[LUTE] Corelli sonata for violin and lute

2014-01-21 Thread Ed Durbrow
I noticed this note in the Wikipedia article about Coreli and wondered if this 
sonata exists.

4• ^ Replying in 1679 to a request by Count Fabrizio Laderchi from 
Faenza for Corelli to compose a sonata for violin and lute, the composer 
acknowledges that hitherto his Sinfonie have been written merely to exalt the 
violin.


Ed Durbrow
Saitama, Japan
http://www.youtube.com/user/edurbrow?feature=watch
https://soundcloud.com/ed-durbrow
http://www9.plala.or.jp/edurbrow/







To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: A Christmas Contrafactum

2014-01-21 Thread Christopher Stetson
   Could there be happier music?
   Chris.

   On Tue, Jan 21, 2014 at 1:53 PM, David Tayler
   <[1]vidan...@sbcglobal.net> wrote:

Thanks Rocky!
d

 __
From: Rockford Mjos <[2]rm...@comcast.net>
To: David Tayler <[3]vidan...@sbcglobal.net>
Cc: lute <[4]lute@cs.dartmouth.edu>
Sent: Tuesday, January 21, 2014 8:23 AM
Subject: [LUTE] Re: A Christmas Contrafactum

  I love the idea and the performance!
  -- Rocky
  On Jan 21, 2014, at 3:01 AM, David Tayler wrote:

> [1][5]http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1

  --
  To get on or off this list see list information at

[2][6]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
 References
1. [7]http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
2. [8]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:vidan...@sbcglobal.net
   2. mailto:rm...@comcast.net
   3. mailto:vidan...@sbcglobal.net
   4. mailto:lute@cs.dartmouth.edu
   5. http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
   6. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   7. http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
   8. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Re: A Christmas Contrafactum--sources for pizza.

2014-01-21 Thread Dan Winheld

Viola da mano, da arco, da both; nothing new!

http://en.wikipedia.org/wiki/File:Marin_Marais_2.jpg

Oh yes, beautiful performances; both of them. Thanks!



On 1/21/2014 1:42 PM, Nancy Carlin wrote:
If I am not mistaken it's a church near the University of California 
Berkeley campus where a lot of concerts are held. I've always thought 
of it as designed to appeal to the transplants from the Eastern US and 
it reminds me of big churches in the Boston area.

Nancy
Thank you - that is very interesting and helpful. Loved the Schmelzer 
and some of your other videos especaially the one with the dancers.  
It is amazing what's on Youtube!  Could spend all night watching them.


Another non sequitur -  I was curious to know what sort of church is 
is where you are performing.  It is rather different in style from 
English churches I am familiar with


Monica

Monica


- Original Message - From: "David Tayler" 


To: "lute" 
Sent: Tuesday, January 21, 2014 6:52 PM
Subject: [LUTE] Re: A Christmas Contrafactum--sources for pizza.



  Chords and plucking on the viol:
  Well, there are a few different ways to answer that.
  The first is that the difference between the lute and the viol would
  have been much less than it is today. that is, the lute would have
  played more melodies and the gamba would play more chords.
  The second is that etymologically, the instruments were considered 
two

  sides of the same coin, so "viola" was "string instrument"; viola da
  mano was the lute (called vihuela in Spanish, viol in other 
languages)

  and viola "arco", "gamba" and so on was the same instrument, another
  way.
  And then we have the iconographic evidence, some of which may be
  fanciful of course.
  For this video, we adapted and recreated some techniques based on
  contemporaneous sources: Tobias Hume's The First Part of Ayres 
(1605):

  the player is asked in The Souldiers Song to aPlay three letters with
  your Fingers', and in "Harke, Harke" to "Play nine letters with your
  finger."  And in  Monteverdi's Combattimento di Tancredi e Clorinda
  (1624),  the players are directed to "pluck the strings with two
  fingers".
  Farina in  Capriccio stravagante, 1627, directs the violinist to play
  the violin like a guitar.
  We also use full bowed harmonies in the style of the lirone on the
  viol, because the lirone developed out of styles that were already 
used

  for the gamba.
  dt
  You can see this "lirone" style here:
  http://www.youtube.com/watch?v=_pfoPVO4BsM
  They were a lively bunch, way back when!
  dt
__

  From: Monica Hall 
  To: David Tayler 
  Cc: Lutelist 
  Sent: Tuesday, January 21, 2014 3:24 AM
  Subject: Re: [LUTE] A Christmas Contrafactum
  Great performance and very interesting - especially the lyrics which
  seem to
  have been culled from different parts of the canon.
  A bit of a non-sequitur but how common was it for the viola da 
gamba to

  pluck rather than bow the bass line?  What is the evidence is
  thereis
  there any?
  Monica
  - Original Message -
  From: "David Tayler" <[1]vidan...@sbcglobal.net>
  To: "lute" <[2]lute@cs.dartmouth.edu>
  Sent: Tuesday, January 21, 2014 9:01 AM
  Subject: [LUTE] A Christmas Contrafactum
  >  One of the interesting features of Early Music is the way in which
  >  material was recycled. When I first saw the Contrafactum for
  >  Monteverdi's Chiome d'oro (for Easter), I remember wishing 
there was
  >  one for Christmas. But then I figured, how hard could it be to 
write

  a
  >  Latin version? Pretty hard, as it turns out, so I had a friend 
help.

  dt
  >  [1]aP: Claudio Monteverdi: Puer Natus (Chiome d'oro); Voices of
  Music -
  >  YouTube
  >
  >  --
  >
  > References
  >
  >  Visible links
  >  1. [3]http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
  >
  >  Hidden links:
  >  3. [4]http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
  >
  >
  > To get on or off this list see list information at
  > [5]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

  --

References

  1. mailto:vidan...@sbcglobal.net
  2. mailto:lute@cs.dartmouth.edu
  3. http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
  4. http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
  5. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html













[LUTE] Re: A Christmas Contrafactum--sources for pizza.

2014-01-21 Thread Nancy Carlin
If I am not mistaken it's a church near the University of California 
Berkeley campus where a lot of concerts are held.  I've always thought 
of it as designed to appeal to the transplants from the Eastern US and 
it reminds me of big churches in the Boston area.

Nancy
Thank you - that is very interesting and helpful. Loved the Schmelzer 
and some of your other videos especaially the one with the dancers.  
It is amazing what's on Youtube!  Could spend all night watching them.


Another non sequitur -  I was curious to know what sort of church is 
is where you are performing.  It is rather different in style from 
English churches I am familiar with


Monica

Monica


- Original Message - From: "David Tayler" 


To: "lute" 
Sent: Tuesday, January 21, 2014 6:52 PM
Subject: [LUTE] Re: A Christmas Contrafactum--sources for pizza.



  Chords and plucking on the viol:
  Well, there are a few different ways to answer that.
  The first is that the difference between the lute and the viol would
  have been much less than it is today. that is, the lute would have
  played more melodies and the gamba would play more chords.
  The second is that etymologically, the instruments were considered two
  sides of the same coin, so "viola" was "string instrument"; viola da
  mano was the lute (called vihuela in Spanish, viol in other languages)
  and viola "arco", "gamba" and so on was the same instrument, another
  way.
  And then we have the iconographic evidence, some of which may be
  fanciful of course.
  For this video, we adapted and recreated some techniques based on
  contemporaneous sources: Tobias Hume's The First Part of Ayres (1605):
  the player is asked in The Souldiers Song to aPlay three letters with
  your Fingers', and in "Harke, Harke" to "Play nine letters with your
  finger."  And in  Monteverdi's Combattimento di Tancredi e Clorinda
  (1624),  the players are directed to "pluck the strings with two
  fingers".
  Farina in  Capriccio stravagante, 1627, directs the violinist to play
  the violin like a guitar.
  We also use full bowed harmonies in the style of the lirone on the
  viol, because the lirone developed out of styles that were already 
used

  for the gamba.
  dt
  You can see this "lirone" style here:
  http://www.youtube.com/watch?v=_pfoPVO4BsM
  They were a lively bunch, way back when!
  dt
__

  From: Monica Hall 
  To: David Tayler 
  Cc: Lutelist 
  Sent: Tuesday, January 21, 2014 3:24 AM
  Subject: Re: [LUTE] A Christmas Contrafactum
  Great performance and very interesting - especially the lyrics which
  seem to
  have been culled from different parts of the canon.
  A bit of a non-sequitur but how common was it for the viola da 
gamba to

  pluck rather than bow the bass line?  What is the evidence is
  thereis
  there any?
  Monica
  - Original Message -
  From: "David Tayler" <[1]vidan...@sbcglobal.net>
  To: "lute" <[2]lute@cs.dartmouth.edu>
  Sent: Tuesday, January 21, 2014 9:01 AM
  Subject: [LUTE] A Christmas Contrafactum
  >  One of the interesting features of Early Music is the way in which
  >  material was recycled. When I first saw the Contrafactum for
  >  Monteverdi's Chiome d'oro (for Easter), I remember wishing there 
was
  >  one for Christmas. But then I figured, how hard could it be to 
write

  a
  >  Latin version? Pretty hard, as it turns out, so I had a friend 
help.

  dt
  >  [1]aP: Claudio Monteverdi: Puer Natus (Chiome d'oro); Voices of
  Music -
  >  YouTube
  >
  >  --
  >
  > References
  >
  >  Visible links
  >  1. [3]http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
  >
  >  Hidden links:
  >  3. [4]http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
  >
  >
  > To get on or off this list see list information at
  > [5]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

  --

References

  1. mailto:vidan...@sbcglobal.net
  2. mailto:lute@cs.dartmouth.edu
  3. http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
  4. http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
  5. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html








--
Nancy Carlin
Administrator THE LUTE SOCIETY OF AMERICA
http://LuteSocietyofAmerica.org

PO Box 6499
Concord, CA 94524
USA
925 / 686-5800

www.groundsanddivisions.info
www.nancycarlinassociates.com




[LUTE] Re: A Christmas Contrafactum--sources for pizza.

2014-01-21 Thread Monica Hall
Thank you - that is very interesting and helpful.   Loved the Schmelzer and 
some of your other videos especaially the one with the dancers.  It is 
amazing what's on Youtube!  Could spend all night watching them.


Another non sequitur -  I was curious to know what sort of church is is 
where you are performing.  It is rather different in style from English 
churches I am familiar with


Monica

Monica


- Original Message - 
From: "David Tayler" 

To: "lute" 
Sent: Tuesday, January 21, 2014 6:52 PM
Subject: [LUTE] Re: A Christmas Contrafactum--sources for pizza.



  Chords and plucking on the viol:
  Well, there are a few different ways to answer that.
  The first is that the difference between the lute and the viol would
  have been much less than it is today. that is, the lute would have
  played more melodies and the gamba would play more chords.
  The second is that etymologically, the instruments were considered two
  sides of the same coin, so "viola" was "string instrument"; viola da
  mano was the lute (called vihuela in Spanish, viol in other languages)
  and viola "arco", "gamba" and so on was the same instrument, another
  way.
  And then we have the iconographic evidence, some of which may be
  fanciful of course.
  For this video, we adapted and recreated some techniques based on
  contemporaneous sources: Tobias Hume's The First Part of Ayres (1605):
  the player is asked in The Souldiers Song to aPlay three letters with
  your Fingers', and in "Harke, Harke" to "Play nine letters with your
  finger."  And in  Monteverdi's Combattimento di Tancredi e Clorinda
  (1624),  the players are directed to "pluck the strings with two
  fingers".
  Farina in  Capriccio stravagante, 1627, directs the violinist to play
  the violin like a guitar.
  We also use full bowed harmonies in the style of the lirone on the
  viol, because the lirone developed out of styles that were already used
  for the gamba.
  dt
  You can see this "lirone" style here:
  http://www.youtube.com/watch?v=_pfoPVO4BsM
  They were a lively bunch, way back when!
  dt
__

  From: Monica Hall 
  To: David Tayler 
  Cc: Lutelist 
  Sent: Tuesday, January 21, 2014 3:24 AM
  Subject: Re: [LUTE] A Christmas Contrafactum
  Great performance and very interesting - especially the lyrics which
  seem to
  have been culled from different parts of the canon.
  A bit of a non-sequitur but how common was it for the viola da gamba to
  pluck rather than bow the bass line?  What is the evidence is
  thereis
  there any?
  Monica
  - Original Message -
  From: "David Tayler" <[1]vidan...@sbcglobal.net>
  To: "lute" <[2]lute@cs.dartmouth.edu>
  Sent: Tuesday, January 21, 2014 9:01 AM
  Subject: [LUTE] A Christmas Contrafactum
  >  One of the interesting features of Early Music is the way in which
  >  material was recycled. When I first saw the Contrafactum for
  >  Monteverdi's Chiome d'oro (for Easter), I remember wishing there was
  >  one for Christmas. But then I figured, how hard could it be to write
  a
  >  Latin version? Pretty hard, as it turns out, so I had a friend help.
  dt
  >  [1]aP: Claudio Monteverdi: Puer Natus (Chiome d'oro); Voices of
  Music -
  >  YouTube
  >
  >  --
  >
  > References
  >
  >  Visible links
  >  1. [3]http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
  >
  >  Hidden links:
  >  3. [4]http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
  >
  >
  > To get on or off this list see list information at
  > [5]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

  --

References

  1. mailto:vidan...@sbcglobal.net
  2. mailto:lute@cs.dartmouth.edu
  3. http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
  4. http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
  5. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html






[LUTE] dartmouth tablature site back on line

2014-01-21 Thread wayne cripps

Hi folks -

 This weekend the Dartmouth beginner computer programmers 
were let loose on the system, and a lot of things stopped 
working, including the lute tablature pages.  The students
are done (for now) and you should be able to download
tablature again.

 http://www.cs.dartmouth.edu/~wbc/tab-serv/tab-serv.cgi

   Wayne



To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: A Christmas Contrafactum--sources for pizza.

2014-01-21 Thread David Tayler
   Chords and plucking on the viol:
   Well, there are a few different ways to answer that.
   The first is that the difference between the lute and the viol would
   have been much less than it is today. that is, the lute would have
   played more melodies and the gamba would play more chords.
   The second is that etymologically, the instruments were considered two
   sides of the same coin, so "viola" was "string instrument"; viola da
   mano was the lute (called vihuela in Spanish, viol in other languages)
   and viola "arco", "gamba" and so on was the same instrument, another
   way.
   And then we have the iconographic evidence, some of which may be
   fanciful of course.
   For this video, we adapted and recreated some techniques based on
   contemporaneous sources: Tobias Hume's The First Part of Ayres (1605):
   the player is asked in The Souldiers Song to aPlay three letters with
   your Fingers', and in "Harke, Harke" to "Play nine letters with your
   finger."  And in  Monteverdi's Combattimento di Tancredi e Clorinda
   (1624),  the players are directed to "pluck the strings with two
   fingers".
   Farina in  Capriccio stravagante, 1627, directs the violinist to play
   the violin like a guitar.
   We also use full bowed harmonies in the style of the lirone on the
   viol, because the lirone developed out of styles that were already used
   for the gamba.
   dt
   You can see this "lirone" style here:
   http://www.youtube.com/watch?v=_pfoPVO4BsM
   They were a lively bunch, way back when!
   dt
 __

   From: Monica Hall 
   To: David Tayler 
   Cc: Lutelist 
   Sent: Tuesday, January 21, 2014 3:24 AM
   Subject: Re: [LUTE] A Christmas Contrafactum
   Great performance and very interesting - especially the lyrics which
   seem to
   have been culled from different parts of the canon.
   A bit of a non-sequitur but how common was it for the viola da gamba to
   pluck rather than bow the bass line?  What is the evidence is
   thereis
   there any?
   Monica
   - Original Message -
   From: "David Tayler" <[1]vidan...@sbcglobal.net>
   To: "lute" <[2]lute@cs.dartmouth.edu>
   Sent: Tuesday, January 21, 2014 9:01 AM
   Subject: [LUTE] A Christmas Contrafactum
   >  One of the interesting features of Early Music is the way in which
   >  material was recycled. When I first saw the Contrafactum for
   >  Monteverdi's Chiome d'oro (for Easter), I remember wishing there was
   >  one for Christmas. But then I figured, how hard could it be to write
   a
   >  Latin version? Pretty hard, as it turns out, so I had a friend help.
   dt
   >  [1]aP: Claudio Monteverdi: Puer Natus (Chiome d'oro); Voices of
   Music -
   >  YouTube
   >
   >  --
   >
   > References
   >
   >  Visible links
   >  1. [3]http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
   >
   >  Hidden links:
   >  3. [4]http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
   >
   >
   > To get on or off this list see list information at
   > [5]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:vidan...@sbcglobal.net
   2. mailto:lute@cs.dartmouth.edu
   3. http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
   4. http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
   5. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Re: A Christmas Contrafactum

2014-01-21 Thread David Tayler
   Thanks Rocky!
   d
 __

   From: Rockford Mjos 
   To: David Tayler 
   Cc: lute 
   Sent: Tuesday, January 21, 2014 8:23 AM
   Subject: [LUTE] Re: A Christmas Contrafactum
   I love the idea and the performance!
   -- Rocky
   On Jan 21, 2014, at 3:01 AM, David Tayler wrote:
   > [1]http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
   --
   To get on or off this list see list information at
   [2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
   2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Re: A Christmas Contrafactum

2014-01-21 Thread Rockford Mjos
I love the idea and the performance!

-- Rocky



On Jan 21, 2014, at 3:01 AM, David Tayler wrote:

> http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1


--

To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: A Christmas Contrafactum

2014-01-21 Thread Monica Hall
Great performance and very interesting - especially the lyrics which seem to 
have been culled from different parts of the canon.


A bit of a non-sequitur but how common was it for the viola da gamba to 
pluck rather than bow the bass line?   What is the evidence is thereis 
there any?


Monica


- Original Message - 
From: "David Tayler" 

To: "lute" 
Sent: Tuesday, January 21, 2014 9:01 AM
Subject: [LUTE] A Christmas Contrafactum



  One of the interesting features of Early Music is the way in which
  material was recycled. When I first saw the Contrafactum for
  Monteverdi's Chiome d'oro (for Easter), I remember wishing there was
  one for Christmas. But then I figured, how hard could it be to write a
  Latin version? Pretty hard, as it turns out, so I had a friend help. dt
  [1]aP: Claudio Monteverdi: Puer Natus (Chiome d'oro); Voices of Music -
  YouTube

  --

References

  Visible links
  1. http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1

  Hidden links:
  3. http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html 





[LUTE] Intavolations 58

2014-01-21 Thread Anton Höger
Hi,


there are new Lute Intavolations on IMSLP!


http://lute-ensemble-tabulatures.npage.de/





For 3 Lutes - (most Unisono -single line)  
--

A Collection of Italian Lute Trios ---   
http://imslp.org/wiki/A_Collection_of_Italian_Lute_Trios_(Höger,_Anton)
new Fronimo layouts:

Giovannelli, Ruggiero - Chi no l'sa
Nanino, Giovanni Maria - Canone
Vinci, Pietro - Ricercar quinta
Vinci, Pietro - Ricercar quinta
Giovannelli, Ruggiero - All'hor che di bei fiori
Ruffo - La Gamba in Basso & Soprano
Ruffo - Il Capriccioso

New!   2.1.20 Pietro Vinci  Surrexit Pastor bonus   
New!2.1.28 Girolamo Frescobaldi Canzona seconda (a,g,D) 
New!   Ruffo - El Trapolato
New!Landini, Francesco  Si dolce non sono   g,g,g   
http://imslp.org/wiki/Si_dolce_non_sono_(Landini,_Francesco)



For 3 Lutes - (Ad Quartam)  --
Better layout (Fronimo)

Woodcock - Browning my dear



For 4 Lutes - (d,a,g,D -single line)  --
new!
Scheidt, Samuel - Hymnus Christe qui lux es et dies 
http://imslp.org/wiki/Tabulatura_Nova,_SSWV_102-158_(Scheidt,_Samuel)
Scheidt, Samuel - Kyrie 4 toni et Gloria
http://imslp.org/wiki/Tabulatura_Nova,_SSWV_102-158_(Scheidt,_Samuel)
Scheidt, Samuel - Fantasia sopra Io son ferito lasso
http://imslp.org/wiki/Tabulatura_Nova,_SSWV_102-158_(Scheidt,_Samuel)



For 2 Lutes - (Unisono)  --
New!
Palestrina, Giovanni Pierluigi da   Quia vidisti me, Thoma  
http://imslp.org/wiki/Quia_vidisti_me,_Thoma_(Palestrina,_Giovanni_Pierluigi_da)#IMSLP312692





--

To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: A Christmas Contrafactum

2014-01-21 Thread David van Ooijen
   Well done!
   Btw, there is a thing called the Christmas Vespers by Monteverdi.
   David

   ***
   David van Ooijen
   [1]davidvanooi...@gmail.com
   [2]www.davidvanooijen.nl
   ***
   On 21 January 2014 10:01, David Tayler <[3]vidan...@sbcglobal.net>
   wrote:

One of the interesting features of Early Music is the way in
 which
material was recycled. When I first saw the Contrafactum for
Monteverdi's Chiome d'oro (for Easter), I remember wishing there
 was
one for Christmas. But then I figured, how hard could it be to
 write a
Latin version? Pretty hard, as it turns out, so I had a friend
 help. dt
[1]aP: Claudio Monteverdi: Puer Natus (Chiome d'oro); Voices of
 Music -
YouTube
--
 References
Visible links
1. [4]http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
Hidden links:
3. [5]http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
 To get on or off this list see list information at
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References

   1. mailto:davidvanooi...@gmail.com
   2. http://www.davidvanooijen.nl/
   3. mailto:vidan...@sbcglobal.net
   4. http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
   5. http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1
   6. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] A Christmas Contrafactum

2014-01-21 Thread David Tayler
   One of the interesting features of Early Music is the way in which
   material was recycled. When I first saw the Contrafactum for
   Monteverdi's Chiome d'oro (for Easter), I remember wishing there was
   one for Christmas. But then I figured, how hard could it be to write a
   Latin version? Pretty hard, as it turns out, so I had a friend help. dt
   [1]aP: Claudio Monteverdi: Puer Natus (Chiome d'oro); Voices of Music -
   YouTube

   --

References

   Visible links
   1. http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1

   Hidden links:
   3. http://www.youtube.com/watch?v=UPlE0ibIt0s&hd=1


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[LUTE] Re: body fret re-glue

2014-01-21 Thread David Tayler

 __

   I always keep some bamboo skewers handy for small repairs, just as
   David v.O. suggests. If you have some dried glue left on the
   soundboard, and you don't want to try to remove it, you can make some
   very thin grooves in the back of the fret before gluing it. Otherwise
   it may (will) pop off again.
   Of course you can also imagine that the HIP Deities are "informing" you
   that body frets were not very common on lutes  and go fret-loose and
   fancy free.
   dt
 My way:
 - bamboo skewer
 - white glue (breaks off easily when there's need to remove or
   reglue)
 - eraser between fret and strings to press fret
 David
 ***
 David van Ooijen
 [1][1]davidvanooi...@gmail.com
 [2]www.davidvanooijen.nl
 ***
 On 17 January 2014 22:16, Leonard Williams <[3][2]arc...@verizon.net>
 wrote:
   Sorry if this is redundantd-!eP:e had trouble getting mail through.
   A Wrong
   address?
   Anyway:
   A  A  A  A  Back in the fall there was a discussion about material
   for body frets.
   How about glue?
   A  A  A  A  I just lost (then found) a fret and will need to
   reattach it. A Is there a
   way to clamp it without removing all my strings? A Ie thinking of
   keeping
   the lute in the case with a weight across the strings at the fret.
   A Is
   this do-able, or even advisable?
   Thanks and regards!
   Leonard Williams
   To get on or off this list see list information at
   [4][3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 --
   References
 1. mailto:[4]davidvanooi...@gmail.com
 2. [5]http://www.davidvanooijen.nl/
 3. mailto:[6]arc...@verizon.net
 4. [7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:davidvanooi...@gmail.com
   2. mailto:arc...@verizon.net
   3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   4. mailto:davidvanooi...@gmail.com
   5. http://www.davidvanooijen.nl/
   6. mailto:arc...@verizon.net
   7. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Re: LSA Website Digital Facsimiles Page

2014-01-21 Thread Daniel F. Heiman
Thanks, Rainer:

Well, I did have the two Newsidler books listed...  I have added the rest,
and I took out the link that annoyed you.   The updated page is here, now
with the number of links approaching 300!
http://bit.ly/KWa5XB

Thanks also for the suggestion to insert a note about what has been changed
on the page.  I put that at the top, just under the Table of Contents.

Regards,

Daniel

-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
Of Rainer
Sent: 20 January, 2014 11:02
To: Lute net
Subject: [LUTE] Re: LSA Website Digital Facsimiles Page

Vallet:

http://hdl.handle.net/1802/27720
http://hdl.handle.net/1802/27722
http://hdl.handle.net/1802/27723

Schlick:
http://hdl.handle.net/1802/4943

 From Karlsruhe Library:
Kargel 1586 http://digital.blb-karlsruhe.de/id/1176881
Ochsenkuhn  http://digital.blb-karlsruhe.de/id/1176888
Newsidler 1544_2http://digital.blb-karlsruhe.de/id/243869
Newsidler 1544_1http://digital.blb-karlsruhe.de/id/243892
Barbetta 1582   http://digital.blb-karlsruhe.de/id/1176867
Drusina http://digital.blb-karlsruhe.de/id/1176874



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