly to avoid
collision.
However, you can increase the padding property yourself with
\override Score.RehearsalMark #'padding = #2.0
In your example:
\version "2.10.20"
\header {
title = "High School of Cello Playing"
subtitle = "40 Etudes"
subsubtitle = "No. 1"
composer = "David Popper"
opus = "Op. 73"
}
\relative c {
\clef bass
\override Score.RehearsalMark #'self-alignment-X = #LEFT
\override Score.RehearsalMark #'break-align-symbol = #'key-signature
\once \override Score.RehearsalMark #'padding = #2.0
\mark \markup{\bold "Allegro molto moderato." }
\time 12/8
c8-. c'-. b-. a-. c-. g-. f-. a-. e-. d-. f-. c-.
b-. d'-. c-. b-. d-. a-. g-. b-. f-. e-. g-. d-.
}
Zoltán
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Text mark at the end?
Hi,
I'd like a "Da capo al Fine" mark at the end of the score, but it's
not there. What am I doing wrong?
%% - LilyPond code -
\version "2.11.23"
\paper{ ragged-right=##t }
\relative g' {
g4 g g g | g g g g | g g g g |
\once \override Score.RehearsalMark #'self-alignment-X = #RIGHT
\mark "Da capo al Fine"
}
%% -- end of code --
Thanks,
Zoltán
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"tieRepeat" ???
Hello,
What code shall I write if the first alternative of a repeat ends with
a tie?
(What I'd like is kind of the opposite of \repeatTie)
%% - LilyPond code -
\version "2.11.23"
\paper{ ragged-right=##t }
\relative g' {
g1~ |
\repeat volta 2{
g4 r4 r2 |
}
\alternative{
{
g1~ | %% here I want the tie to end at the repeat sign...
}
{
g4 e c2 |
}
}
}
%% -- end of code --
Thanks,
Zoltán
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Re: slur problem
Hello Tao,
A smaller example of your problem is this:
%% - LilyPond code -
\version "2.11.23"
\paper{ ragged-right=##t }
\relative c'' {
c c c c( |
<<
{ c) c c c( }
\\
{ g g g g }
>>
c c) c c |
}
%% -- end of code --
The << \upper \\ \lower >> code creates two new voices,
and both \upper and \lower are different from the main voice.
Each voice has its own slurs.
This is the problem. Unfortunately I don't know the solution,
but maybe someone smarter will help you.
Zoltán
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Re: slur problem - solved?
Hello Tao,
In my previous letter I gave the explanation, now here is a solution.
You should simply take that note (d4) out of the polyphony:
%%% -
\version "2.10.23"
inS = { \override Voice.Fingering #'avoid-slur = #'inside }
outS = { \override Voice.Fingering #'avoid-slur = #'outside }
strikeStem = { \once \override Stem #'stroke-style = #"grace" }
fingerSmall = { \override Fingering #'font-size = #-8 }
fingerNeutral = { \revert Fingering #'font-size }
rh = \relative c''
{
\clef treble
\time 4/4
\key g \minor
\partial 4
d4-4~( |
d4 c8 bes \grace { a[ bes c] } bes a) r4 |
r8 \stemUp bes-2( \stemNeutral \times 2/3 { bes-3 a g } fis2-2) |
g4-1( a8 bes \inS c4-1 d8 es |
a,2~ a8. g'16-4 \times 2/3 { g8-5 f es } | \break
\outS d4)-5 << { \fingerSmall \strikeStem \grace { d,8-2\( \slurDown
d-1([ f bes] }
\fingerNeutral \stemDown \times 2/3 { d8) c bes } \stemUp bes a\)
bes4\rest } \\ { s4
\stemUp \set Voice.tieWaitForNote = ##t \grace { c,8[~ d~ fis]~ }
\stemDown 4 s } >> |
}
\new Staff = { \rh }
%%% -
Zoltán
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Re: Polyphonic rests
Hello Claus,
> Do I have to use \rest {a8} or similar on every single rest? Or can I
> configure this somewhere (like \stemDown in the beginning of voice 3)?
You can use
\override Rest #'staff-position = #0
for "normal" rests (lower case r's)
and
\override MultiMeasureRest #'staff-position = #0
for whole bar rests and multi measure rests (upper case R's).
Zoltán
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