Re: Grace notes, ties, optimum notation

2005-02-18 Thread Yuval Harel
On Thu, 17 Feb 2005 14:04:08 +0100, Maurizio Tomasi  
<[EMAIL PROTECTED]> wrote:
I am not sure, but perhaps this could be useful to you:
http://lists.gnu.org/archive/html/lilypond-user/2004-11/msg00465.html
Hi,
	I was glad to see this example, because there are quite a few places  
where I needed that notation and just gave up for now. I tried using this  
trick and stumbled upon a bug - when a hidden note is dotted, it hides  
other notes. I couldn't find any workaround, so a workaround would be  
appreciated.

A short example:
\version "2.4.2"
\new Staff {
\clef bass
\override Score.NoteCollision #'merge-differently-dotted = ##t
<<
{\voiceTwo r16 e,8 e16 ~ 2}
\new Voice {\hideNotes s16 e,8.~ e,}
>>
\override Score.NoteCollision #'merge-differently-dotted = ##f
}
Thanks,
Yuval

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Re: Grace notes, ties, optimum notation

2005-02-17 Thread Steve D
Steve D wrote:
I have recently begun to learn LilyPond, which is an exceptionally nice 
program, though I have a tremendous amount to learn about it.

I would like to ask if anyone might have a suggestion how better to 
notate the last measure of the piano piece linked to below (it is a 
screen capture of LilyPond's PDF output of the piece). The last chord of 
the piece is arpeggiated, but not in exact sequence of notes from bottom 
to top: one note (the F second to top) is out of order.

http://www.xscd.com/pics/lilypond-example.PNG
--- ---
I found an example on the Internet of the type of ties I would ideally 
like to use in a piano score, mentioned above, extending from the notes 
of an ascending arpeggiated figure to the same notes of a following chord:

http://www.greschak.com/notation/finale/iwbni/fs711.htm
Does anyone know if there is a fairly straightforward way to do this 
using LilyPond?

Thank you, and best wishes,
Steve D, NM US


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Re: Grace notes, ties, optimum notation

2005-02-17 Thread Steve D
David Raleigh Arnold wrote:
Steve D wrote: I have recently begun to learn LilyPond, which is an
 exceptionally nice program, though I have a tremendous amount to 
learn about it.

I would like to ask if anyone might have a suggestion how better to
 notate the last measure of the piano piece linked to below
http://www.xscd.com/pics/lilypond-example.PNG

I don't know about "better", but you could write the grace notes in 
sequence and tie each to its note in the chord.  daveA
--- --- ---
Thank you for the reply, David. Your suggestion is what I originally
wanted to do. It would look a lot cleaner, less confusing. I
simply wanted to write the grace notes, and have each one tied to the
same note in the chord.
But as a new user of LilyPond I couldn't find a way to accomplish that.
Might you have a suggestion as to what features of LilyPond I might
study in order to accomplish this?
Thank you,
Steve D, NM US

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Re: Grace notes, ties, optimum notation

2005-02-17 Thread David Raleigh Arnold
On Thursday 17 February 2005 08:04 am, Maurizio Tomasi wrote:
> Steve D wrote:
> > I have recently begun to learn LilyPond, which is an exceptionally
> > nice program, though I have a tremendous amount to learn about it.
> >
> > I would like to ask if anyone might have a suggestion how better to
> > notate the last measure of the piano piece linked to below

I don't know about "better", but you could write the grace notes in
sequence and tie each to its note in the chord.  daveA

-- 
The only technical exercises for guitar which are worthy of the
instrument consist in "Dynamic Guitar Technique".  I promise miracles.
Get it at:  http://www.openguitar.com/dynamic.html
daveA David Raleigh Arnold  dra..at..openguitar.com



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Re: Grace notes, ties, optimum notation

2005-02-17 Thread Maurizio Tomasi
Steve D wrote:
I have recently begun to learn LilyPond, which is an exceptionally nice 
program, though I have a tremendous amount to learn about it.

I would like to ask if anyone might have a suggestion how better to 
notate the last measure of the piano piece linked to below (it is a 
screen capture of LilyPond's PDF output of the piece). The last chord of 
the piece is arpeggiated, but not in exact sequence of notes from bottom 
to top: one note (the F second to top) is out of order.

Link to .png image of .pdf output of lilypond:
http://www.xscd.com/pics/lilypond-example.PNG
Thank you, and best wishes,
Steve D, New Mexico US
P.S. Should I have attached the .png image instead, for the sake of the 
archives?


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I am not sure, but perhaps this could be useful to you:
http://lists.gnu.org/archive/html/lilypond-user/2004-11/msg00465.html
Regards,
  Maurizio.
--

Maurizio Tomasi
Via Newton, 6
24126 Bergamo (Italy)
Tel. +39-02-23699308
http://www.geocities.com/zio_tom78/


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