[BAROQUE-LUTE] Re: modern lute(?) music, anecdotal

2011-05-30 Thread Lutesoc
   Are you in touch with Susan King [1]susanjanetk...@gmail.com  and Lynda
   Sayce [2]lyndasa...@gmail.com about their database of contemporary lute
   music? - CG

   In a message dated 29/05/2011 20:13:27 GMT Standard Time,
   davidvanooi...@gmail.com writes:

 Modern music for lute revisited.
 As you know by now I find a lot of modern music on my music stand
 these days.
 This weekend's experience exemplifies some of my feelings quite
 nicely.
 My first rehearsal was on Friday. The first version of the first
 movement  arrived on Tuesday. It was replaced by a new version on
 Thursday.
 During Friday's rehearsal some sections of the first movement  were
 cut, as they didn't work on our instruments (surprise: Baroque
 ensemble!). We also received the third movement (somehow there was
 no
 second movement) on Friday, but didn't start rehearsing it seriously
 until Saturday. My part (for theorbo) had tapping (left and right
 hand
 on the fingerboard), use of a slide, extensive use of harmonics and
 de-tuning of my instrument by someone else while I was playing and a
 resulting breaking string all written in. I should add that, not for
 the first time, however uncomfortable my part felt on a theorbo, it
 would have fitted a guitar surprisingly well. Anyway, I was happy to
 jump through all the hoops prescribed in my part, but refused the
 de-tuning cum broken string (the next item on the programme was a
 Bach
 cantata in 1/6 comma meantone and keeping my 14 gut strings more or
 less in tune is a major concern in a one hour concert). My, polite
 but
 definitive, refusal resulted in some awkward moments during
 rehearsal.
 Which were magically solved today in the run-through before the
 concert, when I was given a beaten-up (1933!) guitar, with an action
 that was sure to avoid buzzing even if I wanted to (was it 2 or 3cm
 from string to fret at the 12th position?), fitted with strings from
 last century and, needless to say, strung for a right-handed player
 while I am, for those that are unaware of it, most definitively a
 lefty. Suddenly my part was easy! Suddenly the composer was happy!
 So much for writing modern music for early instruments.
 David - back to good old Renaissance and Baroque music on his music
 stand this week (and some Tommy Emmanuel ...)
 --
 ***
 David van Ooijen
 davidvanooi...@gmail.com
 www.davidvanooijen.nl
 ***
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References

   1. mailto:susanjanetk...@gmail.com
   2. mailto:lyndasa...@gmail.com



[LUTE] Re: modern lute(?) music, anecdotal

2011-05-30 Thread David van Ooijen
On 30 May 2011 04:16, Christopher Wilke chriswi...@yahoo.com wrote:
 however uncomfortable my part felt on a
 theorbo, it
 would have fitted a guitar surprisingly well.

 Wow, a modern composer who actually wrote an idiomatic guitar part.  That's a 
 first in itself!  (The composer is a guitarist, I suppose?)

Haha, that is a positive twist indeed! The composer was able to show
me what he wanted on a guitar, whether he is a guitarist, I don't
know.

David




-- 
***
David van Ooijen
davidvanooi...@gmail.com
www.davidvanooijen.nl
***



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[LUTE] Re: modern lute(?) music, anecdotal

2011-05-30 Thread David van Ooijen
On 30 May 2011 08:49,  lute...@aol.com wrote:
 Are you in touch with Susan King susanjanetk...@gmail.com  and Lynda Sayce
 lyndasa...@gmail.com about their database of contemporary lute music? - CG

And inflict all these impossible pieces on my colleagues?

David



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David van Ooijen
davidvanooi...@gmail.com
www.davidvanooijen.nl
***



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[LUTE] Re: Falckenhagen

2011-05-30 Thread Markus Lutz

Dear Peter,
probably you have already an answer of Jochen Domning, who has collected 
Falckenhagen's works.

I have talked to him and can shortly write, what he told me.

Opus IV is the one, that is complete in Weimar - a little bit confusing 
are the numbers on the part books (1. Liuto, 2. Traverso, Oboe ò 
Violino.) that is in fact the edition number of Haffner: N° III.. 
This work is called Opera nueva on the title.


Opus III of Falckenhagen bears according to Jochen Domnings foreward N° 
I. This earlier concert (Opus III) is unfortunately incomplete. The 
other parts are missing, only the lute survived!


Best regards
Markus



Am 29.05.2011 19:20, schrieb Peter Danner:
A question for the Collected Wisdom. There appears to be some 
confusion over the way Falckenhagen's concerti have come to be 
identified. I see Haffner published three sets of these concerti, all 
with very similar titles: Opera terza, Opera quarta, and Opera nuova.


Only the lute part of Opera terza seems to have survived. Opera nuova, 
on the other hand, fortunately survives intact. However, these six 
concerti have often been referred to as if they were actually Opus 4 
and have even been recorded this way. Adding to the confusion, Grove 
continues to identify Opera nuova as Opus 3. This cannot be correct.


Is it possible that Opera nuova is simply a later edition of Opera 
quarta? Does a copy of Falckenhagen's Opera quarta even exist? I would 
appreciate it if someone could clear up this mystery for me. I 
scheduled to write the note for a new recording of Opera nuova for 
John Schneiderman and would like to know exactly what music I'm 
dealing with.


Peter Danner



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[LUTE] Mateus Renaissance Lutes

2011-05-30 Thread Eric Hansen
   Dear Lute Listers:
   I am interested in the work of luthier Cezar Mateus, specifically for
   an 8-course Renaissance lute. If any of you have had direct experience
   with that maker and his Renaissance lutes (6-8 courses), please reply
   to me off list at the address below.
   My thanks in advance,
   Eric
   [1]librarylutepla...@gmail.com
   --
   Eric Hansen
   Librarian  lutenist
   --

References

   1. mailto:librarylutepla...@gmail.com


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[LUTE] More on teaching

2011-05-30 Thread Ron Andrico
   To All:
   We have a new post this evening, more about teaching music.
   [1]http://mignarda.wordpress.com/
   Ron  Donna
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