Re: please direct to removing page numbers

[info]

 

Perfect thank you 

Jay 

On 2012-12-18 14:29, Xavier Scheuer wrote:


> On 18 December 2012 22:18,  wrote:
> 
>> I'm
missing something but am too stupid to figure out what From the link
that Paul provides I get print-page-number #f somewhere in the paper
block should remove the page numbers but here's my paper block and
there's got to be something I've left out because it doesn't do
anything.
> 
> Hi,
> 
> paper {
> print-page-number = ##f
> }
> 
>
You need an equal sign.
> 
> Cheers,
> Xavier

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installing 2.16 and keeping 2.14?

[info]

 

After starting a rather large, to me, flurry a bit ago.. I was
going to -today- install 2.16 but due to having a large opera in 2.14
and never successfully converting I want and was told it was possible to
have both. 

Win7 

But I don't know how to do it.. 

Thanks 

Jay 
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enlarging the comma

[info]

 

Hello- 

i just tried to do the 

override BreathingSign#text =
markup { fontsize #8 { musicglyph 
#"comma" } } 

in a 

 version
"2.16.1" 

and it would compile but the breathe didn't get bigger.


Will or can this work in 2.16.1? 

Or is there a different thing that
will? 

I was excited that the thread was started as I was working on a
cello suite and felt that the sign should be bigger but it doesn't
matter what fontsize I put it nothing changed. 

Thanks 

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how to change page numbering

[info]

Hi-
I'm using version 2.14  to complete a large project.

Looks like from manual that in \paper block I should be able to change 
the

page numbering with something like

first-page-number

But so far I've failed to get anything to happen.

So perhaps it's a # set something?

Thanks

Jay


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Re: Odp: how to change page numbering

[info]

Karol-

Thank you this worked as expected.

David-
the manual for 2.16.0 page 487
\paper variables for page numbering
Default values not listed here are defined in 
‘ly/paper-defaults-init.ly’

auto-first-page-number
The page breaking algorithm is affected by the first page number being 
odd or even.
If set to true, the page breaking algorithm will decide whether to 
start with an odd
or even number. This will result in the first page number remaining as 
is or being

increased by one. Default: #f.
first-page-number
The value of the page number on the first page.
print-first-page-number
If set to true, a page number is printed on the first page.
print-page-number
If set to false, page numbers are not printed.

--
I left out the = and #
and I forgot to enable.

BTW there are no clear snippets for this at all.  So I felt like I was 
doing a seat of the pants thing.

Jay



On 2013-03-24 12:16, Karol Majewski wrote:

It shuuld look like:

first-page-number = #3


And don't forget to enable:

print-first-page-number = ##t




Dnia 24-03-2013 o godz. 19:03 i...@soundand.com napisał(a):

Hi-
I'm using version 2.14  to complete a large project.

Looks like from manual that in \paper block I should be able to 
change

the
page numbering with something like

first-page-number

But so far I've failed to get anything to happen.

So perhaps it's a # set something?

Thanks

Jay


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please direct to proper place in manuals for one word made bold

[info]

Hello- don't know where to look in the manual for a single word made 
bold inside a set of words in a \markup
I'm using 2:14 to finish up a major work that's taken 2 years so I 
would like to stick with it.

If this is not possible in version 2:14 then I'll do without.

Thanks
Jay

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More explicit request on \bold in markup

[info]

Hello- don't know where to look in the manual for a single word made
bold inside a set of words in a \markup
I'm using 2:14 to finish up a major work that's taken 2 years so I
would like to stick with it.
If this is not possible in version 2:14 then I'll do without.


Uh,

\markup { With a \bold single bold word }

Where is the problem?

--
David Kastrup

As usual I don't know how to phrase the question first time here's what 
I want;
in the following I need to emphasize either larger or bolder the single 
word maps.
David's suggestion does not work I suspect because it's already some 
form of bold.  So I need more info or a suggestion, and pointing to the 
manual so i know where to look next time is most educational.

Here's the header

\header {
  title = "The Map"
  subtitle = "What kind of map"
  subsubtitle = \markup {\center-column { "Scene 5" "This scene 
introduces the maps projected behind P & D."" P's map is the D'Scudery 
map of love, D's is a map of Marseille."" Each map should have a sort of 
'you are here' spot lit on them.""  This light should move as they move 
along their paths to themselves."}}


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Anyone using a tablet for lily?

[info]

Hi-
Is anyone using a tablet to run lilypond and if so which one?
Thanks
Jay
www.soundand.com

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RE: tablet

[info]

So I asked the question but instead of an answer you all got way off 
track.

Is the answer (or so it seems) no
No one has a tablet that they use Lily on
or
No has tried and doesn't really know.
Drives me mad when the questions don't really get answered.
Could we please stick to the point?
Thanks
Jay

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I don't understand how to get a png file in lilypond

[info]

Hi- I was hoping to understand how to get PNG or something I could use 
in a html doc.  But I don't

Please point me to the most useful page in docs if possible.

Here's the test file
\version "2.16.1"
\header {
  title = ""
  composer = "Jay Hamilton"
copyright = \markup { \tiny \override #'(baseline-skip . 0.5)
\center-column
{  "CC lic 2.5 some rights reserved Jay Hamilton 2013"
"see http://creativecommons.org/licenses/by-nd/2.5/";
   } }
   }
%#(ly:set-option 'delete-intermediate-files #t)
#(set-default-paper-size "letter" 'landscape)
 #(set-global-staff-size 22)
 #(set! paper-alist (cons '("my size" . (cons (* 5 in) (* 3 in))) 
paper-alist))

  \paper
 {  #(set-paper-size "my size")
 indent = 30
 short-indent = 15
 right-margin = 30
 top-margin = 15
 bottom-margin = 15
 }

melody = \relative c'
{
\clef treble
\key c \major
\time 4/4
\override Staff.TimeSignature #' style = #' ()
\override Score.BarNumber #'break-visibility = #end-of-line-invisible
\tempo 4=60
d4 e f g
 \bar "|."
}

\score {
\new Staff \melody
\layout {
\context {
\Staff \RemoveEmptyStaves
}
 }
\midi { }
}

This is on a win7 machine.
This webpage speaks to the issuebut is command line information that I 
don't understand.
basically I want to create a frame and insert a lilypond created piece 
into it.  I don't use latex or even openoffice but code the html 
straight up if that makes any sense.

Thanks in advance.
Jay
http://www.lilypond.org/doc/v2.16/Documentation/usage/lilypond-output-in-other-programs

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lyrics notgoing with triplet

[info]

Hello-,
I expect the lyrics syllables to go with each note in the triplet  
figure but it won't in the following example- what has changed since I  
last did this?

Thanks-Jay

\version "2.12.3"
\header {
  title = "example"
  composer = "Jay Hamilton"
copyright = \markup { \tiny \override #'(baseline-skip . 0.5)
\center-column
{  "CC lic 2.5 some rights reserved Jay Hamilton 2010"
"see http://creativecommons.org/licenses/by-nd/2.5/";
   } }
   }
#(ly:set-option 'delete-intermediate-files #t)
melody = \relative c'
{
\clef treble
\key c \major
\time 4/4
#(set-global-staff-size 30)
\override Staff.TimeSignature #' style = #' ()
r2. r8 g c4 g'2 bes4 \times 2/3 {a8 [f c]} g'2  r4
f d bes d c2. r8 g
\bar "|."
}
text = \lyricmode {
A great bird fell crash- ing to earth
un- touched by my hand
}
\score {
<<
\new Voice = "mel" { \autoBeamOff \melody }
\new Lyrics \lyricsto mel \text





\layout {
\context { \RemoveEmptyStaffContext }
}
\midi { }
}



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easyHeadOn

[info]

Since I don't use the number engraver I'm not sure how that looks (meaning
after you've used 5 fingers what do the numbers mean?) but reading the
section on fingering gives you numbers adjacent to the notes (or above or
below) and if you need numbers higher than 5? I use markups.
Jay

On Fri, 21 Jan 2011 12:01:10 -0500, lilypond-user-requ...@gnu.org wrote:
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> Content-Type: text/plain; charset="us-ascii"
> 
> I have been using easyHeadOn plus "#(define Ez_numbers_engraver" (from
the 
> lilypond GNU-List) translates them into numbers. The number is printed
> inside 
> the note head. Is it possible to have the number printed adjacent to the
> note 
> head? 
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Re: what about simplifying music notation?

[info]

On Mon, March 14, 2011 6:02 pm, Bernardo Barros wrote:
> 2011/3/14 Marc Weber :
>> Second: You're wrong. By giving pitches numbers you'll naturally feel
>> than the distance 2-5 is the same as 8-11 and 27-30 and 45-48.
>
> And how would you represent quarter-tones? 5.5? And other kinds of
> tonal inflections?
>

That's how software like Pure Data deals with it..
As a composer working often with algorythms, number for notes feels
'natural' for me, but i'm afraid it would be hard to convince musicians to
read from them.

one line per note otoh, doesn't seem such a strange system to me. people
who work in 'piano roll' view in sequencers are used to think this way..
i've seen people who 'can't read notes' intuitively create melodies this
way in no time..

cheers,

Kristof


http://soundcloud.com/kristof-lauwers
http://kristoflauwers.domainepublic.net


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Re: what about simplifying music notation?

[info]

On Mon, March 14, 2011 6:57 pm, Bernardo Barros wrote:
> we have a decimal system and you want to represent a numeral system
> based on 12 or 24 like [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, A, B].
> You should propose a system base on 12 or 24 then.
>
> In computer science they use the hexadecimal system because it fits
> computer's bytes representation, if your object is the 12-tone scale,
> be consistent with your system :-)
>

in practice, most computer programmers think in midi notes: 60 being
middle C, 72 the C above that, ...
as an extension, some software allows 'factional midi notes' (although
they are not in the midi standard, and hardware synths won't understand
them). so 62.33 is on third of a semitone higher then D. this is not as
far fetched as it may seem. i use it e.g. to present overtone scales in
just intonation..




http://soundcloud.com/kristof-lauwers
http://kristoflauwers.domainepublic.net


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hairpin problem?

[info]

Hello- 

I am forcing accidentals in a modal piece. Time signature is
21/8 so the measures are long. 

I wanted to do a multi-measure hairpin
(decrescendo) but the hairpin stopped at the end of the first measure at
the forced accidental (!). 

1] is there a way around this? 

2] is this a
bug or really the way it's supposed to work or 

3] is the reason it
stopped there different from my assumption. 

Thanks 

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how to underline or italic a single word in lyric?

[info]

 

Hi- please direct me to.. 

I can't find how to underline a
single word in the lyrics 

I'd settle for italic if that's the only
possibility but I couldn't find either in manual or repository. 

using
stable version 

thanks 

jay 

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Orchestral score, can't find error

[info]

 

Hello- 

I 'think' I copied the info out of the 2.16 manual for the
score below but both my editor and Frescobaldi won't compile it and both
say they can't find errors. 

It looks weird to me but that's because I
am not used to the 'new' format for this but what's missing. If there
are some >>'s missing it''s because Fresco indicated they were wrong,
however then it looks really wrong to me. 

I.E. shouldn't there be >>
at the end of each staffGroup? but when they were included they showed
up as errors. 

Also the entire layout section was shown to be error.
even just 

layout { } 

Hope it's something simple. 

Jay 

version
"2.14.1"
header {
 title = "Midaral"
 composer = "Jay Hamilton"

copyright = markup { tiny override #'(baseline-skip .
0.5)
center-column
 { "CC lic 2.5 some rights reserved Jay Hamilton
2012"
 "see http://creativecommons.org/licenses/by-nd/2.5/";
 } }

}

#(ly:set-option 'delete-intermediate-files
#t)
#(set-default-paper-size "letter" 'landscape)

#(set-global-staff-size 12)
 paper
 {
 indent = 30 
 short-indent = 15

right-margin = 30
 top-margin = 15
 bottom-margin = 15
 }
enghrnMusic =
relative c' { 
key c major 
b4 }

clarinetMusic = 
relative c' { 
key c
major 
b4 }
bassoonMusic =
relative c {
clef bass
key c
major
b4
}
trumpetMusic = relative c {
key c major 
b4 }
hornMusic =

relative c { key c major
b4 }
tromboneMusic = relative c {
clef
bass
key c major
b4 }
timpaniMusic = relative c {
clef bass
key c
major
b4}
percussionMusic = relative c { 
key c major 
b4 }
violinMusic
= relative c' { 
key c major 
b4 }

violaMusic = relative c { clef
treble 
key c major 
b4 }
celloMusic = relative c { 
clef bass 
key c
major 
b4 }
bassMusic = relative c { 
clef "bass_8" 
key c major 
b4
}
score {
<<
new StaffGroup = "StaffGroup_woodwinds" <<
new Staff =
"Staff_EH" {
set Staff.instrumentName = #"English Horn"
set
Staff.shortInstrumentName = #"EH "
override Staff.TimeSignature #' style
= #' ()
override Score.BarNumber #'break-visibility =
#end-of-line-invisible
enghrnMusic
}
new Staff = "Staff_clarinet" {
set
Staff.instrumentName = #"Clarinet"
set Staff.shortInstrumentName = #"Clr
"
override Staff.TimeSignature #' style = #' ()
override Score.BarNumber
#'break-visibility = #end-of-line-invisible
clarinetMusic
}
new Staff =
"Staff_Bassoon"{
set Staff.instrumentName = #"Bassoon"
set
Staff.shortInstrumentName = #"Bsn "
override Staff.TimeSignature #'
style = #' ()
override Score.BarNumber #'break-visibility =
#end-of-line-invisible
bassoonMusic

new StaffGroup = "StaffGroup_brass"
<<
new Staff = "Staff_trumpet" {
set Staff.instrumentName =
#"trumpet"
set Staff.shortInstrumentName = #"trpt "
override
Staff.TimeSignature #' style = #' ()
override Score.BarNumber
#'break-visibility = #end-of-line-invisible
trumpetMusic
}
new Staff =
"Staff_Horn" {
set Staff.instrumentName = #"Horn"
set
Staff.shortInstrumentName = #"Hrn "
override Staff.TimeSignature #'
style = #' ()
override Score.BarNumber #'break-visibility =
#end-of-line-invisible
hornMusic
}
new Staff = "Staff_Trombone" {
set
Staff.instrumentName = #"Trombone"
set Staff.shortInstrumentName = #"Tbn
"
override Staff.TimeSignature #' style = #' ()
override Score.BarNumber
#'break-visibility = #end-of-line-invisible
tromboneMusic

new Staff =
"Staff_Timpani"{
set Staff.instrumentName = #"Timpani"
set
Staff.shortInstrumentName = #"Timp "
override Staff.TimeSignature #'
style = #' ()
override Score.BarNumber #'break-visibility =
#end-of-line-invisible
timpaniMusic
}
new RhythmicStaff =
"RhythmicStaff_percussion" <<
set RhythmicStaff.instrumentName =
#"Percussion"
percussionMusic
>>
new StaffGroup = "StaffGroup_strings"
<<
new Staff = "Staff_violin" {
set Staff.instrumentName = #"Violin"
set
Staff.shortInstrumentName = #"Vln "
override Staff.TimeSignature #'
style = #' ()
override Score.BarNumber #'break-visibility =
#end-of-line-invisible
violinMusic
}
new Staff = "Staff_viola" {
set
Staff.instrumentName = #"Viola"
set Staff.shortInstrumentName = #"Vla
"
override Staff.TimeSignature #' style = #' ()
override Score.BarNumber
#'break-visibility = #end-of-line-invisible
violaMusic
}
new Staff =
"Staff_cello" {
set Staff.instrumentName = #"V'Cello"
set
Staff.shortInstrumentName = #"Cel "
override Staff.TimeSignature #'
style = #' ()
override Score.BarNumber #'break-visibility =
#end-of-line-invisible
celloMusic
}
new Staff = "Staff_bass" {
set
Staff.instrumentName = #"ContraBass"
set Staff.shortInstrumentName =
#"C'Bass "
override Staff.TimeSignature #' style = #' ()
override
Score.BarNumber #'break-visibility =
#end-of-line-invisible
bassMusic

}

%layout {Staff
% these lines
prevent empty staves from being printed
%RemoveEmptyStaves
%override
VerticalAxisGroup #'remove-first = ##t
%}
%midi { }
%} 
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Problem with remove bar number

[info]

 

Hello 

using version 2.14.1 this is only place I can put the remove
bar_number that will allow the piece to compile however I still have bar
numbers. So what am I doing wrong? 

score {
new Staff melody
layout
{
context {
Staff
remove "Time_signature_engraver"
remove
"Bar_engraver"
remove "Bar_number_engraver"
}
 } 

Thanks 

Jay 
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please direct to removing page numbers

[info]

 

I'm sure it's possible to remove page numbers from a score but I
can't find it in the snippets or manual 

I've been assuming that it's
something like remove page number in context in Score but I can't find
it 

Thanks 

jay 
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Re: please direct to removing page numbers

[info]

 

I'm missing something but am too stupid to figure out what 

From
the link that Paul provides I get 

print-page-number #f 

somewhere in
the paper block should remove the page numbers but here's my paper block
and there's got to be something I've left out because it doesn't do
anything. 

#(ly:set-option 'delete-intermediate-files
#t)
#(set-default-paper-size "letter" 'landscape)

#(set-global-staff-size 40)
 #(set! paper-alist (cons '("my size" .
(cons (* 5 in) (* 3 in))) paper-alist))

 paper
 { #(set-paper-size "my
size")
 print-page-number #f
 indent = 30 
 short-indent = 15

right-margin = 15
 top-margin = 15
 bottom-margin = 15
 } 

So if you'd
like to just direct me to the section of the manual that I obviously
don't understand that would be fine or if it's a single character or
even two send it on 

Thanks 

Jay 

On 2012-12-17 20:04, Paul Morris
wrote: 

> On Dec 17, 2012, at 9:12 PM, i...@soundand.com wrote: 
> 
>>
I'm sure it's possible to remove page numbers from a score but I can't
find it in the snippets or manual 
>> 
>> I've been assuming that it's
something like remove page number in context in Score but I can't find
it 
>> 
>> Thanks 
>> 
>> jay
> Hi Jay, 
> 
>
http://www.lilypond.org/doc/v2.16/Documentation/notation/other-_005cpaper-variables#index-page-numbers_002c-suppress
[1] 
> 
> I find things like this by going to the index page: 
>
http://www.lilypond.org/doc/v2.16/Documentation/notation/lilypond-index
[2] 
> 
> and searching the index page, in this case for "page number".

> 
> Cheers, 
> -Paul

 

Links:
--
[1]
http://www.lilypond.org/doc/v2.16/Documentation/notation/other-_005cpaper-variables#index-page-numbers_002c-suppress
[2]
http://www.lilypond.org/doc/v2.16/Documentation/notation/lilypond-index
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Nesting SLurs and phrases

[info]

version 12.2
I would like to have the slurs in the following \slurDown and the long  
phrase Neutral or up but the LSR example is confusing as it uses many  
voices and I can't get it to usefully work for me.


e''8-1^\markup {\bold "#8"} \ ((f-2 e f) fis-3 (f-2 fis f\))

The slurs and phrase markings are correct I just would like to control  
up and down.

Thanks
Jay



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Re: Nesting SLurs and phrases

[info]

I would have expected something like this to work
e''8-1^\markup {\bold "#8"} \slurDown
(
\slurNeutral
(f-2 e f) fis-3 (f-2 fis f\))

but it won't compile.  So I'm still not understanding that section or  
I'm placing the \slur in the wrong place.

Jay


Quoting James Bailey :


See section 5.4.2 in the notation reference, Direction and Placement

On 23.01.2010, at 13:25, i...@soundand.com wrote:



version 12.2
I would like to have the slurs in the following \slurDown and the   
long phrase Neutral or up but the LSR example is confusing as it   
uses many voices and I can't get it to usefully work for me.


e''8-1^\markup {\bold "#8"} \ ((f-2 e f) fis-3 (f-2 fis f\))

The slurs and phrase markings are correct I just would like to   
control up and down.

Thanks
Jay



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Re: Nesting SLurs and phrases

[info]

Kieren-
I copy/pasted your suggestion into the piece and the slurs/phrases all are up.
Explanation-
all of the notes are one phrase
each group of four 8ths are slurred.  In the original the slurs are  
under the 8ths and the phrase mark is above.


Jay

Quoting Kieren MacMillan :


Hi Jay,


I would have expected something like this to work
e''8-1^\markup {\bold "#8"} \slurDown
(
\slurNeutral
(f-2 e f) fis-3 (f-2 fis f\))

but it won't compile.  So I'm still not understanding that section   
or I'm placing the \slur in the wrong place.


Is this what you're trying to do?

music = {
  \slurDown e''8-1^\markup { \bold "#8"} \(
  \slurNeutral f-2( e f) fis-3 f-2( fis f\))
}

\score { \music }

Note that the slur marking ( comes *AFTER* the note you want the   
slur to start on — it's not like parenthesizing a formula.


Hope this helps.
Kieren.


Jay


Quoting James Bailey :


See section 5.4.2 in the notation reference, Direction and Placement

On 23.01.2010, at 13:25, i...@soundand.com wrote:



version 12.2
I would like to have the slurs in the following \slurDown and the  
  long phrase Neutral or up but the LSR example is confusing as  
it   uses many voices and I can't get it to usefully work for me.


e''8-1^\markup {\bold "#8"} \ ((f-2 e f) fis-3 (f-2 fis f\))

The slurs and phrase markings are correct I just would like to
control up and down.

Thanks
Jay



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Re: Nesting SLurs and phrases

[info]

Kieren-
I did read both and the lsr example and I just tried your ^ which I  
had tried before in a slightly different way.
However nothing produces what I am trying to get.  And your latest did  
not change my example the phrase still goes up. as do the slurs. As it  
did in the previous example you sent.


I have tried_\slurDown and it wouldn't compile.

Jay


Quoting Kieren MacMillan :


Hi Jay,

I copy/pasted your suggestion into the piece and the slurs/phrases   
all are up.

Explanation-
all of the notes are one phrase
each group of four 8ths are slurred.  In the original the slurs are  
 under the 8ths and the phrase mark is above.


Then raise it:

music = {
  \slurDown e''8-1^\markup { \bold "#8"} ^\(
  \slurNeutral f-2( e f) fis-3 f-2( fis f\))
}

\score { \music }

Please read the docs [or read them more closely, if you believe   
you've already read them].

Start with the Learning Manual, where it shows how to code slurs.

Cheers,
Kieren.



Jay

Quoting Kieren MacMillan :


Hi Jay,


I would have expected something like this to work
e''8-1^\markup {\bold "#8"} \slurDown
(
\slurNeutral
(f-2 e f) fis-3 (f-2 fis f\))

but it won't compile.  So I'm still not understanding that   
section  or I'm placing the \slur in the wrong place.


Is this what you're trying to do?

music = {
 \slurDown e''8-1^\markup { \bold "#8"} \(
 \slurNeutral f-2( e f) fis-3 f-2( fis f\))
}

\score { \music }

Note that the slur marking ( comes *AFTER* the note you want the
slur to start on — it's not like parenthesizing a formula.


Hope this helps.
Kieren.


Jay


Quoting James Bailey :


See section 5.4.2 in the notation reference, Direction and Placement

On 23.01.2010, at 13:25, i...@soundand.com wrote:



version 12.2
I would like to have the slurs in the following \slurDown and   
the   long phrase Neutral or up but the LSR example is   
confusing as it   uses many voices and I can't get it to   
usefully work for me.


e''8-1^\markup {\bold "#8"} \ ((f-2 e f) fis-3 (f-2 fis f\))

The slurs and phrase markings are correct I just would like to   
  control up and down.

Thanks
Jay



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RE; Re nesting curves getting closer

[info]

Gilles asked for an attachment I don't exactly know what to attach so  
I've attached the latest pdf output.


This is close but nothing I've tried gets the 1st set of 8ths to be \slurDown

\version "2.12.2"
\header {
  title = "Nested Curves"
   }
melody = \relative c'
{
\clef bass
\key c \major
 e8
 \(
(\slurDown f-2 e f) fis-3 (f-2 fis f)\)

}

\score {
\new Staff \melody
\layout { }
\midi { \tempo 4=60 }
}

Jay


curves.pdf
Description: Adobe PDF document
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Re: Volunteers for a few comparison experiments

[info]

I could try with Noteworthy Composer- however I am sure it will fail
but I'm willing to try.
Jay

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system-separator-markup = \slashSeparator

[info]

The conductor of my opera (The Map) has a preference for slash 
separators on both sides/edges of the score is there a way to do this?

Thanks
Jay

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Re: system-separator-markup = \slashSeparator

[info]

Worked thank you

On 2013-11-23 03:07, Simon Bailey wrote:

On Friday, 22 November 2013 at 19:32, i...@soundand.com wrote:

The conductor of my opera (The Map) has a preference for slash
separators on both sides/edges of the score is there a way to do 
this?



untested, try:

\paper {
  system-separator-markup = \markup { \fill-line { \slashSeparator
\slashSeparator } }
}

regards,
sb


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Re: lilypond promotional stuff

[info]

Hi I just tried to put something together with just the S & A parts 
into Noteworthy Composer
It's so bad that I doubt there's a point to doing more.  I've 
attached it but I'm not going to continue as it seems pointless.

Jay


On 2013-12-11 04:46, Janek Warchoł wrote:

Okay, it seems that there is interest in collaborating on engraving
comparisons and other promotional materials:
http://lists.gnu.org/archive/html/lilypond-user/2013-11/msg00323.html
http://lists.gnu.org/archive/html/lilypond-user/2013-12/msg00313.html

Unfortunately, due to
http://lists.gnu.org/archive/html/lilypond-devel/2013-12/msg00145.html
someone else than me has to take the lead for some time.

best,
Janek

Porównanie czytelnosci nut as NWC.pdf
Description: Adobe PDF document
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re: opera/musical engravers

[info]

Kieran-
I am finished with my latest opera "The Map" we're starting a 
kickstarter proposal in January or Feb.  The director and conductor are 
on board, auditions probably in Sept '14.
8 singers, 8 instrumentalists, minimal spoken dialogue fully scored 
out.


I did not use lily -book it was/is easier for me to adjust page numbers 
per scene since there are always rewrites and scene changes (there have 
been two so far).


I did set up a full score template and adjusted it per scene, this 
turned out easier for me than to create a new one for each one.  Since I 
do not use bar lines when I compose it also allowed me to introduce time 
signatures where they were needed in the top voice at all times.


The score is in c with accidentals in forget as when printing the parts 
it will make it easier for me to understand the 'problems' with lily's 
transpositions.


Doing this in probably not the prettiest code and in most likely 
unfashionable way allows me the greater freedom to understand what was 
going on while engraving.


Hope this helps a bit.
Jay


Date: Mon, 16 Dec 2013 16:59:28 -0500
From: Kieren MacMillan 
To: Lilypond-User Mailing List 
Subject: calling all opera/musical engravers
Message-ID: 
Content-Type: text/plain; charset="us-ascii"

Hello all!

I would love to hear from anyone who has engraved a full opera or
musical (with at least vocal score plus full score) in Lilypond.

Specifically:
1. Is lilypond-book the only sane way to do it?
2. What functions/extensions/tricks did you use to bend Lily to your 
will?

3. What pitfalls are to be watched for (and hopefully avoided)?
4. What limitations cannot [currently] be overcome?

Thanks,
Kieren.




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Is there a best practise for 3 voices one hand piano?

[info]

Hi-
here's what I've got but I'm not sure it's best practise. Thanks for 
feedback in advance

Jay
\version "2.16.1"
\header {
  title = "19 Dec for left hand #2"
  composer = "Jay Hamilton"
copyright = \markup { \tiny \override #'(baseline-skip . 0.5)
\center-column
{  "CC lic 2.5 some rights reserved Jay Hamilton 2013"
"see http://creativecommons.org/licenses/by-nd/2.5/";
   } }
   }
#(ly:set-option 'delete-intermediate-files #t)
#(set-default-paper-size "letter" 'landscape)
 #(set-global-staff-size 22)
% #(set! paper-alist (cons '("my size" . (cons (* 5 in) (* 3 in))) 
paper-alist))

  \paper
 { % #(set-paper-size "my size")
 indent = 30
 short-indent = 15
 right-margin = 30
 top-margin = 15
 bottom-margin = 15
 }

melody = \relative c
{
\clef bass
\key c \major
\time 3/4
\override Staff.TimeSignature #' style = #' ()
\override Score.BarNumber #'break-visibility = #end-of-line-invisible
\override BreathingSign #'font-size = #5
\accidentalStyle "forget"
\set Staff.pedalSustainStyle = #'bracket
<<{\stemDown
\override TieColumn #'tie-configuration =
#'((-9.0 . -1))
  2 ~ c4
  \override TieColumn #'tie-configuration =
#'((-7.0 . -1))
  2 ~ e4
  \override TieColumn #'tie-configuration =
#'((-5.0 . -1))
  4 ~ gis2  2.
  2.}\\
  {\stemUp c8 a bes g a fis bes a c bes d e f ges f es d
  c fis e fis d e fis
   }
  >>
 \bar "|."
}

\score {
\new Staff \melody
\layout {
\context {
\Staff \RemoveEmptyStaves
}
 }
\midi { }
}


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Re: Is there a best practise for 3 voices one hand piano?

[info]

 

Alas I'm not looking for more normal but I do want it to be explicit
so eliminating the ties by making the chords dotted values takes away
from it. 

You using top and bottom voice is interesting I'm not sure I
understand how that is 'better' than what I have done except making it
more separate in this instance but when there is a single voice this
would make it more difficult for me to track what is going. I think.
Basically in terms of the way it looks you've confirmed that I'm on the
right track if not the nicest coding. 

Thanks 

Jay 

On 2013-12-19
10:19, Alex Loomis wrote: 

> This would be more normal (I also cleaned
up the code to make it easier to read). 
> 
> version "2.16.1" 
> 
>
voicetop = relative c { 
> 
>> voiceOne
> 
>> clef bass
> 
> key c
major
> 
>> border: none; padding: 0px;">
> /p> 
> 
>> kquote>
> ding:
0px;"> 
> 
> f ges f es d c | 
> 
> s2. bar "|." voicebot = relative c {

> 
>> 0 0 0 40px; border: none; padding: 0px;">
> lt;c, fis>2. } 
> 
>
score { On Thu, Dec 19, 2013 at 11:50 AM, < short-indent = 15
>
right-margin = 30
> top-margin = 15
> bottom-margin = 15
> }
> 
> me
>

>> 3/4
>> override Staff.TimeSignature #' style = #' ()
> de
Score.BarNumber #'break-visibility = #end-of-line-invisible
> override
BreathingSign #'font-size = #5
> accidentalStyle "forget"
> set
Staff.pedalSustainStyle = #'bracket
> <<{stemDown
> override TieColumn
#'tie-configuration =
> #'((-9.0 . -1))
> 2 ~ c4




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[1]
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\qBeam turn on and off ?- how

[info]

Hello,
I've been using \qBeam at the top of a piece but how to turn it off and 
then back on has me stumped.

Please direct me to the correct manual page(s)
Thanks
Jay


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Re: \qBeam turn on and off ?- how

[info]

 

David- 

Thanks I'll see if I can grasp it. and I'm using 2.16.1 I
always try to use the stable because the way I compose is odd enough
that I don't want extra notational issues to interfere 

Why do you ask?


Thanks 

Jay 

On 2013-12-28 10:25, David Nalesnik wrote: 

> Hi Jay,

> 
> On Sat, Dec 28, 2013 at 11:10 AM,  wrote:
> 
>>
Hello,
>> I've been using qBeam at the top of a piece but how to turn it
off and then back on has me stumped.
>> Please direct me to the correct
manual page(s)
>> Thanks
>> Jay
> 
> Well, it appears that qBeam is a
user-defined function submitted to the lists, so you wouldn't find
anything about it in the manuals. A web search turned up an email
defines rBeam to revert qBeam. (revert would be covered in the manuals.)

> 
> http://www.mail-archive.com/lilypond-user@gnu.org/msg47529.html
[1] 
> 
> By the way, what version are you using? 
> 
> --David




Links:
--
[1]
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Header problem

[info]

I copy and pasted from the current manual (online) the piano template, 
thinking that since my template didn't work the current manual would 
help.
But due to something I don't understand and can't locate because I 
don't understand the piano won't compile.

here's my header
\version "2.18.0
\header {
  title = ""
  composer = "Jay Hamilton"
copyright = \markup { \tiny \override #'(baseline-skip . 0.5)
\center-column
{  "CC lic 2.5 some rights reserved Jay Hamilton 2014"
"see http://creativecommons.org/licenses/by-nd/2.5/";
   } }
   }
#(ly:set-option 'delete-intermediate-files #t)
#(set-default-paper-size "letter" )
 #(set-global-staff-size 22)

  \paper
 {
 indent = 30
 short-indent = 15
 right-margin = 30
 top-margin = 15
 bottom-margin = 15
 }


The error message says
piano.ly:7:12: error: not a symbol
{
   "CC lic 2.5 some rights reserved Jay Hamilton 2014"

If you know what that means AND where to find the answer in the manuals 
please let me know.

Thanks
jay

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RE: Header problem

[info]

don't know what happened to the missing " but it works now thank you

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Re; Pdf of Manuals

[info]

I was interested in this too but when i go to download it I get an image 
in my browser that i needed to download Adobe Reader 9x while I have 10x 
already and I got nowhere so How does one get around this problem?

Thanks Jay

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Re: Re; Pdf of Manuals

[info]

I only clicked on Download and yes it opened or tried to open it in the 
browser.  There was no other response.

Jay

On 2014-04-06 21:55, Nick Payne wrote:

On 07/04/14 10:16, i...@soundand.com wrote:
I was interested in this too but when i go to download it I get an 
image in my browser that i needed to download Adobe Reader 9x while I 
have 10x already and I got nowhere so How does one get around this 
problem?


Sounds like your browser is trying to open it in the browser rather
than download it...


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two staves different unequal time signatures

[info]

Hi- I did a search and found something about 'translate' but when I 
clicked on the link nothing came up and I can't find anything else in 
the manuals.
What I need are two staves (or more but for now a duet) with different 
time signatures and they will only line up at the ends of each system 
(which I will do/figure out myself).
But I need a pointer towards the solution if it's in the manual and if 
it's not some help as to what to type and where to put it.

I'm using version 2.18.0

Thanks
Jay

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Re: two staves different unequal time signatures

[info]

 

The link is what I wanted the polymetric section didn't 'seem' to
describe what the link showed. 

Thanks to all. 

Jay 

On 2014-05-25 04:50, Phil Holmes wrote: 

> Also 
> 
> http://lilypondblog.org/2014/05/independent-meters/ [2] 
> 
> --
> Phil Holmes 
> 
>> - Original Message - 
>> FROM: Andrew Bernard 
>> TO: i...@soundand.com ; lilypond-user@gnu.org 
>> SENT: Sunday, May 25, 2014 4:26 AM 
>> SUBJECT: Re: two staves different unequal time signatures 
>> Jay,
>> 
>> Perhaps the section in the manual under Polymetric Notation, section 1.2.3 
>> is what you want?
>> 
>> Andrew
>> 
>> -
>> 
>> ___
>> lilypond-user mailing list
>> lilypond-user@gnu.org
>> https://lists.gnu.org/mailman/listinfo/lilypond-user [1]
 

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slur problem

[info]

I have gotten this to work in score but not in the part

\version "2.18.0"
horn = \relative c,
{
\clef "bass_8"
\key c \major
\time 4/4
fis,1
  \time 3/4
  (d'2.)
  \bar "|."
  }
  \score {
\new Staff \horn
\layout {
 }
}

the slur from fis1 to the d'2. doesn't work here but did in the full 
score.  So what do I do to make this work in the part?

Thanks
Jay

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Re; slur problem

[info]

Thank you Pierre and Dominic that was the solution.
Jay

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Re:

[info]

Бизнес - справочники, бизнес - программы, базы данных
на http://progz.7p.org.uk

Funding available

[info]

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Laptops at low prices - up to 21

[info]

Hi!

Please visit our new laptop internet-store.
http://www.arko-laptops.com

You may find our prices pretty attractive! We
ship laptops directly from manufacturer storages.
Without stores, without transfers, without taxes.
That's why we can offer you such a deal!

If you buy 2 laptops you will get 7 discount

Thank you for your attention!




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Software development / ref:6359

[Info]

	
		
	
	
		
		

			

	



	
	
		
		
		
Bishkek, October 2001
Concerns: Profitable collaboration 
Dear Madam, Sir.
The contents of your web-site, the information therein concerning your realized projects, way of working, and/or the products offered invited me to approach you with an invitation for collaboration in the field of software development, documentation and maintenance.
When approaching (potential) customers for the realization of (parts of) projects in information technology (possible) suppliers use (to) frequently a model that should be fit for any project
Such an approach is (frequently) wrong and leads to disappointed customers and suppliers. A more preferred approach is to determine the way of working based on the characteristics of a project, learning to know each other and above all knowing each others possibilities, expectations and limitations.
We therefore prefer to work out the advantages, disadvantages (they exist) and the risks involving the outsourcing of software development or parts thereof in collaboration with you. We trust that a good and above all communicative approach of collaboration will lead to an important reduction in the development en production costs. Such a cost reduction is above all possible since the actual programming and documentation work will be executed in Kyrgystan, Central Asia.
If you are interested and feel the desire to exchange opinions and thoughts concerning the above than feel free to contact us on our web site www.it-ts.com, or www.exa-it.com the web site of our partner in The Netherlands. The contact will give us both the opportunity to see if collaboration in a profitable manner belongs to the possibilities.
Feel free to ask questions of any nature concerning our activities. We are there to serve you.
Kind regards.J. BrouwerIT&TS


CONTACT INFORMATION:
IT&TS
Office 400, 172 Moskovskaya, Bishkek, Kyrgyzstan
Phone: 996 (+312) 21-59-64, Email: [EMAIL PROTECTED]
		
	

			
		
  		
	
	
	Copyright c 2000 IT&TS. All rights reserved.
	
	


If you don't want to recieve our mail please click on
http://212.204.174.92/unsubscribe/it-ts.asp?[EMAIL PROTECTED]&uid=6359

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HFU-Newsletter Juni 2003

[info]

Liebe handys-for-you Kundin,
lieber handys-for-you Kunde,

in der Anlage finden Sie unseren neuen Newsletter (06.2003) mit neuen Angeboten!
Bei uns findet garantiert jeder sein "Wunsch"-Handy.

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Federal Provincial Subsidies

[Info]

  
CANADA BOOKS
26 CH. BELLEVUE
ST-ANNE-DES-LACS
QC, CANADA
J0R 1B0
(450) 224-9275
 

PRESS RELEASE
 
CANADIAN SUBSIDY DIRECTORY YEAR 2004 EDITION
 
Legal Deposit-National Library of Canada
ISBN 2-922870-05-7
 
The new revised edition of the Canadian Subsidy Directory 2004 is now
available. 
The new edition is the most complete and affordable reference for anyone
looking for financial support.
It is deemed to be the perfect tool for new or existing businesses,
individual ventures, foundations and associations.
 
This Publication contains  more than 2000 direct and indirect financial
subsidies, grants and loans offered by government departments and
agencies, foundations, associations and organisations.  In this new 2004
edition
all programs are well described.
 
The Canadian Subsidy Directory is the most comprehensive tool to start up
a business, improve existent activities, set up a business plan, or obtain
assistance from experts in fields such as: Industry, transport,
agriculture, communications, municipal infrastructure, education,
import-export, labor, construction and renovation, the service sector,
hi-tech industries, research and development, joint ventures, arts,
cinema, theatre, music and recording industry, the self employed,
contests, and new talents.
Assistance from and for foundations and associations, guidance to prepare
a business plan, market surveys, computers, and much more!
 
The Canadian Subsidy Directory is sold $ 69.95, to obtain a copy please
call:
Canada Books...(450) 224-9275
 
 
 
 
 



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--- Begin Message ---
Thanks Graham, the FreeBSD port has been updated to 2.14.1.

Best Regards,

On 2011-Jun-12, 17:25, Graham Percival wrote:
> We are happy to announce the release of LilyPond 2.14.1. This
> fixes a few minor bugs in the stable version, and should cause no
> problems. We recommend that everybody upgrade to this version. 
> 
> Cheers,
> - Graham
> 
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-- 
Pietro Cerutti
The FreeBSD Project
g...@freebsd.org

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I would really like to use the midi2ly tool, but I don't know how to do this.  I am just getting to grips with the terminal, having used a mac now for over two years.  Until I found Lilypond, I'd never felt the need to dip into the terminal.  I have followed the instructions in the readMe:"Put the lilypond.sh script somewhere in your path, eg.  cp lilypond.sh /usr/local/bin/lilypond "   etc...Also, I have carried out similar instructions to put lilypond-script-wrapper.sh into /usr/local/bin/ , creating symbolic links for midi2ly etc.  So that the following is contained in the recommended directory:$ ls -F /usr/local/bin  [EMAIL PROTECTED]                        lilypond*                       [EMAIL PROTECTED]                        dfont2res*                      [EMAIL PROTECTED]                 showfond*fondu*                          lilypond-script-wrapper.sh*     tobin*frombin*                        [EMAIL PROTECTED]                       ufond*Still, I'm not sure how to launch midi2ly itself.  I have tried typing midi2ly while in the directory /usr/local/bin/ and also in the directory /Applications/Lilypond/Lilypond.app/Contents/Resources/bin/ (which I have noticed contains the unix executable file called midi2ly).  Always, -bash: midi2ly: command not found is returned.  I run Lilypond 2.7.11-1 on mac os 10.4.2, with macpython 2.3 installed (though it doesn't seem to open).  Python version 2.3.5 runs in the terminal.--- End Message ---
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--- Begin Message ---
Currently the default behavior for \key is to put the key
change before the barline. I'm quite sure however that the
correct notation is to have the key change after the
barline.

Yes, I know I can shift the barline and the key signature.
But shouldn't the default behavior be the correct one?

Thanks

__
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SBC Yahoo! DSL - Now only $29.95 per month!
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