Re: Multiple Stanzas in the middle of a piece
Hi Michael, 2011/4/18 Michael Dykes thedoctor81...@gmail.com I now know how to do multiple stanzas with a single common section, but I need the reverse essentially--Single common sections for most of the music, but 3 stanzas near the middle of the piece. Attached is the source code as it is now without any changes. I tried making changes, but ended up using several hours and acheived nothing. Thanks for any help you may provide. Actually, I do have the 3 stanzas here, but not in the proper place. They should be after the \divisioMinima in the secnd section of notes. You have to use skips in your second and third stanzas... see attachment. HTH Marek -- Marek Klein http://gregoriana.sk eis_zn.ly Description: Binary data ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Multiple Stanzas in the middle of a piece
OK, Marek. Thanks a lot. However, I need the lyrics to be between the 2
staves, and not under the bass stave -- and also, ever since I started
messing around with my original file (which did not have the split lyrics),
the barlines have been off. If you do not mind, please see the original
file: eis_zn[3].ly and the new one, renamed: eis_zn2.ly Thanks again for all
your help!
On Mon, Apr 18, 2011 at 2:39 AM, Marek Klein ma...@gregoriana.sk wrote:
Hi Michael,
2011/4/18 Michael Dykes thedoctor81...@gmail.com
I now know how to do multiple stanzas with a single common section, but I
need the reverse essentially--Single common sections for most of the music,
but 3 stanzas near the middle of the piece. Attached is the source code as
it is now without any changes. I tried making changes, but ended up using
several hours and acheived nothing. Thanks for any help you may provide.
Actually, I do have the 3 stanzas here, but not in the proper place. They
should be after the \divisioMinima in the secnd section of notes.
You have to use skips in your second and third stanzas... see attachment.
HTH
Marek
--
Marek Klein
http://gregoriana.sk
--
In Christ,
Michael D
\version 2.12.3
\include english.ly
\include gregorian.ly
% XS: necessary, see below
\paper{
page-count = #1
}
\header {
title = Eisodikon~Come, let us Worship
poet = Znamenny Chant~Tone 2
composer = Arranged by Michael Dykes
}
% #(set-global-staff-size 22)
global = {
\key f \major
\revert Score.SpacingSpanner #'packed-spacing
\override Staff.BarLine #'stencil = ##f
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
g4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
g4 bf a bf \divisioMinima
bf4^\markup {\bold *}
bf c2 c4 bf a g2(f) \divisioMinima
bf2 bf8(a) g4 bf2 a4 g1 \divisioMaior
g4 a bf bf bf \divisioMinima
bf4 bf c c c \divisioMinima
c8(bf a bf) c4 bf2(a4 bf8 a g4) a g\breve \finalis
}
tenor = \relative c' {
\global
% Music follows here.
g4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
bf4 d c d \divisioMinima
d4 d ef2 ef4 d c c2(a) \divisioMinima
d2 d8(c) bf4 d2 c4 bf1 \divisioMaior
bf4 c d d d \divisioMinima
d4 d ef ef ef \divisioMinima
ef8(d c d) ef4 d2(c4 d8 c d4) c4 bf\breve \finalis
}
bass = \relative c {
\global
% Music follows here.
g'4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
g4 g g g \divisioMinima
g4 g f2 f4 f f c2(d) \divisioMinima
g2 g4 g d2 f4 g1 \divisioMaior
g4 g g g g \divisioMinima
g4 g f f f \divisioMinima
f2 f4 g2 d1 g g,\breve \finalis
}
verse = \lyricmode {
\override LyricSpace #'minimum-distance = #1.0
\override LyricText #'font-size = #+1
% Lyrics follow here.
O come, let __ us __ wor -- ship,
and fall __ down __ be -- fore Christ; __
O Son of God,
Who art ri -- sen from the dead, __
Save us __ who sing to Thee:
Al -- le -- lu -- i -- a,
Al -- le -- lu -- i -- a,
Al __ le -- lu __ i -- a!
}
\score {
\new ChoirStaff
\new Staff \with {
midiInstrument = voice oohs
instrumentName = \markup \center-column { S }
shortInstrumentName = \markup \center-column { S }
}
\new Voice = soprano { \voiceOne \soprano }
\new Lyrics \with {
\override VerticalAxisGroup #'nonstaff-relatedstaff-spacing
#'minimum-distance = #6
} \lyricsto soprano \verse
\new Staff \with {
midiInstrument = voice oohs
instrumentName = \markup \center-column { T B }
shortInstrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenor }
\new Voice = bass { \voiceTwo \bass }
\layout { ragged-last=##t
#(layout-set-staff-size 22)
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 130 4)
}
}
}
\version 2.12.3
\include english.ly
\include gregorian.ly
% XS: necessary, see below
\paper{
page-count = #1
}
\header {
title = Eisodikon~Come, let us Worship
poet = Znamenny Chant~Tone 2
composer = Arranged by Michael Dykes
footer = obs_zn[3].ly
ponomarname = Only-Begotten Son
ponomartype = OwnWork
ponomarsubtype = Arrangement
ponomarsource = Unknown
ponomarauthor = Michael Dykes
maintainer = Michael Dykes
maintaineremail = thedoctor81...@gmail.com
lastupdated = 2011/04/10
ponomarlang = en
ponomarcomments =
copyright = This score is part of the Ponomar OpenMusic Project
tagline = \markup {
\override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7)
\box \center-column {
\line { \with-url #http://www.ponomar.net; \line { www. \hspace #-1.0 ponomar \hspace #-1.0 .net \hspace #0.5 } • Orthodox Liturgical music that is \italic free to download, use, modify and distribute. }
\line { Typeset using
Re: Multiple Stanzas in the middle of a piece
Is this what you need? Marek 2011/4/18 Michael Dykes thedoctor81...@gmail.com OK, Marek. Thanks a lot. However, I need the lyrics to be between the 2 staves, and not under the bass stave -- and also, ever since I started messing around with my original file (which did not have the split lyrics), the barlines have been off. If you do not mind, please see the original file: eis_zn[3].ly and the new one, renamed: eis_zn2.ly Thanks again for all your help! eis_zn[3].ly Description: Binary data ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Multiple Stanzas in the middle of a piece
Hullo Marek. Almost perfect. However, I just now realized that for the 3rd stanza the word Theo -- to -- kos, __ needs to be scored differently (i.e. with different music). Bascially the music is exactly the same, except for those words, the kos of Theotokos needs to fall on the f2 - the same f2 that is slurred in the 'other' two 'stanzas. I just now realized that issue. Is there any way for me to use lilypond to score the 1 3 stanza musically as is (w/ the slur from g(f) - sop, c(a) - ten, and c(d) - bass) but omit those slurs in the 2nd so that the kos falls on the f - sop, a - ten, and d - bass? Many thanks for all your help thus far. If I can get this, it will be *exactly *what I am looking for. On Mon, Apr 18, 2011 at 3:18 AM, Marek Klein ma...@gregoriana.sk wrote: Is this what you need? Marek 2011/4/18 Michael Dykes thedoctor81...@gmail.com OK, Marek. Thanks a lot. However, I need the lyrics to be between the 2 staves, and not under the bass stave -- and also, ever since I started messing around with my original file (which did not have the split lyrics), the barlines have been off. If you do not mind, please see the original file: eis_zn[3].ly and the new one, renamed: eis_zn2.ly Thanks again for all your help! -- In Christ, Michael D ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Multiple Stanzas in the middle of a piece
Hi Michael, 2011/4/18 Michael Dykes thedoctor81...@gmail.com Hullo Marek. Almost perfect. However, I just now realized that for the 3rd stanza the word Theo -- to -- kos, __ needs to be scored differently (i.e. with different music). Bascially the music is exactly the same, except for those words, the kos of Theotokos needs to fall on the f2 - the same f2 that is slurred in the 'other' two 'stanzas. I just now realized that issue. Is there any way for me to use lilypond to score the 1 3 stanza musically as is (w/ the slur from g(f) - sop, c(a) - ten, and c(d) - bass) but omit those slurs in the 2nd so that the kos falls on the f - sop, a - ten, and d - bass? Many thanks for all your help thus far. If I can get this, it will be *exactly *what I am looking for. The solution for this is very well described here: http://lilypond.org/doc/v2.13/Documentation/notation/techniques-specific-to-lyrics#divisi-lyrics HTH Marek -- Marek Klein 0918 610 720 http://gregoriana.sk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Multiple Stanzas in the middle of a piece
I now know how to do multiple stanzas with a single common section, but I
need the reverse essentially--Single common sections for most of the music,
but 3 stanzas near the middle of the piece. Attached is the source code as
it is now without any changes. I tried making changes, but ended up using
several hours and acheived nothing. Thanks for any help you may provide.
Actually, I do have the 3 stanzas here, but not in the proper place. They
should be after the \divisioMinima in the secnd section of notes.
--
In Christ,
Michael D
\version 2.12.3
\include english.ly
\include gregorian.ly
% XS: necessary, see below
\paper{
page-count = #1
}
\header {
title = Eisodikon~Come, let us Worship
poet = Znamenny Chant~Tone 2
composer = Arranged by Michael Dykes
footer = obs_zn[3].ly
ponomarname = Only-Begotten Son
ponomartype = OwnWork
ponomarsubtype = Arrangement
ponomarsource = Unknown
ponomarauthor = Michael Dykes
maintainer = Michael Dykes
maintaineremail = thedoctor81...@gmail.com
lastupdated = 2011/04/10
ponomarlang = en
ponomarcomments =
copyright = This score is part of the Ponomar OpenMusic Project
tagline = \markup {
\override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7)
\box \center-column {
\line { \with-url #http://www.ponomar.net; \line { www. \hspace #-1.0 ponomar \hspace #-1.0 .net \hspace #0.5 } • Orthodox Liturgical music that is \italic free to download, use, modify and distribute. }
\line { Typeset using \with-url #http://www.LilyPond.org; \line { LilyPond } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2011. \hspace #0.5 Reference: \footer }
\line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #http://creativecommons.org/licenses/by-sa/3.0; http://creativecommons.org/licenses/by-sa/3.0 } }
}
}
}
% #(set-global-staff-size 22)
global = {
\key f \major
\revert Score.SpacingSpanner #'packed-spacing
% \override Staff.NoteHead #'style = #'altdefault
% \override Staff.TimeSignature #'stencil = ##f
% \override Staff.BarLine #'stencil = ##f
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
g4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
g4 bf a bf \divisioMinima
bf4^\markup {\bold *}
bf c2 c4 bf a g2(f) \divisioMinima
bf2 bf8(a) g4 bf2 a4 g1 \divisioMaior
g4 a bf bf bf \divisioMinima
bf4 bf c c c \divisioMinima
c8(bf a bf) c4 bf2(a4 bf8 a g4) a g\breve \finalis
}
tenor = \relative c' {
\global
% Music follows here.
}
bass = \relative c {
\global
% Music follows here.
}
\score {
\new ChoirStaff
\new Staff \with {
midiInstrument = voice oohs
instrumentName = \markup \center-column { S }
shortInstrumentName = \markup \center-column { S }
}
\new Voice = soprano {\voiceOne \soprano }
\relative c'' {
g4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
g4 bf a bf \divisioMinima
\set melismaBusyProperties = #'()
bf4^\markup {\bold *}
bf c2 c4 bf a g2(f) \divisioMinima
\unset melismaBusyProperties
bf2 bf8(a) g4 bf2 a4 g1 \divisioMaior
g4 a bf bf bf \divisioMinima
bf4 bf c c c \divisioMinima
c8(bf a bf) c4 bf2(a4 bf8 a g4) a g\breve \finalis
}
\new Staff \with {
midiInstrument = voice oohs
instrumentName = \markup \center-column { T B }
shortInstrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenor }
\relative c' {
g4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
bf4 d c d \divisioMinima
\set melismaBusyProperties = #'()
d4 d ef2 ef4 d c c2(a) \divisioMinima
\unset melismaBusyProperties
d2 d8(c) bf4 d2 c4 bf1 \divisioMaior
bf4 c d d d \divisioMinima
d4 d ef ef ef \divisioMinima
ef8(d c d) ef4 d2(c4 d8 c d4) c4 bf\breve \finalis
}
\new Voice = bass { \voiceTwo \bass }
\relative c {
g'4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
g4 g g g\divisioMinima
\set melismaBusyProperties = #'()
g4 g f2 f4 f f c2(d) \divisioMinima
\unset melismaBusyProperties
g2 g4 g d2 f4 g1 \divisioMaior
g4 g g g g \divisioMinima
g4 g f f f \divisioMinima
f2 f4 g2 d1 g g,\breve \finalis
}
\new Lyrics \with {
\override VerticalAxisGroup #'nonstaff-relatedstaff-spacing
#'minimum-distance = #6
} \lyricsto soprano {
O come, let __ us __ wor -- ship,
and fall __ down __ be -- fore Christ; __
O Son of God,
Who art ri -- sen from the dead, __
Save us __ who sing to Thee:
Al -- le -- lu -- i -- a,
Al -- le -- lu -- i -- a,
Al __ le -- lu __ i -- a!
}
\new Lyrics \lyricsto soprano {
Who art won -- drous in
