[LUTE] Re: mirror site

2019-10-15 Thread David Smith
I would be.
David

Sent from my iPad

> On Oct 15, 2019, at 2:04 PM, Frank A. Gerbode, M.D.  wrote:
> 
>    Hi, all.
>   Is anyone interested in hosting a mirror site for my website?  Although
>   I have the data backed up locally, I would like to make sure that the
>   data remains intact in case of a catastrophe, or my demise.
>   The advantage of having a mirror site is that you have local access to
>   all the files without having to download anything. Another advantage is
>   that your site will be updated automatically whenever I update mine, so
>   you data will always be up to date. A disadvantage is that it takes up
>   space -- 6.6 GB at present, including facsimiles; a little over ½  a GB
>   without the facsimiles. It's nice to have the facsimiles locally,
>   though, so you can refer to them.  I have the pages laid out as
>   individual files, the file name being the page or folio number, so it's
>   very easy to find particular pages without having to search through a
>   PDF.
>   The site is currently being mirrored in the [1]Russian website, but I
>   cannot do the automatic update with this site, so it doesn't have the
>   latest and greatest.
>   Any takers?
>   --Sarge
> --
> Frank A. Gerbode, M.D. ([2]sa...@gerbode.net)
> 11132 Dell Ave
> Forestville, CA 95436-9491
> Home phone:  707-820-1759
> Website:  [3]http://www.gerbode.net
> "The map may not be the territory, but it's all we've got."
> 
>   --
> 
> References
> 
>   1. http://www.lute.ru/gerbode
>   2. mailto:sa...@gerbode.net
>   3. http://www.gerbode.net/
> 
> 
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html




[LUTE] mirror site

2019-10-15 Thread Frank A. Gerbode, M.D.
   Hi, all.
   Is anyone interested in hosting a mirror site for my website?  Although
   I have the data backed up locally, I would like to make sure that the
   data remains intact in case of a catastrophe, or my demise.
   The advantage of having a mirror site is that you have local access to
   all the files without having to download anything. Another advantage is
   that your site will be updated automatically whenever I update mine, so
   you data will always be up to date. A disadvantage is that it takes up
   space -- 6.6 GB at present, including facsimiles; a little over ½  a GB
   without the facsimiles. It's nice to have the facsimiles locally,
   though, so you can refer to them.  I have the pages laid out as
   individual files, the file name being the page or folio number, so it's
   very easy to find particular pages without having to search through a
   PDF.
   The site is currently being mirrored in the [1]Russian website, but I
   cannot do the automatic update with this site, so it doesn't have the
   latest and greatest.
   Any takers?
   --Sarge
--
Frank A. Gerbode, M.D. ([2]sa...@gerbode.net)
11132 Dell Ave
Forestville, CA 95436-9491
Home phone:  707-820-1759
Website:  [3]http://www.gerbode.net
"The map may not be the territory, but it's all we've got."

   --

References

   1. http://www.lute.ru/gerbode
   2. mailto:sa...@gerbode.net
   3. http://www.gerbode.net/


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: A strange "error" in Maestro

2019-10-15 Thread Tristan von Neumann

Are those false relations? I can't remember.

But this would be normal, they occur in English music frequently and are
intended that way.




On 15.10.19 08:48, Alain Veylit wrote:

I cannot read this thread without thinking about Spinacino's duets,
particularly the setting of Ghiselin's Jolis amours: are the notes
wrong or is it our ears? Yet, I had found a very convincing rendition
of that duet a while ago on the Net, played as printed 500 years ago
(already!) -- I believe  Karl-Ernst Schröder was on one of the 2 lutes
-- Helas, I can no longer find that particular recording on the
Internet any longer. One trick they used to make the half-tone clashes
sound better was to play the piece very fast. It works.

Spinacino's "J'ay pris amours" is still there on YouTube but it is less
striking as an example of utter dissonance to modern ears - see
[1]https://www.youtube.com/watch?v=ljcq1ETbXkI

Anyways, I hope nobody tries to correct Thelonious Monk (or Luigi Nono)
in the future... At least, they will have  the recordings, something
they did not have in 1510 Italy ...

And remember: wrong notes should always be accented, otherwise they
sound like a mistake.

On 10/14/19 2:57 PM, Ron Andrico wrote:

Depending upon the circumstance, I always resist the urge to improve
upon the choices made by an historical composer, scribe or publisher.
If performing a piece for the entertainment of myself or others,
anything goes.  But if editing for the purpose of publishing an edition
of historical music, I feel that one should just let it be if it is not
a mistake (missing measures, wrong cipher on wrong line).  Improving
upon the original is a slippery slope, and it is a wee bit presumptuous
to think that, with centuries of hindsight and examples like Wagner and
Charles Ives, we know better than the old ones.  If we decide to
improve upon the historical music that has come down to us, what is
next?  Synthetic strings? Amplified lutes? Music performed from ipad?

RA
  __

From: [2]lute-...@new-old-mail.cs.dartmouth.edu
[3] on behalf of Frank A. Gerbode,
M.D. [4]
Sent: Monday, October 14, 2019 9:17 PM
Cc: [5]lute@cs.dartmouth.edu [6]
Subject: [LUTE] Re: A strange "error" in Maestro

I always feel compelled to "correct" these instances, because to me it
just does not sound right as is, and it's no big deal to play the 4 on
the next course. To me, the bottom line is what sounds good.
--Sarge
On 10/14/2019 13:34, [7]r.ba...@gmx.de wrote:
> Something a bit similar is where one finds a cadential ornament with
> frets 2 1 2 1 2 1 0 1 2 , instead of going down to the 4 on the
next
> string in place of the zero. One finds this occasionally in
German tab
> sources and I assume elsewhere. I've always found it rather
bizarre.
> But if it goes by quickly, I guess it could work.)
--
Frank A. Gerbode, M.D. ([8]sa...@gerbode.net)
11132 Dell Ave
Forestville, CA 95436-9491
Home phone:  707-820-1759
Website:  [1][9]http://www.gerbode.net
"The map may not be the territory, but it's all we've got."
To get on or off this list see list information at
[2][10]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

--

References

1. [11]http://www.gerbode.net/
2. [12]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


--

References

1. https://www.youtube.com/watch?v=ljcq1ETbXkI
2. mailto:lute-...@new-old-mail.cs.dartmouth.edu
3. mailto:lute-...@new-old-mail.cs.dartmouth.edu
4. mailto:sa...@gerbode.net
5. mailto:lute@cs.dartmouth.edu
6. mailto:lute@cs.dartmouth.edu
7. mailto:r.ba...@gmx.de
8. mailto:sa...@gerbode.net
9. http://www.gerbode.net/
   10. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   11. http://www.gerbode.net/
   12. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html






[LUTE] Re: A strange "error" in Maestro

2019-10-15 Thread Ralf Mattes
 
Am Dienstag, 15. Oktober 2019 08:48 CEST, Alain Veylit 
 schrieb: 
 
>I cannot read this thread without thinking about Spinacino's duets,
>particularly the setting of Ghiselin's Jolis amours: are the notes
>wrong or is it our ears? Yet, I had found a very convincing rendition
>of that duet a while ago on the Net, played as printed 500 years ago
>(already!) -- I believe  Karl-Ernst Schröder was on one of the 2 lutes

That would be from the lute duet CD of Crawford Young and Karl-Ernst Schröder.

Cheers, RalfD

 
-- 
Ralf Mattes

Hochschule für Musik Freiburg
Projektleitung HISinOne
Schwarzwaldstr. 141, D-79102 Freiburg
http://www.mh-freiburg.de
 





To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: A strange "error" in Maestro

2019-10-15 Thread Alain Veylit
   I cannot read this thread without thinking about Spinacino's duets,
   particularly the setting of Ghiselin's Jolis amours: are the notes
   wrong or is it our ears? Yet, I had found a very convincing rendition
   of that duet a while ago on the Net, played as printed 500 years ago
   (already!) -- I believe  Karl-Ernst Schröder was on one of the 2 lutes
   -- Helas, I can no longer find that particular recording on the
   Internet any longer. One trick they used to make the half-tone clashes
   sound better was to play the piece very fast. It works.

   Spinacino's "J'ay pris amours" is still there on YouTube but it is less
   striking as an example of utter dissonance to modern ears - see
   [1]https://www.youtube.com/watch?v=ljcq1ETbXkI

   Anyways, I hope nobody tries to correct Thelonious Monk (or Luigi Nono)
   in the future... At least, they will have  the recordings, something
   they did not have in 1510 Italy ...

   And remember: wrong notes should always be accented, otherwise they
   sound like a mistake.

   On 10/14/19 2:57 PM, Ron Andrico wrote:

   Depending upon the circumstance, I always resist the urge to improve
   upon the choices made by an historical composer, scribe or publisher.
   If performing a piece for the entertainment of myself or others,
   anything goes.  But if editing for the purpose of publishing an edition
   of historical music, I feel that one should just let it be if it is not
   a mistake (missing measures, wrong cipher on wrong line).  Improving
   upon the original is a slippery slope, and it is a wee bit presumptuous
   to think that, with centuries of hindsight and examples like Wagner and
   Charles Ives, we know better than the old ones.  If we decide to
   improve upon the historical music that has come down to us, what is
   next?  Synthetic strings? Amplified lutes? Music performed from ipad?

   RA
 __

   From: [2]lute-...@new-old-mail.cs.dartmouth.edu
   [3] on behalf of Frank A. Gerbode,
   M.D. [4]
   Sent: Monday, October 14, 2019 9:17 PM
   Cc: [5]lute@cs.dartmouth.edu [6]
   Subject: [LUTE] Re: A strange "error" in Maestro

   I always feel compelled to "correct" these instances, because to me it
   just does not sound right as is, and it's no big deal to play the 4 on
   the next course. To me, the bottom line is what sounds good.
   --Sarge
   On 10/14/2019 13:34, [7]r.ba...@gmx.de wrote:
   > Something a bit similar is where one finds a cadential ornament with
   > frets 2 1 2 1 2 1 0 1 2 , instead of going down to the 4 on the
   next
   > string in place of the zero. One finds this occasionally in
   German tab
   > sources and I assume elsewhere. I've always found it rather
   bizarre.
   > But if it goes by quickly, I guess it could work.)
   --
   Frank A. Gerbode, M.D. ([8]sa...@gerbode.net)
   11132 Dell Ave
   Forestville, CA 95436-9491
   Home phone:  707-820-1759
   Website:  [1][9]http://www.gerbode.net
   "The map may not be the territory, but it's all we've got."
   To get on or off this list see list information at
   [2][10]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. [11]http://www.gerbode.net/
   2. [12]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


   --

References

   1. https://www.youtube.com/watch?v=ljcq1ETbXkI
   2. mailto:lute-...@new-old-mail.cs.dartmouth.edu
   3. mailto:lute-...@new-old-mail.cs.dartmouth.edu
   4. mailto:sa...@gerbode.net
   5. mailto:lute@cs.dartmouth.edu
   6. mailto:lute@cs.dartmouth.edu
   7. mailto:r.ba...@gmx.de
   8. mailto:sa...@gerbode.net
   9. http://www.gerbode.net/
  10. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  11. http://www.gerbode.net/
  12. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html