Re: Friendly fire, music and cruelty to animals

2004-05-18 Thread Jon Murphy
Which is worse Alain, volume or Vogon poetry? I would hate to have to learn
the answer g.

Best, Jon





Re: Not a lot people know that.....

2004-05-18 Thread Jon Murphy
Tony,

A phrase I learned when looking at the related languages was this; good
butter and good cheese is good English and good Friese.

Best, Jon





Re: Lute-to-guitar

2004-05-18 Thread Jon Murphy
Not bad Tom, but my great cat wouldn't be able to handle more than a
Gerbil.

Best, Jon





Re: Friendly fire, music and cruelty to animals

2004-05-18 Thread Jon Murphy
Bill,

Not contentious at all, but perhaps inaccurate. You use the phrase the hoi
polloi, which has an internal redundancy (I used to live in Greenwich
Village - which translates as green village village). Hoi is the article
the (although it is only the letters oi with the accent that puts the
h sound on the omicron - polloi is many. (For purists, I don't have my
computer font set up for Greek).

But you make a point that could be assumed from some of the conversations on
this list. I think you are wrong, however. I'll stick my neck out (as usual)
and make the statement that the list members would be quite happy if lute
music became popular with the polloi, as long as they listened to it. The
problem with popular music is that the musical values disappear when the
music becomes merely background, or something to shout to. Convince the
populace to listen to Vivaldi, or to really hear a Gregorian chant (they
became popular briefly a few years ago, but not for long as they weren't
heard), then they might listen to the lute music.

I think the great majority of the list members would love to have lute music
appreciated by a wider public, but only if properly appreciated. It is a
fond hope, but unlikely. It would be difficult to play the lute while
bumping and grinding like Britney Spears (and it would cover her navel,
ruining her entire appeal).

Best, Jon






Fw: A pleasant day

2004-05-18 Thread Jon Murphy
I accidentally sent this to the Lute Society email rather than the Lute
List, so I forward it to the List.

Best, Jon

- Original Message - 
From: Jon Murphy [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, May 16, 2004 3:59 AM
Subject: A pleasant day


 On Friday I drove to Moravian College in Bethlehem, PA. They had a
classical
 guitar weekend set up (apparently they have a very active program). But I
 went on Friday as they had a Master Class with Ronn McFarlane. Not
knowing
 what a master class was I went, knowing that I'm not a master (of the
 lute, at least - although I've mastered a few things in my many years -
most
 of them not for publication).

 It turned out that Ronn was teaching the details of the performance to
 accomplished players, two on guitar and two on lute (but for the purists,
 one had a Theorbo). Only knowing him by his cover photo on The Scots Lute,
 and his name, I expected a burly Scotsman. What I got was a rather skinny
 American, but a man with an enthusiasm for the sound of the music that
 infused the audience (which was about ten of us). No ego performance here,
a
 love of music so well ingrained that he became conductor. The opening
 student was on guitar, and Ronn helped well with the dynamics and attack.
 The second was Renaissance lute (and a bit of a note player, rather than
the
 music). Same result. But the third was back to guitar, and I heard his
piece
 and was wondering what Ronn could say. The dynamics and the technicals
were
 excellent. But by the time Ronn finished with him they were better. Find
the
 point to start the crescendo and diminuendo, don't follow the written
word.
 It was a beautiful example of a fine ear for the music, build - don't
jump.
 (Not his terms, mine, and they refer to the specific piece).

 The half hour round table turned out to be well over an hour, the man
 wouldn't quit (and he stuck me with a three hour drive home instead of
two,
 as I hit the Friday night rush hour - but it was worth it). (And, for
those
 of pure instincts, he rather liked my little flat back as a learning
 instrument - and blessed my construction - although I would guess that
his
 comment it has a sweet sound was a polite way to say that it ain't
quite
 the real thing, but it will do for starters).

 All in all, a pleasant day. And a pleasure to watch and hear a fine
musician
 in close circumstances. It is often hard to judge from a concert as the
 performance is prepared. But when the musician picks up an instrument and
 expresses a phrase that he isn't prepared for, as a correction to another,
 then one hears the music. I make no statement that Ronn is HIP, how would
I
 know. But his skills and enthusiasm for the music are a pleasure. (And,
BTW,
 I didn't comment when he made the comparison between the Scots of
 Renaissance times and the French - believe it or not I wasn't ready to
open
 my mouth - but that was a time when the Scots and the French were
culturally
 very close, due to the exodus of the Scots nobility to France and back
when
 Bonny Prince Charlie was killing himself in alcohol in exile).

 Enough, and some may say it was enough sooner. But for those who may enjoy
 the vicarious pleasant day I offer it.

 Best, Jon






Re: Not a lot people know that.....

2004-05-18 Thread ferengizâde daniêl shawqy
American IS the equivalent for the rest of the world...
greetings, danyel
  - Original Message -=20
  From: Tony Chalkley=20
  To: [EMAIL PROTECTED] ; Bernd Haegemann=20
  Sent: Friday, May 14, 2004 4:56 PM
  Subject: Re: Not a lot people know that.


  Dear Bernd,
  From: Bernd Haegemann [EMAIL PROTECTED]

   P.S. Where did you take the statement from? The Handbook of
Astrology?

  Maybe you ought to have explained that for East-Friesian French =
people
  should read Belgian, English people should read Irish, Iranians -  =
Qazvinis.
  Maybe someone else can fill us in about what the Belgians, Irish and
  Qazvinis should read, as well as, perhaps the American equivalent.


  Tony



--


lute to guitar

2004-05-18 Thread RichardTomBeck
Cheers Jon! Sadly I don't even have a cat, as I'm allergic to their fur. We 
tried, but had to take it back to the cattery after one day, as I came out in 
red spots all over. Best wishes

Tom

--


Eugene Onegin

2004-05-18 Thread RichardTomBeck
As a few people have expressed an interest Eugene Onegin, the following link 
might be of use.  

http://www.dedalusbooks.com/catalog.php?id=0167s=1


Cheers

Tom Beck

--


Re: Friendly fire, music and cruelty to animals

2004-05-18 Thread Alain Veylit
Jon,
Some of the music my daughters listens to sounds much like electrified 
Vogon poetry ... But they also enjoy the Baltimore consort and the Beatles. 
So that makes the balance, I guess
Alain

At 11:10 PM 5/17/2004, Jon Murphy wrote:
Which is worse Alain, volume or Vogon poetry? I would hate to have to learn
the answer g.

Best, Jon





Re: Friendly fire, music and cruelty to animals

2004-05-18 Thread Thomas Schall
How was the band's name whose music one can only bear to listen when
being on a different planet? 

Thomas

Am Die, 2004-05-18 um 17.07 schrieb Alain Veylit:

 Jon,
 Some of the music my daughters listens to sounds much like electrified 
 Vogon poetry ... But they also enjoy the Baltimore consort and the Beatles. 
 So that makes the balance, I guess
 Alain
 
 At 11:10 PM 5/17/2004, Jon Murphy wrote:
 Which is worse Alain, volume or Vogon poetry? I would hate to have to learn
 the answer g.
 
 Best, Jon
 

-- 
Thomas Schall
Niederhofheimer Weg 3   
D-65843 Sulzbach
06196/74519
[EMAIL PROTECTED]
www.lautenist.de / www.tslaute.de/weiss

--


Re: Friendly fire, music and cruelty to animals

2004-05-18 Thread Howard Posner

 How was the band's name whose music one can only bear to listen when
 being on a different planet?

Not quite that.  In the interests of accuracy, from Douglas Adams' The
Restaurant at the End of the Universe, chapter 17:

Disaster Area, a plutonium rock band from the Gagracka Mind Zones, are
generally held to be not only the loudest rock band in the Galaxy, but in
fact the loudest noise of any kind at all.  Regular concert goers judge that
the best sound balance is usually to be heard from within large concrete
bunkers some 37 miles from the stage, whilst the musicians themselves play
their instruments by remote control from within a heavily insulated
spaceship which stays in orbit around the planet -- or more frequently
around a completely different planet.
*   *   *
Many worlds have now banned their act altogether, sometimes for artistic
reasons, but most commonly because the band's public address system
contravenes local strategic arms limitations treaties.

Disaster Area was not in the original BBC radio Hitch-Hiker's Guide to the
Galaxy.  I suppose it was substituted for the super-evolutionary Hagunenons,
which would have been too difficult to do on television.




Re: Friendly fire, music and cruelty to animals

2004-05-18 Thread Thomas Schall
I got the information about the band from the book. 
Thanks for the correction!

Thomas

Am Die, 2004-05-18 um 18.38 schrieb Howard Posner:

  How was the band's name whose music one can only bear to listen when
  being on a different planet?
 
 Not quite that.  In the interests of accuracy, from Douglas Adams' The
 Restaurant at the End of the Universe, chapter 17:
 
 Disaster Area, a plutonium rock band from the Gagracka Mind Zones, are
 generally held to be not only the loudest rock band in the Galaxy, but in
 fact the loudest noise of any kind at all.  Regular concert goers judge that
 the best sound balance is usually to be heard from within large concrete
 bunkers some 37 miles from the stage, whilst the musicians themselves play
 their instruments by remote control from within a heavily insulated
 spaceship which stays in orbit around the planet -- or more frequently
 around a completely different planet.
 *   *   *
 Many worlds have now banned their act altogether, sometimes for artistic
 reasons, but most commonly because the band's public address system
 contravenes local strategic arms limitations treaties.
 
 Disaster Area was not in the original BBC radio Hitch-Hiker's Guide to the
 Galaxy.  I suppose it was substituted for the super-evolutionary Hagunenons,
 which would have been too difficult to do on television.

-- 
Thomas Schall
Niederhofheimer Weg 3   
D-65843 Sulzbach
06196/74519
[EMAIL PROTECTED]
www.lautenist.de / www.tslaute.de/weiss

--


liederkreis

2004-05-18 Thread Roman Turovsky
I have a new Schubert/Matthison item (13-course, for those interested) at
http://polyhymnion.org/lieder/lieder.html
RT





Hasenfuss

2004-05-18 Thread Donatella Galletti
Does anybody have snail and /or mail address of Hendrick Hasenfuss? Please
answer off- list

Thanks!

Donatella

http://web.tiscali.it/awebd


__
Tiscali ADSL libera la velocita'!
Attiva Senza Canone entro il 31 maggio: navighi a 1,5 euro l'ora per i primi
3 mesi,se scegli il modem e' tuo in comodato gratuito e in piu' hai gratis
SuperMail per 12 mesi. Non aspettare, attivala subito!
http://abbonati.tiscali.it/adsl/prodotti/640Kbps/







Lute and viol

2004-05-18 Thread Ariel Abramovich
Dear all,
 I wonder if any of you could provide some info about =
English pieces for lute and viola da gamba of late XVIth century and =
early XVIIth.
Thanks very much.
Saludos from Sevilla,
Ariel.




--


tid-bits

2004-05-18 Thread Roman Turovsky
Help needed in identification of a triple-swan-neck lute at the bottom of
http://polyhymnion.org/swv/vita.html
Anyone?
RT





baroque guitar + bandura

2004-05-18 Thread Roman Turovsky
Is anyone familiar with instruments by 1785 Rafael Vallego of Granada, such
as seen in Chapter III at
http://polyhymnion.org/torban
???
RT





Re: Lute and viol

2004-05-18 Thread Ed Durbrow
Tobias Hume would be a point to start. He says his music (in 
Poeticall Musicke 1605) can be played in 8 different combinations, 
including 2 lutes and basse viole.

Dear all,
  I wonder if any of you could provide some info about =
English pieces for lute and viola da gamba of late XVIth century and =
early XVIIth.
Thanks very much.
Saludos from Sevilla,
Ariel.




--


-- 
Ed Durbrow
Saitama, Japan
http://www9.plala.or.jp/edurbrow/