Re: Indicate a broken chord should ring.
2014-10-18 19:58 GMT+02:00 Knute Snortum :
> Thanks for that. It works pretty well, except that in my case one of the
> ties isn't placed well. I'm trying to use \shape to change the tie but it
> doesn't seem to work.
>
> %%--- Start
> \version "2.19.15"
> \language "english"
>
> shapeTieOne = \shape #'((0.7 . 0.7) (0.0 . 0.3) (0.0 . 0.2) (0.0 . 0.0)) Tie
>
> \relative c''' {
> \set tieWaitForNote = ##t
> \stemDown
> a,,=8 ~ e''16 ~ \shapeTieOne b ~ g ~ ds'8. ~ 2 ~ | q1 ~ | q1
> }
> %%--- End
>
> \shapeTieOne doesn't seem to affect the tie between the two b's.
Strange. I couldn't get it to work either.
You may try overriding tie-configuration instead, but then you'll
probably have to put it before the chord and specify positioning of
all ties.
best,
Janek
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Re: Indicate a broken chord should ring.
Thanks for that. It works pretty well, except that in my case one of the
ties isn't placed well. I'm trying to use \shape to change the tie but it
doesn't seem to work.
%%--- Start
\version "2.19.15"
\language "english"
shapeTieOne = \shape #'((0.7 . 0.7) (0.0 . 0.3) (0.0 . 0.2) (0.0 . 0.0)) Tie
\relative c''' {
\set tieWaitForNote = ##t
\stemDown
a,,=8 ~ e''16 ~ \shapeTieOne b ~ g ~ ds'8. ~ 2 ~ | q1 ~ |
q1
}
%%--- End
\shapeTieOne doesn't seem to affect the tie between the two b's.
Knute Snortum
(via Gmail)
On Fri, Oct 17, 2014 at 9:51 PM, David Kastrup wrote:
> Knute Snortum writes:
>
> > I have a piece of music I'm transcribing that's never been transcribed
> > before, so I'm not sure how to notate it.
> >
> > It's a broken chord where all the notes should ring for another two
> > measures. My two attempts are below:
>
> http://lilypond.org/doc/v2.18/Documentation/notation/writing-rhythms#Selected-Snippets-18
> >
>
> --
> David Kastrup
>
>
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Re: Indicate a broken chord should ring.
Knute Snortum writes: > I have a piece of music I'm transcribing that's never been transcribed > before, so I'm not sure how to notate it. > > It's a broken chord where all the notes should ring for another two > measures. My two attempts are below: http://lilypond.org/doc/v2.18/Documentation/notation/writing-rhythms#Selected-Snippets-18> -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Indicate a broken chord should ring.
I have a piece of music I'm transcribing that's never been transcribed
before, so I'm not sure how to notate it.
It's a broken chord where all the notes should ring for another two
measures. My two attempts are below:
\version "2.19.15"
\language "english"
\relative c''' {
%% Method one
\slurDown a,,=8 ( e''16 b g ds'8. ~ 2 ) ~ | q1 ~ | q1
%% Method two
<<
{ \voiceTwo a,,1 ~ | a1 ~ | a1 | }
\\
{ \voiceThree r8 e''4. ~ e2 ~ | e1 ~ | e1 | }
\\
{ \voiceTwo s8 s16 b16 ~ b4 ~b2 ~ | b1 ~ | b1 | }
\\
{ \voiceTwo s4 g4 ~g2 ~ | g1 ~ | g1 | }
\\
{ \voiceOne \tieDown
s4 s16 ds'8. ~ ds2 ~ | ds1 ~ | ds1 | }
>>
}
With method one, it's very evident how to play the line, but only the a and
the ds slurs/ties. Ideally, all of the notes would have slurs/ties to the
half note chord.
Method two is perhaps more literal, but it's hard to see how the line is
played.
Is there a better way to indicate that the broken chord is held? In piano
music I would use a sustain pedal indicator, but this music might be played
by a guitar.
Knute Snortum
(via Gmail)
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