Re: Offset fermata problem
Hi
Use something like:
<<
{a2 r4}
{s4 s16 \fermata s8.}
>>
Regards,
Jean
Le lundi 05 octobre 2015 à 17:25 +0200, Menu Jacques a écrit :
> Hello folks,
>
> I’d like to obtain the following from Poulenc, in which the fermata
> is in-between a2 and r4:
>
>
>
> I tried with:
>
> \version "2.19.28"
>
> \score {
> \relative c'' {
> \key f \major \time 2/2 | % 147
>
> <<
> {a2 r4}
> {s2 s16 \fermata s8.}
> >>
> e16 -\markup{\dynamic "ff" \italic "librement"} ^\markup{\bold
> "solo"} [ f16 g16 f16 ]
> }
> }
>
>
> but then the fermata is right over the r4.
>
> Thanks for the help!
>
> JM
>
>
>
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Re: Offset fermata problem
- Original Message -
From: "Jean Brefort"
To: "Menu Jacques" ; "Lilypond-user Mailinglist"
Sent: Monday, October 05, 2015 4:32 PM
Subject: Re: Offset fermata problem
Hi
Use something like:
<<
{a2 r4}
{s4 s16 \fermata s8.}
>>
Regards,
Jean
Le lundi 05 octobre 2015 à 17:25 +0200, Menu Jacques a écrit :
Hello folks,
I’d like to obtain the following from Poulenc, in which the fermata
is in-between a2 and r4:
I tried with:
\version "2.19.28"
\score {
\relative c'' {
\key f \major \time 2/2 | % 147
<<
{a2 r4}
{s2 s16 \fermata s8.}
>>
e16 -\markup{\dynamic "ff" \italic "librement"} ^\markup{\bold
"solo"} [ f16 g16 f16 ]
}
}
but then the fermata is right over the r4.
Thanks for the help!
JM
Or, ditch the second voice of rests and attach the fermata to a2 and
override its position.
\once \override Script.extra-offset = #'(3 . 0) a2\fermata
Phil.
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Re: Offset fermata problem
Hi Jacques,
How about:
\version "2.19.28"
\score {
\relative c'' {
\key f \major \time 2/2 | % 147
\set Score.proportionalNotationDuration = #(ly:make-moment 1/1)
<<
{ a2 r4 }
{ s4 s16 s8.\fermata s4 } %% <= e.g.
>>
\unset Score.proportionalNotationDuration
e16
-\markup{\dynamic "ff" \italic "librement"}
^\markup{\bold "solo"} [ f16 g16 f16 ]
}
}
Cheers,
Pierre
2015-10-05 17:25 GMT+02:00 Menu Jacques :
> Hello folks,
>
> I’d like to obtain the following from Poulenc, in which the fermata is
> in-between a2 and r4:
>
>
> I tried with:
>
> \version "2.19.28"
>
> \score {
> \relative c'' {
> \key f \major \time 2/2 | % 147
>
> <<
> {a2 r4}
> {s2 s16 \fermata s8.}
> >>
> e16 -\markup{\dynamic "ff" \italic "librement"} ^\markup{\bold
> "solo"} [ f16 g16 f16 ]
> }
> }
>
>
> but then the fermata is right over the r4.
>
> Thanks for the help!
>
> JM
>
>
>
>
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> lilypond-user@gnu.org
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>
>
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Re: Offset fermata problem
Hello Jean, Phil and Pierre,
Thanks for you help!
As the secondary voice doesn’t need to fill 3 quarter notes, I find that:
\score {
\relative c'' {
\key f \major \time 2/2 | % 147
<<
{a2 r4}
{s4*5/4 s16 \fermata}
>>
e16 -\markup{\dynamic "ff" \italic "librement"} ^\markup{\bold "solo"} [
f16 g16 f16 ]
}
}
does what I need quite well.
JM
> Le 5 oct. 2015 à 19:42, Pierre Perol-Schneider
> a écrit :
>
> Hi Jacques,
>
> How about:
>
> \version "2.19.28"
>
> \score {
> \relative c'' {
> \key f \major \time 2/2 | % 147
> \set Score.proportionalNotationDuration = #(ly:make-moment 1/1)
> <<
> { a2 r4 }
> { s4 s16 s8.\fermata s4 } %% <= e.g.
> >>
> \unset Score.proportionalNotationDuration
> e16
> -\markup{\dynamic "ff" \italic "librement"}
> ^\markup{\bold "solo"} [ f16 g16 f16 ]
> }
>
> }
>
>
> Cheers,
> Pierre
>
> 2015-10-05 17:25 GMT+02:00 Menu Jacques >:
> Hello folks,
>
> I’d like to obtain the following from Poulenc, in which the fermata is
> in-between a2 and r4:
>
>
>
> I tried with:
>
> \version "2.19.28"
>
> \score {
> \relative c'' {
> \key f \major \time 2/2 | % 147
>
> <<
> {a2 r4}
> {s2 s16 \fermata s8.}
> >>
> e16 -\markup{\dynamic "ff" \italic "librement"} ^\markup{\bold "solo"} [
> f16 g16 f16 ]
> }
> }
>
>
> but then the fermata is right over the r4.
>
> Thanks for the help!
>
> JM
>
>
>
>
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>
>
>
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Re: Offset fermata problem
Hello Jacques,
On 05.10.2015 17:25, Menu Jacques wrote:
Hello folks,
I’d like to obtain the following from Poulenc, in which the fermata is
in-between a2 and r4:
based on an idea by David Kastrup I wrote a music function, which
provides a nice interface for this kind of things:
\version "2.19.28"
after = #(define-music-function (t e m) (ly:duration? ly:music? ly:music?)
#{ << #m { \skip $t <> -\tweak extra-spacing-width #empty-interval
$e } >> #})
\score {
\relative c'' {
\key f \major \time 2/2 | % 147
\after 4*5/4 \fermata a2 r4
e16 -\markup{\dynamic "ff" \italic "librement"} ^\markup{\bold
"solo"} [ f16 g16 f16 ]
}
}
%
It has proved an invaluable tool, mostly with placing dynamics: no need
to maintain extra <> constructs, much less typing, far easier
readable code. Only drawback: point-and-click doesn’t work for the grobs
created thus, it always points to the music function code.
In case you wonder about the order of arguments: I chose it that way
round to keep it legible with multiple events during one note:
{ \after 4 \< \after 2 \> \after 2. \! c'1 }
Yours, Simon
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Re: Offset fermata problem
Hello Simon,
Thanks a lot to DK and yourself, this « after » function is awesome!
JM
> Le 5 oct. 2015 à 20:38, Simon Albrecht a écrit :
>
> Hello Jacques,
>
> On 05.10.2015 17:25, Menu Jacques wrote:
>> Hello folks,
>>
>> I’d like to obtain the following from Poulenc, in which the fermata is
>> in-between a2 and r4:
>>
>>
>
> based on an idea by David Kastrup I wrote a music function, which provides a
> nice interface for this kind of things:
>
>
> \version "2.19.28"
>
> after = #(define-music-function (t e m) (ly:duration? ly:music? ly:music?)
> #{ << #m { \skip $t <> -\tweak extra-spacing-width #empty-interval $e } >>
> #})
>
> \score {
> \relative c'' {
>\key f \major \time 2/2 | % 147
>\after 4*5/4 \fermata a2 r4
>e16 -\markup{\dynamic "ff" \italic "librement"} ^\markup{\bold "solo"} [
> f16 g16 f16 ]
> }
> }
> %
>
> It has proved an invaluable tool, mostly with placing dynamics: no need to
> maintain extra <> constructs, much less typing, far easier readable code.
> Only drawback: point-and-click doesn’t work for the grobs created thus, it
> always points to the music function code.
> In case you wonder about the order of arguments: I chose it that way round to
> keep it legible with multiple events during one note:
> { \after 4 \< \after 2 \> \after 2. \! c'1 }
>
> Yours, Simon
>
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Re: Offset fermata problem
Simon Albrecht writes:
> Hello Jacques,
>
> On 05.10.2015 17:25, Menu Jacques wrote:
>> Hello folks,
>>
>> I’d like to obtain the following from Poulenc, in which the fermata
>> is in-between a2 and r4:
>>
>>
>
> based on an idea by David Kastrup I wrote a music function, which
> provides a nice interface for this kind of things:
>
>
> \version "2.19.28"
>
> after = #(define-music-function (t e m) (ly:duration? ly:music? ly:music?)
>#{ << #m { \skip $t <> -\tweak extra-spacing-width #empty-interval
> $e } >> #})
>
> \score {
> \relative c'' {
> \key f \major \time 2/2 | % 147
> \after 4*5/4 \fermata a2 r4
> e16 -\markup{\dynamic "ff" \italic "librement"} ^\markup{\bold
> "solo"} [ f16 g16 f16 ]
> }
> }
> %
>
> It has proved an invaluable tool, mostly with placing dynamics: no
> need to maintain extra <> constructs, much less typing, far easier
> readable code. Only drawback: point-and-click doesn’t work for the
> grobs created thus, it always points to the music function code.
Issue 4630.
Folks, if you fail to report errors they will never get fixed.
--
David Kastrup
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Re: Offset fermata problem
On 06.10.2015 15:45, David Kastrup wrote:
Simon Albrecht writes:
Hello Jacques,
On 05.10.2015 17:25, Menu Jacques wrote:
Hello folks,
I’d like to obtain the following from Poulenc, in which the fermata
is in-between a2 and r4:
based on an idea by David Kastrup I wrote a music function, which
provides a nice interface for this kind of things:
\version "2.19.28"
after = #(define-music-function (t e m) (ly:duration? ly:music? ly:music?)
#{ << #m { \skip $t <> -\tweak extra-spacing-width #empty-interval
$e } >> #})
\score {
\relative c'' {
\key f \major \time 2/2 | % 147
\after 4*5/4 \fermata a2 r4
e16 -\markup{\dynamic "ff" \italic "librement"} ^\markup{\bold
"solo"} [ f16 g16 f16 ]
}
}
%
It has proved an invaluable tool, mostly with placing dynamics: no
need to maintain extra <> constructs, much less typing, far easier
readable code. Only drawback: point-and-click doesn’t work for the
grobs created thus, it always points to the music function code.
Issue 4630.
Folks, if you fail to report errors they will never get fixed.
All the more thanks for addressing this nevertheless!
Yours, Simon
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