Re: Problems with DC al Fine template
In my previous example, just change _\dc to ^\dc and you have it.
Knute Snortum
(via Gmail)
On Sun, Jun 1, 2014 at 5:52 AM, Yann yann@free.fr wrote:
Ok, I was too quick to post, now I remember the reason for these
\consists and \remove statements. I have chords in my template, and I
wanted the Fine and DC marks to be printed just above the staff
(that is, between the chords and the staff). About this, where would
you put the marks ? Between chords and staff, or above chords ?
But I discovered it can be achieved by keeping the lines related to
Mark_engraver. the \removeStaff_collecting_engraver seems to be
the one m
On Sat, May 24, 2014 at 10:14 AM, Yann yann@free.fr wrote:
essing with the measure number position.
so my (reduced) working example is as follows :
\version 2.18.0
\paper { #(set-paper-size a4) }
accords = \chordmode {
c1 c2 f g c f g g1 c c2 c |
}
melody = \relative c' {
c'4 c c b |
c8 b a g f g a f |
b a g f e f g e |
a g f e d e f fis |
g2 g |
c4 c c d |
e8 f e d c2\once \override Score.RehearsalMark.self-alignment-X =
#RIGHT \mark \markup { \tiny \italic D.C. al Fine } |
}
% Staves
basePart =
\new ChordNames { \accords }
\new Staff \with {
\consists Mark_engraver
}
\new Voice = melody { \repeat volta 2 { \melody } }
\book {
\score {
\basePart
\layout {
\context {
\Score
\remove Mark_engraver
}
}
}
}
Yann
2014-05-25 15:08 GMT+02:00 Knute Snortum ksnor...@gmail.com:
Personally, I'd put the DC below the staff in this situation:
\version 2.18.0
accords = \chordmode {
c1 c2 f g c f g g1 c c2 c |
}
alignRight = \once \override Score.RehearsalMark.self-alignment-X =
#RIGHT
dc = \markup { \tiny \italic D.C. al Fine }
melody = \relative c' {
c'4 c c b |
c8 b a g f g a f |
b a g f e f g e |
a g f e d e f fis |
g2 g |
c4 c c d |
e8 f e d \alignRight c2 _\dc |
}
basePart =
\new ChordNames { \accords }
\new Staff
\new Voice = melody { \repeat volta 2 { \melody } }
\score {
\basePart
\layout {
}
}
Knute Snortum
(via Gmail)
Thank you very much for your answer. But, in a case where there are
lyrics as well below the staves, won't it get confusing if the DC mark
is also below the staff ?
Yann
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Re: Problems with DC al Fine template
Personally, I'd put the DC below the staff in this situation:
\version 2.18.0
accords = \chordmode {
c1 c2 f g c f g g1 c c2 c |
}
alignRight = \once \override Score.RehearsalMark.self-alignment-X = #RIGHT
dc = \markup { \tiny \italic D.C. al Fine }
melody = \relative c' {
c'4 c c b |
c8 b a g f g a f |
b a g f e f g e |
a g f e d e f fis |
g2 g |
c4 c c d |
e8 f e d \alignRight c2 _\dc |
}
basePart =
\new ChordNames { \accords }
\new Staff
\new Voice = melody { \repeat volta 2 { \melody } }
\score {
\basePart
\layout {
}
}
Knute Snortum
(via Gmail)
On Sat, May 24, 2014 at 10:14 AM, Yann yann@free.fr wrote:
2014-05-24 18:20 GMT+02:00 Yann yann@free.fr:
Hello !
(I don't include my previous post which can be seen here :
http://lists.gnu.org/archive/html/lilypond-user/2014-05/msg00359.html
)
Just to say, I solved my issue #1, with the lines numbers, just by
removing the lines
\consists Mark_engraver
\consists Staff_collecting_engraver
and
\remove Mark_engraver
\remove Staff_collecting_engraver
I don't remember why I did put these, maybe I adapted a snippet I
found somewhere that had them.
Yann
Ok, I was too quick to post, now I remember the reason for these
\consists and \remove statements. I have chords in my template, and I
wanted the Fine and DC marks to be printed just above the staff
(that is, between the chords and the staff). About this, where would
you put the marks ? Between chords and staff, or above chords ?
But I discovered it can be achieved by keeping the lines related to
Mark_engraver. the \removeStaff_collecting_engraver seems to be
the one messing with the measure number position.
so my (reduced) working example is as follows :
\version 2.18.0
\paper { #(set-paper-size a4) }
accords = \chordmode {
c1 c2 f g c f g g1 c c2 c |
}
melody = \relative c' {
c'4 c c b |
c8 b a g f g a f |
b a g f e f g e |
a g f e d e f fis |
g2 g |
c4 c c d |
e8 f e d c2\once \override Score.RehearsalMark.self-alignment-X =
#RIGHT \mark \markup { \tiny \italic D.C. al Fine } |
}
% Staves
basePart =
\new ChordNames { \accords }
\new Staff \with {
\consists Mark_engraver
}
\new Voice = melody { \repeat volta 2 { \melody } }
\book {
\score {
\basePart
\layout {
\context {
\Score
\remove Mark_engraver
}
}
}
}
Yann
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Re: Problems with DC al Fine template
Hello ! (I don't include my previous post which can be seen here : http://lists.gnu.org/archive/html/lilypond-user/2014-05/msg00359.html ) Just to say, I solved my issue #1, with the lines numbers, just by removing the lines \consists Mark_engraver \consists Staff_collecting_engraver and \remove Mark_engraver \remove Staff_collecting_engraver I don't remember why I did put these, maybe I adapted a snippet I found somewhere that had them. Yann ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problems with DC al Fine template
2014-05-24 18:20 GMT+02:00 Yann yann@free.fr:
Hello !
(I don't include my previous post which can be seen here :
http://lists.gnu.org/archive/html/lilypond-user/2014-05/msg00359.html
)
Just to say, I solved my issue #1, with the lines numbers, just by
removing the lines
\consists Mark_engraver
\consists Staff_collecting_engraver
and
\remove Mark_engraver
\remove Staff_collecting_engraver
I don't remember why I did put these, maybe I adapted a snippet I
found somewhere that had them.
Yann
Ok, I was too quick to post, now I remember the reason for these
\consists and \remove statements. I have chords in my template, and I
wanted the Fine and DC marks to be printed just above the staff
(that is, between the chords and the staff). About this, where would
you put the marks ? Between chords and staff, or above chords ?
But I discovered it can be achieved by keeping the lines related to
Mark_engraver. the \removeStaff_collecting_engraver seems to be
the one messing with the measure number position.
so my (reduced) working example is as follows :
\version 2.18.0
\paper { #(set-paper-size a4) }
accords = \chordmode {
c1 c2 f g c f g g1 c c2 c |
}
melody = \relative c' {
c'4 c c b |
c8 b a g f g a f |
b a g f e f g e |
a g f e d e f fis |
g2 g |
c4 c c d |
e8 f e d c2\once \override Score.RehearsalMark.self-alignment-X =
#RIGHT \mark \markup { \tiny \italic D.C. al Fine } |
}
% Staves
basePart =
\new ChordNames { \accords }
\new Staff \with {
\consists Mark_engraver
}
\new Voice = melody { \repeat volta 2 { \melody } }
\book {
\score {
\basePart
\layout {
\context {
\Score
\remove Mark_engraver
}
}
}
}
Yann
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Problems with DC al Fine template
Hi all ! :)
I have several problems with a DC al Fine template (I use variants
of it both for lead sheet and SATB, and the problem appears on both).
I tried to reduce my code to a minimal example (had to fill it with
random music), and simplified it (no lyrics, no chords). I noticed it
recently, but it was present I think in 2.16 (so I presume my code is
at fault).
I put the code at end of mail (I hope it will pass correctly through).
The problems are :
1-measure numbers appear at left of staves/systems, ad not above left
as usual (so for choir scores, it collides with the choir bracket) -
this one, I have absolutely no idea where it comes from (but I don't
have this problem with other templates).
2-the other one is with the Fine marking (comes probably from my
definition, but I feel it might need more code to fix it, don't know
exactly how to approach it) :
2.1-if the Fine double bar comes at the end of a line and end of
measure, then it should be ok.
2.2-if it comes in the middle of a line, then Fine does not always
print (in the code example, it is possible to move it easily by
changing the durations in choirDuration and verseDuration
variables e.g. choirDuration = {s1*10} and verseDuration = {s1*6} ).
2.3-if it comes in the end of a line, but not at a measure's end, then
the measure get cut, and of course the measure number is not printed
at the beginning of next line (looks a bit weird, though maybe nicer
for lyrics).
It is a bit fuzzy for me, but I think I would like this behaviour :
2.1 is ok ;
2.2 - always print - it does so if I comment out the \once \override
Score.RehearsalMark.break-visibility = #end-of-line-visible but then
in case 2.1, the mark prints at the beginning of next line ;
2.3 - prevent from cutting on the double bar if not at a measure's end ?
I hope my mail is not too messy. Does anyone has some clues/tracks ?
Thanks in advance ! :)
Yann
-
\version 2.18.0
\paper {
#(set-paper-size a4)
}
choirDuration = {
s1*10
s2
}
verseDuration = {
s2
s1*5
}
melody = \relative c' {
c'4 c c b |
c8 b a g f g a f |
b a g f e f g e |
a g f e d e f fis |
g2 g |
c'4 c c b |
c8 b a g f g a f |
b a g f e f g e |
a g f e d e f fis |
g2 g |
e8 f e d c2 |
r4 e8 f g e f g |
f e d f e d c e |
d4 g g a8 g |
f e d e c4 e8 f |
g f e d c2 |
}
nVerses = 4
% Applying marks
metaData = {
\choirDuration \once \override Score.RehearsalMark.break-visibility
= #end-of-line-visible
\once \override Score.RehearsalMark.self-alignment-X = #RIGHT \mark
\markup { \tiny \italic Fine } \bar ||
\verseDuration \once \override Score.RehearsalMark.break-visibility
= #end-of-line-visible
\once \override Score.RehearsalMark.self-alignment-X = #RIGHT \mark
\markup { \tiny \italic D.C. al Fine }
}
melody = {
\repeat volta \nVerses {
\metaData \melody
}
}
% Staves
basePart =
\new Staff \with {
\consists Mark_engraver
\consists Staff_collecting_engraver
}
\new Voice = melody { \melody }
\book {
\score {
\basePart
\layout {
\context {
\Score
\remove Mark_engraver
\remove Staff_collecting_engraver
}
}
}
}
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