Re: Chorded notes
2010/11/3 Michael Dykes thedoctor81...@gmail.com
Jan,
Would this work since I have already written out my whole score? Also, if
this works fine, do I just inset this at the appropriate place in my bass
score?
Yes, it should do just fine. Take a look at the attached file, i've included
two changes in it. You should be able to do the rest by yourself.
I am sorry, but am somewhat confused as to where this should go. Thanks for
all your time patience.
You are welcome :)
Good luck,
Janek
On Mon, Nov 1, 2010 at 7:22 PM, Jan Warchoł
lemniskata.bernoulli...@gmail.com wrote:
2010/11/1 Michael Dykes thedoctor81...@gmail.com
On Mon, Nov 1, 2010 at 3:57 AM, Jan Warchoł
lemniskata.bernoulli...@gmail.com wrote:
2010/11/1 Michael Dykes thedoctor81...@gmail.com
I have a score for some of my Liturgical Music I am working on, need
the bass to have a C (2nd space-bass clef) quarter note, *and *two
eighth note C's (the first 2nd space, and the second, middle C) to show to
options for the bass which then continues over the next few measures with
octave bass lines. How do I achieve this? I looked in the manuals, but so
far I have not found any references to this situation. Thanks.
Does this
\version 2.13.37
{
\clef bass
e { \voiceTwo c, } \\ { \voiceOne c,8 c } \oneVoice f4
}
produce the output you desire or do you need something more specific?
cheers,
Janek
Something more specific, please Jan. Thanks for responding. I think the
problem I have is that I hav an entire bass line written out, * need (in the
same clef) the C-C jump in order to facilitate octave bass lines for a bit
since the bass goes somewhat low (G,A on the bottom of the bass clef), then
it goes back to 'unison', then towards the very end, back to 'split
octaves'. I will attach the file, try to let you know where I need that
jump and the 'split octaves'.
First off, on the 2nd pg, 1st system: We bless Thee; I did the Bb-Bb jump
(I am transposing from G to F); so where that jump is I also need a quarter
Bb A G (down the octave).
Then, in the 2nd system: And we pray (down 8va); unto Thee (down 8va).
Lastly, in the 3rd system: God (down 8va); and we (down 8va); Thee [the way
I have it is how it is written, but now that I have transposed it, it goes
down to G--but I don't want it to go below an A(for the top 'octave');
although if I shift up the octave, I'll end up w/ probs w/ the Tenors--if
you have any musical suggestions here???]; pray (down 8va); Thee __ (down
8va); and God (down 8va).
Thanks, Jan, for your help thus far.
Unfortunately i don't understand what exactly do you want to achieve :(
Everything i can imagine is this:
\new Staff
\clef bass
\new Voice = tenor { \voiceOne \relative a { b4 b(a) b2 g4 b2(c) b2 } }
\new Voice = bass { \voiceTwo \relative d {
e4 e2 e4(d)
{ \voiceThree c8(c'8) } \\ { \voiceTwo c,4}
\voiceTwo b b'2( a a') g' }
}
\new Lyrics \lyricsto tenor \lyricmode { We praise Thee. We bless Thee. }
Maybe someone else from the mailing list could help? Guys?
cheers,
Jan
anaphora_kiev.ly
Description: Binary data
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Re: Chorded notes
2010/11/1 Michael Dykes thedoctor81...@gmail.com
I have a score for some of my Liturgical Music I am working on, need the
bass to have a C (2nd space-bass clef) quarter note, *and *two eighth note
C's (the first 2nd space, and the second, middle C) to show to options for
the bass which then continues over the next few measures with octave bass
lines. How do I achieve this? I looked in the manuals, but so far I have not
found any references to this situation. Thanks.
Does this
\version 2.13.37
{
\clef bass
e { \voiceTwo c, } \\ { \voiceOne c,8 c } \oneVoice f4
}
produce the output you desire or do you need something more specific?
cheers,
Janek
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Re: Chorded notes
2010/11/1 Michael Dykes thedoctor81...@gmail.com
On Mon, Nov 1, 2010 at 3:57 AM, Jan Warchoł
lemniskata.bernoulli...@gmail.com wrote:
2010/11/1 Michael Dykes thedoctor81...@gmail.com
I have a score for some of my Liturgical Music I am working on, need the
bass to have a C (2nd space-bass clef) quarter note, *and *two eighth
note C's (the first 2nd space, and the second, middle C) to show to options
for the bass which then continues over the next few measures with octave
bass lines. How do I achieve this? I looked in the manuals, but so far I
have not found any references to this situation. Thanks.
Does this
\version 2.13.37
{
\clef bass
e { \voiceTwo c, } \\ { \voiceOne c,8 c } \oneVoice f4
}
produce the output you desire or do you need something more specific?
cheers,
Janek
Something more specific, please Jan. Thanks for responding. I think the
problem I have is that I hav an entire bass line written out, * need (in the
same clef) the C-C jump in order to facilitate octave bass lines for a bit
since the bass goes somewhat low (G,A on the bottom of the bass clef), then
it goes back to 'unison', then towards the very end, back to 'split
octaves'. I will attach the file, try to let you know where I need that
jump and the 'split octaves'.
First off, on the 2nd pg, 1st system: We bless Thee; I did the Bb-Bb jump
(I am transposing from G to F); so where that jump is I also need a quarter
Bb A G (down the octave).
Then, in the 2nd system: And we pray (down 8va); unto Thee (down 8va).
Lastly, in the 3rd system: God (down 8va); and we (down 8va); Thee [the way
I have it is how it is written, but now that I have transposed it, it goes
down to G--but I don't want it to go below an A(for the top 'octave');
although if I shift up the octave, I'll end up w/ probs w/ the Tenors--if
you have any musical suggestions here???]; pray (down 8va); Thee __ (down
8va); and God (down 8va).
Thanks, Jan, for your help thus far.
Unfortunately i don't understand what exactly do you want to achieve :(
Everything i can imagine is this:
\new Staff
\clef bass
\new Voice = tenor { \voiceOne \relative a { b4 b(a) b2 g4 b2(c) b2 } }
\new Voice = bass { \voiceTwo \relative d {
e4 e2 e4(d)
{ \voiceThree c8(c'8) } \\ { \voiceTwo c,4}
\voiceTwo b b'2( a a') g' }
}
\new Lyrics \lyricsto tenor \lyricmode { We praise Thee. We bless Thee. }
Maybe someone else from the mailing list could help? Guys?
cheers,
Jan
\version 2.12.2
\include english.ly
\include gregorian.ly
\header {
title = Horologion ~ The Divine Liturgy
subtitle = The Anaphora
poet = Kievan Chant ~ Ledkovsky
}
global = {
\key g \major
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
\override Score.SpacingSpanner #'packed-spacing = ##f
\override TextScript #'staff-padding = #6
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
g4 g g g fs g a2 a4 g fs g1 \divisioMaior
g4 fs g a2 g1 \divisioMaior
g4 fs g a2 a4 g fs g1 \divisioMaior
g4 fs a(g) fs g2 \divisioMinima
e4 e e fs g g g g g g g fs g a2 g2 \divisioMinima
g4 g2 g4 g fs g a2 g2 \divisioMinima
b2 a4 b c2.(b4 a1) g1 \divisioMaxima
g4 g g g g g fs a g fs g2 \divisioMinima
e4 e fs g g g fs g a2 g2 \divisioMinima
g4 b b a b c2.(b4 a1) g1 \divisioMaxima
g4 g a b b b a b c2 b4 a8(g) a2(g) \divisioMinima
g4 b b a b c2.(b4 a1) g1 \divisioMaxima
g2(fs8 g a4) g1 \divisioMaior
g2(a4 b c2 b4 a2) g1 \divisioMaxima
g4 g(fs) g2 \divisioMinima
e4 g2.(fs4) g2 \divisioMinima
e4 fs4 g g g a2 a4 g1 \divisioMaior
g8(a) b4 a4.(b8 a4 g8 fs8) g4 a b2 \divisioMinima
a4(g8 a) b4 a g4.(a8 g4 fs) g2 a b1 \divisioMaior
b4 b a(g) a b c4.(b8 c4 b8 a b2) \divisioMinima
a4(b) a g a(g a b) a2 a g1 \finalis
}
alto = \relative c' {
\global
% Music follows here.
d4 d d d d d fs2 fs4 d d d1 \divisioMaior
d4 d d fs2 d1 \divisioMaior
d4 d d fs2 fs4 d d d1 \divisioMaior
d4 d fs(d) d d2 \divisioMinima
b4 b b d d d d d d d d d d fs2 d2 \divisioMinima
d4 d2 d4 d d d fs2 d \divisioMinima
g2 g4 g g1(~g2 fs) d1 \divisioMaxima
d4 d d d d d d fs d d d2 \divisioMinima
b4 b d d d d d d fs2 d2 \divisioMinima
g4 g g g g g1(~g2 fs2) d1 \divisioMaxima
e4 e fs g g g g g g2 g4 d fs2(g) \divisioMinima
g4 g g g g g1(~g2 fs2) d1 \divisioMaxima
d2.(fs4) d1 \divisioMaior
d2(g2~g2. fs2) d1 \divisioMaxima
e4 e2 e \divisioMinima
c4 d2(e4 d) d2 \divisioMinima
b4 e e e e e2 fs4 d1 \divisioMaior
d4 g e2(fs4 d) d d g2 \divisioMinima
fs4(e8 fs) g4 fs e1 e2 fs g1 \divisioMaior
g4 g fs(e) fs g a2.(g4~g2) \divisioMinima
e4(fs) fs d fs(g fs g) fs2 fs d1 \finalis
}
tenor = \relative c' {
\global
% Music follows here.
b4 b b b a b d2 d4 b a b1 \divisioMaior
b4 a b d2 b1 \divisioMaior
b4 a b d2 d4 b a b1 \divisioMaior
b4 a d(b) a b2 \divisioMinima
g4 g g a b b b b b b b a b d2 b \divisioMinima
b4 b2 b4 b a b d2 b2
Chorded notes
I have a score for some of my Liturgical Music I am working on, need the bass to have a C (2nd space-bass clef) quarter note, *and *two eighth note C's (the first 2nd space, and the second, middle C) to show to options for the bass which then continues over the next few measures with octave bass lines. How do I achieve this? I looked in the manuals, but so far I have not found any references to this situation. Thanks. -- In Christ, Michael D ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Creating Chorded Notes
Hi, all. I'm trying to write a music function that creates chorded notes. I'm starting simply and I'm stumped. How would I create this simple music expression in a function? a c2 Is there a grob for these? What I'm working on is being able to customize the individual NoteHead and Stem grobs for each note. Thanks, -Eric ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Creating Chorded Notes
Maybe you could adjust something in this macro to do it for you. This
one makes octaves (it's awesome!!).
Jon
\version 2.11.47
%LSR This function was contributed by Jay Anderson.
#(define (octave-up m t)
(let* ((octave (1- t))
(new-note (ly:music-deep-copy m))
(new-pitch (ly:make-pitch
octave
(ly:pitch-notename (ly:music-property m 'pitch))
(ly:pitch-alteration (ly:music-property m 'pitch)
(set! (ly:music-property new-note 'pitch) new-pitch)
new-note))
#(define (octavize-chord elements t)
(cond ((null? elements) elements)
((eq? (ly:music-property (car elements) 'name) 'NoteEvent)
(cons (car elements)
(cons (octave-up (car elements) t)
(octavize-chord (cdr elements) t
(else (cons (car elements) (octavize-chord (cdr elements ) t)
#(define (octavize music t)
(if (eq? (ly:music-property music 'name) 'EventChord)
(ly:music-set-property! music 'elements (octavize-chord
(ly:music-property music 'elements) t)))
music)
octaves = #(define-music-function (parser location arg mus) (integer?
ly:music?)
(music-map (lambda (x) (octavize x arg)) mus))
\relative c' { d e \octaves #-1 { \times 2/3 {f g c }}} % this is an
example of the macro in practice
Eric Knapp wrote:
Hi, all.
I'm trying to write a music function that creates chorded notes. I'm
starting simply and I'm stumped. How would I create this simple music
expression in a function?
a c2
Is there a grob for these? What I'm working on is being able to
customize the individual NoteHead and Stem grobs for each note.
Thanks,
-Eric
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Jonathan Kulp
http://www.jonathankulp.com
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Re: Creating Chorded Notes
Eric
The key to discovering how to do this is \displayMusic. Compile
\displayMusic { a c 2 }
in LilyPond and the Scheme equivalent is shown in the console log.
In this case it is:
(make-music
'SequentialMusic
'elements
(list (make-music
'EventChord
'elements
(list (make-music
'NoteEvent
'duration
(ly:make-duration 1 0 1 1)
'pitch
(ly:make-pitch -1 5 0))
(make-music
'NoteEvent
'duration
(ly:make-duration 1 0 1 1)
'pitch
(ly:make-pitch -1 0 0))
Trevor
- Original Message -
From: Eric Knapp [EMAIL PROTECTED]
To: List lilypond-user lilypond-user@gnu.org
Sent: Saturday, July 12, 2008 3:36 PM
Subject: Creating Chorded Notes
Hi, all.
I'm trying to write a music function that creates chorded notes. I'm
starting simply and I'm stumped. How would I create this simple music
expression in a function?
a c2
Is there a grob for these? What I'm working on is being able to
customize the individual NoteHead and Stem grobs for each note.
Thanks,
-Eric
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Re: Creating Chorded Notes
Sounds like you are also saying that the way I'm going to get this to
work is to learn a little scheme. I'm OK with that, I like learning
new languages. I like to learn a new one every year or so. It's just
that I'm already learning a couple this year. Getting this all to work
is a big priority for me so here I go. I'm starting with the Scheme
Tutorial in the LM. Then I'll read the Interfaces for programmers
chapter in the NR. If that doesn't get me all the way there I'll keep
asking questions.
Thanks for getting going in the right direction. Having a path to
follow makes the journey fun.
-Eric
On Sat, Jul 12, 2008 at 10:59 AM, Trevor Daniels [EMAIL PROTECTED] wrote:
Eric
The key to discovering how to do this is \displayMusic. Compile
\displayMusic { a c 2 }
in LilyPond and the Scheme equivalent is shown in the console log.
In this case it is:
(make-music
'SequentialMusic
'elements
(list (make-music
'EventChord
'elements
(list (make-music
'NoteEvent
'duration
(ly:make-duration 1 0 1 1)
'pitch
(ly:make-pitch -1 5 0))
(make-music
'NoteEvent
'duration
(ly:make-duration 1 0 1 1)
'pitch
(ly:make-pitch -1 0 0))
Trevor
- Original Message - From: Eric Knapp [EMAIL PROTECTED]
To: List lilypond-user lilypond-user@gnu.org
Sent: Saturday, July 12, 2008 3:36 PM
Subject: Creating Chorded Notes
Hi, all.
I'm trying to write a music function that creates chorded notes. I'm
starting simply and I'm stumped. How would I create this simple music
expression in a function?
a c2
Is there a grob for these? What I'm working on is being able to
customize the individual NoteHead and Stem grobs for each note.
Thanks,
-Eric
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