Most of the other help you've been given has been
techniques to combine two voices.
A more straightforward approach is to avoid
splitting up the music in the first place, and include
all the music up until the terminal dynamic within the
first parallel music expression.
This is not as scalable as the other approaches,
but it is less cluttered, and works.
\version "2.19.65"
\include "english.ly"
\score {
\new Staff = "guitar"
{
#(set-accidental-style 'neo-modern)
\numericTimeSignature
\clef "treble_8"
<<
{
<a d'>8 <bf df'>8\<
<ef b fs'>8
<d bf g'>8\f
}
\\
{
f,4
}
>>
\times 2/3 { af'16\ff ef'16 c16 }
<e, b g'>4.
}
\layout {
\context {
\Score proportionalNotationDuration = #(ly:make-moment 1/16)
} % \context
} % \layout
} % \score
HTH,
David Elaine Alt
415 . 341 .4954 "Confusion is
highly underrated"
ela...@flaminghakama.com
self-immolation.info
skype: flaming_hakama
Producer ~ Composer ~ Instrumentalist
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