Re: problem with horizontal shift of note
On 08.03.2009, at 06:24, Tom Cloyd wrote:
After 3 months away from Lilypond, I'm back, thankfully. All
updated and sailing...right into a wall. I could really use a hint
about this current problem.
I cannot get a horizontal shift of a note, resulting in an ugly
collision. I think the problem is the too many clashing note
columns warnings I keep getting. I dimly recall someone telling me
what to do with that, but it's long gone from my memory, and in any
case hasn't been a problem (that I'm aware of). My score is, and
has been, working well. This is an old problem I'm trying to fix
tonight.
At the risk of overload, I'll include the full program and CLI
output, the latter first:
I haven't begun to compile your score, but I see something (that I've
corrected a lot of in the past weeks).
You have, essentially:
\version 2.12.2
vOne = \relative c'' \new Voice {
\voiceOne
c d a c
d e d c
}
vTwo = \relative c'' \new Voice {
\voiceTwo
a g f a
%% The following two lines are equivalent
{b c a a}\\{a g g f}
% \new Voice = voiceOne {\voiceOne b c a a } \new Voice = voiceTwo
{\voiceTwo a g g f } \oneVoice
}
\score {\new Staff \vOne \vTwo}
You'll notice here that in vTwo, there is a section that puts music
in voiceOne, which already has music, that'll cause collisions. You
may want to change to voiceFour, and then do your manual note
shifting using:
vTwoFour = \relative c'' \new Voice {
\voiceTwo
a g f a
{b c a a}\new Voice = vFour { \voiceFour \shiftOn a \shiftOff g
\shiftOn g \shiftOff f}\oneVoice
}
\score { \new Staff \vOne \vTwo
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Re: problem with horizontal shift of note
Tom Cloyd wrote:
...
Well, I'm really really stuck.
I tried renaming \voiceTwo to \voiceThree: I got an explosion of too
many clashing note columns warnings, and NO change in my note collision
problem.
I tried sticking \shiftOn in various places in the program - beginning
of the voice, beginning of the measure, other places. No effect.
I have tried putting getting either in b in the upper voice or the a in
the lower voice to shift - I want the b to go to the right. Nothing
moves.
No matter what I do - no note shift. My current version of measure 15 is:
\shiftOn
a-1 ^[2*] \once \override NoteColumn #'force-hshift = #2.0 b |
The b is still colliding with the a in the lower voice.
Any ideas?
I recommend you to read Section 3.2 Voices contain music of the
Learning Manual included in the LilyPond documentation for the latest
version, especially subsection 3.2.2.
Applying the ideas described there, to measure 15 of tenor voice of your
example, would lead to
\new Voice {\voiceFour e-1 2 a-1 4 g |}
{ c,-2 a-4\6 2 d g,-2 } |
which gives the desired note shift and no warnings.
/Mats
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problem with horizontal shift of note
After 3 months away from Lilypond, I'm back, thankfully. All updated and
sailing...right into a wall. I could really use a hint about this
current problem.
I cannot get a horizontal shift of a note, resulting in an ugly
collision. I think the problem is the too many clashing note columns
warnings I keep getting. I dimly recall someone telling me what to do
with that, but it's long gone from my memory, and in any case hasn't
been a problem (that I'm aware of). My score is, and has been, working
well. This is an old problem I'm trying to fix tonight.
At the risk of overload, I'll include the full program and CLI output,
the latter first:
===begin CLI output
t...@tomc-desktop:~/Music/Music_scores/Lilypond$ lilypond chorale01.ly
GNU LilyPond 2.12.2
Processing `chorale01.ly'
Parsing...
Interpreting music... [8][16][24]
Preprocessing graphical objects...
chorale01.ly:168:18: warning: ignoring too many clashing note columns
{ f-3 c-1
d-2 b-3 | }\\
chorale01.ly:168:6: warning: ignoring too many clashing note columns
{
f-3 c-1 d-2 b-3 | }\\
chorale01.ly:156:65: warning: ignoring too many clashing note columns
{ e-1 2 \once \override NoteColumn #'force-hshift = #2.0
a-1 4
g |} \\
chorale01.ly:156:7: warning: ignoring too many clashing note columns
{
e-1 2 \once \override NoteColumn #'force-hshift = #2.0 a-1 4
g |} \\
Interpreting music...
MIDI output to `chorale01.midi'...
Finding the ideal number of pages...
Fitting music on 1 page...
Drawing systems...
Layout output to `chorale01.ps'...
Converting to `./chorale01.pdf'...
t...@tomc-desktop:~/Music/Music_scores/Lilypond$
=== end output
=== begin Ly program ===
\version 2.12.2-1
#(set-global-staff-size 20) % 20 this is said to be standard for most scores
date = #(strftime %Y.%m.%d (localtime (current-time))) % define a
variable to hold the formatted date
#(define RH rightHandFinger) %assigns value to RH
\header {
% * centered top *
%dedication=dedication %centered above title, top of page one
title = Chorale #1 %centered below dedication
%subtitle = subtitle %centered below title
subsubtitle = \markup { (2008.11.03) - version \date } %centered
below subtitle
%piece = (piece) %{ useful only with multi-piece set given Opus
number; set flus left below meter %}
instrument = Classical Guitar %{ centered below the subsubtitle,
and at the top of pages (other than the first page). %}
% * flush right *
composer = \markup \center-column {Tom Cloyd \small
t...@tomcloyd.com } %flush right
%arranger = {arranger} %flush right below composer
%opus = {opus} %flush right below arranger
% * centered, bottom of page *
copyright = © 2008 Tom Cloyd %centered at the bottom of the first page
tagline = \markup { \small score set with Lilipond
(http://lilypond.org/web/)} % centered at the bottom of the last page
}
\paper {
#(set-default-paper-size letter 'portrait)
ragged-last-bottom = ##t % turns off vertical justify
left-margin = 0.6\in
line-width = 7\in % works better than specifying R-margin
bottom-margin = 0.7\in
top-margin = 0.7\in
}
% variables =
% LH fingering orientations
sfol = \set Staff.fingeringOrientations = #'(left)
sfor = \set Staff.fingeringOrientations = #'(right)
sfod = \set Staff.fingeringOrientations = #'(down)
sfou = \set Staff.fingeringOrientations = #'(up)
% RH fingering orientations
ssfol = \set Staff.strokeFingerOrientations = #'(left)
ssfor = \set Staff.strokeFingerOrientations = #'(right)
ssfod = \set Staff.strokeFingerOrientations = #'(down)
ssfou = \set Staff.strokeFingerOrientations = #'(up)
% string number orientations
ssnol = \set Staff.stringNumberOrientations = #'(left) %(down
right up)
ssnou = \set Staff.stringNumberOrientations = #'(up)
ssnod = \set Staff.stringNumberOrientations = #'(down)
ssnor = \set Staff.stringNumberOrientations = #'(right)
% Finger stroke symbols
strokeUp = \markup { \postscript #
0.1 setlinewidth
0.5 0 moveto
0.5 2 lineto
0.2 1.4 lineto
0.5 2 moveto
0.8 1.4 lineto
stroke
}
strokeDown = \markup { \postscript #
0.1 setlinewidth
0.5 2 moveto
0.5 0 lineto
0.2 0.6 lineto
0.5 0 moveto
0.8 0.6 lineto
stroke
}
% VOICE ONE
melody = \relative c' {
\clef treble_8
\key a \minor
\time 4/4
\tempo Moderato 4 = 98 %{ metronome marking will be in parentheses,
if accompanied by verbal tempo marking; or just precede it with empty
parentheses to obtain metron. marking in parens. %}
\voiceOne
\sfol %LH fingering placement
\ssfor %RH fingering placement
\ssnol %string number placement
e c-1 g 2 f-1 4 g-4 |
g4. e8 c2 ^C I |
c d-4 4 e |
d2 ^C III e-4 4 g |
a-4 2 a-4 4 ^5/6 C III g-1 |
% m 6 = = = =
e c g 2 d b-2 ^C III |
Re: problem with horizontal shift of note
Tom Cloyd wrote:
After 3 months away from Lilypond, I'm back, thankfully. All updated
and sailing...right into a wall. I could really use a hint about this
current problem.
I cannot get a horizontal shift of a note, resulting in an ugly
collision. I think the problem is the too many clashing note columns
warnings I keep getting. I dimly recall someone telling me what to do
with that, but it's long gone from my memory, and in any case hasn't
been a problem (that I'm aware of). My score is, and has been, working
well. This is an old problem I'm trying to fix tonight.
At the risk of overload, I'll include the full program and CLI output,
the latter first:
===begin CLI output
t...@tomc-desktop:~/Music/Music_scores/Lilypond$ lilypond chorale01.ly
GNU LilyPond 2.12.2
Processing `chorale01.ly'
Parsing...
Interpreting music... [8][16][24]
Preprocessing graphical objects...
chorale01.ly:168:18: warning: ignoring too many clashing note columns
{ f-3 c-1
d-2 b-3 | }\\
chorale01.ly:168:6: warning: ignoring too many clashing note columns
{
f-3 c-1 d-2 b-3 | }\\
chorale01.ly:156:65: warning: ignoring too many clashing note columns
{ e-1 2 \once \override NoteColumn #'force-hshift = #2.0
a-1 4
g |} \\
chorale01.ly:156:7: warning: ignoring too many clashing note columns
{
e-1 2 \once \override NoteColumn #'force-hshift = #2.0 a-1 4
g |} \\
Interpreting music...
MIDI output to `chorale01.midi'...
Finding the ideal number of pages...
Fitting music on 1 page...
Drawing systems...
Layout output to `chorale01.ps'...
Converting to `./chorale01.pdf'...
t...@tomc-desktop:~/Music/Music_scores/Lilypond$
=== end output
=== begin Ly program ===
\version 2.12.2-1
#(set-global-staff-size 20) % 20 this is said to be standard for most
scores
date = #(strftime %Y.%m.%d (localtime (current-time))) % define a
variable to hold the formatted date
#(define RH rightHandFinger) %assigns value to RH
\header {
% * centered top *
%dedication=dedication %centered above title, top of page one
title = Chorale #1 %centered below dedication
%subtitle = subtitle %centered below title
subsubtitle = \markup { (2008.11.03) - version \date } %centered
below subtitle
%piece = (piece) %{ useful only with multi-piece set given Opus
number; set flus left below meter %}
instrument = Classical Guitar %{ centered below the subsubtitle,
and at the top of pages (other than the first page). %}
% * flush right *
composer = \markup \center-column {Tom Cloyd \small
t...@tomcloyd.com } %flush right
%arranger = {arranger} %flush right below composer
%opus = {opus} %flush right below arranger
% * centered, bottom of page *
copyright = © 2008 Tom Cloyd %centered at the bottom of the first
page
tagline = \markup { \small score set with Lilipond
(http://lilypond.org/web/)} % centered at the bottom of the last page
}
\paper {
#(set-default-paper-size letter 'portrait)
ragged-last-bottom = ##t % turns off vertical justify
left-margin = 0.6\in
line-width = 7\in % works better than specifying R-margin
bottom-margin = 0.7\in
top-margin = 0.7\in
}
% variables =
% LH fingering orientations
sfol = \set Staff.fingeringOrientations = #'(left)
sfor = \set Staff.fingeringOrientations = #'(right)
sfod = \set Staff.fingeringOrientations = #'(down)
sfou = \set Staff.fingeringOrientations = #'(up)
% RH fingering orientations
ssfol = \set Staff.strokeFingerOrientations = #'(left)
ssfor = \set Staff.strokeFingerOrientations = #'(right)
ssfod = \set Staff.strokeFingerOrientations = #'(down)
ssfou = \set Staff.strokeFingerOrientations = #'(up)
% string number orientations
ssnol = \set Staff.stringNumberOrientations = #'(left) %(down
right up)
ssnou = \set Staff.stringNumberOrientations = #'(up)
ssnod = \set Staff.stringNumberOrientations = #'(down)
ssnor = \set Staff.stringNumberOrientations = #'(right)
% Finger stroke symbols
strokeUp = \markup { \postscript #
0.1 setlinewidth
0.5 0 moveto
0.5 2 lineto
0.2 1.4 lineto
0.5 2 moveto
0.8 1.4 lineto
stroke
}
strokeDown = \markup { \postscript #
0.1 setlinewidth
0.5 2 moveto
0.5 0 lineto
0.2 0.6 lineto
0.5 0 moveto
0.8 0.6 lineto
stroke
}
% VOICE ONE
melody = \relative c' {
\clef treble_8
\key a \minor
\time 4/4
\tempo Moderato 4 = 98 %{ metronome marking will be in parentheses,
if accompanied by verbal tempo marking; or just precede it with empty
parentheses to obtain metron. marking in parens. %}
\voiceOne
\sfol %LH fingering placement
\ssfor %RH fingering placement
\ssnol %string number placement
e c-1 g 2 f-1 4 g-4 |
g4. e8 c2 ^C I |
c d-4 4 e |
d2 ^C III e-4 4 g |
a-4 2 a-4 4 ^5/6 C III g-1 |
% m 6 = = = =
e c g
