Re: Contemporary Music Notation
Thanks for all the interest! I would hope to make whatever might be useful to others available. It would be great to let other people work on this code as I'm sure much of it could be improved. Thus far this code has only been for my purposes so it is only designed to work in the musical situations I encountered in my own work or study. It would be amazing to see how (and if) it could be furthered with help from the lilypond community. As a starter, the main issue with a lot of these techniques at the moment regards how line breaks are dealt with. Very often I'm using a custom stencil to override the Glissando.stencil. Finding a smart way to split a stencil would be a big step forward... all the best, piaras On 12 October 2014 22:31, Mike Solomon m...@mikesolomon.org wrote: On Oct 12, 2014, at 3:06 PM, Piaras Hoban phoba...@googlemail.com wrote: Hi all, I'm a bit late to the party here but hope I can contribute something. About two years ago I made the switch to using Lilypond exclusively as I was getting tired of exporting pdfs with basic music notation and overlaying graphics in Illustrator or some such. This was a real pain when doing parts or making even the smallest of changes. Since then I've used lilypond for a lot of pieces, all of which have some idiosyncratic notational devices. There's very little I haven't been able to implement successfully in lilypond (really just 1 thing that still evades me... customised barlines aligning with first beat of a measure...). I thought it might be interesting for those wondering what's possible in lilypond to see some examples from the field. I've put together a page collating those things I've done in the past year or so. Many of these notational devices seem to be fairly standardized nowadays; or at least the symbols appear consistently, even if the interpretation of their meaning can vary a lot. It would be great to develop a contemporary notation library for lilypond making these notations readily available to any user, I'm not sure what that would involve but I know it could be a major selling point for lilypond in the contemporary music world. For completeness sake here's index of what you see in the linked PDF (naturally eveything you see here is generated using lilypond alone): 1) Split-stem chords/clusters 2) Stemmed glissando 3) Bezier glissando w/arrowhead 4) Variable width bezier glissando 5) Vibrato with variable/random period and slope 6) Interruptive polyphony 7) Lachenmann pressed bow 8) Billone beat notation 9) Pencil line emulation (after Charlie Sdraulig) 10) Sciarrino style jet-whistle 11) Woodwind fingering staff 12) Carin Levine style flute multiphonics 13) Klavierstuck X proof-of-concept 14) Sciarrino tremolo (with bezier hairpins) 15) Stockhausen cluster-glissando 16) Notation from a work of my own for violin Hope this might be illuminating for others; lilypond is great for this kind of stuff. best wishes, piaras hoban notation_sampler.pdf https://docs.google.com/file/d/0B0LUzVrFDYH8S0hQN0hLZHdnT2s/edit?usp=drive_web On 12 October 2014 06:22, SoundsFromSound soundsfromso...@gmail.com wrote: Urs Liska wrote Am 09.10.2014 06:31, schrieb Marco Bagolin: The notation contemporary music is so diverse, I know. I wonder if actually Lilypond has commands for drawing graphic symbols, as line circle, curve, square, circle, etc... A nice thing about LilyPond's approach is that once you have invented something you can make it available as a command so it can easily be reused. You can also make such commands process arguments so they can be versatile and context-dependent. As an example have a look at the attached image. This is what someone on the list (Piaras Hoban) came up with when I asked for a function to write a stemmed glissando notation. The underlying function is quite complicated but you can use it by simply writing \stemmedGlissando #'(15 . #f) c'4 to tell LilyPond that the next glissando will have 15 stems and no (the #f) trailing grace note to indicate the target note. Stemmed-glissando.png (34K) lt; http://lilypond.1069038.n5.nabble.com/attachment/167377/0/Stemmed-glissando.pnggt ; Urs, Is there more information on that stemmed gliss function? I'd be interested to read more on that for LilyPond. Thanks! Ben Incredible!! If you can, please post the sources on openlilylib.org. This is remarkable work that will be undoubtedly be of use to many people. All the best, ~Mike ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Contemporary Music Notation
Hi all, I'm a bit late to the party here but hope I can contribute something. About two years ago I made the switch to using Lilypond exclusively as I was getting tired of exporting pdfs with basic music notation and overlaying graphics in Illustrator or some such. This was a real pain when doing parts or making even the smallest of changes. Since then I've used lilypond for a lot of pieces, all of which have some idiosyncratic notational devices. There's very little I haven't been able to implement successfully in lilypond (really just 1 thing that still evades me... customised barlines aligning with first beat of a measure...). I thought it might be interesting for those wondering what's possible in lilypond to see some examples from the field. I've put together a page collating those things I've done in the past year or so. Many of these notational devices seem to be fairly standardized nowadays; or at least the symbols appear consistently, even if the interpretation of their meaning can vary a lot. It would be great to develop a contemporary notation library for lilypond making these notations readily available to any user, I'm not sure what that would involve but I know it could be a major selling point for lilypond in the contemporary music world. For completeness sake here's index of what you see in the linked PDF (naturally eveything you see here is generated using lilypond alone): 1) Split-stem chords/clusters 2) Stemmed glissando 3) Bezier glissando w/arrowhead 4) Variable width bezier glissando 5) Vibrato with variable/random period and slope 6) Interruptive polyphony 7) Lachenmann pressed bow 8) Billone beat notation 9) Pencil line emulation (after Charlie Sdraulig) 10) Sciarrino style jet-whistle 11) Woodwind fingering staff 12) Carin Levine style flute multiphonics 13) Klavierstuck X proof-of-concept 14) Sciarrino tremolo (with bezier hairpins) 15) Stockhausen cluster-glissando 16) Notation from a work of my own for violin Hope this might be illuminating for others; lilypond is great for this kind of stuff. best wishes, piaras hoban notation_sampler.pdf https://docs.google.com/file/d/0B0LUzVrFDYH8S0hQN0hLZHdnT2s/edit?usp=drive_web On 12 October 2014 06:22, SoundsFromSound soundsfromso...@gmail.com wrote: Urs Liska wrote Am 09.10.2014 06:31, schrieb Marco Bagolin: The notation contemporary music is so diverse, I know. I wonder if actually Lilypond has commands for drawing graphic symbols, as line circle, curve, square, circle, etc... A nice thing about LilyPond's approach is that once you have invented something you can make it available as a command so it can easily be reused. You can also make such commands process arguments so they can be versatile and context-dependent. As an example have a look at the attached image. This is what someone on the list (Piaras Hoban) came up with when I asked for a function to write a stemmed glissando notation. The underlying function is quite complicated but you can use it by simply writing \stemmedGlissando #'(15 . #f) c'4 to tell LilyPond that the next glissando will have 15 stems and no (the #f) trailing grace note to indicate the target note. Stemmed-glissando.png (34K) lt; http://lilypond.1069038.n5.nabble.com/attachment/167377/0/Stemmed-glissando.pnggt ; Urs, Is there more information on that stemmed gliss function? I'd be interested to read more on that for LilyPond. Thanks! Ben - composer | sound designer LilyPond Tutorials (for beginners) -- http://bit.ly/bcl-lilypond -- View this message in context: http://lilypond.1069038.n5.nabble.com/Contemporary-Music-Notation-tp167324p167437.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Contemporary Music Notation
On Sun, Oct 12, 2014 at 7:06 AM, Piaras Hoban phoba...@googlemail.com wrote: I thought it might be interesting for those wondering what's possible in lilypond to see some examples from the field. I've put together a page collating those things I've done in the past year or so. I'm speechless! --David ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Contemporary Music Notation
That's terrific! We should get in touch privately about the library stuff. Urs Am 12. Oktober 2014 14:06:17 MESZ, schrieb Piaras Hoban phoba...@googlemail.com: Hi all, I'm a bit late to the party here but hope I can contribute something. About two years ago I made the switch to using Lilypond exclusively as I was getting tired of exporting pdfs with basic music notation and overlaying graphics in Illustrator or some such. This was a real pain when doing parts or making even the smallest of changes. Since then I've used lilypond for a lot of pieces, all of which have some idiosyncratic notational devices. There's very little I haven't been able to implement successfully in lilypond (really just 1 thing that still evades me... customised barlines aligning with first beat of a measure...). I thought it might be interesting for those wondering what's possible in lilypond to see some examples from the field. I've put together a page collating those things I've done in the past year or so. Many of these notational devices seem to be fairly standardized nowadays; or at least the symbols appear consistently, even if the interpretation of their meaning can vary a lot. It would be great to develop a contemporary notation library for lilypond making these notations readily available to any user, I'm not sure what that would involve but I know it could be a major selling point for lilypond in the contemporary music world. For completeness sake here's index of what you see in the linked PDF (naturally eveything you see here is generated using lilypond alone): 1) Split-stem chords/clusters 2) Stemmed glissando 3) Bezier glissando w/arrowhead 4) Variable width bezier glissando 5) Vibrato with variable/random period and slope 6) Interruptive polyphony 7) Lachenmann pressed bow 8) Billone beat notation 9) Pencil line emulation (after Charlie Sdraulig) 10) Sciarrino style jet-whistle 11) Woodwind fingering staff 12) Carin Levine style flute multiphonics 13) Klavierstuck X proof-of-concept 14) Sciarrino tremolo (with bezier hairpins) 15) Stockhausen cluster-glissando 16) Notation from a work of my own for violin Hope this might be illuminating for others; lilypond is great for this kind of stuff. best wishes, piaras hoban notation_sampler.pdf https://docs.google.com/file/d/0B0LUzVrFDYH8S0hQN0hLZHdnT2s/edit?usp=drive_web On 12 October 2014 06:22, SoundsFromSound soundsfromso...@gmail.com wrote: Urs Liska wrote Am 09.10.2014 06:31, schrieb Marco Bagolin: The notation contemporary music is so diverse, I know. I wonder if actually Lilypond has commands for drawing graphic symbols, as line circle, curve, square, circle, etc... A nice thing about LilyPond's approach is that once you have invented something you can make it available as a command so it can easily be reused. You can also make such commands process arguments so they can be versatile and context-dependent. As an example have a look at the attached image. This is what someone on the list (Piaras Hoban) came up with when I asked for a function to write a stemmed glissando notation. The underlying function is quite complicated but you can use it by simply writing \stemmedGlissando #'(15 . #f) c'4 to tell LilyPond that the next glissando will have 15 stems and no (the #f) trailing grace note to indicate the target note. Stemmed-glissando.png (34K) lt; http://lilypond.1069038.n5.nabble.com/attachment/167377/0/Stemmed-glissando.pnggt ; Urs, Is there more information on that stemmed gliss function? I'd be interested to read more on that for LilyPond. Thanks! Ben - composer | sound designer LilyPond Tutorials (for beginners) -- http://bit.ly/bcl-lilypond -- View this message in context: http://lilypond.1069038.n5.nabble.com/Contemporary-Music-Notation-tp167324p167437.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Contemporary Music Notation
2014-10-12 14:06 GMT+02:00 Piaras Hoban phoba...@googlemail.com: I thought it might be interesting for those wondering what's possible in lilypond to see some examples from the field. I've put together a page collating those things I've done in the past year or so. !! and then: ! And i thought that after seeing Mike Solomon's stuff i wouldn't have my mind blown away anymore Extremely impressive! It would be great to develop a contemporary notation library for lilypond making these notations readily available to any user, I'm not sure what that would involve but I know it could be a major selling point for lilypond in the contemporary music world. Absolutely! And if you'd like to write a short (or long) blog post about this, just to showcase what you can do with LilyPond (doesn't have to be elaborated), i would be delighted - i don't have enough time for writing myself, and anyway anything i could write wouldn't be even half as impressive as what you did. best, Janek ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Contemporary Music Notation
On Oct 12, 2014, at 3:06 PM, Piaras Hoban phoba...@googlemail.com wrote: Hi all, I'm a bit late to the party here but hope I can contribute something. About two years ago I made the switch to using Lilypond exclusively as I was getting tired of exporting pdfs with basic music notation and overlaying graphics in Illustrator or some such. This was a real pain when doing parts or making even the smallest of changes. Since then I've used lilypond for a lot of pieces, all of which have some idiosyncratic notational devices. There's very little I haven't been able to implement successfully in lilypond (really just 1 thing that still evades me... customised barlines aligning with first beat of a measure...). I thought it might be interesting for those wondering what's possible in lilypond to see some examples from the field. I've put together a page collating those things I've done in the past year or so. Many of these notational devices seem to be fairly standardized nowadays; or at least the symbols appear consistently, even if the interpretation of their meaning can vary a lot. It would be great to develop a contemporary notation library for lilypond making these notations readily available to any user, I'm not sure what that would involve but I know it could be a major selling point for lilypond in the contemporary music world. For completeness sake here's index of what you see in the linked PDF (naturally eveything you see here is generated using lilypond alone): 1) Split-stem chords/clusters 2) Stemmed glissando 3) Bezier glissando w/arrowhead 4) Variable width bezier glissando 5) Vibrato with variable/random period and slope 6) Interruptive polyphony 7) Lachenmann pressed bow 8) Billone beat notation 9) Pencil line emulation (after Charlie Sdraulig) 10) Sciarrino style jet-whistle 11) Woodwind fingering staff 12) Carin Levine style flute multiphonics 13) Klavierstuck X proof-of-concept 14) Sciarrino tremolo (with bezier hairpins) 15) Stockhausen cluster-glissando 16) Notation from a work of my own for violin Hope this might be illuminating for others; lilypond is great for this kind of stuff. best wishes, piaras hoban notation_sampler.pdf On 12 October 2014 06:22, SoundsFromSound soundsfromso...@gmail.com wrote: Urs Liska wrote Am 09.10.2014 06:31, schrieb Marco Bagolin: The notation contemporary music is so diverse, I know. I wonder if actually Lilypond has commands for drawing graphic symbols, as line circle, curve, square, circle, etc... A nice thing about LilyPond's approach is that once you have invented something you can make it available as a command so it can easily be reused. You can also make such commands process arguments so they can be versatile and context-dependent. As an example have a look at the attached image. This is what someone on the list (Piaras Hoban) came up with when I asked for a function to write a stemmed glissando notation. The underlying function is quite complicated but you can use it by simply writing \stemmedGlissando #'(15 . #f) c'4 to tell LilyPond that the next glissando will have 15 stems and no (the #f) trailing grace note to indicate the target note. Stemmed-glissando.png (34K) lt;http://lilypond.1069038.n5.nabble.com/attachment/167377/0/Stemmed-glissando.pnggt; Urs, Is there more information on that stemmed gliss function? I'd be interested to read more on that for LilyPond. Thanks! Ben Incredible!! If you can, please post the sources on openlilylib.org. This is remarkable work that will be undoubtedly be of use to many people. All the best, ~Mike ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Contemporary Music Notation
Urs Liska wrote Am 09.10.2014 06:31, schrieb Marco Bagolin: The notation contemporary music is so diverse, I know. I wonder if actually Lilypond has commands for drawing graphic symbols, as line circle, curve, square, circle, etc... A nice thing about LilyPond's approach is that once you have invented something you can make it available as a command so it can easily be reused. You can also make such commands process arguments so they can be versatile and context-dependent. As an example have a look at the attached image. This is what someone on the list (Piaras Hoban) came up with when I asked for a function to write a stemmed glissando notation. The underlying function is quite complicated but you can use it by simply writing \stemmedGlissando #'(15 . #f) c'4 to tell LilyPond that the next glissando will have 15 stems and no (the #f) trailing grace note to indicate the target note. Stemmed-glissando.png (34K) lt;http://lilypond.1069038.n5.nabble.com/attachment/167377/0/Stemmed-glissando.pnggt; Urs, Is there more information on that stemmed gliss function? I'd be interested to read more on that for LilyPond. Thanks! Ben - composer | sound designer LilyPond Tutorials (for beginners) -- http://bit.ly/bcl-lilypond -- View this message in context: http://lilypond.1069038.n5.nabble.com/Contemporary-Music-Notation-tp167324p167437.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Contemporary Music Notation
Hi, 2014-10-08 22:11 GMT+02:00 Marco Bagolin bagolin.ma...@gmail.com: Hello all, I'm new Lilypond user and I am interested in Contemporary Music Notation. I read all 2.8 Contemporary music manual section: http://www.lilypond.org/doc/v2.18/Documentation/notation/contemporary-music but lot of the chapters are empty and most of links are inactive. Please how can I learn to use Lilypond for write music using Contemporary Music Notation? I suggest you get in touch with Mike Solomon (http://www.mikesolomon.org/) and Trevor Bača (http://www.trevorbaca.com/) - these two pop in my head immediately when someone says LilyPond and contemporary notation. cheers, Janek ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Contemporary Music Notation
Am 09.10.2014 06:31, schrieb Marco Bagolin: The notation contemporary music is so diverse, I know. I wonder if actually Lilypond has commands for drawing graphic symbols, as line circle, curve, square, circle, etc... I'll give you a few places to start: http://www.lilypond.org/doc/v2.18/Documentation/notation/formatting-text.html#graphic-notation-inside-markup This shows how you can add graphical elements where you could use text. http://www.lilypond.org/doc/v2.18/Documentation/notation/graphic This gives an impression what can be done here. Very important may be the \path, the \epsfile and the \postscript commands. A nice thing about LilyPond's approach is that once you have invented something you can make it available as a command so it can easily be reused. You can also make such commands process arguments so they can be versatile and context-dependent. As an example have a look at the attached image. This is what someone on the list (Piaras Hoban) came up with when I asked for a function to write a stemmed glissando notation. The underlying function is quite complicated but you can use it by simply writing \stemmedGlissando #'(15 . #f) c'4 to tell LilyPond that the next glissando will have 15 stems and no (the #f) trailing grace note to indicate the target note. http://lilypondblog.org/2014/04/using-special-characters-from-smufl-fonts/ This only deals with including glyphs from the SMuFL standard (which already gives a lot of useful symbols for contemporary notation), but it shows how you can replace default note heads with arbitrary elements (e.g. something you created with the above graphic commands). http://lilypondblog.org/author/nsceaux/ although not dealing with contemporary notation these posts may also be of interest for you. In general you should expect that it won't be an immediate success story for you if you have to learn LilyPond itself *and* the specific problems of contemporary notation in one step. But I can only recommend giving it a try and have some patience. Maybe you should *not* immediately start with a real-world project with a deadline ;-) As I said things one defines can be made available as commands. And as such there is the inherent possibility to put them in a library. You may have a look at https://github.com/openlilylib/openlilylib. This library could well use a contemporary-notation category, and if you should stick to the idea it would be possible to create a really useful library along with your learning experience. Best Urs 2014-10-08 22:18 GMT+02:00 Urs Liska u...@openlilylib.org mailto:u...@openlilylib.org: Am 08.10.2014 22:11, schrieb Marco Bagolin: Hello all, I'm new Lilypond user and I am interested in Contemporary Music Notation. I read all 2.8 Contemporary music manual section: http://www.lilypond.org/doc/v2.18/Documentation/notation/contemporary-music but lot of the chapters are empty and most of links are inactive. Yes, this is a pity. Please how can I learn to use Lilypond for write music using Contemporary Music Notation? I think the best way would be to come up with examples (how should we know what you are interested in specifically?) and ask on this list. If you're not overdoing it (i.e. asking too many questions at a time) you will probably get solutions, advice, but also an impression about the (current) limitations. Please don't be disappointed if it seems daunting at first. Even if it is not always straightforward to get it right LilyPond definitely is a good tool for doing non-standard notation too. If you are seriously interested in the topic and stick to it for a while we could also try to use your learning experience to provide more documentation (be it in the manual or in other places). The issue with these empty chapters seems to be that there is no clear concept about what contemporary notation actually is. If I have a topic such as time administration it is quite clear what has to be covered ... Best wishes Urs Thank you in advance for all your answer and help. Regards Marco Bagolin ___ lilypond-user mailing list lilypond-user@gnu.org mailto:lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org mailto:lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Contemporary Music Notation
Urs Liska wrote Am 09.10.2014 06:31, schrieb Marco Bagolin: The notation contemporary music is so diverse, I know. I wonder if actually Lilypond has commands for drawing graphic symbols, as line circle, curve, square, circle, etc... In addition to what Urs shared, here are a couple of snippets from the LSR that may be of interest: http://lsr.di.unimi.it/LSR/Item?id=623 http://lsr.di.unimi.it/LSR/Item?id=891 Also, in LilyPond 2.19 there is a new command make-path-stencil that works like make-connected-path-stencil but is more flexible (unconnected paths are possible, paths don't have to start from (0 0), and they can use relative coordinates). Cheers, -Paul -- View this message in context: http://lilypond.1069038.n5.nabble.com/Contemporary-Music-Notation-tp167324p167385.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Contemporary Music Notation
Hello all, I'm new Lilypond user and I am interested in Contemporary Music Notation. I read all 2.8 Contemporary music manual section: http://www.lilypond.org/doc/v2.18/Documentation/notation/contemporary-music but lot of the chapters are empty and most of links are inactive. Please how can I learn to use Lilypond for write music using Contemporary Music Notation? Thank you in advance for all your answer and help. Regards Marco Bagolin ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Contemporary Music Notation
Am 08.10.2014 22:11, schrieb Marco Bagolin: Hello all, I'm new Lilypond user and I am interested in Contemporary Music Notation. I read all 2.8 Contemporary music manual section: http://www.lilypond.org/doc/v2.18/Documentation/notation/contemporary-music but lot of the chapters are empty and most of links are inactive. Yes, this is a pity. Please how can I learn to use Lilypond for write music using Contemporary Music Notation? I think the best way would be to come up with examples (how should we know what you are interested in specifically?) and ask on this list. If you're not overdoing it (i.e. asking too many questions at a time) you will probably get solutions, advice, but also an impression about the (current) limitations. Please don't be disappointed if it seems daunting at first. Even if it is not always straightforward to get it right LilyPond definitely is a good tool for doing non-standard notation too. If you are seriously interested in the topic and stick to it for a while we could also try to use your learning experience to provide more documentation (be it in the manual or in other places). The issue with these empty chapters seems to be that there is no clear concept about what contemporary notation actually is. If I have a topic such as time administration it is quite clear what has to be covered ... Best wishes Urs Thank you in advance for all your answer and help. Regards Marco Bagolin ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
help, please/ Contemporary Music Notation
Hello, I am new in Lilypond, because I need to include contemprary music notation in my socres, but I can not find any code or examples in the part concerning to Contemporary Music Notation: It is the same in the PDF version http://lilypond.org/doc/v2.15/Documentation/notation/contemporary-music Where can I find the examples in order to include contemporary graphics in my socres? Is this aviable in Lilypond? Thank you in advance. Sabina Covarrubias ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: help, please/ Contemporary Music Notation
On Apr 13, 2012, at 1:09 AM, Sabina Covarrubias wrote: Hello, I am new in Lilypond, because I need to include contemprary music notation in my socres, but I can not find any code or examples in the part concerning to Contemporary Music Notation: It is the same in the PDF version http://lilypond.org/doc/v2.15/Documentation/notation/contemporary-music Where can I find the examples in order to include contemporary graphics in my socres? Is this aviable in Lilypond? Thank you in advance. Sabina Covarrubias Could you send a PDF of the type of visual effect(s) you want to create? Cheers, MS ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user