Re: Attaca markup
This is how I've defined it in the past: attacca = { \once \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible \once \override Score.RehearsalMark #'direction = #DOWN \once \override Score.RehearsalMark #'font-size = 1 \once \override Score.RehearsalMark #'self-alignment-X = #right \mark \markup{\bold Attacca} } I would add one more line to this definition: \noPageTurn Toine ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Attaca markup
On Tue, 28 Aug 2012 17:50:12 -0700 Daniel E. Moctezuma democtez...@gmail.com wrote: Also, after an attaca indication should the bar numbers reset or continue counting? I take attacca to mean Go straight on, even though it's a new piece. Having the bar numbers continue would mean to me This is not a new piece. So, to have attacca AND continuing bar numbers would look like a contradiction to me. -- David ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Attaca markup
On 08/29/2012 05:54 PM, David Rogers wrote: On Tue, 28 Aug 2012 17:50:12 -0700 Daniel E. Moctezumademoctez...@gmail.com wrote: Also, after an attaca indication should the bar numbers reset or continue counting? I take attacca to mean Go straight on, even though it's a new piece. Or new movement which is where I commonly see it. Having the bar numbers continue would mean to me This is not a new piece. So, to have attacca AND continuing bar numbers would look like a contradiction to me. Some music continues the rehearsal marks through the movements and could continue the bar numbers as well. In that case Attacca at the end of a movement makes sense. Paul Scott -- Librarian Southern Arizona Symphony Orchestra ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Attaca markup
Thanks a lot for the information. Doing some research, I've seen both uses (bar number reset and number continuation) as well as not using bar numbers at all (just using rehearsal marks) and that's why I was confused. -- Daniel E. Moctezuma ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Attaca markup
Hello, Perhaps these are more music theory questions than a LilyPond related. I was wondering which would be the correct way to place an attaca markup text? For example one could put: c1_attaca \bar |. That would force to have markup to a specific note (or chord). Is there any equivalent as \new Dynamic indication to specify text like attaca? Also, after an attaca indication should the bar numbers reset or continue counting? -- Daniel E. Moctezuma ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Attaca markup
Hi Daniel, On Tue, Aug 28, 2012 at 7:50 PM, Daniel E. Moctezuma democtez...@gmail.com wrote: Hello, Perhaps these are more music theory questions than a LilyPond related. I was wondering which would be the correct way to place an attaca markup text? For example one could put: c1_attaca \bar |. That would force to have markup to a specific note (or chord). Is there any equivalent as \new Dynamic indication to specify text like attaca? You could use a RehearsalMark and try the following snippet: http://lsr.dsi.unimi.it/LSR/Snippet?id=432 Also, it's attacca. Also, after an attaca indication should the bar numbers reset or continue counting? I've only ever seen this between movements, so the bar numbers should definitely reset. HTH, David ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Attaca markup
On Tue, Aug 28, 2012 at 5:50 PM, Daniel E. Moctezuma democtez...@gmail.com wrote: Perhaps these are more music theory questions than a LilyPond related. I was wondering which would be the correct way to place an attaca markup text? For example one could put: c1_attaca \bar |. Gould says to put it at the end below the staff. Hers are lowercase, italic and not bold. That would force to have markup to a specific note (or chord). Is there any equivalent as \new Dynamic indication to specify text like attaca? This is how I've defined it in the past: attacca = { \once \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible \once \override Score.RehearsalMark #'direction = #DOWN \once \override Score.RehearsalMark #'font-size = 1 \once \override Score.RehearsalMark #'self-alignment-X = #right \mark \markup{\bold Attacca} } Also, after an attaca indication should the bar numbers reset or continue counting? I think that depends if the attacca is between movements or not.Bar numbering usually restarts for a new movement. -Jay ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Attaca markup
Thanks a lot David and Jay! That was exactly what I was looking for. Also, it seems quite convenient to use RehearsalMark to use attacca indications. Thanks. -- Daniel E. Moctezuma ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user