Re: a modest proposal for input syntax

2007-08-10 Thread Peter Terpstra
James Wilkinson in [EMAIL PROTECTED] :

 My biggest problem in typing input is getting notes  in the correct
 octave. Relative mode doesn't help me that much because I have to
 stop and think which direction is within a fourth of  the previous
 note.

As a beginner a have the same problem, trying to study on the answers below.
Typing in the good direction would save a lot off time.

Kind regards,

   Peter

-- 
mailto:[EMAIL PROTECTED]



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Re: a modest proposal for input syntax

2007-08-10 Thread Kieren MacMillan

Hi Dominic/Jimmy/etc.,


My biggest problem in typing input is getting notes  in the correct
octave. Relative mode doesn't help me that much because I have to
stop and think which direction is within a fourth of  the previous  
note.


This sounds to me like a pretty simple coding job for someone fluent  
in Lilypond (Scheme, etc.) -- maybe you (Jimmy) should consider  
sponsoring a macro? e.g.,


\updown { b c' d' e' b, c'' }

would output

b c d e b c'

Hope this helps,
Kieren.


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Re: a modest proposal for input syntax

2007-08-10 Thread Dominic Neumann
2007/8/10, Bertalan Fodor [EMAIL PROTECTED]:
 You can achieve almost the same using

 b f'=''

 Perhaps if you could turn off the warning written when the octave check
 fails, you could use this as the feature you are talking about, just
 writing

 b f='', and it automatically puts the f to the right place.

 However, it would be possible to implement a feature in the LilyPond
 editors (like LilyPondTool) to tell the direction while typing.

That would be very nice. However, I´ve managed this quite good. I
really seldom have to change the direction afterwards, because I typed
it the wrong way.


 Bert

  My biggest problem in typing input is getting notes  in the correct
  octave. Relative mode doesn't help me that much because I have to
  stop and think which direction is within a fourth of  the previous
  note.
 
  The thing that's unambiguous is direction. If I'm on the b in the
  middle of the staff, the f at the top of the staff is up, and the f
  at the bottom is down, and I don't have to think to know this. As
  things are now, I have to type f to go down and f' to go up (I
  think). My suggestion is that I should type fu for up and fd for
  down, or fuu or fdd to go up or down another octave. It's simple,
  it's easy, and it's automatic.
 
  Thanks for a great program
  --
  -
  Jimmy Wilkinson| Professor Emeritus of Computer Science
  [EMAIL PROTECTED]| The College of Charleston
  (843) 953-8160 | Charleston  SC29424
  http://www.cs.cofc.edu/~jimmy
 
  If there is one word to describe me, that word would have to be
  profectionist.
  Any form of incompitence is an athema to me.
  Metathesis??? Don't ax me.
  Just between you and I, the grammar used by Americans are getting worse.
  I can only help but wonder what the cause of this might be.
  It just ceases to amaze me how it could be the case, but mostly I
  could care less.
 
 
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Re: a modest proposal for input syntax

2007-08-10 Thread Bertalan Fodor
You can achieve almost the same using

b f'=''

Perhaps if you could turn off the warning written when the octave check
fails, you could use this as the feature you are talking about, just
writing

b f='', and it automatically puts the f to the right place.

However, it would be possible to implement a feature in the LilyPond
editors (like LilyPondTool) to tell the direction while typing.

Bert

 My biggest problem in typing input is getting notes  in the correct
 octave. Relative mode doesn't help me that much because I have to
 stop and think which direction is within a fourth of  the previous
 note.

 The thing that's unambiguous is direction. If I'm on the b in the
 middle of the staff, the f at the top of the staff is up, and the f
 at the bottom is down, and I don't have to think to know this. As
 things are now, I have to type f to go down and f' to go up (I
 think). My suggestion is that I should type fu for up and fd for
 down, or fuu or fdd to go up or down another octave. It's simple,
 it's easy, and it's automatic.

 Thanks for a great program
 --
 -
 Jimmy Wilkinson| Professor Emeritus of Computer Science
 [EMAIL PROTECTED]| The College of Charleston
 (843) 953-8160 | Charleston  SC29424
 http://www.cs.cofc.edu/~jimmy

 If there is one word to describe me, that word would have to be
 profectionist.
 Any form of incompitence is an athema to me.
 Metathesis??? Don't ax me.
 Just between you and I, the grammar used by Americans are getting worse.
 I can only help but wonder what the cause of this might be.
 It just ceases to amaze me how it could be the case, but mostly I
 could care less.


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a modest proposal for input syntax

2007-08-09 Thread James Wilkinson
My biggest problem in typing input is getting notes  in the correct 
octave. Relative mode doesn't help me that much because I have to 
stop and think which direction is within a fourth of  the previous 
note.


The thing that's unambiguous is direction. If I'm on the b in the 
middle of the staff, the f at the top of the staff is up, and the f 
at the bottom is down, and I don't have to think to know this. As 
things are now, I have to type f to go down and f' to go up (I 
think). My suggestion is that I should type fu for up and fd for 
down, or fuu or fdd to go up or down another octave. It's simple, 
it's easy, and it's automatic.


Thanks for a great program
--
-
Jimmy Wilkinson| Professor Emeritus of Computer Science
[EMAIL PROTECTED]| The College of Charleston
(843) 953-8160 | Charleston  SC29424
http://www.cs.cofc.edu/~jimmy

If there is one word to describe me, that word would have to be 
profectionist.

Any form of incompitence is an athema to me.
Metathesis??? Don't ax me.
Just between you and I, the grammar used by Americans are getting worse.
I can only help but wonder what the cause of this might be.
It just ceases to amaze me how it could be the case, but mostly I 
could care less.



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