Re: time notation

2008-04-03 Thread Andrea Valle

Ciao Trevor,

I was in fact waiting for your reply...:)
I have suspended the experimentation for the moment, but as soon as I  
can I'll test it.

Yes, I have floats.

Thanks

Best

-a-



Hi Andrea,

Warning: completely untested idea: but could you simply use  
proportional notation with  4/4 (hide all the barlines, meters,  
etc) and then renotate each floating point value as a fraction over  
1000 (or 1)?


  \new Staff {
 c'1 * 3921/1000
 c'1 * 689/1000
  }


(I'm assuming you probably have lists of floats that represent  
durations or attack times, yes?)



Trevor.




--
Trevor Bača
[EMAIL PROTECTED]


--
Andrea Valle
--
CIRMA - DAMS
Università degli Studi di Torino
-- http://www.cirma.unito.it/andrea/
-- http://www.myspace.com/andreavalle
-- [EMAIL PROTECTED]
--



Think of it as seasoning
. noise [salt] is boring
. F(blah) [food without salt] can be boring
. F(noise, blah) can be really tasty

(Ken Perlin on noise)





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Re: Mac-intel Leopard

2008-03-28 Thread Andrea Valle


On 27 Mar 2008, at 05:19, Benedict Singer wrote:

Perhaps the issue is really just educating Mac users that aren't  
used to the command line rather than an urgent technical issue.


Ben, it's true, and I would like to agree. But you can educate people  
already using Lily and appreciating it.

You won't  convince any new GUI-oriented user.
At least, that's my personal experience and the ratio at the base of  
creating the Lily app (as far as i remember the slides by Han-Wen and  
Jan)


Best

-a-




Ben

On Mar 26, 2008, at 19:40, Valentin Villenave  
[EMAIL PROTECTED] wrote:



2008/3/27, Han-Wen Nienhuys [EMAIL PROTECTED]:


This is only half-true.  We are using a pre-release version of
odcctools to build the mac version under linux.  Then Apple changed
some internals in 10.5, but nobody updated odcctools.


I get it...

If Apple is to blame, it is for assuming that everyone compiling  
MacOS

binaries actually owns a mac.


That said, perhaps we could ask Nicolas to distribute his binary?  
Even
unmaintained (e.g. stuck at 2.11.3x or whatever), this could be a  
nice

workaround for 10.5 users, couldn't it?

Cheers,
Valentin


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Andrea Valle
--
CIRMA - DAMS
Università degli Studi di Torino
-- http://www.cirma.unito.it/andrea/
-- http://www.myspace.com/andreavalle
-- [EMAIL PROTECTED]
--



Think of it as seasoning
. noise [salt] is boring
. F(blah) [food without salt] can be boring
. F(noise, blah) can be really tasty

(Ken Perlin on noise)





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time notation

2008-03-24 Thread Andrea Valle

Hi to all,
I guess that the reply will be no but...

Is there a way to have time notation in lily?

I mean: assuming that you have a line which represent n  beats, to  
put a not at the space representing a certain time point?

(like in many Earle Brown's pieces)

Thanks

Best

-a-

--
Andrea Valle
--
CIRMA - DAMS
Università degli Studi di Torino
-- http://www.cirma.unito.it/andrea/
-- http://www.myspace.com/andreavalle
-- [EMAIL PROTECTED]
--



Think of it as seasoning
. noise [salt] is boring
. F(blah) [food without salt] can be boring
. F(noise, blah) can be really tasty

(Ken Perlin on noise)





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Re: time notation

2008-03-24 Thread Andrea Valle


On 24 Mar 2008, at 16:47, Graham Percival wrote:


Oh, I see.  Well, you could create an invisible time signature of
1 / 14353, then create a note with r1*0.568292 -- I haven't
checked the math here, though.


Yeah, it gets really complicated but I could try.



I recommend keeping this discussion on the mailist, though, since  
other

people here know much more about this than me.


Of course, sorry, I never get used to the CC mechanism, so I thought  
I was replying to the list


Best

-a-


Cheers,
- Graham

On Mon, 24 Mar 2008 15:38:17 +0100
Andrea Valle [EMAIL PROTECTED] wrote:


Thanks, yes, I knew about proportional notation.
But my problem is: how can I specify note attack/duration in a time
notation fashion?
e.g attacking at 0.567292 beat for 1.4353 time unit

Best

-a-

On 24 Mar 2008, at 15:27, Graham Percival wrote:


That's called proportional notation.  It's in the manual.

Cheers,
- Graham

On Mon, 24 Mar 2008 15:17:38 +0100
Andrea Valle [EMAIL PROTECTED] wrote:


Hi to all,
I guess that the reply will be no but...

Is there a way to have time notation in lily?

I mean: assuming that you have a line which represent n  beats, to
put a not at the space representing a certain time point?
(like in many Earle Brown's pieces)

Thanks

Best

-a-

--
Andrea Valle
--
CIRMA - DAMS
Universit__ degli Studi di Torino
-- http://www.cirma.unito.it/andrea/
-- http://www.myspace.com/andreavalle
-- [EMAIL PROTECTED]
--



Think of it as seasoning
. noise [salt] is boring
. F(blah) [food without salt] can be boring
. F(noise, blah) can be really tasty

(Ken Perlin on noise)








--
Andrea Valle
--
CIRMA - DAMS
Universit__ degli Studi di Torino
-- http://www.cirma.unito.it/andrea/
-- http://www.myspace.com/andreavalle
-- [EMAIL PROTECTED]
--



Think of it as seasoning
. noise [salt] is boring
. F(blah) [food without salt] can be boring
. F(noise, blah) can be really tasty

(Ken Perlin on noise)








--
Andrea Valle
--
CIRMA - DAMS
Università degli Studi di Torino
-- http://www.cirma.unito.it/andrea/
-- http://www.myspace.com/andreavalle
-- [EMAIL PROTECTED]
--



Think of it as seasoning
. noise [salt] is boring
. F(blah) [food without salt] can be boring
. F(noise, blah) can be really tasty

(Ken Perlin on noise)





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Re: Leopard?

2008-02-14 Thread Andrea Valle

Thanks Hans I will take it into account once on Leopard


Best

-a-



On 13 Feb 2008, at 11:09, Hans Aberg wrote:


On 13 Feb 2008, at 05:31, Benedict Singer wrote:

Yes. If you have Lilypond in /Applications then you can run / 
Applications/Lilypond.app/Contents/Resources/bin/lilypond music.ly  
and then open the result in Preview. Preview in Leopard will also  
pick up file changes without having to close and reopen the file,  
so you can just leave it open.


Here is a crash course (not OS X 10.5 specific) on how to run  
LilyPond from the Terminal:


* Might get the System Preferences http://www.rubicode.com/ 
Software/RCDefaultApp/.
Then set .ly files to open with your favorite editor (also Xcode is  
fine) -perhs possible by the Finder Get Info window. This makes  
it possible to open .ly files from Terminal using

  open foo.ly
One can also open files using -a
  open -a 'QuickTime Player' foo.midi
The -t option opens to the preferred editor:
  open -t foo.bar
Type
  man open
for more information (quit with q - see 'man less').

* One might create a file named .profile for search paths (for X11,  
which does not create a login shell, it should be in .bashrc). For  
example, if you do not already have one, it might be made by (don't  
include the Fink, MacPorts, and MacTeX parts if you do not use  
them, don't include the lines , and finish the 'cat' part using  
control-D):


cd
cat  .profile
# Add to end of searchpath:
append_path()
{
  if ! eval test -z \\${$1##*:$2:*}\ -o -z \\${$1%%*:$2}\ - 
o -z \\${$1##$2:*}\ -o -z \\${$1##$2}\ ; then

eval $1=\$$1:$2
  fi
}

# Add to beginning of searchpath:
prepend_path()
{
  if ! eval test -z \\${$1##*:$2:*}\ -o -z \\${$1%%*:$2}\ - 
o -z \\${$1##$2:*}\ -o -z \\${$1##$2}\ ; then

eval $1=$2:\$$1
  fi
}

# Set system searchpaths:

# In the case a directory may exist (depending on the program) both  
with and without
# parent directory 'share/' (like in the cae of MANPATH and  
INFOPATH), the 'share/'
# version is put first, as it is what is used in /usr on Mac OS X  
FreeSD UNIX.
# The idea is that if a program is somehow adapted to this  
platform, the the stuff will
# be moved to the 'share/' variation, and should thus be ovverride  
the unadapted versions.


PATH=/bin:/sbin:/usr/bin:/usr/sbin:/usr/X11R6/bin
MANPATH=/usr/share/man:/usr/X11R6/man
INFOPATH=/usr/share/info
LIBPATH=/usr/lib:/usr/X11R6/lib

# Prepend Fink searchpaths:
test -r /sw/bin/init.sh  . /sw/bin/init.sh

# Prepend MacPorts (former DarwinPorts) searchpaths:
prepend_path PATH /opt/local/bin:/opt/local/sbin
prepend_path MANPATH /opt/local/share/man:/opt/local/man
prepend_path INFOPATH /opt/local/share/info:/opt/local/info
prepend_path LIBPATH /opt/local/lib

# Prepend MacTeX paths
prepend_path PATH /usr/texbin
prepend_path MANPATH /usr/local/texlive/2007/texmf/doc/man
prepend_path INFOPATH /usr/local/texlive/2007/texmf/doc/info

# Prepend /usr/local/ searchpaths:
prepend_path PATH /usr/local/bin:/usr/local/X11R6/bin
prepend_path MANPATH /usr/local/share/man:/usr/local/man
prepend_path INFOPATH /usr/local/share/info:/usr/local/info
prepend_path LIBPATH /usr/local/lib

Then create a new Terminal window, to make sure this file is read.

* Create a script for running lilypond by
cd
mkdir -p local/bin
cd local/bin
cat  lilypond
exec /Applications/LilyPond.app/Contents/Resources/bin/lilypond $@

(Finish by the 'cat' part with control-D, then do)
chmod u+x lilypond

After this, you may run lilypond on a file named say foo.ly from  
any directory by typing

  lilypond foo.ly
Open the PDF by
  open foo.pdf

* Use the tab key frequently, to get the file completions. To get  
the file path, one can also drop the file from Finder onto Terminal.


  Hans Åberg




--
Andrea Valle
--
CIRMA - DAMS
Università degli Studi di Torino
-- http://www.cirma.unito.it/andrea/
-- http://www.myspace.com/andreavalle
-- [EMAIL PROTECTED]
--



Think of it as seasoning
. noise [salt] is boring
. F(blah) [food without salt] can be boring
. F(noise, blah) can be really tasty

(Ken Perlin on noise)





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Re: Leopard?

2008-02-13 Thread Andrea Valle

Thanks to all,

Ah, so no problem for me.
Trevor, you know, I never write a line of lily code  directly...:)

Best

-a-



On 13 Feb 2008, at 06:39, Trevor Bača wrote:


Hey Andrea,

Note that you may have to download the PPC (ie, G3 / G4 / G5)  
rather than the Intel binary. This proves to be the case on my  
MacBook (though I haven't tested on any other 10.5 boxes)!


Trevor.


On Feb 12, 2008 10:31 PM, Benedict Singer [EMAIL PROTECTED] wrote:
Yes. If you have Lilypond in /Applications then you can run / 
Applications/Lilypond.app/Contents/Resources/bin/lilypond music.ly  
and then open the result in Preview. Preview in Leopard will also  
pick up file changes without having to close and reopen the file,  
so you can just leave it open.


Ben


On Feb 12, 2008, at 14:49, Andrea Valle [EMAIL PROTECTED] wrote:


Sorry for the late reply.
This means that lily program from terminal works fine and it's the  
Lily GUI App that does not work?


Thanks

-a-

On 11 Feb 2008, at 19:32, James E. Bailey wrote:

you can use an external editor (Textmate, TeXShop) to edit and  
compile lilypond files in osx 10.5

Am 11.02.2008 um 14:52 schrieb Roberto:


Dear Geniuses,

There isn't a OSX 10.5 version available yet, right?

Any idea when is there going to be on?

All the best,


Roberto.






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--
Andrea Valle
--
CIRMA - DAMS
Università degli Studi di Torino
-- http://www.cirma.unito.it/andrea/
-- http://www.myspace.com/andreavalle
-- [EMAIL PROTECTED]
--



Think of it as seasoning
. noise [salt] is boring
. F(blah) [food without salt] can be boring
. F(noise, blah) can be really tasty

(Ken Perlin on noise)





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--
Trevor Bača
[EMAIL PROTECTED]


--
Andrea Valle
--
CIRMA - DAMS
Università degli Studi di Torino
-- http://www.cirma.unito.it/andrea/
-- http://www.myspace.com/andreavalle
-- [EMAIL PROTECTED]
--



Think of it as seasoning
. noise [salt] is boring
. F(blah) [food without salt] can be boring
. F(noise, blah) can be really tasty

(Ken Perlin on noise)





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Re: Leopard?

2008-02-12 Thread Andrea Valle

Sorry for the late reply.
This means that lily program from terminal works fine and it's the  
Lily GUI App that does not work?


Thanks

-a-

On 11 Feb 2008, at 19:32, James E. Bailey wrote:

you can use an external editor (Textmate, TeXShop) to edit and  
compile lilypond files in osx 10.5

Am 11.02.2008 um 14:52 schrieb Roberto:


Dear Geniuses,

There isn't a OSX 10.5 version available yet, right?

Any idea when is there going to be on?

All the best,


Roberto.






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--
Andrea Valle
--
CIRMA - DAMS
Università degli Studi di Torino
-- http://www.cirma.unito.it/andrea/
-- http://www.myspace.com/andreavalle
-- [EMAIL PROTECTED]
--



Think of it as seasoning
. noise [salt] is boring
. F(blah) [food without salt] can be boring
. F(noise, blah) can be really tasty

(Ken Perlin on noise)





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Re: Lilypond for serial music?

2007-12-01 Thread Andrea Valle
 on sourceforge. Though it's looking like I'm still many,  
many months away ...


I'd also like to point to Víctor (if he's been reading the thread)  
as a great source of friendship and collaboration on all of these  
points. We've worked together and shared ideas on the fundamental  
*model* of the score for years. And my work has benefited  
considerably from many of those conversations ...




Trevor.



On Nov 29, 2007 3:18 PM, Andrea Valle [EMAIL PROTECTED] wrote:
(Still can't understand this list behaviour of replying to the  
author and not to the list...)


Hi Miguel,

I don't like lisp-like languages. I really prefer OO languages.  
More, I've always find difficult to understand lily internals (no  
figure, scheme stuff etc).
So, for my personal preference indeed,  I have used Python. There's  
also to say that Trevor B. has an incredible on going project  
integrating Python and Lilypond.
I started pressing him to release it under sourceforge but   
evidently he is busy...:-)


For the last project I used SuperCollider, an audio prog language  
which has a Smalltalk-like syntax: this allowed me to integrate  
notation with audio analysis and synthesis.
If you want to integrate very complex audio stuff, use a very  
sophisticated language and then output to lily, I'll suggest SC.
More, I wrote some classes in SC which allowed me to import/export  
with Praat. So, I have all the audio analysis I need.



You may check this:
http://www.nabble.com/python-%3Elilypond-tf2401329.html#a6698740
http://archive.contextgarden.net/message/ 
20070504.140614.ff7f1029.en.html


There are some people interested in stuff like this. We could share  
some infos on a wiki or something.


Best

-a-

On 29 Nov 2007, at 20:18, Miguel Lopes Santos Ramos wrote:


From: Andrea Valle  [EMAIL PROTECTED]

I typically use lilypond for algorithmic composition.



I use Python to =20= script lily.


Sorry to meddle in the thread.
Why Python and not the built-in Scheme interpreter?
Personal preference or something you would advise other people to?

I would be interested to know. I've used Excel outputting to  
Cakewalk in the
distant past, then LISP with output hand copied to score, more  
recently

Mathematica with cut-and-paste to lilypond.
Mathematica is great, has lots of combinatorial functions and also  
does
audio, but I'm finding some problems keeping things working across  
versions and
it really is not free at all; it's becoming more an environment  
than a
programming language and it's too expensive to use only as a  
programming

language.
I'm considering either moving back to Common LISP with Lilypond  
output
or using the built-in Scheme interpreter; but although I have a 15 
+ year
programming background, I'm not finding it very easy to use  
Lilypond Scheme.


Greetings,

Miguel Ramos
Lisboa


--
Andrea Valle
--
CIRMA - DAMS
Università degli Studi di Torino
-- http://www.cirma.unito.it/andrea/
-- [EMAIL PROTECTED]
--


I did this interview where I just mentioned that I read Foucault .  
Who doesn't in university , right? I was in this strip club giving  
this guy a lap dance and all he wanted to do was to discuss  
Foucault with me. Well, I can stand naked and do my little dance,  
or I can discuss Foucault, but not at the same time; too much  
information.

(Annabel Chong)





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--
Trevor Bača
[EMAIL PROTECTED]


--
Andrea Valle
--
CIRMA - DAMS
Università degli Studi di Torino
-- http://www.cirma.unito.it/andrea/
-- [EMAIL PROTECTED]
--


I did this interview where I just mentioned that I read Foucault. Who  
doesn't in university, right? I was in this strip club giving this  
guy a lap dance and all he wanted to do was to discuss Foucault with  
me. Well, I can stand naked and do my little dance, or I can discuss  
Foucault, but not at the same time; too much information.

(Annabel Chong)




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Re: Lilypond for serial music?

2007-11-29 Thread Andrea Valle
(Still can't understand this list behaviour of replying to the author  
and not to the list...)


Hi Miguel,

I don't like lisp-like languages. I really prefer OO languages. More,  
I've always find difficult to understand lily internals (no figure,  
scheme stuff etc).
So, for my personal preference indeed,  I have used Python. There's  
also to say that Trevor B. has an incredible on going project  
integrating Python and Lilypond.
I started pressing him to release it under sourceforge but  evidently  
he is busy...:-)


For the last project I used SuperCollider, an audio prog language  
which has a Smalltalk-like syntax: this allowed me to integrate  
notation with audio analysis and synthesis.
If you want to integrate very complex audio stuff, use a very  
sophisticated language and then output to lily, I'll suggest SC.
More, I wrote some classes in SC which allowed me to import/export  
with Praat. So, I have all the audio analysis I need.



You may check this:
http://www.nabble.com/python-%3Elilypond-tf2401329.html#a6698740
http://archive.contextgarden.net/message/ 
20070504.140614.ff7f1029.en.html


There are some people interested in stuff like this. We could share  
some infos on a wiki or something.


Best

-a-

On 29 Nov 2007, at 20:18, Miguel Lopes Santos Ramos wrote:


From: Andrea Valle [EMAIL PROTECTED]

I typically use lilypond for algorithmic composition.



I use Python to =20= script lily.


Sorry to meddle in the thread.
Why Python and not the built-in Scheme interpreter?
Personal preference or something you would advise other people to?

I would be interested to know. I've used Excel outputting to  
Cakewalk in the
distant past, then LISP with output hand copied to score, more  
recently

Mathematica with cut-and-paste to lilypond.
Mathematica is great, has lots of combinatorial functions and also  
does
audio, but I'm finding some problems keeping things working across  
versions and

it really is not free at all; it's becoming more an environment than a
programming language and it's too expensive to use only as a  
programming

language.
I'm considering either moving back to Common LISP with Lilypond output
or using the built-in Scheme interpreter; but although I have a 15+  
year
programming background, I'm not finding it very easy to use  
Lilypond Scheme.


Greetings,

Miguel Ramos
Lisboa


--
Andrea Valle
--
CIRMA - DAMS
Università degli Studi di Torino
-- http://www.cirma.unito.it/andrea/
-- [EMAIL PROTECTED]
--


I did this interview where I just mentioned that I read Foucault. Who  
doesn't in university, right? I was in this strip club giving this  
guy a lap dance and all he wanted to do was to discuss Foucault with  
me. Well, I can stand naked and do my little dance, or I can discuss  
Foucault, but not at the same time; too much information.

(Annabel Chong)




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Re: Lilypond for serial music?

2007-11-27 Thread Andrea Valle
I typically use lilypond for algorithmic composition. I use Python to  
script lily.

Serial practices are just very simple cases.
There are other on the list doing so in very complex ways (e.g.  
Trevor Bača).


Best

-a-


On 27 Nov 2007, at 22:44, Eyolf Østrem wrote:


The thread about strange meters made me wonder: have any of you
lilypudlians used LP to write serial music? It would seem to be an  
ideal
combination: make a variable and expose it to different output  
parameters.

I assume that with some scheme code, a sequence of pitches could be
translated into other series like rhythmic values, dynamics, etc.,  
either
through hard-coded permutations or generated from the series by way  
of some

kind of algorithm.

If anyone has experiences to share, I'd be interested in hearing  
about it.


I can often say: It's not for me, it's for my son when I ask this  
kind of
question at gaming sites etc. -- this time around it's for a  
colleague who
writes serial-tonal music. I feel so sorry for him when he sits  
there, the
night before the premiere, like a latter-day Mozart, and writes out  
all his

permutations, when it could have been done by a simple lilypond
weirdly.ly

Eyolf

--
You will be audited by the Internal Revenue Service.


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--
Andrea Valle
--
CIRMA - DAMS
Università degli Studi di Torino
-- http://www.cirma.unito.it/andrea/
-- [EMAIL PROTECTED]
--


I did this interview where I just mentioned that I read Foucault. Who  
doesn't in university, right? I was in this strip club giving this  
guy a lap dance and all he wanted to do was to discuss Foucault with  
me. Well, I can stand naked and do my little dance, or I can discuss  
Foucault, but not at the same time; too much information.

(Annabel Chong)




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Re: forum?

2007-10-18 Thread Andrea Valle

One can think of archiving the list via Nabble.

http://www.nabble.com/MailingListArchive.html

It has been done e.g. on the SuperCollider mailing list (and many  
others).

It has proven helpful.

Best

-a-




On 18 Oct 2007, at 10:48, Graham Percival wrote:


M.v.Strien wrote:

Can't there be a lilypond forum instead of a lilypond mailinglist?


No, this would not be helpful.

Mailinglists are: somewhat dated, far from structured, and posts  
tend to become bloated when for instance ppl start quoting quotes  
of quotes of quotes of quotes, or simply quote a whole post and  
add one extra line to it, etc.


That's why we discourage such behavior.  Besides, massive quoting  
is a huge problem on forums; much less so on mailists.


Cheers,
- Graham


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I did this interview where I just mentioned that I read Foucault. Who  
doesn't in university, right? I was in this strip club giving this  
guy a lap dance and all he wanted to do was to discuss Foucault with  
me. Well, I can stand naked and do my little dance, or I can discuss  
Foucault, but not at the same time; too much information.

(Annabel Chong)




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Re: forum?

2007-10-18 Thread Andrea Valle

Of course

(didn't checked)

Sorry for the noise

-a-

On 18 Oct 2007, at 11:08, Graham Percival wrote:


What, like this?

http://www.nabble.com/Gnu---Lilypond---User-f1722.html

Cheers,
- Graham

Andrea Valle wrote:

One can think of archiving the list via Nabble.
http://www.nabble.com/MailingListArchive.html
It has been done e.g. on the SuperCollider mailing list (and many  
others).

It has proven helpful.
Best
-a-
On 18 Oct 2007, at 10:48, Graham Percival wrote:

M.v.Strien wrote:

Can't there be a lilypond forum instead of a lilypond mailinglist?


No, this would not be helpful.

Mailinglists are: somewhat dated, far from structured, and posts  
tend to become bloated when for instance ppl start quoting  
quotes of quotes of quotes of quotes, or simply quote a whole  
post and add one extra line to it, etc.


That's why we discourage such behavior.  Besides, massive quoting  
is a huge problem on forums; much less so on mailists.


Cheers,
- Graham


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/I did this interview where I just mentioned that I read  
Foucault//. Who doesn't in university//, right? I was in this  
strip club// giving this guy a lap dance// and all he wanted to do  
was to discuss Foucault with me. Well, I can stand naked and do my  
little dance, or I can discuss Foucault, but not at the same time;  
too much information./

(Annabel Chong)
- 
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I did this interview where I just mentioned that I read Foucault. Who  
doesn't in university, right? I was in this strip club giving this  
guy a lap dance and all he wanted to do was to discuss Foucault with  
me. Well, I can stand naked and do my little dance, or I can discuss  
Foucault, but not at the same time; too much information.

(Annabel Chong)




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Re: Can Lilypond export separate pdfs?

2007-05-03 Thread Andrea Valle

Adam,

I haven't followed the thread in depth so sorry for eventual  
misconceptions.


So out of curiosity one day I checked out including one of my  
pieces as a pdf in a LaTeX document (which i couldn't get happening  
in Lilypond-LaTeX but could get happening in LaTeX) and it loaded  
way way quicker but as you pointed out to me in a previous post,  
you can only include graphics that are 1 page. thus my question  
about getting Lilypond to export more than one file for multi-page  
pieces.




I assume you have many multiple page pdfs generated by lily, and you  
want to recollect them in a global document, like a collection of  
pieces, am I right?
In the case LaTeX is not the good choice for complex typography at  
all. Just quit it, and so lilypond-book, which is intended mainly for  
musicological example. LaTeX still remains focused on scientific  
publications. ConTeXt, which is a much more modern and compact macro- 
package for TeX, is the right tool, as it allows you to quickly  
control all typographical dimensions. And it is pdf-native.


http://wiki.contextgarden.net/Main_Page

I've finished last night this:
http://www.semiotiche.it/andrea/membrana/lamine.pdf

Notation is with lily (wow). Global layout with ConTeXt (wow).
In the ConTeXt source I have a \copypage command which allow me to  
import (eventually scaled  etc) pages from pdf.

e.g.

\copypages[../scores/I.UTF.pdf][scale=1000] % 1000 means 100%

See here for all the possibilities:
http://wiki.contextgarden.net/Including_pages_from_PDF_document

More, if you're on macosx with seamlessy integrated pdf support,  
everything works in a breeze: e.g IPA support I used in the score  
requires TIPA fonts, actually only available for LaTeX. So I prepared  
a latex source file, rendered it, and copied and pasted with preview  
thus obtaining a pdf. The I included the pdf in ConTeXt.


Hope it helps

Best

-a-

PS: ConTeXt has a lilypond module which should allow you to include  
lily code. Never tried but it should work


well for now i guess I'll settle with seeing what happens when I  
\include more and more pieces.


adam

On May 3, 2007, at 9:46 AM, Mats Bengtsson wrote:

If you want to make a LaTeX document that contains some scores, I  
strongly

recommend you to use lilypond-book.

   /Mats




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-- http://www.cirma.unito.it/andrea/
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I did this interview where I just mentioned that I read Foucault. Who  
doesn't in university, right? I was in this strip club giving this  
guy a lap dance and all he wanted to do was to discuss Foucault with  
me. Well, I can stand naked and do my little dance, or I can discuss  
Foucault, but not at the same time; too much information.

(Annabel Chong)




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Re: automatic rest grouping

2007-04-10 Thread Andrea Valle

Valentin, Tim

I agree. I'd like have such a feature.
Actually, I was in fatc thinking of post-processing a core via python  
as I have the same problem.

Best

-a-

On 10 Apr 2007, at 14:40, Valentin Villenave wrote:


2007/4/10, Tim Reeves [EMAIL PROTECTED]:


I could see the utility of that, but I think it should have a  
switch in

case one wants the
c4 r r r
to show a quarter note and three quarter rests.



Yes, there could be some switch such as
\set Voice.autoRestsGrouping = ##t

Thank you for adding that...

Valentin Villenave.


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-- http://www.cirma.unito.it/andrea/
-- [EMAIL PROTECTED]
--



 I did this interview where I just mentioned that I read Foucault.  
Who doesn't in university, right? I was in this strip club giving  
this guy a lap dance and all he wanted to do was to discuss Foucault  
with me. Well, I can stand naked and do my little dance, or I can  
discuss Foucault, but not at the same time; too much information.

(Annabel Chong)




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Re: non adjacent glissando: state of the art?

2007-04-05 Thread Andrea Valle

Another good idea, Victor...
 thanks!


Best

-a-
On 5 Apr 2007, at 00:01, v!ctor [EMAIL PROTECTED] wrote:

I have to say that I've been assuming proportional notation all the  
time since I use it always (8.4.3 in manual).



--
Andrea Valle
--
CIRMA - DAMS
Università degli Studi di Torino
-- http://www.cirma.unito.it/andrea/
-- [EMAIL PROTECTED]
--



 I did this interview where I just mentioned that I read Foucault.  
Who doesn't in university, right? I was in this strip club giving  
this guy a lap dance and all he wanted to do was to discuss Foucault  
with me. Well, I can stand naked and do my little dance, or I can  
discuss Foucault, but not at the same time; too much information.

(Annabel Chong)


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Re: aleatoric

2007-04-01 Thread Andrea Valle

Hi,

As far as I can say, alea can be notated in thousand ways.

You should provide an example of the desidered notation output so  
that people can suggest solutions. Rhythmically independent is too  
vague...



Best

-a-


On 2 Apr 2007, at 00:49, Neuro wrote:


Dear list,


How do I write aleatoric music in Lilypond?

Actually, I am writing a woodwind quintet, intending to have two  
group for aleatoric:
Horn  bassoon is one group playing thythmically together, while  
flute, clarinet, and oboe is another group playing thythmically  
together;

yet each of these two groups plays rhythmically independently.

How do I achieve that in lilypond (2.10.20) - for printing the  
music out? --  that is, I am not worrring about the midi files for  
now.




Thank you very much

neuro





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Re: non adjacent glissando: state of the art?

2007-03-29 Thread Andrea Valle

Thanks Mats.

here's the mail starting the thread I'm referring to, and pointing to  
a previous and related one:


http://lists.gnu.org/archive/html/lilypond-user/2006-08/msg00271.html

Best

-a-


On 29 Mar 2007, at 09:16, Mats Bengtsson wrote:

It would be much easier to realize exactly what you want to achieve  
if you
included an example of the LilyPond code you use today (or at least  
provide

an exact reference to some of the earlier emails you mention).

  /Mats

Andrea Valle wrote:


Hi to all,
I'm experimenting what seems to be a common problem. I have to use  
glissandos connecting non adjacent notes, e.g. g4~g16 a8. . The  
common notation, and also the one suggested by Stone (p. 21), is  
to indicate the rhythm without noteheads. So, I'd like to have a  
straight line connect the g and the a and a headless note on the g16.
I've searched thru the list, and see some (recent) posts related  
exactly to this topic.

There was also a proposal for sponsoring.

As I have been out of the list for a year,  I'm not understanding  
the actual situation.
1. Is there a way to notate a glissando precisely in this way  
(avoiding the trick of using many glissandos connecting the  
composing notes)?


2. Is there (still) a sponsoring project for such a feature? In  
the case, I could participate. I saw something about 100 eu, if I  
understood clearly.
2b. What about sponsoring? Is it still active? It isn't clear to  
me from the usual page:

http://lilypond.org/web/sponsor/options

Thanks

Best

-a-

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-- [EMAIL PROTECTED] mailto:[EMAIL PROTECTED]
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-- http://www.cirma.unito.it/andrea/
-- [EMAIL PROTECTED] mailto:[EMAIL PROTECTED]
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- 
---


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--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 
   Fax:   (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=



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non adjacent glissando: state of the art?

2007-03-28 Thread Andrea Valle


Hi to all,

I'm experimenting what seems to be a common problem. I have to use  
glissandos connecting non adjacent notes, e.g. g4~g16 a8. .
The common notation, and also the one suggested by Stone (p. 21), is  
to indicate the rhythm without noteheads. So, I'd like to have a  
straight line connect the g and the a and a headless note on the g16.
I've searched thru the list, and see some (recent) posts related  
exactly to this topic.

There was also a proposal for sponsoring.

As I have been out of the list for a year,  I'm not understanding the  
actual situation.
1. Is there a way to notate a glissando precisely in this way  
(avoiding the trick of using many glissandos connecting the composing  
notes)?


2. Is there (still) a sponsoring project for such a feature? In the  
case, I could participate. I saw something about 100 eu, if I  
understood clearly.
2b. What about sponsoring? Is it still active? It isn't clear to me  
from the usual page:

http://lilypond.org/web/sponsor/options

Thanks

Best

-a-

--
Andrea Valle
--
CIRMA - DAMS
Università degli Studi di Torino
-- http://www.cirma.unito.it/andrea/
-- [EMAIL PROTECTED]
--


--
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-- [EMAIL PROTECTED]
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Re: [SPAM] python-lilypond

2006-10-07 Thread andrea valle
Me. For two projects. (And, seen the results, probably also for the 
next ones).
In one I generated the complete score. In the other I generated 
fragments and resulting pdfs have been inserted in metapost code (via 
ConTeXt)


Here you have the scores:
http://www.semiotiche.it/andrea/membrana/Iscrizioni/pdf/iscrizioni.pdf
http://www.semiotiche.it/andrea/membrana/nodi.pdf

Here a presentation in Italian, if you're portoguese or spanish speaker 
(I'm guessing) you can grasp easily the infos:
http://www.semiotiche.it/andrea/pub/notazioneEComposizione.pdf (many 
megas)
http://www.semiotiche.it/andrea/pub/notazioneEComposizioneShort.pdf 
(shorter, some figures deleted)


All the note stuff is generated via automatic translation of python 
data structures to lily code (translator is in Python, obviously)

Global typesetting is done via ConTeXt

Best


-a-


On 7 Oct 2006, at 18:27, bbarros wrote:


hello,

anyone worked with python to produce
lilypond code?

cheers


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Re: Embedding lily pdfs in InDesign

2006-08-26 Thread andrea valle

This sure doesn't help you, but just to report an experience...
I embedded something more than 100 lily pdf files in ConTeXt, then 
rendered with pdftex, having no problem at all (I filled in an A0 
page).


-a-


On 26 Aug 2006, at 10:55, Han-Wen Nienhuys wrote:


Trevor Bača wrote:

Hi,
Does anyone have any experience successfully embedding lily pdf output
in InDesign?
I start by creating a new InDesign doc and then placing the
lily-generated pdf in the InDesign doc. Just to test I then export as
pdf, and the results are pretty bad. Staff lines, ledger lines, beams
and hairpins show up fine; but all noteheads, accidentals, and text
are missing. My conclusion is that all font elements are missing (the
cheese fonts for the music elemen ts, and New Century Schoolbook for
the text).


That's strange. Does it work when you install the LilyPond fonts into 
Windows/MacOS ?



So is there anyone out there putting lily-generated pdfs into InDesign
successfully?
(I would prefer to keep everything in lily, but using any fonts in
lily at all other than New Century Schoolbook causes explosions when I
send the pdf to the printers.)


That's strange. What platform are you on? The lily and NCSB aren't any 
special.



--

Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen

LilyPond Software Design
 -- Code for Music Notation
http://www.lilypond-design.com



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Re: Block diagram of LilyPond

2006-04-29 Thread andrea valle

I was thinking the same. It would be extremely useful.

Best

-a-


On 29 Apr 2006, at 12:30, Tomas Valusek wrote:


Hello,

has anyone created a block diagram of LilyPond, which would show data 
flow, relationship between various modules, etc? It would be great 
help for obtaining global idea what LilyPond's about.


Tomas Valusek


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Re: Block diagram of LilyPond

2006-04-29 Thread andrea valle
As I have never contributed to docs, I'm always a bit embarassed in 
giving advices. So, first many thanks to all.

In any case:

I found absolutely necessary to have in lily docs many diagrams as 
possibile. Lily is a complex program, where user can operate at 
different level.  A schema showing all the components of Lily and all 
the point where user can operate will be mostly helpful.


One of the most difficult point with Lily for a new user is that you 
can make things in many ways. This is richness, indeed. But only if you 
understand the underlying structure.

Some figures will help.

My2c

Best

-a-

On 29 Apr 2006, at 18:16, Mats Bengtsson wrote:

What target group do you have in mind? Unless you are a programmer, I 
don't really see how it would help an ordinary music typesetter.


  /Mats

Quoting Tomas Valusek [EMAIL PROTECTED]:


Hello,

has anyone created a block diagram of LilyPond, which would show data 
flow, relationship between various modules, etc? It would be great 
help for obtaining global idea what LilyPond's about.


Tomas Valusek


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Re: numbers in variable names

2006-04-19 Thread andrea valle

On 19 Apr 2006, at 19:19, Daniel Johnson wrote:



I always use Roman numerals.



Interesting, I understand perfectly the weltanschauung behind the 
technique.  Dadaism is the next step.
In fact, I automatically convert numbers in letters with a hash table, 
so you have this Picabian-style

variable names:

voice152 = voicebec
voice065 = voiceafe

and so on...

This contaminates also my conTeXt files.

(sorry, I guess it won't help..)

-a-









grin


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Re: What to use to edit output after the fact?

2006-04-18 Thread andrea valle

Hi, Is there anything free doing the job of Illustrator?

thanks

best

-a-

On 17 Apr 2006, at 21:40, Kris Shaffer wrote:

I frequently use Illustrator as a post-Lilypond editor for musical 
graphics for theory handouts or papers, and I just use the PDF files 
which Lilypond outputs.


Andrea Valle
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Re: Replys

2006-04-15 Thread andrea valle
Obviously Tomas is not asking about his keyboard bindings.  He means 
that when he uses normal  reply function he replies to the list member 
and not to the list. Well, I don't like it very much too as I want to 
keep the thread on the list and not to reply in some sense privately. 
This mail is an example: why should I reply to you directly with the 
list on CC? I don't know if it's a question of setting my mail reader 
but  it is is not what typically happens in all the other mailing list 
I'm subscribed to.

Oh well, I agree, it's not that dramatic, only a bit boring.

-a-


On 15 Apr 2006, at 17:19, Nicolas Sceaux wrote:


Tomas Valusek [EMAIL PROTECTED] writes:


Hello,

I've several times pressed ctrl+r to reply to LilyPond maillist
message, but since I forget to check recipients, they never get to
maillist again, only to sender of a mail I'm replying to. Would it be
possible to omit reply-to field in messages coming from lilypond
mailing lists?


Strange request... you don't know how to use your mail reader agent, 
and

thus ask people to fix the Mailling List settings... Wouldn't be more
logical to fix your using of your MUA?

When I hit ctrl-r in my MUA, no mail goes to the mailing list, but a
backward search begins. Go figure.

nicolas


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Re: al niente / de niente - was Re: (no subject)

2006-03-16 Thread andrea valle

(in Italian it is not de niente but dal niente)
Best
-a-


On 16 Mar 2006, at 23:27, Trevor Bača wrote:


On 3/16/06, Marcus Macauley [EMAIL PROTECTED] wrote:
On Thu, 16 Mar 2006 09:29:43 -0800, Trevor Bača 
[EMAIL PROTECTED]

wrote:


On 3/16/06, Arno Waschk [EMAIL PROTECTED] wrote:

dear list,

for a contemporary music score i need hairpin having a circles 
around

their tip, indicating cresc./descresc. from/into silence.

what is the easiest way to enter these into the score? or does this 
need

to be implemented yet? i did not find that mentioned in the docs.


I'm interested in this kind of 'al niente' / 'de niente' thing, too,
but haven't had a chance to figure out the right settings yet.

If it turns out to be difficult to do currently, maybe we could
sponsor together once the 2.9 dev cycle starts.


Another way of notating this, which I prefer, but also I think needs 
to be

implemented, is to follow the decresc. (or precede the cresc.) with a
bold/italic n or n., for niente.


Does #(make-dynamic-script n.) not help? (As in the examples in 
8.1.8?)




At least one music font/notation program, I forget which, includes for
this purpose a letter n in the same style as mrsfp for dynamics. So
perhaps the ideal way to implement this latter kind of niente notation
(the hairpin circle tip being the other kind) would be to create a new
dynamic mark, called n, and syntax analogous to the other dynamics, 
thus:


c2~\ c~ c r\n

...would do a hairpin decresc. to niente, with the n marked under 
the
rest (and, like any other dynamic mark, signalling an end of the 
hairpin).


Perhaps, then, there could be a setting which would decide whether 
that

syntax prints a dynamic letter n on the one hand, or modifies the
hairpin with a circle at the tip, on the other hand.

Then one could switch globally between the two methods of notating 
niente

without rewriting each instance.

The syntax for a cresc. from silence would have to be a little less
elegant, though maybe simply:

c2~\n\ c~ c\! r

And for consistency, the first example could be modified to:

c2~\ c~ c r\!\n

...explicitly ending the descrescendo.

I don't know whether this sort of syntax is practical; it's just the 
first

thing that comes to mind.

Maybe more practical is 1) a setting to switch on/off circles at the 
point

of a hairpin, for the first method of notation, and 2) a new dynamic
letter, n (and command \n), for the second method.

As an alternative to the second method -- and a perhaps more 
conventional

one, recommended by Kurt Stone -- niente can be notated not with the
dynamic letter n but with the italic n. (this time with a period).


I've also used a dynamic-font s for this purpose (abbr. silence)
in Finale, but eventually backed away from the notation because it
just seemed too English-centered and too similar to s for subito
in other contexts.


This should be possible to do now, but I can't figure out how to 
switch

off the boldface:

n = #(make-dynamic-script (markup #:text #:italic n. ) ) % This 
makes

the text bold-italic.

n = #(make-dynamic-script (markup #:text n. ) ) % In fact, even this
makes it bold-italic, as if that's the default text font style. Why? 
And

how to switch it off?

(I'm using make-dynamic-script, rather than a regular \markup command,
because the n. needs to be aligned with the hairpin.)

Thanks in advance for any feedback on the niente 
implementation/syntax
(I too might be willing to co-sponsor it) and/or on this latter 
problem of

bold-italic text.

Marcus




--
Trevor Bača
[EMAIL PROTECTED]
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Re: right and left-align

2006-01-26 Thread andrea valle

Thanks as usual Mats,
I took a look at docs, and I updated (?) names.
This doesn't work on 2.7.27

 \context {
\Score
\override InstrumentName #'self-alignment-X = #right
\override InstrumentName #'X-offset = 
#`(Self_alignment_interface::aligned_on_self)

}

warning: type check for `X-offset' failed; value 
`(Self_alignment_interface::aligned_on_self)' must be of type `number'



-a-


On 26 Jan 2006, at 10:53, Mats Bengtsson wrote:

See 
http://lists.gnu.org/archive/html/lilypond-user/2005-06/msg00637.html

Note that the property names have changed a bit if you use LilyPond
version 2.7.x.

  /Mats

andrea valle wrote:


Thanks Mats,
I suspected but wasn't sure.
So what should I use to have right / left-align in the way \center 
works?

I need to have instrument names right aligned near staff beginning.
Thanks again

-a-



On 25 Jan 2006, at 14:56, Mats Bengtsson wrote:

If you read the documentation carefully, you will notice that 
center-align does something completely different than right-align

and left-align. It seems like a very unfortunate choice of command
names.

  /Mats

Quoting andrea valle [EMAIL PROTECTED]:


Hi to all,
In markup do \right and \left-align work in the same way of 
\center-align?

I mean:
\markup{\center-align { \line{temple 3} \line{2} \line{blocks}}
\markup{\right-align { \line{temple 3} \line{2} \line{blocks}}
\markup{\left-align { \line{temple 3} \line{2} \line{blocks}}

I thought so, but while \center-align behaves correctly (3 lines), 
the other two commands write on the same line thus producing 
overlapping lines.

What am I missing?
Thanks

-a-

 (on macosx 10.3, lily 2.7.27)

Andrea Valle
DAMS - Facoltà di Scienze della Formazione
Università degli Studi di Torino
http://www.semiotiche.it/andrea
[EMAIL PROTECTED]


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Andrea Valle
DAMS - Facoltà di Scienze della Formazione
Università degli Studi di Torino
http://www.semiotiche.it/andrea
[EMAIL PROTECTED]




--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 
   Fax:   (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=



Andrea Valle
DAMS - Facoltà di Scienze della Formazione
Università degli Studi di Torino
http://www.semiotiche.it/andrea
[EMAIL PROTECTED]



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Re: right and left-align

2006-01-26 Thread andrea valle

Ahah! This works perfectly.
Still, numbers overlap with staffgroup lines. I used horizontalshift 
but nothing changed, and with annotatespacing I cannot see how to tune 
this parameter.


?

-a-



On 26 Jan 2006, at 17:34, Mats Bengtsson wrote:


OK, use something along the lines of
\set Staff.instrument = \markup{ \column { \right-align gong 3 
\right-align bottle 1 } }



 /Mats


andrea valle wrote:


(thanks)

This is the result.
But I'd like to have names  right-aligned with respect to numbers . I 
mean: number in the 3 staves, or at least in each staff, should be 
aligned (and possibly non overlapping to grouping line)



-a-


On 26 Jan 2006, at 12:44, Mats Bengtsson wrote:


Try

\layout{
 \context {
   \Score




   \override InstrumentName #'self-alignment-X = #right
   \override InstrumentName #'X-offset =  
#Self_alignment_interface::x_aligned_on_self)

 }
}

  /Mats


andrea valle wrote:


Thanks as usual Mats,
I took a look at docs, and I updated (?) names.
This doesn't work on 2.7.27

 \context {
\Score
\override InstrumentName #'self-alignment-X = #right
\override InstrumentName #'X-offset =  
#`(Self_alignment_interface::aligned_on_self)

}

warning: type check for `X-offset' failed; value  
`(Self_alignment_interface::aligned_on_self)' must be of type  
`number'



-a-


On 26 Jan 2006, at 10:53, Mats Bengtsson wrote:

See  http://lists.gnu.org/archive/html/lilypond-user/2005-06/ 
msg00637.html

Note that the property names have changed a bit if you use LilyPond
version 2.7.x.

  /Mats

andrea valle wrote:


Thanks Mats,
I suspected but wasn't sure.
So what should I use to have right / left-align in the way 
\center  works?
I need to have instrument names right aligned near staff 
beginning.

Thanks again

-a-



On 25 Jan 2006, at 14:56, Mats Bengtsson wrote:

If you read the documentation carefully, you will notice that  
center-align does something completely different than 
right-align
and left-align. It seems like a very unfortunate choice of 
command

names.

  /Mats

Quoting andrea valle [EMAIL PROTECTED]:


Hi to all,
In markup do \right and \left-align work in the same way of  
\center-align?

I mean:
\markup{\center-align { \line{temple 3} \line{2} \line{blocks}}
\markup{\right-align { \line{temple 3} \line{2} \line{blocks}}
\markup{\left-align { \line{temple 3} \line{2} \line{blocks}}

I thought so, but while \center-align behaves correctly (3  
lines), the other two commands write on the same line thus  
producing overlapping lines.

What am I missing?
Thanks

-a-

 (on macosx 10.3, lily 2.7.27)

Andrea Valle
DAMS - Facoltà di Scienze della Formazione
Università degli Studi di Torino
http://www.semiotiche.it/andrea
[EMAIL PROTECTED]


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Andrea Valle
DAMS - Facoltà di Scienze della Formazione
Università degli Studi di Torino
http://www.semiotiche.it/andrea
[EMAIL PROTECTED]




--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463  Fax:   (+46) 8 
790  7260

Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=



Andrea Valle
DAMS - Facoltà di Scienze della Formazione
Università degli Studi di Torino
http://www.semiotiche.it/andrea
[EMAIL PROTECTED]



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r




--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463  Fax:   (+46) 8 790 
7260

Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=



Andrea Valle
DAMS - Facoltà di Scienze della Formazione
Università degli Studi di Torino
http://www.semiotiche.it/andrea
[EMAIL PROTECTED]
it



--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 
   Fax:   (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=



Andrea Valle
DAMS - Facoltà di Scienze della Formazione
Università degli Studi di Torino
http://www.semiotiche.it/andrea
[EMAIL PROTECTED]



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Re: right and left-align

2006-01-26 Thread andrea valle

Actually I solved problems of collision adding \hspace in the markup.
In any case, result is a bit complex:

\new StaffGroup
  \new Staff \with {

instrument = \markup{ \column {
\right-align \line{ gong 3 \hspace #2.0 }
\right-align \line{ gong 2 \hspace #2.0 }
\right-align \line{ gong 1 \hspace #2.0 }
\right-align \line{ bottiglia 3 \hspace #2.0 }
\right-align \line{ bottiglia 2  \hspace #2.0 }
\right-align \line{ bottiglia 1  \hspace #2.0 }
}
}


Thanks

-a-

On 26 Jan 2006, at 17:34, Mats Bengtsson wrote:


OK, use something along the lines of
\set Staff.instrument = \markup{ \column { \right-align gong 3 
\right-align bottle 1 } }



 /Mats


andrea valle wrote:


(thanks)

This is the result.
But I'd like to have names  right-aligned with respect to numbers . I 
mean: number in the 3 staves, or at least in each staff, should be 
aligned (and possibly non overlapping to grouping line)



-a-


On 26 Jan 2006, at 12:44, Mats Bengtsson wrote:


Try

\layout{
 \context {
   \Score




   \override InstrumentName #'self-alignment-X = #right
   \override InstrumentName #'X-offset =  
#Self_alignment_interface::x_aligned_on_self)

 }
}

  /Mats


andrea valle wrote:


Thanks as usual Mats,
I took a look at docs, and I updated (?) names.
This doesn't work on 2.7.27

 \context {
\Score
\override InstrumentName #'self-alignment-X = #right
\override InstrumentName #'X-offset =  
#`(Self_alignment_interface::aligned_on_self)

}

warning: type check for `X-offset' failed; value  
`(Self_alignment_interface::aligned_on_self)' must be of type  
`number'



-a-


On 26 Jan 2006, at 10:53, Mats Bengtsson wrote:

See  http://lists.gnu.org/archive/html/lilypond-user/2005-06/ 
msg00637.html

Note that the property names have changed a bit if you use LilyPond
version 2.7.x.

  /Mats

andrea valle wrote:


Thanks Mats,
I suspected but wasn't sure.
So what should I use to have right / left-align in the way 
\center  works?
I need to have instrument names right aligned near staff 
beginning.

Thanks again

-a-



On 25 Jan 2006, at 14:56, Mats Bengtsson wrote:

If you read the documentation carefully, you will notice that  
center-align does something completely different than 
right-align
and left-align. It seems like a very unfortunate choice of 
command

names.

  /Mats

Quoting andrea valle [EMAIL PROTECTED]:


Hi to all,
In markup do \right and \left-align work in the same way of  
\center-align?

I mean:
\markup{\center-align { \line{temple 3} \line{2} \line{blocks}}
\markup{\right-align { \line{temple 3} \line{2} \line{blocks}}
\markup{\left-align { \line{temple 3} \line{2} \line{blocks}}

I thought so, but while \center-align behaves correctly (3  
lines), the other two commands write on the same line thus  
producing overlapping lines.

What am I missing?
Thanks

-a-

 (on macosx 10.3, lily 2.7.27)

Andrea Valle
DAMS - Facoltà di Scienze della Formazione
Università degli Studi di Torino
http://www.semiotiche.it/andrea
[EMAIL PROTECTED]


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Andrea Valle
DAMS - Facoltà di Scienze della Formazione
Università degli Studi di Torino
http://www.semiotiche.it/andrea
[EMAIL PROTECTED]




--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463  Fax:   (+46) 8 
790  7260

Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=



Andrea Valle
DAMS - Facoltà di Scienze della Formazione
Università degli Studi di Torino
http://www.semiotiche.it/andrea
[EMAIL PROTECTED]



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r




--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463  Fax:   (+46) 8 790 
7260

Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=



Andrea Valle
DAMS - Facoltà di Scienze della Formazione
Università degli Studi di Torino
http://www.semiotiche.it/andrea
[EMAIL PROTECTED]
it



--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 
   Fax:   (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=



Andrea Valle
DAMS - Facoltà di Scienze della Formazione
Università degli Studi di

Re: right and left-align

2006-01-25 Thread andrea valle

Thanks Mats,
I suspected but wasn't sure.
So what should I use to have right / left-align in the way \center 
works?

I need to have instrument names right aligned near staff beginning.
Thanks again

-a-



On 25 Jan 2006, at 14:56, Mats Bengtsson wrote:

If you read the documentation carefully, you will notice that 
center-align does something completely different than right-align

and left-align. It seems like a very unfortunate choice of command
names.

  /Mats

Quoting andrea valle [EMAIL PROTECTED]:


Hi to all,
In markup do \right and \left-align work in the same way of 
\center-align?

I mean:
\markup{\center-align { \line{temple 3} \line{2} \line{blocks}}
\markup{\right-align { \line{temple 3} \line{2} \line{blocks}}
\markup{\left-align { \line{temple 3} \line{2} \line{blocks}}

I thought so, but while \center-align behaves correctly (3 lines), 
the other two commands write on the same line thus producing 
overlapping lines.

What am I missing?
Thanks

-a-

 (on macosx 10.3, lily 2.7.27)

Andrea Valle
DAMS - Facoltà di Scienze della Formazione
Università degli Studi di Torino
http://www.semiotiche.it/andrea
[EMAIL PROTECTED]


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DAMS - Facoltà di Scienze della Formazione
Università degli Studi di Torino
http://www.semiotiche.it/andrea
[EMAIL PROTECTED]




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\right and \left-align

2006-01-24 Thread andrea valle

Hi to all,
In markup do \right and \left-align work in the same way of 
\center-align?

I mean:
\markup{\center-align { \line{temple 3} \line{2} \line{blocks}}
\markup{\right-align { \line{temple 3} \line{2} \line{blocks}}
\markup{\left-align { \line{temple 3} \line{2} \line{blocks}}

I thought so, but while \center-align behaves correctly (3 lines), the 
other two commands write on the same line thus producing overlapping 
lines.

What am I missing?
Thanks

-a-

 (on macosx 10.3, lily 2.7.27)

Andrea Valle
DAMS - Facoltà di Scienze della Formazione
Università degli Studi di Torino
http://www.semiotiche.it/andrea
[EMAIL PROTECTED]


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tuplet collision

2006-01-16 Thread andrea valle

Dear all,
In  a  piece with a lot of tuplets, I have many collisions between 
bracket/number and beams. I solved my problem via manual adjustment.
Also, I noticed that changing fonts I was able to avoid the collisions. 
But this is a workaround.


I was asking myself if there is a way to automatically avoid collision 
between tuplet components and note elements by moving up (or down) the 
tuplet.


Best

-a-

Andrea Valle
DAMS - Facoltà di Scienze della Formazione
Università degli Studi di Torino
http://www.semiotiche.it/andrea
[EMAIL PROTECTED]


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Fonts in 2.7 (bug?)

2006-01-16 Thread andrea valle
I'm trying to change fonts in 2.7.27-4.
I'm on macosx 10.3.9 and Im using the App.


This code works perfectly in my 2.6.4:

\paper  {
myStaffSize = #20
#(define fonts
(make-pango-font-tree Monaco
Verdana
Verdana
(/ myStaffSize 20)))
}

It seems that this part is ignored in 2.7.27-4 (fonts are default).
Following a suggestion of Han-Wen, I tried putting the 4 occurences of Verdana in my mac in the folder
/LilyPond.app/Contents/Resources/share/lilypond/2.7.27/fonts/otf/

I  always obtained:

Processing `/test/pattern.ly'
Parsing...
Interpreting music... [2]
Preprocessing graphical objects...
Calculating line breaks... [2]
Calculating page breaks...
Layout output to `pattern.ps'...
`cd /var/tmp/tmp.0.6SGnZN  fondu -force '/Applications/LilyPond.app/Contents/Resources/share/lilypond/2.7.27/fonts/otf//Verdana'' failed (32512)
error: failed files: /test/pattern.ly


The trick worked for e.g. VeraMono.
Now (?) I receive the same message also in case I use VeraMono in place of Verdana:
I mean: I receive:
`cd /var/tmp/tmp.0.6SGnZN  fondu -force '/Applications/LilyPond.app/Contents/Resources/share/lilypond/2.7.27/fonts/otf//Verdana'' failed (32512)
error: failed files: /test/pattern.ly

Does it depend on fonts.cache-1?


What am I missing?


Thanks a lot

-a-

Andrea Valle
DAMS - Facoltà di Scienze della Formazione
Università degli Studi di Torino
http://www.semiotiche.it/andrea
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[test: please ignore]

2006-01-16 Thread andrea valle



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Re: Fonts in 2.7 (bug?)

2006-01-16 Thread andrea valle

Thanks Han-Wen,
it seems it's ok.

In any case, I am a bit confused. If a change the font-name in  
make-pango-font-tree it seems that sometimes it's successful, sometimes  
no.

What does it depend on?

Maybe the question is:
What does it mean
Any font can be used, as long as it is available to Pango/FontConfig.
(http://lilypond.org/doc/v2.7/Documentation/user/lilypond/Font- 
selection.html#Font-selection)


Thanks

-a-



On 16 Jan 2006, at 22:25, Han-Wen Nienhuys wrote:


andrea valle wrote:

`cd /var/tmp/tmp.0.6SGnZN  fondu -force  
'/Applications/LilyPond.app/Contents/Resources/share/lilypond/2.7.27/ 
fonts/otf//Verdana'' failed (32512)

error: failed files: /test/pattern.ly
Does it depend on fonts.cache-1?
What am I missing?


there was a bug in the fondu install routine, so it didn't get  
shipped. Can you try 2.7.27-5 ?


--
 Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen



Andrea Valle
DAMS - Facoltà di Scienze della Formazione
Università degli Studi di Torino
http://www.semiotiche.it/andrea
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Re: tuplet collision

2006-01-16 Thread andrea valle
I forgot to say (maybe it's relevant) that I changed staff space and I 
use percussion.



Here's a minimum excerpt:


\layout{
raggedright=##t

\context{   \Staff
\override StaffSymbol #'line-count = #6

\override StaffSymbol #'staff-space = #1.5
}
}


\score{

\new Staff {

{\clef percussion \time 1/4 \times 4/7 {f'8. r16 d'8 f'16 } }
\\
{\clef percussion \time 1/4 \times 4/7 { e16 \ff e16 e16 b8 b16 b16 } }

}

\layout{}
}

Thanks

-a-



This is probably a bug. Can you please send a bug report?
(i.e., a minimal score that reproduces the problem, preferably using
\layout{raggedright=##t})

Thanks,
--
Erik



Andrea Valle
DAMS - Facoltà di Scienze della Formazione
Università degli Studi di Torino
http://www.semiotiche.it/andrea
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\compressMusic: strange behaviour in example

2006-01-08 Thread andrea valle

Hi to all,

I was tweaking with the example about independent times here:

http://lilypond.org/doc/v2.6/Documentation/user/lilypond/Polymetric- 
notation.html#Polymetric-notation


I was simply adding some measures of music. I cannot understand why 9/8  
doesn't work.


Any ideas?


Her'es the code:

\version 2.6.4


   \relative c' { 
   \new Staff {
 \time 3/4
 c4 c c | c c c | c c c |
   }
   \new Staff {
 \time 3/4
 \set Staff.timeSignatureFraction = #'(9 . 8)
 \compressMusic #'(2 . 3)
   \repeat unfold 3 { c8[ c c] }
| c4. c4.  c4. | c4. c4.  c4. |
   }
   \new Staff {
 \time 3/4
 \set Staff.timeSignatureFraction = #'(10 . 8)
 \compressMusic #'(3 . 5) {
   \repeat unfold 2 { c8[ c c] }
   \repeat unfold 2 { c8[ c] }
   | c4. c4. \times 2/3 { c8 c c } c4
   | c4 c8[ c8] c4. c4 c8 |
 }
   }
  }


Thanks

-a-

Andrea Valle
DAMS - Facoltà di Scienze della Formazione
Università degli Studi di Torino
http://www.semiotiche.it/andrea
[EMAIL PROTECTED]



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Re: Percussion staves: news?

2006-01-02 Thread andrea valle

Mats,
thanks a lot as usual.
Your code is precious, but I suspected I could reach good results via 
superimposition of different staves.
I'd like to have it in one unique staff for ease (so I can have one 
voice): this kind of spacing is very common for percussion in 20th 
century and I don't want Finale to be be more flexible than lily...:-).


Han-Wen, could it be a sponsored feature?

-a-



On 2 Jan 2006, at 10:40, Mats Bengtsson wrote:

As far as I can see, there is no easy solution. You could redefine the 
function

used to print the StaffSymbol object. The default implementation,
Staff_symbol::print is done in C++, but it should be possible to do it
in Scheme as well.

  /Mats



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Re: Percussion staves: news?

2006-01-02 Thread andrea valle
I'm sorry, I tried but I'm not able to find a solution by myself 
starting from PianoStaff.

I do not understand how to put arbitrary staves insise a pianostaff.
Could you please post an example to be hacked?

-a-


On 2 Jan 2006, at 17:23, Han-Wen Nienhuys wrote:


andrea valle wrote:




Certainly, but isn't it much easier to make new context with 1-line 
staves at fixed distances (see PianoStaff definition for inspiration)?


--
 Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen



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Percussion staves: news?

2005-12-29 Thread andrea valle

Hi list,
sorry to bother you again.
But: does anyone know about the question I posted (here following)?
To summarize:
I need a (unique) staff in this way:

___

___

___
___
___


Is it possible to create a single staff like this, with different 
interline spaces?
A possible solution in Finale is to make  some lines in staff 
invisible. Is this availlable in lily?


Thanks

-a-



On 27 Dec 2005, at 12:15, andrea valle wrote:


Hi to all,
I searched thru docs and archives but I wasn't able to make my ideas 
clear.


I'm writing for percussions, so I was taking a look at Varèse's 
Intégrales.
Percussionist 2 has five percussions: three chinese blocks (h, m, l: 3 
lines), castanets (1 line) and a cymbals (1 line).
As a result, the staff is made up of three lines (with standard 
interline space) for chinese blocks, plus two other lines with greater 
interline space (as a standard for percussions without 5 lines staff), 
one for castanets and one for cymbals.


i.e.:

cymb.   ___

cast.   ___

chin. bl. h ___
chin. bl.m  ___
chin. bl. l ___

Is is possible to create such a staff?  Could anyone post an example?

I only know how to set the number of lines (StaffSymbol #'line-count) 
and how to change Staff's interline space (for all lines: StaffSymbol 
#'staff-space).


Thanks a lot

-a-


Andrea Valle
DAMS - Facoltà di Scienze della Formazione
Università degli Studi di Torino
[EMAIL PROTECTED]


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percussion staves

2005-12-27 Thread andrea valle

Hi to all,
I searched thru docs and archives but I wasn't able to make my ideas 
clear.


I'm writing for percussions, so I was taking a look at Varèse's 
Intégrales.
Percussionist 2 has five percussions: three chinese blocks (h, m, l: 3 
lines), castanets (1 line) and a cymbals (1 line).
As a result, the staff is made up of three lines (with standard 
interline space) for chinese blocks, plus two other lines with greater 
interline space (as a standard for percussions without 5 lines staff), 
one for castanets and one for cymbals.


i.e.:

cymb.   ___

cast.   ___

chin. bl. h ___
chin. bl.m  ___
chin. bl. l ___

Is is possible to create such a staff?  Could anyone post an example?

I only know how to set the number of lines (StaffSymbol #'line-count) 
and how to change Staff's interline space (for all lines: StaffSymbol 
#'staff-space).


Thanks a lot

-a-


Andrea Valle
DAMS - Facoltà di Scienze della Formazione
Università degli Studi di Torino
[EMAIL PROTECTED]


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Pythonization (was Re: Roadmap to lily code)

2005-12-08 Thread andrea valle

(Could be of some interest so I keep it on the list)

I'm also not sure it's a good idea. If you want python, it would be 
better to start afresh with a python version of LilyPond, and move 
speed-critical things to C(++). Then, end-result will be more 
pythonic




And in that case? Could you make a rough estimation? Is it feasible or 
is it (as a matter of facts) science fiction?


I imagine that the end result will be slower than the current 
GUILE/Scheme combo.

My coding time is precious than machine's working one:)

-a-




--
 Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen



Andrea Valle
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Università degli Studi di Torino
[EMAIL PROTECTED]



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Re: Roadmap to lily code

2005-12-07 Thread andrea valle

How much for a migration to python as a sponsored feature :-)?

Best

-a-



On 7 Dec 2005, at 10:39, Han-Wen Nienhuys wrote:


Darius Blasband wrote:
Interesting question though: if you had to do it again, would you 
still consider Scheme, or would you rather go for Python



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Re: dynamics collision

2005-11-20 Thread andrea valle

Ok Mats,
I read it before writing to the list, but it would have help if the 
manual provided an example.


I'd like to add a snippet on the topic to LSR, so I don't want to be 
imprecise.


If I have:

\version 2.6.4
{
\once \override Score.DynamicLineSpanner #'padding = #1.5 a'4 \pp
\once \override Score.DynamicLineSpanner #'padding = #3.5 a'4 \mp
\once \override Score.DynamicText #'extra-offset = #'( 3.0 . 1.0 ) a'4 
\mf
\once \override Score.DynamicText #'extra-offset = #'( -9.0 . 9.0 ) a'4 
\f

}


what is the difference in using DynamicLineSpanner vs. DynamicText?


Thanks

-a-

On 20 Nov 2005, at 17:10, Mats Bengtsson wrote:


Please read at the bottom of the section on Dynamics in the manual:
Vertical positioning of these symbols is handled by
DynamicLineSpanner.
This means that ... should be replaced by DynamicLineSpanner.

   /Mats

Fairchild wrote:

Andrea -
Just tried DynamicText with padding -- seems not to work.
Tried   \once \override DynamicText #'extra-offset = #'( -9.0 . 9.0 ) 
e \sfz

-- it does.
- Bruce
Andrea -
Try DynamicText.
   - Bruce
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On 
Behalf Of

andrea valle
Sent: Friday, November 18, 2005 7:28 PM
To: lilypond-user
Subject: dynamics collision
Hi,
I know that this is in the manual but I'm getting a little crazy with 
this minimal trouble.

I have to move dynamics mark.
I suppose I have to use something like that
  \once \override ... #'padding = #1.5 \sfz
but I'm not able to determine what should substitute the ...
Could someone provide an example?
Thanks
-a-
Andrea Valle
DAMS - Facoltà di Scienze della Formazione
Università degli Studi di Torino
[EMAIL PROTECTED]
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--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 
Fax:   (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=



Andrea Valle
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Università degli Studi di Torino
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dynamics collision

2005-11-18 Thread andrea valle

Hi,

I know that this is in the manual but I'm getting a little crazy with 
this minimal trouble.

I have to move dynamics mark.
I suppose I have to use something like that

 \once \override ... #'padding = #1.5 \sfz

but I'm not able to determine what should substitute the ...

Could someone provide an example?

Thanks
-a-


Andrea Valle
DAMS - Facoltà di Scienze della Formazione
Università degli Studi di Torino
[EMAIL PROTECTED]


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Re: [SPAM] Re: Getting started in OS X terminal

2005-11-14 Thread andrea valle
Fink put sw/bin at the head of your path, and all its packages in 
sw/bin. So you will have lily working but maybe other programs not 
working anymore...


Better use lilypond.sh and the wonderful dmg.

-a-




On 13 Nov 2005, at 21:46, Thomas Evdokimoff wrote:

you might try using the fink package it sets the paths and 
dependencies for

you..

see

http://fink.sourceforge.net/



Thomas Evdokimoff M.A., B.Mus.
www3.telus.net/thomase/



Quoting Andrew Neil [EMAIL PROTECTED]:


I've used a mac for a couple of years now.  Until I found Lilypond,
I'd never felt the need to dip into the Terminal.  Now I'm keen to
make use of some features of Lilypond which seem to be accessible
only from the terminal, such as midi2ly.  I'd really appreciate a
little help in getting started.
The readme says Put the lilypond.sh script somewhere in your path, 
eg.

$ cp lilypond.sh /usr/local/bin/lilypond

I have carried out this command, but I'm not sure if that is in my
path.  The following command and output make me wonder:

$ echo $PATH
/bin:/sbin:/usr/bin:/usr/sbin:/usr/local/teTeX/bin/powerpc-apple-
darwin-current

I've been reading Unix for Mac OS X Tiger to try and make sense of
all this, but it is slow going.  I'm not even sure what a path is yet!
My thanks in advance for any help.

I run Lilypond 2.7.11-1 on mac os 10.4.2, with macpython 2.3
installed (though it doesn't seem to open).  Python version 2.3.5
runs in the terminal.




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Università degli Studi di Torino
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Re: [SPAM] Re: Scribus - alternative to lilybook?

2005-11-02 Thread andrea valle
(I did exactly that job using ConTeXt as typesetting environment for my 
scores.  We discussed of lily in the ConTeXt mailing list for a while. 
Here two half-finished 
works:www.semiotiche.it/andrea/membrana/nodi-I.pdf

www.semiotiche.it/andrea/membrana/nodi-II.pdf

score fragments by lily, graph and general typesetting by ConTeXt
)

Best

-a-


On 2 Nov 2005, at 16:41, Han-Wen Nienhuys wrote:


Arthur Dyck wrote:
I haven't seen anything on this list about Scribus, a linux-based 
desktop publishing program.  I have been playing with it and it has 
some interesting features.  Basically, you define your page size with 
borders and then create text or image boxes for your input.  You can 
import lilypond pdf images directly into your image box.  You can 
then put transparent text boxes on top of your image allowing you to 
do anykind of markup anywhere.  I wouldn't recommend it for a an 
ordinary sheet of music, but I think it adds some interesting 
possibilites.  I am trying to learn how to use it and how to use 
Lilypond at the same time as I'm working on a liturgy, so it's making 
for some long -- but fun -- days.


I think Scribus has a python interface, so you could write a little 
plugin that takes .ly code,  runs it through lily, and pasts back the 
resulting PDF files.


That would actually be pretty neat...

Sponsored feature, anyone?

--
 Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen


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Re: Music fragments with Lilypond?

2005-10-28 Thread andrea valle

Of course, with Preview on Mac OSX one can crop pdf.
(Moreover, Preview is scriptable, but I've never used apple script)

-a-


On 28 Oct 2005, at 22:30, John Wiedenhoeft wrote:

I'm not sure this exists for mac as well, but on linux you could use 
pdfcrop to cut the white areas away. I think there must be a source of 
that program somewhere (it's command line based, pretty simple, but 
pretty effective). Be sure you include


\header{
copyright = 
tagline = }

in your file since otherwise pdfcrop will keep the space between the 
music fragment and the bottom line.


Best regards,
John

P.S. There could be some spacing problems. I posted on that some days 
ago, but unfortunately didn't get a reply...



Edwin Vane wrote:

Hi,
I've been playing with Lilypond since about yesterday so I'm pretty 
new.
I need a few figures for my thesis and the pdf output of lilypond on 
mac

os x is pretty nifty. Except I can't coax it into just giving me a pdf
of the music itself. I always get empty space as if it were trying to
fill the page. Is there any way to tell Lilypond to generate just the
music fragment and nothing else?
My current work around is to use lilypond-book on a test tex file. 
Once
it generates the eps files, I manually turn them into pdf to include 
in

my thesis. I was hoping for a better way.




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Re: output vector graphics

2005-09-25 Thread andrea valle

Hi
I would think it's the idea of having svg vectorial, xml-based, format 
as a lily output.

I don't know how it actually works.

-a-


On 25 Sep 2005, at 16:51, Mehmet Okonsar wrote:


I don't know if it is a viable idea, or if it already exists..
It would be nice if Lily can output some vectorial image format (what 
format
is widely recognized?) where many (some or all) notational elements 
were
available to a vector image drawing program (i.e. Corel Draw) where 
one can
turn the beautiful Lily output into some ugly and meaningless 
pseudo-musical

score by dragging, resizing the elements and adding elements musical or
not.. all done visually.

Ugly and meaningless pseudo-musical-scores are (or more exactly 
were)

fashionable for some composers, how far Lily can cope with that..

Maybe what I refer to is simply called *.ps (postscript) but I was 
unable to
open the Lily ps files in Corel, similarly I wasn't able to open Lily 
made

pdf's neither.. (in CorelDraw v11)

Best Regards,
Mehmet Okonsar, pianist-composer
www.okonsar.com



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grace notes dimensions

2005-09-13 Thread andrea valle

Hi to all,
I need to have grace notes (in particular, acciaccature) as big as 
normal notes.
Could someone tell me how to do this? What property have I to change? 
(An example would be the best)


Thanks a lot for your kindness

-a-



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Pedal + dynamics collision

2005-09-03 Thread andrea valle

Hi to all,
after producing automatically some hundreds fragment of lily code with 
very satisfying results simply using default setting (thanks for the 
work, guys), I have this little problem.
In the following code, macosx 10.3.8, lily 2.5.29, Pedal sign collides 
with dynamics.


% start
\version 2.5.29
{  f' a' ais' dis'' c''' cis'''  4 \sustainDown \mp}
% end

How can I solve? I took a look at the docs but I wasn't able to find a 
solution (which I am sure is already there).


Thanks a lot

-a-

Andrea Valle
Laboratorio multimediale G. Quazza
Facoltà di Scienze della Formazione
Università degli Studi di Torino
[EMAIL PROTECTED]


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Re: accord en français

2005-06-24 Thread andrea valle

(...Ehm, I'm sorry to be  unpopular and I don't want to seem unkind...).
I understand with no problem French and I like it very much even if I 
cannot speak it, but the language of the list is, helas!, English:

http://lists.gnu.org/mailman/listinfo/lilypond-user

Maybe other people cannot understand French and they are excluded from 
discussion.



Best


-a-


On 24 Jun 2005, at 14:29, VSD wrote:


utilisez \chordsFrench

c'est au manual, section 7.2.3 Printing chord Names

salut!

Vincent



On Fri, 24 Jun 2005 13:30:58 +0200, j-f.stephant 
[EMAIL PROTECTED] wrote:



Bonjour,

Je sais, maintenant, mette du texte en français, avec les lettres 
accentuées, mais je n'arrive pas à mettre les accords en français (au 
dessus de la portée : le chormode).


Quelqu'un peut-il m'aider.

Merci

Jacques



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Re: 2.5.28 png generation

2005-06-08 Thread andrea valle
On my macosx 10.3.8 lilyApp 2.5.28 had png conversion broken. But in 
2.5.29 works perfectly, both from app and from command line. Also 
resolution setting is ok.


The only thing that doesn't work as I was expecting is that, while 
using lilypond.sh from command line, the conversions from .ps put 
resulting files always in my user and not in the folder of the ly file.


Example:

I give the command line to eat:
apples-Computer:~ apple$ lilypond.sh  --png 
--define-default=resolution=300 
--output=/Users/apple/Desktop/testScriptor/testScriptor1 
/Users/apple/Desktop/testScriptor/testScriptor1.ly


Lily replies:
Layout output to `/Users/apple/Desktop/testScriptor/testScriptor1.ps'...
Converting to `testScriptor1.pdf'...
Converting to PNG...
Traceback (most recent call last):
  File /Applications/LilyPond.app/Contents/Resources/script, line 
167, in ?

os.unlink (a + '.ps')
OSError: [Errno 2] No such file or directory: 'testScriptor1.ps'

In LilyApp the output pdf is in the same folder of the input ly file. 
But it seems that conversion from lilypond.sh doesn't recognize the 
path. Ps file is under /Users/apple/Desktop/testScriptor/ and pdfs/pngs 
are under /Users/Apple (and so it fails to remove ps).  Should I set 
something or is it a bug?


Thanks a lot

-a-
On 9 Jun 2005, at 00:30, Roman V. Isaev wrote:



Ugh.. tried to use this. Doesn't work. If I run lilypond --png
it says Converting to PNG... into logfile and then does nothing.
I know nothing about scheme... but when I insert
(ly:message \nTEST\n) it prints this test... so I inserted
it after Converting to PNG message:

(ly:message (_ Converting to ~a...) PNG)
(ly:message \nTEST\n)

in backend-library.scm and got TEST in the log.

Then I went into ps2png.scm and placed the same test here:

(define-public (make-ps-images ps-name . rest)
  (ly:message \nTEST\n)
  (let-optional
   rest ((resolution 90)
 (paper-size a4)
 (rename-page-1? #f)
 (verbose? #f))

No TEST. It looks like

(make-ps-images name resolution paper-size rename-page-1? verbose?)

is the place where everyhing stops.

Sorry, I don't know how to debug scheme...

--
 Roman V. Isaev http://www.soprano-recorder.ru Moscow, 
Russia




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invoking lily from python

2005-06-05 Thread andrea valle

Dear all,

I'm calling lily from inside IDLE of Python, using module os with 
function os.system. I post this as I know Python is largely used among 
lilyponders.
The same command line (/sw/bin/lilypond /Users/apple/Desktop/test.ly) 
from shell and from os.system gives two different results.


From shell it works perfectly (obviously).
(apples-Computer:~ apple$ /sw/bin/lilypond /Users/apple/Desktop/test.ly)


From os.system I have as output only the file test.tex, which is ok, 
but there are no other files. os.system ends with 0, which means all 
was ok.


 cmd=/sw/bin/lilypond /Users/apple/Desktop/test.ly
 os.system(cmd)
0

Should I call explicitly the convert part to which lily refers 
printing on screen the following lines in command line mode?


Converting to `test.dvi'...
Converting to `test.ps'...
Converting to `test.pdf'...

It seems to me that this part is skipped when invoking from IDLE.

Any hints?

Thanks a lot
-a-



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Re: invoking lily from python

2005-06-05 Thread andrea valle
(It simply depended on invoking from IDLE. Some strange behaviours. 
Everything solved  using python form command line. Thanks)

-a-


On 5 Jun 2005, at 11:42, andrea valle wrote:


Dear all,

I'm calling lily from inside IDLE of Python, using module os with 
function os.system. I post this as I know Python is largely used among 
lilyponders.
The same command line (/sw/bin/lilypond /Users/apple/Desktop/test.ly) 
from shell and from os.system gives two different results.


From shell it works perfectly (obviously).
(apples-Computer:~ apple$ /sw/bin/lilypond 
/Users/apple/Desktop/test.ly)



From os.system I have as output only the file test.tex, which is ok, 
but there are no other files. os.system ends with 0, which means all 
was ok.


 cmd=/sw/bin/lilypond /Users/apple/Desktop/test.ly
 os.system(cmd)
0

Should I call explicitly the convert part to which lily refers 
printing on screen the following lines in command line mode?


Converting to `test.dvi'...
Converting to `test.ps'...
Converting to `test.pdf'...

It seems to me that this part is skipped when invoking from IDLE.

Any hints?

Thanks a lot
-a-



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Re: Usage of new installer for Mac OS

2005-06-03 Thread andrea valle

Hi,
I am not succeeding in using lilypond.app  (2.5.26) from commanline 
(macosx 10.3.8).

It's probably somenting obvious I don't know of command line usage.
So please pardon me.

I put the lilypond.sh in /sw/bin

and then run the line
apples-Computer:~ apple$ lilypond.sh  /Users/apple/Desktop/test.ly

I obtain:
-bash: /sw/bin/lilypond.sh: Permission denied

What does it mean and what I have I to do in order to remove the 
problem?


Thanks a lot

 best

-a-


On 3 Jun 2005, at 19:26, Walter Hofmeister wrote:


The new installer for Mac OS is great and I have it working from the
terminal just fine, but one question to the Brain Trust here, how does 
one

use Lilypond-book or convert-ly, and all of the other goodies? I have
installed the lilypond.sh script into sw/bin/ and when I want to run
lilypond I type lilypond.sh somefile.ly and this seems to work fine, 
but I

can't see a way to run the other features. What am I missing? Thanks.

Walter Hofmeister




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Re: Usage of new installer for Mac OS

2005-06-03 Thread andrea valle

Thanks, chmod worked (what does it mean?).

If I run:
lilypond.sh --png /Users/apple/Desktop/test.ly

I obtain
...
Converting to `test.pdf'...
Converting to PNG...
`lilypond-ps2png --resolution=90 --papersize=a6 test.ps' failed 
(32256)

error: failed files: /Users/apple/Desktop/test.ly
LilyPond exited with status 1Traceback (most recent call last):
  File /Applications/LilyPond.app/Contents/Resources/script, line 
108, in ?

os.unlink (a + '.ps')
OSError: [Errno 2] No such file or directory: '--png.ps'


Asking for the help  (lilypond.sh -h) I thought that png was possible

Is it on the to do list or have I made a mistake?


Thanks

Best

-a-



On 4 Jun 2005, at 01:15, Graham Percival wrote:



On 3-Jun-05, at 3:08 PM, andrea valle wrote:

I obtain:
-bash: /sw/bin/lilypond.sh: Permission denied


You probably need to do
chmod a+x /sw/bin/lilypond.sh

If that doesn't work, then do
ls -l /sw/bin/lilypond.sh

and report the results.

Cheers,
- Graham



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Re: arbitrary papersize

2005-06-03 Thread andrea valle
Thanks, I was in fact seeing those pages of the manual. I was thinking  
that Page layout was dedicated to layout inside a given page.

You have an a4 and you can do what you want *inside* it.

I want an arbitrary page: so, let's say,  can I use a paper of  
1.13x3.88 cm (so that I can use pixel to determine the dimension)?


In particular I supposed I had to precise on of the two possible  
commands:


#(set-default-paper-size a4)
\paper {
  #(set-paper-size a4)
}

Now, manual says:
The following paper sizes are supported: a6, a5, a4, a3, legal, letter,  
tabloid.


So, how to tweak them?

Thanks a lot


-a-


On 4 Jun 2005, at 01:42, Graham Percival wrote:



On 2-Jun-05, at 4:09 PM, andrea valle wrote:

Hi to all and sorry if it's obvious, but I wasn't able to find an  
answer in the docs .


Section 10.1.3, Page layout ?  The section right after paper size?
http://lilypond.org/doc/v2.5/Documentation/user/out-www/lilypond/Page- 
layout.html


Options include
hsize
vsize
topmargin
linewidth
...


- Graham



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arbitrary papersize

2005-06-02 Thread andrea valle
Hi to all and sorry if it's obvious, but I wasn't able to find an 
answer in the docs .
I'd like to make many image files with music fragments (to be inserted 
in a diagram realize with a latex package). I need pdfs, as I cannot 
use lily-book.

Everything's ok if I can set an arbitrary papersize.
Is it possible or have I always to choose from the supported formats 
(a3, a4, a5 etc)?

(In positive case, please could you send an example?).

Thanks a lot

Best

-a-


Andrea Valle
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Università degli Studi di Torino
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Re: Lilypond and Latex on Windows

2005-05-29 Thread andrea valle

Well, in order to avoid possible confusion, I'm not an expert at all.
On MacOSX I'm not able to see the dvi too, but the output on ps is ok 
for me. I also used dvipdf instead of dvips to convert directly to pdf 
the dvi. I made only very simple tests, but it worked.




But when I try to apply the same to my own files,
several latex errors occur; e.g. play.sty not found
or text line vontains an invalid character.


Actually I discovered that I have two distributions of latex, one 
installed by the editor (TexShop) the other probably shipped with the 
OS.
When I invoked via terminal the second was called, which is 
conisderably older and out of date than the other. I update class style 
by hand in this distro and solved the problem of having the class 
files.

It could be so also with your editor.

Best

-a-



So what
happens when I use latex in the Cygwin bash instead of
the latex button in winedit?

Best wishes,
Matthias




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Re: Lilypond and Latex on Windows

2005-05-27 Thread andrea valle

- Pdflatex is not the right choice.

You have to work with terminal, and I will say especially if you are 
not skilled tex/latex user and you know exactly what is going on while 
rendering tex file, like me. I use TexShop on MacOSX, but for lily I 
switch to terminal.


So, if you follow *exactly* the instructions on the web page, it works.

(Here you will see that in order to have a pdf first you have to create 
the  dvi and then convert to pdf).


-a-



On 28 May 2005, at 00:08, Matthias Warkentin wrote:


Hi!

Can somebody explain me (and I do not understand much
of Latex nor Lilypond - yet, hopefully), how I can
integrate lilypond code in my tex-documents? I process
lilypond files under WindowsXP just by doubleclicking
and get beside others a tex-file.
Now the naive approach of just including this in my
tex-file and pdflatexing it was not successful; Latex
complained about missing fonts (feta and parmesan - I
have already tried copying those in the lilypond
directory in my Miktex, but then it complained about
already existing files).
Also pdflatexing simple examples like lilbook.tex
didn't work - Latex does not know a Lilpond
environment.
I'm sorry if I ask trivial questions, but I have
tried to sort this out for some hours and think it's
better to ask for help.
I use Lilypond 2.4.3 and Miktex under WindowsXP.
It would be great if someone could help me!
Thanks,
Matthias






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Re: MacOS X native packaged (was Re: lilypond install mac os x)

2005-02-25 Thread andrea valle
My feeling is that Lilypond is different that GB, and concerning the
notation, it is superior in many ways (I'm not sure though, can anyone
send a PDF sample to me?). If anything, it should be as expensive.
As a mac user, two cents:
1) GB is also an audio/midi editor. So, it can be compared only very 
roughly with lily.
2) If it only depends on its effective value, lily should cost very 
much and surely much more than GB, which should be freeware for me 
(with 0 downloads)... . Maybe the idea was not to have lily mac app 
free, but that it costs the minimum. This can be an effective argument 
in order to make lily widespread.

ciao
-a-

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Re: notation for pitch bends and drops

2005-02-09 Thread andrea valle
Han-Wen
thanks for your work.
Let me understand the point. I understand from personal experience that 
starving can be not that fun. If some of us collect money, then you 
will be able to eat, and so to implement that features. Then they will 
become free distribution in lily?
Maybe, if lily requires you full time, it's better to think about a 
(small?) payment in order to use it, or not?
 Just to know your opinion

-a-

On 9 Feb 2005, at 09:53, Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
All this will be done on the 2.5 branch. If you want a backport to
2.4, that would cost an additional EUR 20 (USD 25). 2.6 will be
released in one to two months, hopefully.
Of course, you're welcome to garner some fellow sponsor to keep the
cost per person down.
Greetings,
Han-Wen
Gee, I don't know... that seems a bit steep. I'm only a student, and
so my finances are not unlimited... note I can get Finale academic
edition for $300, Sibelius academic edition for $215.
[to the list as well.. ]
Hi,
I can understand that you think it is exorbitant, but you maybe you
can take a look from my perspective. I'd really want Lilypond to be
the standard for music notation, and over the past 8 years I've but
more or less 4 full-time unpaid man-years into this project to make it
so. It's been tremendous fun, but since I started a real job, I ceased
to have a social life.  For that reason, I've just quit that job,
hoping to make a (small) living off LilyPond.
BTW, if anyone wants to pool together money for a feature, I'd
consider not shuffling around the money on paypal, since every time
that happens, Paypal takes out another cut.
--
 Han-Wen Nienhuys   |   [EMAIL PROTECTED]   |   
http://www.xs4all.nl/~hanwen


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Re: installing on fc2 (again)

2004-12-16 Thread andrea valle
Thanks Mats,
here you have it.
Best
-a-

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test.ly
Description: Binary data

On 13 Dec 2004, at 16:57, Mats Bengtsson wrote:
What input file did you use? If you took it from the web page, make
sure that it's written for the version of LilyPond that you use and
also that your web browser didn't add any strange characters to it.
   /Mats
andrea valle wrote:
Sorry to bother you again.
Please is there anyone working on ccrma fc2 distribution?
We simply cannot make it work.
We reinstalled the rpms, we installed ec-fonts, we installed also 
imageMagick rpms (for all version). Everything from the ccrma site.
Always the same: lily starts parsing, but provides no outputs. 
Verbose is the same we have already sent to the list.
Thanks a lot
-a-
Andrea Valle
Laboratorio multimediale G. Quazza
Facoltà di Scienze della Formazione
Università degli Studi di Torino
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Signal Processing
Signals, Sensors and Systems
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SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 
Fax:   (+46) 8 790 7260
Email: [EMAIL PROTECTED]
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installing on fc2 (again)

2004-12-13 Thread andrea valle
Sorry to bother you again.
Please is there anyone working on ccrma fc2 distribution?
We simply cannot make it work.
We reinstalled the rpms, we installed ec-fonts, we installed also 
imageMagick rpms (for all version). Everything from the ccrma site.

Always the same: lily starts parsing, but provides no outputs. Verbose 
is the same we have already sent to the list.

Thanks a lot
-a-
Andrea Valle
Laboratorio multimediale G. Quazza
Facoltà di Scienze della Formazione
Università degli Studi di Torino
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Installing on macosx 10.3

2004-12-10 Thread andrea valle
Hi to all,
we followed installing procedure for lily 2.4.2 on MacOsx 10.3 (via 
fink).
We installed fink, make selfupdate, then, with fink install lilypond 
-unstable, fink downloaded lily and other packages and compiled them 
all with no errors. But, as result, there's no executable. We only find 
files .info and .patch.
?
Any help is much appreciated

best
-a-
 

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installing on fedora core 2

2004-12-10 Thread andrea valle
(...here we are again).
We are trying to install lily on fedora core2. We installed:
rpm -i ec-fonts-mftraced-1.0.8-1.noarch.rpm
and then
rpm -i  lilypond-2.4.1-1.rhfc2.ccrma-i386.rpm
(these two commands have been given in super user mode).
Lilypond is correctly installed (we see: lilypond produces beautiful 
musical notation).
Then terminal says:
Parsing...
and stop:
Terminal doesn't write test.dvi, etc...and we cannot see any output pdf 
at all.

Are we missing something?
Thanks
-a-

Andrea Valle
Laboratorio multimediale G. Quazza
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installing on fedora core 2

2004-12-10 Thread andrea valle
(...here we are again).
We are trying to install on fedora core2. We installed:
rpm -i ec-fonts-mftraced-1.0.8-1.noarch.rpm
and then
rpm -i  lilypond-2.4.1-1.rhfc2.ccrma-i386.rpm
these two commands in super user mode.
Lilypond correctly installed (we see: lilypond produces bautiful 
musical notation).
Then terminal says:
Parsing...
and stop:
Terminal doesn't write test.dvi, etc...and we cannot see any output pdf 
at all.

-a-
Andrea Valle
Laboratorio multimediale G. Quazza
Facoltà di Scienze della Formazione
Università degli Studi di Torino
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Re: installing on fedora core 2

2004-12-10 Thread andrea valle
Thanks as usual Mats.
Here in attachment the verbose output.
-a-

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[EMAIL PROTECTED] root]# lilypond -V test  debug.txt
GNU LilyPond 2.4.1
 
LILYPOND_DATADIR=/usr/share/lilypond
LOCAL_LILYPOND_DATADIR=/usr/share/lilypond/2.4.1
LOCALEDIR=/usr/share/locale
LILYPONDPREFIX=


[/usr/share/lilypond/2.4.1/scm/define-music-types.scm][/usr/share/lilypond/2.4.1/scm/output-lib.scm][/usr/share/lilypond/2.4.1/scm/c++.scm][/usr/share/lilypond/2.4.1/scm/chord-ignatzek-names.scm][/usr/share/lilypond/2.4.1/scm/chord-entry.scm][/usr/share/lilypond/2.4.1/scm/chord-generic-names.scm][/usr/share/lilypond/2.4.1/scm/stencil.scm][/usr/share/lilypond/2.4.1/scm/new-markup.scm][/usr/share/lilypond/2.4.1/scm/bass-figure.scm][/usr/share/lilypond/2.4.1/scm/music-functions.scm][/usr/share/lilypond/2.4.1/scm/part-combiner.scm][/usr/share/lilypond/2.4.1/scm/define-music-properties.scm][/usr/share/lilypond/2.4.1/scm/auto-beam.scm][/usr/share/lilypond/2.4.1/scm/chord-name.scm][/usr/share/lilypond/2.4.1/scm/ly-from-scheme.scm][/usr/share/lilypond/2.4.1/scm/define-context-properties.scm][/usr/share/lilypond/2.4.1/scm/translation-functions.scm][/usr/share/lilypond/2.4.1/scm/script.scm][/usr/share/lilypond/2.4.1/scm/midi.scm][/usr/share/lilypond/2.4.1/scm/beam.scm][/usr/share/lilypond/2.4.1/scm/clef.scm][/usr/share/lilypond/2.4.1/scm/slur.scm][/usr/share/lilypond/2.4.1/scm/font.scm][/usr/share/lilypond/2.4.1/scm/encoding.scm][/usr/share/lilypond/2.4.1/scm/fret-diagrams.scm][/usr/share/lilypond/2.4.1/scm/define-markup-commands.scm][/usr/share/lilypond/2.4.1/scm/define-grob-properties.scm][/usr/share/lilypond/2.4.1/scm/define-grobs.scm][/usr/share/lilypond/2.4.1/scm/define-grob-interfaces.scm][/usr/share/lilypond/2.4.1/scm/page-layout.scm][/usr/share/lilypond/2.4.1/scm/titling.scm][/usr/share/lilypond/2.4.1/scm/paper.scm][/usr/share/lilypond/2.4.1/scm/safe-lily.scm]Processing
 `test.ly'
Parsing...
[/usr/share/lilypond/2.4.1/ly/init.ly[/usr/share/lilypond/2.4.1/ly/declarations-init.ly[/usr/share/lilypond/2.4.1/ly/music-functions-init.ly][/usr/share/lilypond/2.4.1/ly/nederlands.ly][/usr/share/lilypond/2.4.1/ly/drumpitch-init.ly][/usr/share/lilypond/2.4.1/ly/chord-modifiers-init.ly][/usr/share/lilypond/2.4.1/ly/script-init.ly][/usr/share/lilypond/2.4.1/ly/scale-definitions-init.ly][/usr/share/lilypond/2.4.1/ly/grace-init.ly][/usr/share/lilypond/2.4.1/ly/midi-init.ly[/usr/share/lilypond/2.4.1/ly/performer-init.ly]][/usr/share/lilypond/2.4.1/ly/paper-defaults.ly][/usr/share/lilypond/2.4.1/ly/engraver-init.ly][/usr/share/lilypond/2.4.1/ly/dynamic-scripts-init.ly][/usr/share/lilypond/2.4.1/ly/spanners-init.ly][/usr/share/lilypond/2.4.1/ly/[EMAIL
 PROTECTED] root]#


On 10 Dec 2004, at 17:34, Mats Bengtsson wrote:
Hard to say from this information. Try to run lilypond with the
flag --verbose and see what it complains about.
  /Mats
andrea valle wrote:
(...here we are again).
We are trying to install lily on fedora core2. We installed:
rpm -i ec-fonts-mftraced-1.0.8-1.noarch.rpm
and then
rpm -i  lilypond-2.4.1-1.rhfc2.ccrma-i386.rpm
(these two commands have been given in super user mode).
Lilypond is correctly installed (we see: lilypond produces beautiful 
musical notation).
Then terminal says:
Parsing...
and stop:
Terminal doesn't write test.dvi, etc...and we cannot see any output 
pdf at all.
Are we missing something?
Thanks
-a-
Andrea Valle
Laboratorio multimediale G. Quazza
Facoltà di Scienze della Formazione
Università degli Studi di Torino
[EMAIL PROTECTED]
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Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44  STOCKHOLM
Sweden
Phone: (+46) 8 790 8463 
Fax:   (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=

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Re: troubles on installation on fc2 and macosx 10.3

2004-12-07 Thread andrea valle
Thanks a lot Mats and sorry for the delay.
Since the
syntax has changed a bit between the two versions, you cannot
use the same version of test.ly.
Ok. That's true: I wrongly assumed test.ly was so simple to be common 
to all versions.

Always read the documentation
corresponding to the version you use (and please always tell what
version of the program you have, when asking questions on the mailing
list).

I would be very surprised
if your own Python programs don't work equally well.
Without knowing
anything about Mac, I guess the solution is Fink.

I'm out of Lab so I could not check what happened to mac and fedora. 
Anyway, Apple on OSX installs a Python framework which is notoriously 
delicate (at least following what is said on macpython page), so I was 
asking myself if Fink installs an autonomous Python package and if 
consequently there are drawbacks.
Best

-a-
Andrea Valle
Laboratorio multimediale G. Quazza
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troubles on installation on fc2 and macosx 10.3

2004-12-05 Thread andrea valle
Hi to all,
first post, so pardon me if I'm asking obvious thing. Searched the 
archives but wasn't able to find an answer.

Here in Turin we are making some installation tests. On win2k all 
right: a beautiful pdf score from test.ly. On fedora core 2, very fast 
installation, everything seems ok also while parsing the test.ly, no 
errors at all, but: we have no output file. We also changed some flags 
but: no way. Any hints?
We also tested on mac osx 10.3 (which would be my preferite choice). I 
cannot tell you the results because after two hours and a half of hard 
work of cpu (fink etc) we have to close the office leaving g5 working. 
On monday morning we will check... But: is it the standard behaviour?
I see that at least on mac lily installs python: what does this mean?
Python framework is a nightmare on mac, and my system for algo 
composition works on python. So I'd like to have it works. Could anyone 
tell me something about it?
Thanks a lot for your kindness

Best
-a-
Andrea Valle
Laboratorio multimediale G. Quazza
Facoltà di Scienze della Formazione
Università degli Studi di Torino
[EMAIL PROTECTED]
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Re: who uses lilypond

2004-12-05 Thread andrea valle
(if I succeed in installing on macosx, and probably also in negative 
case, I want to substitute Finale and generate directly my algorithmic 
composition with Lily)
Best
-a-

On 5 Dec 2004, at 19:06, Erik Sandberg wrote:
4 main uses for me:
- typesetting old scores (mostly 18th c.) to make them free via 
Mutopia.
- Quick transcription of parts, for personal use (like alto - G_8 
clef)
- Writing down some original music on paper (so far, it has mostly 
been songs
from a Jewish folk music band I'm playing in)
- Amusement (in the form of finding/entering/managing Lilypond bug 
reports)

Erik
On Wednesday 01 December 2004 11.38, Aaron wrote:
I was having a discussion with a friend and he asked me.
Who uses lilypond?
composers
publishers
music copyists
students
other
I wasn't sure I think that publishers probably already have legacy 
apps
they use not lilypond.

but I am not sure how this falls in numbers for the other categories.
does anyone mind a informal survey?
what do you use lilypond for.
Aaron

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Andrea Valle
Laboratorio multimediale G. Quazza
Facoltà di Scienze della Formazione
Università degli Studi di Torino
[EMAIL PROTECTED]

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frontends

2003-07-28 Thread Andrea Valle
Dear all,
I'd like to use Lilypond  for algorithmic composition. The task could be to
develop a program (maybe in Python) to write the lilypond file.
But in instrumental composition there's always the necessity to re-adjust
the result of the algorithmic process in order to have it (more) playable.
Is there a GUI frontend for lily for post-processing?
(Or, which would be the same: does lily export in finale .mus extension?)

Is there anyone doing algo-comp in this way on the list?


thanks and best

-a-





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