[LUTE] Re: Gorzanis 1567
Many thanks for the reference. How well I know it. My dissertation is now on the LSA web page. GrüÃe aus Boston! Artur. Arthur Ness arthurjn...@verizon.net -Original Message- From: Wolfgang Wiehe Cc: 'Lute List' Sent: Thu, Mar 16, 2017 1:09 pm Subject: [LUTE] Gorzanis 1567 Gorzanis, Giacomo: Tänze und Napolitanen - BSB Mus.ms. 1511 a [1567] [1][1]http://daten.digitale-sammlungen.de/â¦/0â¦/bsb00104621/images/ cordial greetings w. References 1. [2]http://daten.digitale-sammlungen.de/~db/0010/bsb00104621/images/ To get on or off this list see list information at [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. http://daten.digitale-sammlungen.de/â¦/0â¦/bsb00104621/images/ 2. http://daten.digitale-sammlungen.de/~db/0010/bsb00104621/images/ 3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Ballard 1623 ?
Sure, Ron, I was well aware of that, have been for ages, but even the title page would be nice to see ! Best, Jean-Marie -- > Just to clarify exactly what was lost when, from every indication, only > the title page to the 1623 Ballard book was sold at auction in 1975. > The tablatures most likely went missing long before either as a result > of some heinous act of utility (firestarter, perhaps?), or because you > just can't play the music on a keyboard without a bit of study. > > RA > __ > > From: lute-...@cs.dartmouth.edu on behalf > of Thomas Walker > Sent: Thursday, March 16, 2017 3:54 PM > To: 'Lute List' > Subject: [LUTE] Re: Ballard 1623 ? > > Thanks for the question and answer, gents, although I don't like the > answer. I had thought that Ballard's 1623 was lost, but I didn't > realize it was so painfully recent. So close, yet so far. Another > thing for me to wake up nights wondering about...that and > Kapsperger's Libro secundo d'intavolatura di lauto (1619). > cheers, > tom >__ > From: lute-...@cs.dartmouth.edu on > behalf > of Jean-Marie Poirier > Sent: Wednesday, March 15, 2017 4:54 AM > To: jo.lued...@t-online.de; 'Lute List' > Subject: [LUTE] Re: Ballard 1623 ? > Thank you Joachim ! It seems it's definitely a closed door then :-( > ! > Al the best, > Jean-Marie > -- > >Dear Jean-Marie: > > > >"BALLARD, Pierre (ed.). Tablature de Luth de differents auteurs sur > l'accord ordinaire et extraordinaire recueillie par P. Ballard, > Paris: > P. Ballard, 1623 (the title page alone was part of the collection of > March Pincherle, when this was auctioned in Paris [Hôtel Drouot], 3 > to > 5 March 1975 – its present whereabouts are unknown)." > > > >(From the source list of F.-P. Goy's thesis on the manuscript > sources > of music in Accords Nouveaux. This can be found in Andreas > Schlegel's > website accordsnouveaux.ch.) > > > >Best wishes, > > > >Joachim > > > > > >-Original-Nachricht- > >Betreff: [LUTE] Ballard 1623 ? > >Datum: 2017-03-15T10:03:06+0100 > >Von: "Jean-Marie Poirier" > >An: "'Lute List'" > > > >Dear all, > > > >There are dozens of references circulating to Ballard's 1623 > "Tablature de luth de differents auteurs sur l'accord ordinaire et > extraordinaire", declared "Lost" > >except its title page... I could not find a single reference giving > the whereabouts of this mysterious title-page. > > > >Would anyone on this list know where precisely this precious > document > is preserved ? > > > >Thank you for your feedback anyway ! > > > >Best wishes to all, > > > >Jean-Marie Poirier > > > > > > > >To get on or off this list see list information at > >[1]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html > [2]Frequently Asked Technical Questions about the lute mail list > [1]www.cs.dartmouth.edu > [2][1120_banner_moretrees_2.jpg] > [3]Department of Computer Science > www.cs.dartmouth.edu > Faculty and academic information for the Dartmouth College CS > department. > Frequently Asked Technical Questions about the lute mail list. > getting > on and off the list; How do I get on the lute mail list? How do I > get > off the lute mail list? > > > > > > > References > 1. [4]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html > [5]Frequently Asked Technical Questions about the lute mail list > www.cs.dartmouth.edu > Frequently Asked Technical Questions about the lute mail list. getting > on and off the list; How do I get on the lute mail list? How do I get > off the lute mail list? > 2. [6]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html > [7]Frequently Asked Technical Questions about the lute mail list > www.cs.dartmouth.edu > Frequently Asked Technical Questions about the lute mail list. getting > on and off the list; How do I get on the lute mail list? How do I get > off the lute mail list? > >References > > 1. http://www.cs.dartmouth.edu/ > 2. http://www.cs.dartmouth.edu/ > 3. http://www.cs.dartmouth.edu/ > 4. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html > 5. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html > 6. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html > 7. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html >
[LUTE] Re: Page-Turners
Click the link to see one such device in action by a lute player. (For comparison, note the size of the sheet music on the violinist's stand, which she cut and taped to avoid page turns.) [1]https://m.youtube.com/watch?v=bp3I-xAExOI This particular device is called an Airturn. It's probably the same kind Landschoot was using. The older version had a blinking light on the side facing the audience. This has been changed in the newer version seen in the video. Chris [2]Sent from Yahoo Mail for iPhone On Thursday, March 16, 2017, 1:19 PM, John Mardinly wrote: I attended a performance of the Sonoran Chamber Music Series where Professor Thomas Landschoot, cellist, used a foot operated page turner with a large format iPad pro. He also had a special music stand that held the iPad in a clamp so that it could not fall unless the entire stand was knocked over by a healthy kick. It worked flawlessly while the other performers struggled with conventional page turns. Well, yes, there is a risk of the software crashing, but it is probably less than the risk of grabbing two paper pages or knocking the entire paper score to the floor with a hasty grab. The only downside I saw was that the flashing red status LED was visible to the audience and was a little distracting. However, that could be easily concealed. A. John Mardinly, Ph.D., P.E. Retired Principal Materials Nanoanalysis Engineer On Mar 15, 2017, at 7:29 AM, Miles Dempster <[1][3]miles.demps...@gmail.com> wrote: Hello Edward, There have been positive comments on this list about using a tablet and foot-operated page turner. I'm thinking adopting this solution when the next iPad Pro is released, which I believe will be within a few weeks. Miles On Mar 15, 2017, at 9:25 AM, Edward Chrysogonus Yong <[2][4]edward.y...@gmail.com> wrote: Dear Lutenetters who play basso continuo, Is there a preference either way for playing from bass part or full score, assuming both have the same figures? I find that playing from a score means I can get my bearings better but have to flip pages more, no easy task when both hands are occupied with playing. That's when I sometimes wish I either played from a bass part to reduce page turns or had a page-turner. Does anyone use a page-turner? Curious to hear your thoughts. From sunny Singapore, Edward C. Yong ÃÿÃÃÿ ÷ûõúÃÃÿýùúÃý ÃñÃÃôÃÿüõïÿý õú õïæÃýÿà õüõà õÃÃüÃø÷. Hæ litteræ electronicæ ab iPhono missæ sunt. æ¤é»åéµä»¶ç¼éäºèªå¾iPhoneã This e-mail was sent from my iPhone. -- To get on or off this list see list information at [3][5]https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmo uth.edu_-7Ewbc_lute-2Dadmin_index.html&d=DQIFaQ&c=AGbYxfJbXK67KfXyGq yv2Ejiz41FqQuZFk4A-1IxfAU&r=MAuGvnWTcVQkxORgQD0QS50ZicPM3Nw-61ygSK-L NEQ&m=POHabOrv54vFMg0yF30m4QzZaWx1tar0pWsi9dVKYS4&s=9ovzErgEOjftDCNC RBxk4T_TFROJxo1sGmrAqudttVA&e= References 1. mailto:[6]miles.demps...@gmail.com 2. mailto:[7]edward.y...@gmail.com 3. [8]https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmouth .edu_-7Ewbc_lute-2Dadmin_index.html&d=DQIFaQ&c=AGbYxfJbXK67KfXyGqyv2Eji z41FqQuZFk4A-1IxfAU&r=MAuGvnWTcVQkxORgQD0QS50ZicPM3Nw-61ygSK-LNEQ&m=POH abOrv54vFMg0yF30m4QzZaWx1tar0pWsi9dVKYS4&s=9ovzErgEOjftDCNCRBxk4T_TFROJ xo1sGmrAqudttVA&e= -- References 1. https://m.youtube.com/watch?v=bp3I-xAExOI 2. https://yho.com/footer0 3. mailto:miles.demps...@gmail.com 4. mailto:edward.y...@gmail.com 5. https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmo 6. mailto:miles.demps...@gmail.com 7. mailto:edward.y...@gmail.com 8. https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmouth.edu_-7Ewbc_lute-2Dadmin_index.html&d=DQIFaQ&c=AGbYxfJbXK67KfXyGqyv2Ejiz41FqQuZFk4A-1IxfAU&r=MAuGvnWTcVQkxORgQD0QS50ZicPM3Nw-61ygSK-LNEQ&m=POHabOrv54vFMg0yF30m4QzZaWx1tar0pWsi9dVKYS4&s=9ovzErgEOjftDCNCRBxk4T_TFROJxo1sGmrAqudttVA&e=
[LUTE] Re: Page-Turners
I'm happy with ForScore on my iPad and an Airturn PED Bluetooth page turner. It works. On Thu, 16 Mar 2017 at 18:18, John Mardinly <[1]john.mardi...@asu.edu> wrote: I attended a performance of the Sonoran Chamber Music Series where Professor Thomas Landschoot, cellist, used a foot operated page turner with a large format iPad pro. He also had a special music stand that held the iPad in a clamp so that it could not fall unless the entire stand was knocked over by a healthy kick. It worked flawlessly while the other performers struggled with conventional page turns. Well, yes, there is a risk of the software crashing, but it is probably less than the risk of grabbing two paper pages or knocking the entire paper score to the floor with a hasty grab. The only downside I saw was that the flashing red status LED was visible to the audience and was a little distracting. However, that could be easily concealed. A. John Mardinly, Ph.D., P.E. Retired Principal Materials Nanoanalysis Engineer On Mar 15, 2017, at 7:29 AM, Miles Dempster <[1][2]miles.demps...@gmail.com> wrote: Hello Edward, There have been positive comments on this list about using a tablet and foot-operated page turner. I'm thinking adopting this solution when the next iPad Pro is released, which I believe will be within a few weeks. Miles On Mar 15, 2017, at 9:25 AM, Edward Chrysogonus Yong <[2][3]edward.y...@gmail.com> wrote: Dear Lutenetters who play basso continuo, Is there a preference either way for playing from bass part or full score, assuming both have the same figures? I find that playing from a score means I can get my bearings better but have to flip pages more, no easy task when both hands are occupied with playing. That's when I sometimes wish I either played from a bass part to reduce page turns or had a page-turner. Does anyone use a page-turner? Curious to hear your thoughts. From sunny Singapore, Edward C. Yong ÃÿÃÃÿ ÷ûõúÃÃÿýùúÃý ÃñÃÃôÃÿüõïÿý õú õïæÃýÿà õüõà õÃÃüÃø÷. Hæ litteræ electronicæ ab iPhono missæ sunt. æ¤é»åéµä»¶ç¼éäºèªå¾iPhoneã This e-mail was sent from my iPhone. -- To get on or off this list see list information at [3][4]https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dar tmo uth.edu_-7Ewbc_lute-2Dadmin_index.html&d=DQIFaQ&c=AGbYxfJbXK67KfXyGq yv2Ejiz41FqQuZFk4A-1IxfAU&r=MAuGvnWTcVQkxORgQD0QS50ZicPM3Nw-61ygSK-L NEQ&m=POHabOrv54vFMg0yF30m4QzZaWx1tar0pWsi9dVKYS4&s=9ovzErgEOjftDCNC RBxk4T_TFROJxo1sGmrAqudttVA&e= References 1. mailto:[5]miles.demps...@gmail.com 2. mailto:[6]edward.y...@gmail.com 3. [7]https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmo uth.edu_-7Ewbc_lute-2Dadmin_index.html&d=DQIFaQ&c=AGbYxfJbXK67KfXyGq yv2Ejiz41FqQuZFk4A-1IxfAU&r=MAuGvnWTcVQkxORgQD0QS50ZicPM3Nw-61ygSK-L NEQ&m=POHabOrv54vFMg0yF30m4QzZaWx1tar0pWsi9dVKYS4&s=9ovzErgEOjftDCNC RBxk4T_TFROJxo1sGmrAqudttVA&e= -- *** David van Ooijen [8]davidvanooi...@gmail.com [9]www.davidvanooijen.nl *** -- References 1. mailto:john.mardi...@asu.edu 2. mailto:miles.demps...@gmail.com 3. mailto:edward.y...@gmail.com 4. https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmo 5. mailto:miles.demps...@gmail.com 6. mailto:edward.y...@gmail.com 7. https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmouth.edu_-7Ewbc_lute-2Dadmin_index.html&d=DQIFaQ&c=AGbYxfJbXK67KfXyGqyv2Ejiz41FqQuZFk4A-1IxfAU&r=MAuGvnWTcVQkxORgQD0QS50ZicPM3Nw-61ygSK-LNEQ&m=POHabOrv54vFMg0yF30m4QzZaWx1tar0pWsi9dVKYS4&s=9ovzErgEOjftDCNCRBxk4T_TFROJxo1sGmrAqudttVA&e= 8. mailto:davidvanooi...@gmail.com 9. http://www.davidvanooijen.nl/
[LUTE] Re: Page-Turners
I attended a performance of the Sonoran Chamber Music Series where Professor Thomas Landschoot, cellist, used a foot operated page turner with a large format iPad pro. He also had a special music stand that held the iPad in a clamp so that it could not fall unless the entire stand was knocked over by a healthy kick. It worked flawlessly while the other performers struggled with conventional page turns. Well, yes, there is a risk of the software crashing, but it is probably less than the risk of grabbing two paper pages or knocking the entire paper score to the floor with a hasty grab. The only downside I saw was that the flashing red status LED was visible to the audience and was a little distracting. However, that could be easily concealed. A. John Mardinly, Ph.D., P.E. Retired Principal Materials Nanoanalysis Engineer On Mar 15, 2017, at 7:29 AM, Miles Dempster <[1]miles.demps...@gmail.com> wrote: Hello Edward, There have been positive comments on this list about using a tablet and foot-operated page turner. I'm thinking adopting this solution when the next iPad Pro is released, which I believe will be within a few weeks. Miles On Mar 15, 2017, at 9:25 AM, Edward Chrysogonus Yong <[2]edward.y...@gmail.com> wrote: Dear Lutenetters who play basso continuo, Is there a preference either way for playing from bass part or full score, assuming both have the same figures? I find that playing from a score means I can get my bearings better but have to flip pages more, no easy task when both hands are occupied with playing. That's when I sometimes wish I either played from a bass part to reduce page turns or had a page-turner. Does anyone use a page-turner? Curious to hear your thoughts. From sunny Singapore, Edward C. Yong ÏοÏÏο ηλεκÏÏονικÏν ÏαÏÏ Î´Ïομείον εκ είΦÏÎ½Î¿Ï ÎµÎ¼ÎµÏ ÎµÏÎμÏθη. Hæ litteræ electronicæ ab iPhono missæ sunt. æ¤é»åéµä»¶ç¼éäºèªå¾iPhoneã This e-mail was sent from my iPhone. -- To get on or off this list see list information at [3]https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmo uth.edu_-7Ewbc_lute-2Dadmin_index.html&d=DQIFaQ&c=AGbYxfJbXK67KfXyGq yv2Ejiz41FqQuZFk4A-1IxfAU&r=MAuGvnWTcVQkxORgQD0QS50ZicPM3Nw-61ygSK-L NEQ&m=POHabOrv54vFMg0yF30m4QzZaWx1tar0pWsi9dVKYS4&s=9ovzErgEOjftDCNC RBxk4T_TFROJxo1sGmrAqudttVA&e= References 1. mailto:miles.demps...@gmail.com 2. mailto:edward.y...@gmail.com 3. https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmouth.edu_-7Ewbc_lute-2Dadmin_index.html&d=DQIFaQ&c=AGbYxfJbXK67KfXyGqyv2Ejiz41FqQuZFk4A-1IxfAU&r=MAuGvnWTcVQkxORgQD0QS50ZicPM3Nw-61ygSK-LNEQ&m=POHabOrv54vFMg0yF30m4QzZaWx1tar0pWsi9dVKYS4&s=9ovzErgEOjftDCNCRBxk4T_TFROJxo1sGmrAqudttVA&e=
[LUTE] Gorzanis 1567
Gorzanis, Giacomo: Tänze und Napolitanen - BSB Mus.ms. 1511 a [1567] [1]http://daten.digitale-sammlungen.de/â¦/0â¦/bsb00104621/images/ cordial greetings w. References 1. http://daten.digitale-sammlungen.de/~db/0010/bsb00104621/images/ To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Ballard 1623 ?
Thanks Andreas, not a great solace anyway ;-) ! Best, Jean-Marie -- >Something taken from the book "The Lute in Europe 2": >There is a total of 1,923 pieces in Accords nouveaux so far known in 42 >manuscripts and 7 publications. Concerning the loss of sources suffice it here >to note, that following Mersenne, the printer Ballard published a collection >every year. From the 1623 edition only the title page is known, and only a >single copy survives of the 1631 and 1638 publications. >Laurent Guillo: Pierre I Ballard et Robert III Ballard. Imprimeurs du roy pour >la musique (1599-1673), 2 Vols., Sprimont 2003. Here: Vol. II, p. 194 >under 1623-J, pp. 256f. under 1631-D, and pp. 318f. under 1638-F. > > >Am 16.03.2017 um 16:54 schrieb Thomas Walker : > >> Thanks for the question and answer, gents, although I don't like the >> answer. I had thought that Ballard's 1623 was lost, but I didn't >> realize it was so painfully recent. So close, yet so far. Another >> thing for me to wake up nights wondering about...that and >> Kapsperger's Libro secundo d'intavolatura di lauto (1619). >> cheers, >> tom >> __ >> >> From: lute-...@cs.dartmouth.edu on behalf >> of Jean-Marie Poirier >> Sent: Wednesday, March 15, 2017 4:54 AM >> To: jo.lued...@t-online.de; 'Lute List' >> Subject: [LUTE] Re: Ballard 1623 ? >> >> Thank you Joachim ! It seems it's definitely a closed door then :-( ! >> Al the best, >> Jean-Marie >> -- >> >>> Dear Jean-Marie: >>> >>> "BALLARD, Pierre (ed.). Tablature de Luth de differents auteurs sur >> l'accord ordinaire et extraordinaire recueillie par P. Ballard, Paris: >> P. Ballard, 1623 (the title page alone was part of the collection of >> March Pincherle, when this was auctioned in Paris [Hôtel Drouot], 3 to >> 5 March 1975 – its present whereabouts are unknown)." >>> >>> (From the source list of F.-P. Goy's thesis on the manuscript sources >> of music in Accords Nouveaux. This can be found in Andreas Schlegel's >> website accordsnouveaux.ch.) >>> >>> Best wishes, >>> >>> Joachim >>> >>> >>> -Original-Nachricht- >>> Betreff: [LUTE] Ballard 1623 ? >>> Datum: 2017-03-15T10:03:06+0100 >>> Von: "Jean-Marie Poirier" >>> An: "'Lute List'" >>> >>> Dear all, >>> >>> There are dozens of references circulating to Ballard's 1623 >> "Tablature de luth de differents auteurs sur l'accord ordinaire et >> extraordinaire", declared "Lost" >>> except its title page... I could not find a single reference giving >> the whereabouts of this mysterious title-page. >>> >>> Would anyone on this list know where precisely this precious document >> is preserved ? >>> >>> Thank you for your feedback anyway ! >>> >>> Best wishes to all, >>> >>> Jean-Marie Poirier >>> >>> >>> >>> To get on or off this list see list information at >>> [1]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html >> [2]Frequently Asked Technical Questions about the lute mail list >> www.cs.dartmouth.edu >> Frequently Asked Technical Questions about the lute mail list. getting >> on and off the list; How do I get on the lute mail list? How do I get >> off the lute mail list? >>>  >>> >>> >> >> References >> >> 1. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html >> 2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html >> > >Andreas Schlegel >Eckstr. 6 >CH-5737 Menziken >+41 (0)62 771 47 07 >lute.cor...@sunrise.ch > > >--
[LUTE] Re: Ballard 1623 ?
Something taken from the book "The Lute in Europe 2": There is a total of 1,923 pieces in Accords nouveaux so far known in 42 manuscripts and 7 publications. Concerning the loss of sources suffice it here to note, that following Mersenne, the printer Ballard published a collection every year. From the 1623 edition only the title page is known, and only a single copy survives of the 1631 and 1638 publications. Laurent Guillo: Pierre I Ballard et Robert III Ballard. Imprimeurs du roy pour la musique (1599-1673), 2 Vols., Sprimont 2003. Here: Vol. II, p. 194 under 1623-J, pp. 256f. under 1631-D, and pp. 318f. under 1638-F. Am 16.03.2017 um 16:54 schrieb Thomas Walker : > Thanks for the question and answer, gents, although I don't like the > answer. I had thought that Ballard's 1623 was lost, but I didn't > realize it was so painfully recent. So close, yet so far. Another > thing for me to wake up nights wondering about...that and > Kapsperger's Libro secundo d'intavolatura di lauto (1619). > cheers, > tom > __ > > From: lute-...@cs.dartmouth.edu on behalf > of Jean-Marie Poirier > Sent: Wednesday, March 15, 2017 4:54 AM > To: jo.lued...@t-online.de; 'Lute List' > Subject: [LUTE] Re: Ballard 1623 ? > > Thank you Joachim ! It seems it's definitely a closed door then :-( ! > Al the best, > Jean-Marie > -- > >> Dear Jean-Marie: >> >> "BALLARD, Pierre (ed.). Tablature de Luth de differents auteurs sur > l'accord ordinaire et extraordinaire recueillie par P. Ballard, Paris: > P. Ballard, 1623 (the title page alone was part of the collection of > March Pincherle, when this was auctioned in Paris [Hôtel Drouot], 3 to > 5 March 1975 â its present whereabouts are unknown)." >> >> (From the source list of F.-P. Goy's thesis on the manuscript sources > of music in Accords Nouveaux. This can be found in Andreas Schlegel's > website accordsnouveaux.ch.) >> >> Best wishes, >> >> Joachim >> >> >> -Original-Nachricht- >> Betreff: [LUTE] Ballard 1623 ? >> Datum: 2017-03-15T10:03:06+0100 >> Von: "Jean-Marie Poirier" >> An: "'Lute List'" >> >> Dear all, >> >> There are dozens of references circulating to Ballard's 1623 > "Tablature de luth de differents auteurs sur l'accord ordinaire et > extraordinaire", declared "Lost" >> except its title page... I could not find a single reference giving > the whereabouts of this mysterious title-page. >> >> Would anyone on this list know where precisely this precious document > is preserved ? >> >> Thank you for your feedback anyway ! >> >> Best wishes to all, >> >> Jean-Marie Poirier >> >> >> >> To get on or off this list see list information at >> [1]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html > [2]Frequently Asked Technical Questions about the lute mail list > www.cs.dartmouth.edu > Frequently Asked Technical Questions about the lute mail list. getting > on and off the list; How do I get on the lute mail list? How do I get > off the lute mail list? >>  >> >> > > References > > 1. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html > 2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html > Andreas Schlegel Eckstr. 6 CH-5737 Menziken +41 (0)62 771 47 07 lute.cor...@sunrise.ch --
[LUTE] Re: Continuo: Score vs Part; also Page-Turners
Otherwise music students is a fantastic page turning technology. Max Max Langer, PhD 20 rue Diderot 38000 Grenoble France +33 631 94 21 92 On 15 March 2017 at 17:53, guy_and_liz Smith wrote: > A melody line is handy, especially for recitative but I'd rather not deal > with a full score. Too many page turns. > > A related question: what did continuo players use back in the day, i.e., when > did we start publishing part music as a score? That's a common practice in > modern editions, but most of the 16th and early 17th century music that I've > played in various wind bands was originally published as individual parts, > often in separate books (Gesualdo being a notable exception). Most of the > Baroque music I've played (mainly opera and orchestral continuo) was in > (relatively) modern editions, so I'm not sure about the originals. At least > some Baroque music that I'm familiar with (Castello, for example), was > published as part music; continuo is just another part book. > > Guy > > -Original Message- > From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf > Of howard posner > Sent: Wednesday, March 15, 2017 9:17 AM > To: Lute List > Subject: [LUTE] Re: Continuo: Score vs Part; also Page-Turners > > It’s always nice to have the score, or the melodic line, in the continuo > part. I’ve done a lot of cutting and pasting to avoid inconvenient page > turns. > >> On Mar 15, 2017, at 6:25 AM, Edward Chrysogonus Yong >> wrote: >> >> Dear Lutenetters who play basso continuo, >> Is there a preference either way for playing from bass part or full >> score, assuming both have the same figures? > > > > > To get on or off this list see list information at > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html > >
