Re: Request for contribution: font demonstration examples
Urs Liska: > Am 31.01.19 um 12:34 schrieb k...@aspodata.se: ... > > Feel free to use: > > http://aspodata.se/choir/ensemble/TomasLuisdeVictoria/o_quam_gloriosum/motet/o_quam_gloriosum.pdf > > http://aspodata.se/git/musik/TomasLuisdeVictoria/o_quam_gloriosum/motet/ > That looks great, thank you! I'll see how to extract the necessary data > from the files. As you can see from page 5 mid 5th system, there is a calor minor at the "a" in agnus. The rendering is at bar 43 p.7. The implementation in a.ly line 62-63 is a hack which probably has to be adjusted or replaced when using a newer lilypond. Regards, /Karl Hammar --- Aspö Data Lilla Aspö 148 S-742 94 Östhammar Sweden ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Request for contribution: font demonstration examples
Hi Karl, Am 31.01.19 um 12:34 schrieb k...@aspodata.se: Urs Liska: ... * Mensural notation ... Feel free to use: http://aspodata.se/choir/ensemble/TomasLuisdeVictoria/o_quam_gloriosum/motet/o_quam_gloriosum.pdf http://aspodata.se/git/musik/TomasLuisdeVictoria/o_quam_gloriosum/motet/ That looks great, thank you! I'll see how to extract the necessary data from the files. Best Urs Regards, /Karl Hammar --- Aspö Data Lilla Aspö 148 S-742 94 Östhammar Sweden ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Request for contribution: font demonstration examples
Am 31.01.19 um 11:42 schrieb Urs Liska: Hi Malte, thank you, that looks like a good example. I will have to see if I can reasonably manage the indent in the infrastructure (because by default some instrument names are cut off). And (maybe trickier) I will have to find a way to use \partcombine or \partCombine, depending on the LilyPond version used ... I was lazy (and in a hurry), probably the same could be easily done with chords or << >> (without \\) and not use \partCombine. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Request for contribution: font demonstration examples
Urs Liska: ... > * Mensural notation ... Feel free to use: http://aspodata.se/choir/ensemble/TomasLuisdeVictoria/o_quam_gloriosum/motet/o_quam_gloriosum.pdf http://aspodata.se/git/musik/TomasLuisdeVictoria/o_quam_gloriosum/motet/ Regards, /Karl Hammar --- Aspö Data Lilla Aspö 148 S-742 94 Östhammar Sweden ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Request for contribution: font demonstration examples
Hi Urs, I'd be happy to do the Berg, as I am doing string quartet engraving at the moment, so I am all set up. How much music do you need? Andrew ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Request for contribution: font demonstration examples
Hi Andrew, Am 31.01.19 um 11:09 schrieb Andrew Bernard: Hi Urs, Speaking as a harpsichord player myself, can we not have Bach on the piano please? Keyboard will do fine. We take so much care to be precise in engraving and notation and such topics, let's keep the musicology at a similar high standard. Sorry, this is a major peeve of mine, and ignores 300 years of harpsichord building and literature and tradition. [List members may be interested to know that I have also spent thirty years building harpsichords here in Australia. You can see why this gets me going.] JS Bach did not write any piano music, so it's going to be hard to find examples! [There may be one piece, an adagio, but it's doubtful in many respects.] No problem with that. Actually the sample currently in use doesn't state *any* instrument, it was just my sloppy enumeration ... Urs Andrew ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Request for contribution: font demonstration examples
Am 31.01.19 um 11:41 schrieb Andrew Bernard: Hi Urs, I'd be happy to do the Berg, as I am doing string quartet engraving at the moment, so I am all set up. How much music do you need? Nothing, my list was about what is already there ... Andrew ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Request for contribution: font demonstration examples
Hi Malte,
thank you, that looks like a good example.
I will have to see if I can reasonably manage the indent in the
infrastructure (because by default some instrument names are cut off).
And (maybe trickier) I will have to find a way to use \partcombine or
\partCombine, depending on the LilyPond version used ...
Urs
Am 31.01.19 um 10:45 schrieb Malte Meyn:
Am 31.01.19 um 09:47 schrieb Urs Liska:
* Classical "score" (e.g. an initial system of a Haydn symphony)
Some measures of the 1st movement of Dvořák’s 9th symphony (copied
from
http://hz.imslp.info/files/imglnks/usimg/5/51/IMSLP54080-PMLP08710-Dvorak_op.095_Sinfonie_Nr.9_1.Adagio_Allegro_molto_fs_SNKLHU_3_9.pdf):
\version "2.21.0"
\language "deutsch"
\new Score \with {
\remove Metronome_mark_engraver
} <<
\new StaffGroup \with {
\consists Metronome_mark_engraver
} <<
\new Staff \with {
instrumentName = "Cl. I. II. A"
} \transpose a c' \partCombine \relative {
\tempo "Allegro molto" 4 = 136
\key e \minor
\time 2/4
\bar ".|:"
R2*3
r4 r8 g'\p
g8.-> h16-. h8-. fis-.
g8.-> h16-. h8-. fis-.
g8.-> h16-. h8-. fis-.
g8 r r4
}
\relative {
R2*3
r4 r8 e'\p
e8.-> g16-. g8-. dis-.
e8.-> g16-. g8-. dis-.
e8.-> g16-. g8-. dis-.
e8 r r4
}
\new Staff \with {
instrumentName = "Fag. I. II."
} \partCombine \relative {
\clef bass
\key e \minor
R2*3
r4 r8 g\p
g8.-> h16-. h8-. fis-.
g8.-> h16-. h8-. fis-.
g8.-> h16-. h8-. fis-.
g2
}
\relative {
R2*3
r4 r8 e\p
e8.-> g16-. g8-. dis-.
e8.-> g16-. g8-. dis-.
e8.-> g16-. g8-. dis-.
e2
}
>>
\new StaffGroup \with {
\override SystemStartBracket.collapse-height = 0
} \new Staff \with {
instrumentName = "Cor. III. IV. C"
} \transpose c c' \partCombine \relative {
e4.\mf g8\< h e4.->\!
g4->\f e8 c h\> e,4.
R2*4\!
}
\relative {
e4.\mf g8\< h e4.->\!
g4->\f e8 c h\> e,4.
R2*4\!
}
\new StaffGroup \with {
\consists Metronome_mark_engraver
} <<
\new GrandStaff \with {
instrumentName = "Viol."
} <<
\new Staff \with {
instrumentName = "I."
} \relative {
\tempo "Allegro molto" 4 = 136
\key e \minor
h''2:32\pp
h2:
c:
h8:[ g: e: h:]
h2:
h:
h:
h16(\< g e g h\> e g fis) <>\!
}
\new Staff \with {
instrumentName = "II."
} \relative {
\key e \minor
g''2:32\pp
g:
g:
g8:[ e: h: g:]
g([ e h' h,)]
g'([ e h' h,)]
g'([ e h' h,)]
e4 r
}
>>
\new Staff \with {
instrumentName = "Vle."
} \relative {
\clef alto
\key e \minor
e''2:32\pp
e:
e:
e8:[ h: g: e:]
h2:
h:
h:
:
}
\new Staff \with {
instrumentName = "Vcl."
} \relative {
\clef bass
\key e \minor
e4^"pizz."\pp r
R2
c4 r
e r
e8([^"arco"\pp g h h,)]
e([ g h h,)]
e([ g h h,)]
e2
}
\new Staff \with {
instrumentName = "Cb."
} \relative {
\clef bass
\key e \minor
e4^"pizz."\pp r
R2
c4 r
e r
e r8 h
e4 r8 h
e4 r8 h
e4 r
}
>>
>>
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Re: Request for contribution: font demonstration examples
Hi Urs, Speaking as a harpsichord player myself, can we not have Bach on the piano please? Keyboard will do fine. We take so much care to be precise in engraving and notation and such topics, let's keep the musicology at a similar high standard. Sorry, this is a major peeve of mine, and ignores 300 years of harpsichord building and literature and tradition. [List members may be interested to know that I have also spent thirty years building harpsichords here in Australia. You can see why this gets me going.] JS Bach did not write any piano music, so it's going to be hard to find examples! [There may be one piece, an adagio, but it's doubtful in many respects.] Andrew ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Request for contribution: font demonstration examples
Am 31.01.19 um 09:47 schrieb Urs Liska:
* Classical "score" (e.g. an initial system of a Haydn symphony)
Some measures of the 1st movement of Dvořák’s 9th symphony (copied from
http://hz.imslp.info/files/imglnks/usimg/5/51/IMSLP54080-PMLP08710-Dvorak_op.095_Sinfonie_Nr.9_1.Adagio_Allegro_molto_fs_SNKLHU_3_9.pdf):
\version "2.21.0"
\language "deutsch"
\new Score \with {
\remove Metronome_mark_engraver
} <<
\new StaffGroup \with {
\consists Metronome_mark_engraver
} <<
\new Staff \with {
instrumentName = "Cl. I. II. A"
} \transpose a c' \partCombine \relative {
\tempo "Allegro molto" 4 = 136
\key e \minor
\time 2/4
\bar ".|:"
R2*3
r4 r8 g'\p
g8.-> h16-. h8-. fis-.
g8.-> h16-. h8-. fis-.
g8.-> h16-. h8-. fis-.
g8 r r4
}
\relative {
R2*3
r4 r8 e'\p
e8.-> g16-. g8-. dis-.
e8.-> g16-. g8-. dis-.
e8.-> g16-. g8-. dis-.
e8 r r4
}
\new Staff \with {
instrumentName = "Fag. I. II."
} \partCombine \relative {
\clef bass
\key e \minor
R2*3
r4 r8 g\p
g8.-> h16-. h8-. fis-.
g8.-> h16-. h8-. fis-.
g8.-> h16-. h8-. fis-.
g2
}
\relative {
R2*3
r4 r8 e\p
e8.-> g16-. g8-. dis-.
e8.-> g16-. g8-. dis-.
e8.-> g16-. g8-. dis-.
e2
}
>>
\new StaffGroup \with {
\override SystemStartBracket.collapse-height = 0
} \new Staff \with {
instrumentName = "Cor. III. IV. C"
} \transpose c c' \partCombine \relative {
e4.\mf g8\< h e4.->\!
g4->\f e8 c h\> e,4.
R2*4\!
}
\relative {
e4.\mf g8\< h e4.->\!
g4->\f e8 c h\> e,4.
R2*4\!
}
\new StaffGroup \with {
\consists Metronome_mark_engraver
} <<
\new GrandStaff \with {
instrumentName = "Viol."
} <<
\new Staff \with {
instrumentName = "I."
} \relative {
\tempo "Allegro molto" 4 = 136
\key e \minor
h''2:32\pp
h2:
c:
h8:[ g: e: h:]
h2:
h:
h:
h16(\< g e g h\> e g fis) <>\!
}
\new Staff \with {
instrumentName = "II."
} \relative {
\key e \minor
g''2:32\pp
g:
g:
g8:[ e: h: g:]
g([ e h' h,)]
g'([ e h' h,)]
g'([ e h' h,)]
e4 r
}
>>
\new Staff \with {
instrumentName = "Vle."
} \relative {
\clef alto
\key e \minor
e''2:32\pp
e:
e:
e8:[ h: g: e:]
h2:
h:
h:
:
}
\new Staff \with {
instrumentName = "Vcl."
} \relative {
\clef bass
\key e \minor
e4^"pizz."\pp r
R2
c4 r
e r
e8([^"arco"\pp g h h,)]
e([ g h h,)]
e([ g h h,)]
e2
}
\new Staff \with {
instrumentName = "Cb."
} \relative {
\clef bass
\key e \minor
e4^"pizz."\pp r
R2
c4 r
e r
e r8 h
e4 r8 h
e4 r8 h
e4 r
}
>>
>>
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Request for contribution: font demonstration examples
Hi all, after quite some time doing other stuff I want to return to my work on Frescobaldi's "Show fonts" dialog. I decided to finalize the new dialog for now without providing an extensive interface for automatically choosing music *and* text fonts and producing the code for use in the input file. The dialog will allow copying the incantation to select the chosen music font to the clipboard and that will be it for now. I just have to stop at some point, or I'll never manage to get this feature merged into master ... Today I'm asking (again) for some contribution of LilyPond files for use in the Show Available Fonts dialog. The Music Fonts tab allows to compile a) a set of provided samples, b) an arbitrary file and c) the "current document" using any of the installed notation fonts. So far the following files/styles are provided: * Bach (piano) * Scriabine (piano) * Berg (clarinet/piano) * Berg (string quartet) However, the selection of provided samples should cover a possibly wide range of styles, and I would like to add some more examples like e.g. * Neumes notation * Mensural notation * Classical "score" (e.g. an initial system of a Haydn symphony) * Contemporary notation (as long as it shows off *glyphs* and not only graphical tools) I'm not sure if this can be claimed "fair use", so that should rather be some music that is explicitly sharable. * ... In addition I would like to have one "glyphs sheet" sample. Here you can see a stub of such a file, also as a reminder how that dialog behaves: https://github.com/frescobaldi/frescobaldi/pull/1075#issuecomment-459260351 Such an example might be organized as a series of \score-s with interspersed \markup-s, it just has to be a self-contained file without a \paper block. I would be very glad about further contributions (some of the existing samples have been provided by others) so I can concentrate on the actual Frescobaldi coding. Best Urs ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
