[LUTE] Re: Manuscript additions to Denss

2009-08-31 Thread Stephan Olbertz

This is the copy published in facsimile by Tree Editions...

Regards,

Stephan


Am 31.08.2009, 23:24 Uhr, schrieb Stewart McCoy :


Dear Howard,

Some time ago you were asking about tablature sources where the
tablature is like Luis Milan's, i.e. Italian tablature upside down. I
notice that there is some music added to one of Denss's books, which is
in this kind of tablature:

http://daten.digitale-sammlungen.de/~db/0003/bsb00031268/images/index.ht
ml?id=00031268&fip=88.106.240.211&no=&seite=51

Best wishes,

Stewart McCoy.

-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of G. Crona
Sent: 26 August 2009 12:19
To: Lute mailing list
Subject: [LUTE] Re: Ein Newgeordent Kuenstlich Lautenbuch

Where you'll also find:

Denss
Waissel
Ochsenkuhn
Bakfark

+ guitar & continuo stuff

- Original Message -
From: "Karl-L. Eggert" 
To: "Lute mailing list" 
Sent: Wednesday, August 26, 2009 12:03 PM
Subject: [LUTE] Re: [english 100%] Re: Hans NeusiedleRe: Ein Newgeordent

Kuenstlich Lautenbuch



  Hi all,
  there are also manuscripts digitalized. Go to "Suche"
  [1]http://www.digitale-sammlungen.de/index.html?c=suchen&l=de
  and enter the Stichwort: Mus.ms
  you'll get a list of all ms. Click at any to see the pics.
  Karl
  - Original Message -
  From: "David van Ooijen" <[2]davidvanooi...@gmail.com>
  To: <[3]l...@cs.dartmouth.edu>
  Sent: Tuesday, August 25, 2009 9:40 AM
  Subject: [english 100%] [LUTE] Re: Hans NeusiedleRe: Ein Newgeordent
  Kuenstlich Lautenbuch
  > On Mon, Aug 24, 2009 at 1:04 AM, Matteo
  > Turri<[4]matteo.o.tu...@googlemail.com> wrote:
  >> The Bavarian State Library provides a number of digitizations of
  sheet
  >> music
  >
  > Great resource. Pity the mss are not available. Anybody know if

this

  > is planned, too?
  >
  > David






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[LUTE] Re: Manuscript additions to Denss

2009-08-31 Thread Spring, aus dem, Rainer
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of 
Stewart McCoy
Sent: Monday, August 31, 2009 11:24 PM
To: Lute Net
Cc: Howard Posner
Subject: [LUTE] Manuscript additions to Denss

Dear Howard,

Some time ago you were asking about tablature sources where the tablature is 
like Luis Milan's, i.e. Italian tablature upside down. I notice that there is 
some music added to one of Denss's books, which is in this kind of tablature:

An article about these additions has been published in the journal of the 
German lute society many, many years ago.


Rainer adS

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[LUTE] Manuscript additions to Denss

2009-08-31 Thread Stewart McCoy
Dear Howard,

Some time ago you were asking about tablature sources where the
tablature is like Luis Milan's, i.e. Italian tablature upside down. I
notice that there is some music added to one of Denss's books, which is
in this kind of tablature:

http://daten.digitale-sammlungen.de/~db/0003/bsb00031268/images/index.ht
ml?id=00031268&fip=88.106.240.211&no=&seite=51

Best wishes,

Stewart McCoy.

-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of G. Crona
Sent: 26 August 2009 12:19
To: Lute mailing list
Subject: [LUTE] Re: Ein Newgeordent Kuenstlich Lautenbuch

Where you'll also find:

Denss
Waissel
Ochsenkuhn
Bakfark

+ guitar & continuo stuff

- Original Message - 
From: "Karl-L. Eggert" 
To: "Lute mailing list" 
Sent: Wednesday, August 26, 2009 12:03 PM
Subject: [LUTE] Re: [english 100%] Re: Hans NeusiedleRe: Ein Newgeordent

Kuenstlich Lautenbuch


>   Hi all,
>   there are also manuscripts digitalized. Go to "Suche"
>   [1]http://www.digitale-sammlungen.de/index.html?c=suchen&l=de
>   and enter the Stichwort: Mus.ms
>   you'll get a list of all ms. Click at any to see the pics.
>   Karl
>   - Original Message -
>   From: "David van Ooijen" <[2]davidvanooi...@gmail.com>
>   To: <[3]l...@cs.dartmouth.edu>
>   Sent: Tuesday, August 25, 2009 9:40 AM
>   Subject: [english 100%] [LUTE] Re: Hans NeusiedleRe: Ein Newgeordent
>   Kuenstlich Lautenbuch
>   > On Mon, Aug 24, 2009 at 1:04 AM, Matteo
>   > Turri<[4]matteo.o.tu...@googlemail.com> wrote:
>   >> The Bavarian State Library provides a number of digitizations of
>   sheet
>   >> music
>   >
>   > Great resource. Pity the mss are not available. Anybody know if
this
>   > is planned, too?
>   >
>   > David





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[LUTE] Re: Edward Martin/who nose?

2009-08-31 Thread Antonio Corona
Dear Göran,

I'm very sorry, but I cannot offer very much help. I read it at the British 
Library when I was preparing my Ph:D dissertation, in a quite rare 
nineteenth-century edition. However, there seems to be a facsimile edition of 
2001. Have a look at:

http://books.google.com.mx/books?id=5QLnuXWZlJgC&pg=PT87&lpg=PT87&dq=mil%C3%A1n+%22El+cortesano%22&source=bl&ots=5TTr5L2wYj&sig=0VWUJAyGCu3H1fyv3aFExBOcmLs&hl=es&ei=3gacSoP6N9LjlAfer92_DA&sa=X&oi=book_result&ct=result&resnum=1#v=onepage&q=&f=false

Best wishes,
Antonio




- Original Message 
From: G. Crona 
To: Antonio Corona 
Sent: Monday, 31 August, 2009 10:19:00
Subject: Re: [LUTE] Re: Edward Martin/who nose?

Antonio!

I've been looking for that book for ages. You have read it. Any idea of where I 
could get hold of the txt?

Best

Göran

- Original Message - From: "Antonio Corona" 
To: 
Cc: 
Sent: Saturday, August 29, 2009 3:09 AM
Subject: [LUTE] Re: Edward Martin/who nose?


- Original Message 
From: "dem...@suffolk.lib.ny.us" 
To: lute@cs.dartmouth.edu
Sent: Friday, 28 August, 2009 16:17:39
Subject: [LUTE] Re: Edward Martin/who nose?

On Fri, Aug 28, 2009, Antonio Corona  said:

AC> At any rate, we cannote provide a reasonable hypothesis for
> certain facts of performance pratice by summoning the whims of a priest.

Dana: Not even a prince of a priest?  It is such men who have the means to hire
lutenists for such occaisions, so that is not an unreasonable
circumstance.  I do not speak of a common practice, but an aberation; yet,
you  must admit that the vagaries of heart-rate will have an affect on the
players choice of tactus rate, this is true even today in modern
orchestral performance; an excited conductor may well take some passages
faster in performance than in rehearsal.

Not even of a prince or priest. Milan was not a lutenist for hire: as far as we 
can tell from his autobiographical book he was an aristocratic amateur. And, 
while the heart rate may well affect a players' performance, we are not 
discussing how fast an excited vihuelist might have played, but a specific 
instruction by the author.




>> In this particular case, I would be hard pressed to explain how
>> slow pavans with the structure of a galliard could be played
>> somewhat fast in general usage.

Dana: At least half again as many notes makes for faster seeming music;
especially contrasted against the Dancers gravitas. I spoke of the speed
of the dance, not the music (save for the tenor, or the implied tenor).

I beg your pardon. I was under the impression that we were discussing Milan's 
piece.




Dana: As yesterday, and before that, and tomorrow and after that; I have not and
cannot bring that music before my eyes tho I wish I could; nor does it lie
in my head so I cannot speak more directly to your point.

You can consult the facsimile at:

http://bibliotecadigitalhispanica.bne.es/R/VF4NGVRAE4GN5CIQXCF7EBM5DNRXF6CN2GFGG7M9Y6UCN92U5T-02151?func=results-jump-full&set_entry=12




Dana: I thank you for your translation, my spanish comes largely from my 
singing and is at best
un poquito.  Please recall that my first thought was of a pavan in triple,
that it could be a galliarde was conjecture on my part.  Wouldnt be the
first time a publisher messed up the intentions of an author and the
author didnt catch it from proofs, if indeed he was given proofs in a
timely fashion.  While both the press and LdM shared residence in
Valencia, the book is dedicated to the King of Portugal, a healthy journey
across the center of Spain.  It is possible that LdM was seeking a
position at the court and may have been traveling during the production
work on the book (more conjecture).

There is no messing up of the author's intentions, as the Milan rubrics I 
quoted before show. Milan was not looking for any position at the Portuguese 
court, he was already part of that of Germaine de Foix, and not as a vihuelist, 
but as an appreciated member, as his book of 1561 (quite some time after the 
publication of el Maestro), also published at Valencia, and dedicated to King 
Philip II, shows. We cannot build up knowledge just from conjeture.




> Furthermore, the rubric to the sixth pavan states: "This pavan has the 
> proportion of three semibreves [each] bar

Dana: and there you have it for certs, a pavan in tripla.  Hemiola is a feature
of things in three, but not all that features hemiola is a galliard; there
are also tourdion, volta, and canario.

No tourdions in Spanish sources, neither voltas (a bit late for the time when 
El Maestro was published, besides), while the Spanish canario is a seventeenth- 
and eighteenth-century dance.


Best wishes,
Antonio


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[LUTE] Milan Pavan

2009-08-31 Thread Nedmast2
   A recent thread discussed Milan's Pavan no. 6 from El Maestro, along
   with a performance by a member here.  I missed what site that
   performance is on.  Can someone direct me to it?



   Thanks,



   Ned
 __

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