Re: Attaca markup

2012-08-29 Thread Toine Schreurs
 This is how I've defined it in the past:
 
 attacca =
 {
   \once \override Score.RehearsalMark #'break-visibility =
 #begin-of-line-invisible
   \once \override Score.RehearsalMark #'direction = #DOWN
   \once \override Score.RehearsalMark #'font-size = 1
   \once \override Score.RehearsalMark #'self-alignment-X = #right
   \mark \markup{\bold Attacca}
 }
 

I would add one more line to this definition:

  \noPageTurn 

Toine


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Re: Attaca markup

2012-08-29 Thread David Rogers
On Tue, 28 Aug 2012 17:50:12 -0700
Daniel E. Moctezuma democtez...@gmail.com wrote:

 
 Also, after an attaca indication should the bar numbers reset or
 continue counting?

I take attacca to mean Go straight on, even though it's a new piece.

Having the bar numbers continue would mean to me This is not a new
piece.

So, to have attacca AND continuing bar numbers would look like a
contradiction to me.

-- 
David

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Re: Attaca markup

2012-08-29 Thread Paul Scott

On 08/29/2012 05:54 PM, David Rogers wrote:

On Tue, 28 Aug 2012 17:50:12 -0700
Daniel E. Moctezumademoctez...@gmail.com  wrote:


Also, after an attaca indication should the bar numbers reset or
continue counting?

I take attacca to mean Go straight on, even though it's a new piece.


Or new movement which is where I commonly see it.


Having the bar numbers continue would mean to me This is not a new
piece.

So, to have attacca AND continuing bar numbers would look like a
contradiction to me.



Some music continues the rehearsal marks through the movements and could 
continue the bar numbers as well.  In that case Attacca at the end of a 
movement makes sense.


Paul Scott



--
Librarian
Southern Arizona Symphony Orchestra



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Re: Attaca markup

2012-08-29 Thread Daniel E. Moctezuma
Thanks a lot for the information.
Doing some research, I've seen both uses (bar number reset and number
continuation) as well as not using bar numbers at all (just using rehearsal
marks) and that's why I was confused.

-- 
Daniel E. Moctezuma
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Attaca markup

2012-08-28 Thread Daniel E. Moctezuma
Hello,

Perhaps these are more music theory questions than a LilyPond related.
I was wondering which would be the correct way to place an attaca markup
text?
For example one could put:
  c1_attaca \bar |.

That would force to have markup to a specific note (or chord). Is there any
equivalent as \new Dynamic indication to specify text like attaca?

Also, after an attaca indication should the bar numbers reset or continue
counting?

-- 
Daniel E. Moctezuma
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Re: Attaca markup

2012-08-28 Thread David Nalesnik
Hi Daniel,

On Tue, Aug 28, 2012 at 7:50 PM, Daniel E. Moctezuma
democtez...@gmail.com wrote:
 Hello,

 Perhaps these are more music theory questions than a LilyPond related.
 I was wondering which would be the correct way to place an attaca markup
 text?
 For example one could put:
   c1_attaca \bar |.

 That would force to have markup to a specific note (or chord). Is there any
 equivalent as \new Dynamic indication to specify text like attaca?

You could use a RehearsalMark and try the following snippet:
http://lsr.dsi.unimi.it/LSR/Snippet?id=432

Also, it's attacca.


 Also, after an attaca indication should the bar numbers reset or continue
 counting?


I've only ever seen this between movements, so the bar numbers should
definitely reset.

HTH,
David

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Re: Attaca markup

2012-08-28 Thread Jay Anderson
On Tue, Aug 28, 2012 at 5:50 PM, Daniel E. Moctezuma
democtez...@gmail.com wrote:
 Perhaps these are more music theory questions than a LilyPond related.
 I was wondering which would be the correct way to place an attaca markup
 text?
 For example one could put:
   c1_attaca \bar |.

Gould says to put it at the end below the staff. Hers are lowercase,
italic and not bold.

 That would force to have markup to a specific note (or chord). Is there any
 equivalent as \new Dynamic indication to specify text like attaca?

This is how I've defined it in the past:

attacca =
{
  \once \override Score.RehearsalMark #'break-visibility =
#begin-of-line-invisible
  \once \override Score.RehearsalMark #'direction = #DOWN
  \once \override Score.RehearsalMark #'font-size = 1
  \once \override Score.RehearsalMark #'self-alignment-X = #right
  \mark \markup{\bold Attacca}
}

 Also, after an attaca indication should the bar numbers reset or continue
 counting?

I think that depends if the attacca is between movements or not.Bar
numbering usually restarts for a new movement.

-Jay

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Re: Attaca markup

2012-08-28 Thread Daniel E. Moctezuma
Thanks a lot David and Jay!

That was exactly what I was looking for. Also, it seems quite convenient to
use RehearsalMark to use attacca indications.

Thanks.

-- 
Daniel E. Moctezuma
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