Re: [LAD] Xiph.org - Video:Digital Show and Tell - No difference between analog and digitally processed sound.

2013-05-26 Thread Jörn Nettingsmeier

On 05/23/2013 02:18 PM, Fons Adriaensen wrote:

On Thu, May 23, 2013 at 09:38:40AM +0200, Jörn Nettingsmeier wrote:


moreover, i'd expect src circuits with only -12dB at fs/s to be
unusable in practise, because the aliasing artefacts would be
obvious. it means the top octave from 10-20hkz would be polluted
with junk at -24 to -12dB,


It doesn't have to mean that. If the filter gain is -12 dB at
0.5 Fs that doesn't imply it will be -24 dB at Fs - 10 kHz.


yes, sorry. i misread that one - for some reason, i had a 12db/oct 
filter in mind...


snip

The potential intermodulation effects referred to in the paper
by Julian Dunn are real, but not realistic. If such signals
(high energy well above 20 kHz) are present you'll have some
serious problems even in a completely analog system.


probably :)

but i found the link between passband ripple and pre-echo really 
fascinating - this fact was completely new to me.



--
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Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487

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Re: [LAD] Xiph.org - Video:Digital Show and Tell - No difference between analog and digitally processed sound.

2013-05-23 Thread Jörn Nettingsmeier

hi john,

On 05/22/2013 09:44 PM, John Rigg wrote:

On Wed, May 22, 2013 at 10:38:37AM -0400, Bill Gribble wrote:

There are real effects due to clock jitter on
both the A/D and D/A end that can cause small but measurable
distortions.


Not to mention audible if it's severe enough. Decimation filters
that only give 6 or 12dB attenuation at fs/2 (typical in many pro
audio ADC chips) can allow audible aliasing too. I wouldn't expect
an oscilloscope to have enough resolution to detect these effects,
but a good spectrum analyser and/or a good pair of ears often can.


this comment raised my eyebrows a little bit. can you explain what you 
mean by decimation filter? the way i understand it, decimation means 
chopping off bits, usually by shifting the data words, and possibly 
adding dither. how can this be a problem at fs/2? no new frequency 
components are introduced (apart from additional quantisation noise, 
which must necessarily be band-limited to fs/2), and the input of the 
decimation stage will already be band-limited as well.


otoh, if you mean sample rate down-conversion, i understand your 
comment, but then you picked an unfortunate term.
moreover, i'd expect src circuits with only -12dB at fs/s to be unusable 
in practise, because the aliasing artefacts would be obvious. it means 
the top octave from 10-20hkz would be polluted with junk at -24 to 
-12dB, unless of course there are some oversampling tricks going on and 
the effective fs is higher during down conversion. although i must 
confess i don't know anything about DAC and SRC design - if someone can 
explain this in more detail, i'm all ears.


best,


jörn



--
Jörn Nettingsmeier
Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487

Meister für Veranstaltungstechnik (Bühne/Studio)
Tonmeister VDT

http://stackingdwarves.net

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Re: [LAD] Xiph.org - Video:Digital Show and Tell - No difference between analog and digitally processed sound.

2013-05-23 Thread Fons Adriaensen
On Thu, May 23, 2013 at 09:38:40AM +0200, Jörn Nettingsmeier wrote:

 moreover, i'd expect src circuits with only -12dB at fs/s to be
 unusable in practise, because the aliasing artefacts would be
 obvious. it means the top octave from 10-20hkz would be polluted
 with junk at -24 to -12dB,

It doesn't have to mean that. If the filter gain is -12 dB at
0.5 Fs that doesn't imply it will be -24 dB at Fs - 10 kHz.

Take a filter for a 48 kHz DAC. It could be -0.5 dB at 23 kHz,
-12 dB at 24 kHz, and -100 dB at 25 kHz. Any aliasing will be
either above 23 kHz or below -100 dB, probably harmless.
Given the passband and stopband constraints at 23 and 25 kHz,
the actual value at 24 kHz is more or less irrelevant.

The potential intermodulation effects referred to in the paper
by Julian Dunn are real, but not realistic. If such signals 
(high energy well above 20 kHz) are present you'll have some
serious problems even in a completely analog system.

Ciao,

-- 
FA

A world of exhaustive, reliable metadata would be an utopia.
It's also a pipe-dream, founded on self-delusion, nerd hubris
and hysterically inflated market opportunities. (Cory Doctorow)

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Re: [LAD] Xiph.org - Video:Digital Show and Tell - No difference between analog and digitally processed sound.

2013-05-23 Thread John Rigg
On Thu, May 23, 2013 at 12:18:25PM +, Fons Adriaensen wrote:
 Take a filter for a 48 kHz DAC. It could be -0.5 dB at 23 kHz,
 -12 dB at 24 kHz, and -100 dB at 25 kHz. Any aliasing will be
 either above 23 kHz or below -100 dB, probably harmless.
 Given the passband and stopband constraints at 23 and 25 kHz,
 the actual value at 24 kHz is more or less irrelevant.
 
 The potential intermodulation effects referred to in the paper
 by Julian Dunn are real, but not realistic. If such signals 
 (high energy well above 20 kHz) are present you'll have some
 serious problems even in a completely analog system.

True, although I'd have more confidence in a filter that eliminated
the possibility entirely.

I couldn't resist responding to the statement in the thread title:
No difference between analog and digitally processed sound.
As in so many things, that depends.

John
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[LAD] Xiph.org - Video:Digital Show and Tell - No difference between analog and digitally processed sound.

2013-05-22 Thread Barney Holmes
Thought the list would find this valuable.

http://wiki.xiph.org/Videos/Digital_Show_and_Tell

I was under the impression that there was some fundamental difference
between the sound of analog and digital audio. But Monty Montgomery of
Xiph.org completely annihilates this misconception with some clever use of
analog sound reference equipment fed through a digital process and then
out to an analog oscilloscope, vs. feeding direct from analog to the
oscilloscope. The results are identical. I think Xiph have done the open
source music community quite a service here because it completely trumps,
in my opinion, the perception that electronic music put through a digital
process is somehow inferior to analog music.

~~~
Home site - http://djbarney.org

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Re: [LAD] Xiph.org - Video:Digital Show and Tell - No difference between analog and digitally processed sound.

2013-05-22 Thread Nils Gey
That is a nice video indeed. See also the other video from there A digital 
primer or so.
This was supposed to be my next Share and Care entry for my blog nilsgey.de
I guess it doens't hurt to spread knowledge through as many channels as 
possible.

Nils



On Wed, 22 May 2013 15:08:38 +0100
Barney Holmes djbar...@djbarney.org wrote:

 Thought the list would find this valuable.
 
 http://wiki.xiph.org/Videos/Digital_Show_and_Tell
 
 I was under the impression that there was some fundamental difference
 between the sound of analog and digital audio. But Monty Montgomery of
 Xiph.org completely annihilates this misconception with some clever use of
 analog sound reference equipment fed through a digital process and then
 out to an analog oscilloscope, vs. feeding direct from analog to the
 oscilloscope. The results are identical. I think Xiph have done the open
 source music community quite a service here because it completely trumps,
 in my opinion, the perception that electronic music put through a digital
 process is somehow inferior to analog music.
 
 ~~~
 Home site - http://djbarney.org
 
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 Linux-audio-dev mailing list
 Linux-audio-dev@lists.linuxaudio.org
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Re: [LAD] Xiph.org - Video:Digital Show and Tell - No difference between analog and digitally processed sound.

2013-05-22 Thread Bill Gribble
This is an interesting video, and for their stated purpose (to dispel
the idea that the output of a D/A converter is a stairstep) it's
great.  

But, to be fair, he's only addressing one part of the process (the
conversion from analog to digital and back).  Arguments about analog
and digital in recording tend to include such things as tape
saturation, transformers, vinyl cutting technique, floating-point error,
plugin aliasing, etc which are separate issues from A/D and D/A and are
as much about what sounds good as about whether a sampled signal can
be perfectly reconstructed.  

Also, the demonstrations with the oscilloscope are illuminating
regarding the math behind digital audio, but those aren't exactly
precision measurements.  There are real effects due to clock jitter on
both the A/D and D/A end that can cause small but measurable
distortions.  Ideal sampling and reconstruction requires ideal
hardware, which (as you might guess) doesn't exist!  The amount of
non-ideal behavior may not bother you, for any particular value of
you, but then again it may. 

Thanks,
Bill Gribble 

On Wed, 2013-05-22 at 15:08 +0100, Barney Holmes wrote:
 Thought the list would find this valuable.
 
 http://wiki.xiph.org/Videos/Digital_Show_and_Tell
 
 I was under the impression that there was some fundamental difference
 between the sound of analog and digital audio. But Monty Montgomery of
 Xiph.org completely annihilates this misconception with some clever use of
 analog sound reference equipment fed through a digital process and then
 out to an analog oscilloscope, vs. feeding direct from analog to the
 oscilloscope. The results are identical. I think Xiph have done the open
 source music community quite a service here because it completely trumps,
 in my opinion, the perception that electronic music put through a digital
 process is somehow inferior to analog music.
 
 ~~~
 Home site - http://djbarney.org
 
 ___
 Linux-audio-dev mailing list
 Linux-audio-dev@lists.linuxaudio.org
 http://lists.linuxaudio.org/listinfo/linux-audio-dev


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Re: [LAD] Xiph.org - Video:Digital Show and Tell - No difference between analog and digitally processed sound.

2013-05-22 Thread Barney Holmes
Nice blog !

Talking of sharing and caring I'm very interested in the MIT course linked
at the bottom of that article. There must be lots of other music and music
related online courses from institutions like MIT. I wonder if they are
listed anywhere ?

On Wed, May 22, 2013 3:16 pm, Nils Gey wrote:
 That is a nice video indeed. See also the other video from there A
 digital primer or so.
 This was supposed to be my next Share and Care entry for my blog
 nilsgey.de
 I guess it doens't hurt to spread knowledge through as many channels as
 possible.

 Nils



 On Wed, 22 May 2013 15:08:38 +0100
 Barney Holmes djbar...@djbarney.org wrote:

 Thought the list would find this valuable.

 http://wiki.xiph.org/Videos/Digital_Show_and_Tell

 I was under the impression that there was some fundamental difference
 between the sound of analog and digital audio. But Monty Montgomery of
 Xiph.org completely annihilates this misconception with some clever use
 of
 analog sound reference equipment fed through a digital process and then
 out to an analog oscilloscope, vs. feeding direct from analog to the
 oscilloscope. The results are identical. I think Xiph have done the open
 source music community quite a service here because it completely
 trumps,
 in my opinion, the perception that electronic music put through a
 digital
 process is somehow inferior to analog music.

 ~~~
 Home site - http://djbarney.org

 ___
 Linux-audio-dev mailing list
 Linux-audio-dev@lists.linuxaudio.org
 http://lists.linuxaudio.org/listinfo/linux-audio-dev





~~~
Home site - http://djbarney.org

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Re: [LAD] Xiph.org - Video:Digital Show and Tell - No difference between analog and digitally processed sound.

2013-05-22 Thread John Rigg
On Wed, May 22, 2013 at 10:38:37AM -0400, Bill Gribble wrote:
 There are real effects due to clock jitter on
 both the A/D and D/A end that can cause small but measurable
 distortions.

Not to mention audible if it's severe enough. Decimation filters
that only give 6 or 12dB attenuation at fs/2 (typical in many pro
audio ADC chips) can allow audible aliasing too. I wouldn't expect
an oscilloscope to have enough resolution to detect these effects,
but a good spectrum analyser and/or a good pair of ears often can.

John
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