Re: partcombine and/or engraver question

2010-03-09 Thread Neil Thornock
Hi Kieren,
Well, I'm clueless about how to help with your issue.  But congrats on
the premiere/recording!


On Mon, Mar 8, 2010 at 7:36 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
 Hi all,

 I write [and engrave] a lot of choral music.

 There's one big thing I want to do in Lilypond, and wanted to get some 
 opinions on the matter...

 In my choral music, there are often large sections of unison and two-part 
 writing, as well as four- and [complex] eight-part writing. That is to say, 
 often the music can be completely represented on a single staff, but usually 
 it needs two or three or four, and every once in a while it requires eight 
 (i.e., one staff per vocal part).

 In a perfect world, I would like to indicate [in the .ly code] where a Voice 
 *requires* its own Staff context, and then have Lilypond make the 
 Staff-generating [partcombine?] decisions automatically, in order to get the 
 best overall spacing. So (e.g.) if half-way through a system a unison section 
 would [need to] break into four staves, either Lilypond would back-quote 
 the unison music to fill the first half of the system, or insert a break at 
 that point and respace the section accordingly, so that the split happens 
 at the beginning of the new system. [I hope I've adequately explained what 
 I'm looking for.]

 Right now, I'm using a somewhat complex combination of \quoteDuring [drawing 
 from a unison variable] and manual breaks to accomplish this task. But I 
 was hoping there might be a way to get it automated, mostly or fully.

 Since it would impact horizontal as well as vertical spacing, I imagine that:
    1. The logic/algorithm/code would have to be in an engraver, and maybe 
 even in C++, as opposed to in a Scheme function.
    2. It might require multiple passes [like the old two-pass spacing macro].
    3. What I'm asking for might not be possible at all.

 Any suggestions or comments would be greatly appreciated.

 Cheers,
 Kieren.

 p.s. At the U.S. premiere (and CD recording) of my Fantasy Variations this 
 past weekend in Arizona, I got more compliments on the score/parts -- yay, 
 Lilypond!

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-- 
Neil Thornock, D.M.
Check out the newly designed website!
http://neilthornock.net
Assistant Professor of Music
Composition/Theory
Brigham Young University


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Re: partcombine and/or engraver question

2010-03-09 Thread Kieren MacMillan
Hi Neil,

 Well, I'm clueless about how to help with your issue.
 But congrats on the premiere/recording!

Thanks!
When the CD is released, I'll be sure to let everyone know where to buy their 
obligatory 12-or-so copies.  ;)

Cheers,
Kieren.

 On Mon, Mar 8, 2010 at 7:36 AM, Kieren MacMillan
 kieren_macmil...@sympatico.ca wrote:
 Hi all,
 
 I write [and engrave] a lot of choral music.
 
 There's one big thing I want to do in Lilypond, and wanted to get some 
 opinions on the matter...
 
 In my choral music, there are often large sections of unison and two-part 
 writing, as well as four- and [complex] eight-part writing. That is to say, 
 often the music can be completely represented on a single staff, but usually 
 it needs two or three or four, and every once in a while it requires eight 
 (i.e., one staff per vocal part).
 
 In a perfect world, I would like to indicate [in the .ly code] where a Voice 
 *requires* its own Staff context, and then have Lilypond make the 
 Staff-generating [partcombine?] decisions automatically, in order to get the 
 best overall spacing. So (e.g.) if half-way through a system a unison 
 section would [need to] break into four staves, either Lilypond would 
 back-quote the unison music to fill the first half of the system, or 
 insert a break at that point and respace the section accordingly, so that 
 the split happens at the beginning of the new system. [I hope I've 
 adequately explained what I'm looking for.]
 
 Right now, I'm using a somewhat complex combination of \quoteDuring [drawing 
 from a unison variable] and manual breaks to accomplish this task. But I 
 was hoping there might be a way to get it automated, mostly or fully.
 
 Since it would impact horizontal as well as vertical spacing, I imagine that:
1. The logic/algorithm/code would have to be in an engraver, and maybe 
 even in C++, as opposed to in a Scheme function.
2. It might require multiple passes [like the old two-pass spacing macro].
3. What I'm asking for might not be possible at all.
 
 Any suggestions or comments would be greatly appreciated.
 
 Cheers,
 Kieren.
 
 p.s. At the U.S. premiere (and CD recording) of my Fantasy Variations this 
 past weekend in Arizona, I got more compliments on the score/parts -- yay, 
 Lilypond!
 
 ___
 lilypond-user mailing list
 lilypond-user@gnu.org
 http://lists.gnu.org/mailman/listinfo/lilypond-user
 
 
 
 
 -- 
 Neil Thornock, D.M.
 Check out the newly designed website!
 http://neilthornock.net
 Assistant Professor of Music
 Composition/Theory
 Brigham Young University
 



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partcombine and/or engraver question

2010-03-08 Thread Kieren MacMillan
Hi all,

I write [and engrave] a lot of choral music.

There's one big thing I want to do in Lilypond, and wanted to get some opinions 
on the matter...

In my choral music, there are often large sections of unison and two-part 
writing, as well as four- and [complex] eight-part writing. That is to say, 
often the music can be completely represented on a single staff, but usually it 
needs two or three or four, and every once in a while it requires eight (i.e., 
one staff per vocal part).

In a perfect world, I would like to indicate [in the .ly code] where a Voice 
*requires* its own Staff context, and then have Lilypond make the 
Staff-generating [partcombine?] decisions automatically, in order to get the 
best overall spacing. So (e.g.) if half-way through a system a unison section 
would [need to] break into four staves, either Lilypond would back-quote the 
unison music to fill the first half of the system, or insert a break at that 
point and respace the section accordingly, so that the split happens at the 
beginning of the new system. [I hope I've adequately explained what I'm looking 
for.]

Right now, I'm using a somewhat complex combination of \quoteDuring [drawing 
from a unison variable] and manual breaks to accomplish this task. But I was 
hoping there might be a way to get it automated, mostly or fully.

Since it would impact horizontal as well as vertical spacing, I imagine that:
1. The logic/algorithm/code would have to be in an engraver, and maybe even 
in C++, as opposed to in a Scheme function.
2. It might require multiple passes [like the old two-pass spacing macro].
3. What I'm asking for might not be possible at all.

Any suggestions or comments would be greatly appreciated.

Cheers,
Kieren.

p.s. At the U.S. premiere (and CD recording) of my Fantasy Variations this 
past weekend in Arizona, I got more compliments on the score/parts -- yay, 
Lilypond!

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