Re: Lighter appearance

2008-11-18 Thread Dmytro O. Redchuk
2008/11/14 Johan Vromans [EMAIL PROTECTED]:
 Hi,

 Is there a set of settings to make LP output lighter? Setting

  line-thickness = \staff-space / 16

 seems a good start, but I assume there's more to it.
I've tried to make it lighter, for a particular publication --
there is some settings (worked for 2.10, afair):

% % \override StaffSymbol #'ledger-line-thickness = #'(1.0 . 0.1)
% \override StaffSymbol #'thickness = #0.5
% \override BarLine #'hair-thickness = #0.7
% \override BarLine #'thick-thickness = #4
% \override Slur #'thickness = #3
% \override NoteHead #'font-size = #-0.7
% \override Accidental #'font-size = #-0.7
% \override Dots #'font-size = #-0.7

There may be a lot more.

But LP's output is great, indeed.


 -- Johan

-- 
Dmytro O. Redchuk


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Re: Lighter appearance

2008-11-18 Thread Dmytro O. Redchuk
2008/11/14 Johan Vromans [EMAIL PROTECTED]:
 Hi,

 Is there a set of settings to make LP output lighter? Setting

  line-thickness = \staff-space / 16

 seems a good start, but I assume there's more to it.
I've tried to make it lighter, for a particular publication --
there is some settings (worked for 2.10, afair):

% % \override StaffSymbol #'ledger-line-thickness = #'(1.0 . 0.1)
% \override StaffSymbol #'thickness = #0.5
% \override BarLine #'hair-thickness = #0.7
% \override BarLine #'thick-thickness = #4
% \override Slur #'thickness = #3
% \override NoteHead #'font-size = #-0.7
% \override Accidental #'font-size = #-0.7
% \override Dots #'font-size = #-0.7

There may be a lot more.

But LP's output is great, indeed.


 -- Johan

--
Dmytro O. Redchuk


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Re: Lighter appearance

2008-11-18 Thread Johan Vromans
David Rogers [EMAIL PROTECTED] writes:

 If you look at a good score of anything that was printed before the
 time of computers, you can see that Lilypond looks 'almost like real
 music', and Sibelius looks 'like a computer'

This does not necessarily mean that old scores look better than new
scores. Modern digital technology provides possibilities that were
not feasible with old printing techniques.

And no, this does not necessarily mean that new printing look better
than old printing, either. As anyone who has seen books typeset in
14pt Times Roman can confirm...

I like the way LilyPond does it, but sometimes I'd like it slightly
better when it would be just a little bit lighter. Just a personal
taste.

(My main fonts for typesetting are Garamond Light and Helvetica Light,
so probably I'm a Light person.)

Okay, back to our regular schedule of beautifully typesetting
beautiful music.

-- Johan



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Re: Lighter appearance

2008-11-18 Thread Han-Wen Nienhuys
This will always be a kludge. The font and the line width settings are
tuned together.  If you really want to do this, you have to recompile
LilyPond including the fonts, and update the definitions for the fonts
too.

On Tue, Nov 18, 2008 at 8:58 AM, Dmytro O. Redchuk
[EMAIL PROTECTED] wrote:
 2008/11/14 Johan Vromans [EMAIL PROTECTED]:
 Hi,

 Is there a set of settings to make LP output lighter? Setting

  line-thickness = \staff-space / 16

 seems a good start, but I assume there's more to it.
 I've tried to make it lighter, for a particular publication --
 there is some settings (worked for 2.10, afair):

 % % \override StaffSymbol #'ledger-line-thickness = #'(1.0 . 0.1)
 % \override StaffSymbol #'thickness = #0.5
 % \override BarLine #'hair-thickness = #0.7
 % \override BarLine #'thick-thickness = #4
 % \override Slur #'thickness = #3
 % \override NoteHead #'font-size = #-0.7
 % \override Accidental #'font-size = #-0.7
 % \override Dots #'font-size = #-0.7

 There may be a lot more.

 But LP's output is great, indeed.


 -- Johan

 --
 Dmytro O. Redchuk


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-- 
Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen


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Re: Lighter appearance

2008-11-17 Thread David Rogers

On 2008-11-14 at 08:09, Johan Vromans wrote:


Hi,

While comparing the LilyPond gegerated output with the output of a
competitor program, I noticed that the LP outout is much 'heavier'.

See e.g., http://www.squirrel.nl/pub/xfer/lilsib.jpg .

The top line is from LilyPond, the bottom line is from a Sibelius
printout. I think the larger noteheads in combination with the thinner
lines make the score easier to read.

Is there a set of settings to make LP output lighter? Setting
line-thickness = \staff-space / 16

seems a good start, but I assume there's more to it.


If you look at a good score of anything that was printed before 
the time of computers, you can see that Lilypond looks 'almost 
like real music', and Sibelius looks 'like a computer' and 'not 
like real music'.


I suggest that if it’s difficult to read you should just 
increase the staff size - which will simply make everything bigger.


David


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Re: Lighter appearance

2008-11-15 Thread Eyolf Østrem
On 14.11.2008 (16:20), Carl D. Sorensen wrote:
 On 11/14/08 2:27 PM, Graham Percival [EMAIL PROTECTED] wrote:
  I agree -- are you sure the top line isn't from Finale or
  something?  It looks incredibly bad.  WTF is up with the gap
  between the sixteenth and eighth in the second bar from the end?!
  LilyPond would *not* produce that.
 
 The note spacing in Johan's sample is dramatically different (worse) than in
 my LilyPond output. 
 
I assume that the bad spacing in the top example was due to some
wide-syllable lyrics which were not included in the image?

Other than that, I think the head to head comparison proves with all the
clarity one could desire how superior Lilypond's output is to its rivals'.
That music typesetting is not just about joining dots. Tastes may differ,
but the Sibelius sample looks like something from a first-grade piano
manual with its oversized noteheads -- almost like setting a whole text in
helvetica capitals. Finale has -- apart from its abhorrable spacing --
these ultra-thin hairlines which makes it look like something that is set
by a computer...

That said, I sometimes think the lilypond defaults are a bit to the heavy
side. Especially the final barlines come to mind. As a future feature, it
wouldn't be a bad idea with an alternative set of lighter settings which could 
be
turned on with a \layout or \paper option.

Eyolf


-- 
I know the answer!  The answer lies within the heart of all mankind!
The answer is twelve?  I think I'm in the wrong building.
-- Charles Schulz


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Re: Lighter appearance

2008-11-15 Thread Cameron Horsburgh
On Sat, Nov 15, 2008 at 09:32:59AM +0100, Eyolf Østrem wrote:
 
 That said, I sometimes think the lilypond defaults are a bit to the heavy
 side. Especially the final barlines come to mind. As a future feature, it
 wouldn't be a bad idea with an alternative set of lighter settings which 
 could be
 turned on with a \layout or \paper option.
 

I like this idea. I have two or three printers, and each one prints
differently. One in particular seems to make all thin lines very thin,
and if I know I am going to use it I have to manually adjust stems and
bar lines to match. A set of default settings would make this much
easier!

-- 

Cameron Horsburgh

Blog: http://spiritcry.wordpress.com/


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Re: Lighter appearance

2008-11-15 Thread Johan Vromans
Graham Percival [EMAIL PROTECTED] writes:

  This is not the default output of LilyPond.
 
 I agree -- are you sure the top line isn't from Finale or
 something?  It looks incredibly bad.  WTF is up with the gap
 between the sixteenth and eighth in the second bar from the end?!
 LilyPond would *not* produce that.

This is a cut-out from a larger score, it was not typeset separately.
The notes have lyrics that account for the large gap between the
sixteenth and eighth notes. The Sibelius score (second line), also a
cut-out, did not have the lyrics.

What I wanted to show is the slighly thinner lines for the staff lines
and stems, and the slightly larger note heads that IMHO improve
readability.

-- Johan


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Re: Lighter appearance

2008-11-15 Thread Johan Vromans
Carl D. Sorensen [EMAIL PROTECTED] writes:

 I set that exact line in LilyPond 2.11.64.  I needed to do some manual
 beaming to get the same beaming as in the top line.

Interesting. When I try:

  \relative c' {
\time 6/8
r4 a8 d e f | e d4 ~ d4. |
r4 r16 g,16 e'8 g e16 d | c8. ( a16 g8 ~ g8. ) r16 r8 |
  }

the beaming comes out exactly as in the original sample.

 The note spacing in Johan's sample is dramatically different (worse)
 than in my LilyPond output.

This is a cut-out from a larger score, it was not typeset separately.
The notes have lyrics that account for the large gap between the
sixteenth and eighth notes. The Sibelius score (second line), also a
cut-out, did not have the lyrics.

 The staff lines in my LilyPond output are lighter [...] The slurs in
 my output are lighter [...] The noteheads in my output are heavier

This is *very* interesting... I see no difference in the noteheads,
but your lines are definitely thinner than mine.

I think I found an explanation. My score sample was typeset with

  #(set-global-staff-size 14)

I'd expected the line thickness to scale accordingly, but apparently
this is not the case (4.2.1, Setting the staff size):

  Each font is tuned for a different staff size: at a smaller size the
  font becomes heavier, to match the relatively heavier staff lines.

relatively heavier staff lines seems to imply that the lines do not
get thinner when a smaller staff size is selected.

-- Johan


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Re: Lighter appearance

2008-11-15 Thread Francisco Vila
2008/11/15 Johan Vromans [EMAIL PROTECTED]:
 I think I found an explanation. My score sample was typeset with

  #(set-global-staff-size 14)

 I'd expected the line thickness to scale accordingly, but apparently
 this is not the case (4.2.1, Setting the staff size):

  Each font is tuned for a different staff size: at a smaller size the
  font becomes heavier, to match the relatively heavier staff lines.

 relatively heavier staff lines seems to imply that the lines do not
 get thinner when a smaller staff size is selected.

Not necessarily. Staff lines are thinner but not in the same
proportion. They would be illegible for small staff sizes if their
thickness were proportional.
-- 
Francisco Vila. Badajoz (Spain)
http://www.paconet.org


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Re: Lighter appearance

2008-11-15 Thread Carl D. Sorensen



On 11/15/08 4:32 AM, Johan Vromans [EMAIL PROTECTED] wrote:

 Carl D. Sorensen [EMAIL PROTECTED] writes:
 
 I set that exact line in LilyPond 2.11.64.  I needed to do some manual
 beaming to get the same beaming as in the top line.
 
 Interesting. When I try:
 
   \relative c' {
 \time 6/8
 r4 a8 d e f | e d4 ~ d4. |
 r4 r16 g,16 e'8 g e16 d | c8. ( a16 g8 ~ g8. ) r16 r8 |
   }
 
 the beaming comes out exactly as in the original sample.
 

Ahh, that's the difference.  I set it as 3/4, instead of 6/8.

 The note spacing in Johan's sample is dramatically different (worse)
 than in my LilyPond output.
 
 This is a cut-out from a larger score, it was not typeset separately.
 The notes have lyrics that account for the large gap between the
 sixteenth and eighth notes. The Sibelius score (second line), also a
 cut-out, did not have the lyrics.
 

Oh -- the lyrics gave the bad spacing.  Thanks for the explanation.

Carl



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Lighter appearance

2008-11-14 Thread Johan Vromans
Hi,

While comparing the LilyPond gegerated output with the output of a
competitor program, I noticed that the LP outout is much 'heavier'.

See e.g., http://www.squirrel.nl/pub/xfer/lilsib.jpg .

The top line is from LilyPond, the bottom line is from a Sibelius
printout. I think the larger noteheads in combination with the thinner
lines make the score easier to read.

Is there a set of settings to make LP output lighter? Setting 

  line-thickness = \staff-space / 16

seems a good start, but I assume there's more to it.

-- Johan


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Re: Lighter appearance

2008-11-14 Thread Bailey James E.
While I'm sure there is, I'll say that lilypond's heavier look is  
intentional (see http://lilypond.org/web/about/automated-engraving/typography-features) 
. I'll say that the lighter look of the scores produced by most other  
programs makes them almost impossible for me to read, at the very  
least difficult.


Regardless, I would suggest re-reading through LM 4 Tweaking output  
and NR 5 Changing defaults. How to go about making those changes is  
discussed there.


Am 14.11.2008 um 17:09 schrieb Johan Vromans:


Hi,

While comparing the LilyPond gegerated output with the output of a
competitor program, I noticed that the LP outout is much 'heavier'.

See e.g., http://www.squirrel.nl/pub/xfer/lilsib.jpg .

The top line is from LilyPond, the bottom line is from a Sibelius
printout. I think the larger noteheads in combination with the thinner
lines make the score easier to read.

Is there a set of settings to make LP output lighter? Setting

 line-thickness = \staff-space / 16

seems a good start, but I assume there's more to it.

-- Johan


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Re: Lighter appearance

2008-11-14 Thread Francisco Vila
2008/11/14 Johan Vromans [EMAIL PROTECTED]:
 Hi,

 While comparing the LilyPond gegerated output with the output of a
 competitor program, I noticed that the LP outout is much 'heavier'.

 See e.g., http://www.squirrel.nl/pub/xfer/lilsib.jpg .

 The top line is from LilyPond, the bottom line is from a Sibelius
 printout. I think the larger noteheads in combination with the thinner
 lines make the score easier to read.

This is not the default output of LilyPond. I have tried to reproduce
your example and it is clearly better, bolder and more readable than
the bottom sibelius example for my eyes. See attached PNG
-- 
Francisco Vila. Badajoz (Spain)
http://www.paconet.org
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Re: Lighter appearance

2008-11-14 Thread Graham Percival
On Fri, Nov 14, 2008 at 09:50:01PM +0100, Francisco Vila wrote:
 2008/11/14 Johan Vromans [EMAIL PROTECTED]:
 
  While comparing the LilyPond gegerated output with the output of a
  competitor program, I noticed that the LP outout is much 'heavier'.
 
  See e.g., http://www.squirrel.nl/pub/xfer/lilsib.jpg .
 
  The top line is from LilyPond, the bottom line is from a Sibelius
  printout. I think the larger noteheads in combination with the thinner
  lines make the score easier to read.
 
 This is not the default output of LilyPond.

I agree -- are you sure the top line isn't from Finale or
something?  It looks incredibly bad.  WTF is up with the gap
between the sixteenth and eighth in the second bar from the end?!
LilyPond would *not* produce that.

Cheers,
- Graham


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Re: Lighter appearance

2008-11-14 Thread Carl D. Sorensen



On 11/14/08 2:27 PM, Graham Percival [EMAIL PROTECTED] wrote:

 On Fri, Nov 14, 2008 at 09:50:01PM +0100, Francisco Vila wrote:
 2008/11/14 Johan Vromans [EMAIL PROTECTED]:
 
 While comparing the LilyPond gegerated output with the output of a
 competitor program, I noticed that the LP outout is much 'heavier'.
 

 
 This is not the default output of LilyPond.
 
 I agree -- are you sure the top line isn't from Finale or
 something?  It looks incredibly bad.  WTF is up with the gap
 between the sixteenth and eighth in the second bar from the end?!
 LilyPond would *not* produce that.

I set that exact line in LilyPond 2.11.64.  I needed to do some manual
beaming to get the same beaming as in the top line.

The rest glyphs look in Johan's sample look identical to those in the
LilyPond output.

The note spacing in Johan's sample is dramatically different (worse) than in
my LilyPond output.  The staff lines in my LilyPond output are lighter than
those in Johan's sample.  The slurs in my output are lighter than those in
Johan's sample.  The noteheads in my output are heavier than those in
Johan's output, but not as large as those in his Sibelius output.

For your reference, I've attached my LilyPond output.

Carl




LilyPondTest.png
Description: LilyPondTest.png
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