Re: Grace notes, ties, optimum notation
On Thu, 17 Feb 2005 14:04:08 +0100, Maurizio Tomasi <[EMAIL PROTECTED]> wrote: I am not sure, but perhaps this could be useful to you: http://lists.gnu.org/archive/html/lilypond-user/2004-11/msg00465.html Hi, I was glad to see this example, because there are quite a few places where I needed that notation and just gave up for now. I tried using this trick and stumbled upon a bug - when a hidden note is dotted, it hides other notes. I couldn't find any workaround, so a workaround would be appreciated. A short example: \version "2.4.2" \new Staff { \clef bass \override Score.NoteCollision #'merge-differently-dotted = ##t << {\voiceTwo r16 e,8 e16 ~ 2} \new Voice {\hideNotes s16 e,8.~ e,} >> \override Score.NoteCollision #'merge-differently-dotted = ##f } Thanks, Yuval ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Grace notes, ties, optimum notation
Steve D wrote: I have recently begun to learn LilyPond, which is an exceptionally nice program, though I have a tremendous amount to learn about it. I would like to ask if anyone might have a suggestion how better to notate the last measure of the piano piece linked to below (it is a screen capture of LilyPond's PDF output of the piece). The last chord of the piece is arpeggiated, but not in exact sequence of notes from bottom to top: one note (the F second to top) is out of order. http://www.xscd.com/pics/lilypond-example.PNG --- --- I found an example on the Internet of the type of ties I would ideally like to use in a piano score, mentioned above, extending from the notes of an ascending arpeggiated figure to the same notes of a following chord: http://www.greschak.com/notation/finale/iwbni/fs711.htm Does anyone know if there is a fairly straightforward way to do this using LilyPond? Thank you, and best wishes, Steve D, NM US ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Grace notes, ties, optimum notation
David Raleigh Arnold wrote: Steve D wrote: I have recently begun to learn LilyPond, which is an exceptionally nice program, though I have a tremendous amount to learn about it. I would like to ask if anyone might have a suggestion how better to notate the last measure of the piano piece linked to below http://www.xscd.com/pics/lilypond-example.PNG I don't know about "better", but you could write the grace notes in sequence and tie each to its note in the chord. daveA --- --- --- Thank you for the reply, David. Your suggestion is what I originally wanted to do. It would look a lot cleaner, less confusing. I simply wanted to write the grace notes, and have each one tied to the same note in the chord. But as a new user of LilyPond I couldn't find a way to accomplish that. Might you have a suggestion as to what features of LilyPond I might study in order to accomplish this? Thank you, Steve D, NM US ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Grace notes, ties, optimum notation
On Thursday 17 February 2005 08:04 am, Maurizio Tomasi wrote: > Steve D wrote: > > I have recently begun to learn LilyPond, which is an exceptionally > > nice program, though I have a tremendous amount to learn about it. > > > > I would like to ask if anyone might have a suggestion how better to > > notate the last measure of the piano piece linked to below I don't know about "better", but you could write the grace notes in sequence and tie each to its note in the chord. daveA -- The only technical exercises for guitar which are worthy of the instrument consist in "Dynamic Guitar Technique". I promise miracles. Get it at: http://www.openguitar.com/dynamic.html daveA David Raleigh Arnold dra..at..openguitar.com ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Grace notes, ties, optimum notation
Steve D wrote: I have recently begun to learn LilyPond, which is an exceptionally nice program, though I have a tremendous amount to learn about it. I would like to ask if anyone might have a suggestion how better to notate the last measure of the piano piece linked to below (it is a screen capture of LilyPond's PDF output of the piece). The last chord of the piece is arpeggiated, but not in exact sequence of notes from bottom to top: one note (the F second to top) is out of order. Link to .png image of .pdf output of lilypond: http://www.xscd.com/pics/lilypond-example.PNG Thank you, and best wishes, Steve D, New Mexico US P.S. Should I have attached the .png image instead, for the sake of the archives? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user I am not sure, but perhaps this could be useful to you: http://lists.gnu.org/archive/html/lilypond-user/2004-11/msg00465.html Regards, Maurizio. -- Maurizio Tomasi Via Newton, 6 24126 Bergamo (Italy) Tel. +39-02-23699308 http://www.geocities.com/zio_tom78/ ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user