[LUTE] Eugene Dombois Wikipedia page
Almost a year ago I attempted to make a Wikipedia entry for Eugene Dombois. This is my first attempt to produce content for Wikipedia and I donât know what Iâm doing. I could not publish the page and I think the message was that it needed to be reviewed. I never heard back. Could we make this a group effort? Or barring that, could anyone offer help or advice on how to bring this page to fruition? It is a travesty that he doesnât have a Wiki entry. [1]https://en.wikipedia.org/wiki/User:Edurbrow/sandbox This page has been deleted. The deletion, protection, and move log for the page are provided below for reference. * 12:06, 25 October 2019 [2]Edgar181 [3]talk [4]contribs deleted page [5]User:Edurbrow/sandbox ([6]G8: Page dependent on a deleted or nonexistent page) * 16:16, 1 March 2019 [7]CNMall41 [8]talk [9]contribs moved page [10]User:Edurbrow/sandbox to [11]Draft:Eugen Müller Dombois (Preferred location for [12]AfC submissions) I have the content in a Pages (OS X) document on my computer. Ed Durbrow Saitama, Japan [13]http://www.youtube.com/user/edurbrow?feature=watch [14]https://soundcloud.com/ed-durbrow [15]http://www9.plala.or.jp/edurbrow/ -- References 1. https://en.wikipedia.org/wiki/User:Edurbrow/sandbox 2. https://en.wikipedia.org/wiki/User:Edgar181 3. https://en.wikipedia.org/wiki/User_talk:Edgar181 4. https://en.wikipedia.org/wiki/Special:Contributions/Edgar181 5. https://en.wikipedia.org/w/index.php?title=User:Edurbrow/sandbox=edit=1 6. https://en.wikipedia.org/wiki/Wikipedia:CSD#G8 7. https://en.wikipedia.org/wiki/User:CNMall41 8. https://en.wikipedia.org/wiki/User_talk:CNMall41 9. https://en.wikipedia.org/wiki/Special:Contributions/CNMall41 10. https://en.wikipedia.org/w/index.php?title=User:Edurbrow/sandbox=no=edit=1 11. https://en.wikipedia.org/w/index.php?title=Draft:Eugen_Müller_Dombois=edit=1 12. https://en.wikipedia.org/wiki/Wikipedia:AFC 13. http://www.youtube.com/user/edurbrow?feature=watch 14. https://soundcloud.com/ed-durbrow 15. http://www9.plala.or.jp/edurbrow/ To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: historically accurate concerts
I have played Weiss at a candle lit Advent labyrinth for a church. Like a slow meditative walk. This year I am playing deVisee on theorbo. Preludes work well. Gavottes and gigues not so much. The biggest problem is lighting to see the music. r Get [1]Outlook for Android __ From: lute-...@new-old-mail.cs.dartmouth.edu on behalf of George Torres Sent: Monday, November 18, 2019 1:41:56 PM To: Tristan von Neumann Cc: Lute List Subject: [LUTE] Re: historically accurate concerts Eight hours? That's a heck of a party! Nevertheless, congratulations Tristan! Peripherally related, and just for kicks and gigglesâ¦the following quotes are from the Burwell lute tutor: "The lute is a noble instrument, not made for debaucheries, ranting or playing in the streets to give serenades to Signora Isabella. âTis a grave and serious music for modest and sober persons, and for the cabinet rather than for a public placeâ¦this instrument requireth silence and a serious attention." "The lute is a closet instrument that will suffer the company of but a few hearers, and such as have a delicate ear, for the pearls are not to be cast before the swine." "To play in taverns, that never happened but to a man in Paris (who was paid for his abuse by some learned of the lute, that made cinnamon beaten in breaking the lute upon his head) " Cheers, Jorge On Nov 18, 2019, at 8:48 AM, Tristan von Neumann <[1]tristanvonneum...@gmx.de> wrote: Here's one thought: Lute concerts are often given in large halls or churches, though they are not really attracting a huge crowd. Huge crowds are also not really the setting in which lutenists florished back then. Recently, I had been invited to play the lute at a 30something birthday party on saturday night, a crowd of about 40 people max. Not one of the guests had probably ever heard Renaissance music. The host assured me that he wanted this and would deny any requests for other music from the stereo. It was a two bedroom late 1800s apartment with 11.5 ft./3.50m ceilings and all doors were open, I played in a 215 sqft/20 m � room where I sat on a chair in the corner at a table lit with a lamp. So I played straight from my 500+ p. book (message me if you are interested in my selection), for about 8 hours (it actually felt more like two). There was no programme, I just selected pieces on the fly according to "room temperature". There were sight-reading glitches, but no one noticed or cared. The reactions were very positive and no one complained about the music though most of the people normally listened to house, electro and other non-early musical styles. The music was described as: * never annoying * with a huge range of emotions * very pleasant for conversation * very interesting to listen to if you care to come close * filling the whole apartment (!) This was probably a setting more historically accurate than listening to French chanson intabulations in a church. The acoustics were perfect for a full and clear sound. I found this house concert situation very pleasing. You need to say goodbye to silence though. But having conversations to lute music is a whole other experience, as is playing lute for people not consciously listening most of the time. You end up with two or three people sitting closer and listening, the rest enjoying the atmosphere. I would highly recommend this experience. What are your experiences with house concerts? Has anyone ever played in the background? To get on or off this list see list information at [2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. [2]mailto:tristanvonneum...@gmx.de 2. [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html This message is intended only for the use of the individual or entity to which it is addressed, and may contain information that is privileged, confidential and exempt from disclosure under applicable law. If the reader of this message is not the intended recipient, or the employee or agent responsible for delivering the message to the intended recipient, you are hereby notified that any dissemination, distribution, or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by telephone and return the original message to us at i...@legalaidbuffalo.org References 1. https://aka.ms/ghei36 2.
[LUTE] Re: historically accurate concerts
Well, the circle of people was not like I felt I was cast peals before the swine. :) And I had to play, because any music from the stereo would have destroyed the experience. The instrument felt very appreciated. On 18.11.19 19:41, George Torres wrote: Eight hours? �That's a heck of a party! �Nevertheless, congratulations Tristan! Peripherally related, and just for kicks and gigglesâ¦the following quotes are from the Burwell lute tutor: "The lute is a noble instrument, not made for debaucheries, ranting or playing in the streets to give serenades to Signora Isabella. � âTis a grave and serious music for modest and sober persons, and for the cabinet rather than for a public placeâ¦this instrument requireth silence and a serious attention." "The lute is a closet instrument that will suffer the company of but a few hearers, and such as have a delicate ear, for the pearls are not to be cast before the swine." "To play in taverns, that never happened but to a man in Paris (who was paid for his abuse by some learned of the lute, that made cinnamon beaten in breaking the lute upon his head) " Cheers, Jorge On Nov 18, 2019, at 8:48 AM, Tristan von Neumann <[1]tristanvonneum...@gmx.de> wrote: Here's one thought: Lute concerts are often given in large halls or churches, though they are not really attracting a huge crowd. Huge crowds are also not really the setting in which lutenists florished back then. Recently, I had been invited to play the lute at a 30something birthday party on saturday night, a crowd of about 40 people max. Not one of the guests had probably ever heard Renaissance music. The host assured me that he wanted this and would deny any requests for other music from the stereo. It was a two bedroom late 1800s apartment with 11.5 ft./3.50m ceilings and all doors were open, I played in a 215 sqft/20 m � room where I sat on a chair in the corner at a table lit with a lamp. So I played straight from my 500+ p. book (message me if you are interested in my selection), for about 8 hours (it actually felt more like two). There was no programme, I just selected pieces on the fly according to "room temperature". There were sight-reading glitches, but no one noticed or cared. The reactions were very positive and no one complained about the music though most of the people normally listened to house, electro and other non-early musical styles. The music was described as: * never annoying * with a huge range of emotions * very pleasant for conversation * very interesting to listen to if you care to come close * filling the whole apartment (!) This was probably a setting more historically accurate than listening to French chanson intabulations in a church. The acoustics were perfect for a full and clear sound. I found this house concert situation very pleasing. You need to say goodbye to silence though. But having conversations to lute music is a whole other experience, as is playing lute for people not consciously listening most of the time. You end up with two or three people sitting closer and listening, the rest enjoying the atmosphere. I would highly recommend this experience. What are your experiences with house concerts? Has anyone ever played in the background? To get on or off this list see list information at [2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. mailto:tristanvonneum...@gmx.de 2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: historically accurate concerts
Eight hours? That's a heck of a party! Nevertheless, congratulations Tristan! Peripherally related, and just for kicks and gigglesâ¦the following quotes are from the Burwell lute tutor: "The lute is a noble instrument, not made for debaucheries, ranting or playing in the streets to give serenades to Signora Isabella. âTis a grave and serious music for modest and sober persons, and for the cabinet rather than for a public placeâ¦this instrument requireth silence and a serious attention." "The lute is a closet instrument that will suffer the company of but a few hearers, and such as have a delicate ear, for the pearls are not to be cast before the swine." "To play in taverns, that never happened but to a man in Paris (who was paid for his abuse by some learned of the lute, that made cinnamon beaten in breaking the lute upon his head) " Cheers, Jorge On Nov 18, 2019, at 8:48 AM, Tristan von Neumann <[1]tristanvonneum...@gmx.de> wrote: Here's one thought: Lute concerts are often given in large halls or churches, though they are not really attracting a huge crowd. Huge crowds are also not really the setting in which lutenists florished back then. Recently, I had been invited to play the lute at a 30something birthday party on saturday night, a crowd of about 40 people max. Not one of the guests had probably ever heard Renaissance music. The host assured me that he wanted this and would deny any requests for other music from the stereo. It was a two bedroom late 1800s apartment with 11.5 ft./3.50m ceilings and all doors were open, I played in a 215 sqft/20 m � room where I sat on a chair in the corner at a table lit with a lamp. So I played straight from my 500+ p. book (message me if you are interested in my selection), for about 8 hours (it actually felt more like two). There was no programme, I just selected pieces on the fly according to "room temperature". There were sight-reading glitches, but no one noticed or cared. The reactions were very positive and no one complained about the music though most of the people normally listened to house, electro and other non-early musical styles. The music was described as: * never annoying * with a huge range of emotions * very pleasant for conversation * very interesting to listen to if you care to come close * filling the whole apartment (!) This was probably a setting more historically accurate than listening to French chanson intabulations in a church. The acoustics were perfect for a full and clear sound. I found this house concert situation very pleasing. You need to say goodbye to silence though. But having conversations to lute music is a whole other experience, as is playing lute for people not consciously listening most of the time. You end up with two or three people sitting closer and listening, the rest enjoying the atmosphere. I would highly recommend this experience. What are your experiences with house concerts? Has anyone ever played in the background? To get on or off this list see list information at [2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. mailto:tristanvonneum...@gmx.de 2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: historically accurate concerts
Well, that's a truly flattering firing :-) Francesco > -Messaggio originale- > Da: lute-...@new-old-mail.cs.dartmouth.edu mail.cs.dartmouth.edu> Per conto di Frank A. Gerbode, M.D. > Inviato: lunedì 18 novembre 2019 16:17 > A: lute@cs.dartmouth.edu > Oggetto: [LUTE] Re: historically accurate concerts > > I had a gig in an art gallery a few years ago. I got fired after awhile, > because > people were paying too much attention to me and not enough to the art! > > --Sarge > > On 11/18/2019 05:48, Tristan von Neumann wrote: > > Here's one thought: > > > > Lute concerts are often given in large halls or churches, though they > > are not really attracting a huge crowd. > > > > Huge crowds are also not really the setting in which lutenists > > florished back then. > > > > > > Recently, I had been invited to play the lute at a 30something > > birthday party on saturday night, a crowd of about 40 people max. Not > > one of the guests had probably ever heard Renaissance music. > > > > The host assured me that he wanted this and would deny any requests > > for other music from the stereo. > > > > It was a two bedroom late 1800s apartment with 11.5 ft./3.50m ceilings > > and all doors were open, I played in a 215 sqft/20 m² room where I sat > > on a chair in the corner at a table lit with a lamp. > > > > So I played straight from my 500+ p. book (message me if you are > > interested in my selection), for about 8 hours (it actually felt more > > like two). > > > > There was no programme, I just selected pieces on the fly according to > > "room temperature". There were sight-reading glitches, but no one > > noticed or cared. > > > > The reactions were very positive and no one complained about the music > > though most of the people normally listened to house, electro and > > other non-early musical styles. > > > > The music was described as: > > > > * never annoying > > > > * with a huge range of emotions > > > > * very pleasant for conversation > > > > * very interesting to listen to if you care to come close > > > > * filling the whole apartment (!) > > > > This was probably a setting more historically accurate than listening > > to French chanson intabulations in a church. > > > > The acoustics were perfect for a full and clear sound. > > > > > > I found this house concert situation very pleasing. You need to say > > goodbye to silence though. But having conversations to lute music is a > > whole other experience, as is playing lute for people not consciously > > listening most of the time. > > > > You end up with two or three people sitting closer and listening, the > > rest enjoying the atmosphere. > > > > I would highly recommend this experience. > > > > > > What are your experiences with house concerts? Has anyone ever played > > in the background? > > > > > > > > > > > > > > To get on or off this list see list information at > > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html > > > > -- > Frank A. Gerbode, M.D. (sa...@gerbode.net) > 11132 Dell Ave > Forestville, CA 95436-9491 > Home phone: 707-820-1759 > Website: http://www.gerbode.net > "The map may not be the territory, but it's all we've got."
[LUTE] Re: historically accurate concerts
I had a gig in an art gallery a few years ago. I got fired after awhile, because people were paying too much attention to me and not enough to the art! --Sarge On 11/18/2019 05:48, Tristan von Neumann wrote: Here's one thought: Lute concerts are often given in large halls or churches, though they are not really attracting a huge crowd. Huge crowds are also not really the setting in which lutenists florished back then. Recently, I had been invited to play the lute at a 30something birthday party on saturday night, a crowd of about 40 people max. Not one of the guests had probably ever heard Renaissance music. The host assured me that he wanted this and would deny any requests for other music from the stereo. It was a two bedroom late 1800s apartment with 11.5 ft./3.50m ceilings and all doors were open, I played in a 215 sqft/20 m² room where I sat on a chair in the corner at a table lit with a lamp. So I played straight from my 500+ p. book (message me if you are interested in my selection), for about 8 hours (it actually felt more like two). There was no programme, I just selected pieces on the fly according to "room temperature". There were sight-reading glitches, but no one noticed or cared. The reactions were very positive and no one complained about the music though most of the people normally listened to house, electro and other non-early musical styles. The music was described as: * never annoying * with a huge range of emotions * very pleasant for conversation * very interesting to listen to if you care to come close * filling the whole apartment (!) This was probably a setting more historically accurate than listening to French chanson intabulations in a church. The acoustics were perfect for a full and clear sound. I found this house concert situation very pleasing. You need to say goodbye to silence though. But having conversations to lute music is a whole other experience, as is playing lute for people not consciously listening most of the time. You end up with two or three people sitting closer and listening, the rest enjoying the atmosphere. I would highly recommend this experience. What are your experiences with house concerts? Has anyone ever played in the background? To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- Frank A. Gerbode, M.D. (sa...@gerbode.net) 11132 Dell Ave Forestville, CA 95436-9491 Home phone: 707-820-1759 Website: http://www.gerbode.net "The map may not be the territory, but it's all we've got."
[LUTE] historically accurate concerts
Here's one thought: Lute concerts are often given in large halls or churches, though they are not really attracting a huge crowd. Huge crowds are also not really the setting in which lutenists florished back then. Recently, I had been invited to play the lute at a 30something birthday party on saturday night, a crowd of about 40 people max. Not one of the guests had probably ever heard Renaissance music. The host assured me that he wanted this and would deny any requests for other music from the stereo. It was a two bedroom late 1800s apartment with 11.5 ft./3.50m ceilings and all doors were open, I played in a 215 sqft/20 m² room where I sat on a chair in the corner at a table lit with a lamp. So I played straight from my 500+ p. book (message me if you are interested in my selection), for about 8 hours (it actually felt more like two). There was no programme, I just selected pieces on the fly according to "room temperature". There were sight-reading glitches, but no one noticed or cared. The reactions were very positive and no one complained about the music though most of the people normally listened to house, electro and other non-early musical styles. The music was described as: * never annoying * with a huge range of emotions * very pleasant for conversation * very interesting to listen to if you care to come close * filling the whole apartment (!) This was probably a setting more historically accurate than listening to French chanson intabulations in a church. The acoustics were perfect for a full and clear sound. I found this house concert situation very pleasing. You need to say goodbye to silence though. But having conversations to lute music is a whole other experience, as is playing lute for people not consciously listening most of the time. You end up with two or three people sitting closer and listening, the rest enjoying the atmosphere. I would highly recommend this experience. What are your experiences with house concerts? Has anyone ever played in the background? To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Tiorbino
What's with this thing about "historic accuracy" anyway? I am pretty sure people back then weren't half as dogmatic as historically informed musicians today. Depictions of ensembles often seem quite random in their choice of instruments. Also, what's the point of this scene: "Hey guys, I have copied some new pieces for theorbo!" - "Sorry dude, I only have a tiorbino. My theorbo is in the workshop. Better luck next time!" Music is better than no music. So if you have an instrument that can play the pieces in question, then use it... I play 10 course music all the time on my 7c. lute. Sacrilege? I think not. Back in the day, if someone had a smaller lute, they would still be interested in the latest music. On 18.11.19 14:10, Jurgen Frenz wrote: If I understand it well the tiorbini is tuned one octave higher than a standard theorbo - hence you can play anything for theorbo, if you don't mind historic accuracy but just pure fun. Jurgen -- “Close your eyes. Fall in love. Stay there.” Jalāl ad-Dīn Muhammad Rumi ‐‐‐ Original Message ‐‐‐ On Monday, November 18, 2019 3:50 PM, Susan Price wrote: I've had a tiorbino before and I find it awesome for playing solo theorbo music. It sounds muck like a small harp. I even played De Visee on it and twas divine. Susan Original message From: yuval.dvo...@posteo.de Date: 11/17/19 9:47 AM (GMT-07:00) To: Lute lute@cs.dartmouth.edu Subject: [LUTE] Tiorbino Hello all, I was offered a Tiorbino, and I'm wondering what one can do with it (except of playing Bellerofonte-Castaldi): Are there any proofs that it was used for playing solo instead of a big theorbo or for playing continuo? And is there any literature about it apart from the article by Nocerino (2005)? Thanks and regards a usual :-) Yuval To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Tiorbino
If I understand it well the tiorbini is tuned one octave higher than a standard theorbo - hence you can play anything for theorbo, if you don't mind historic accuracy but just pure fun. Jurgen -- “Close your eyes. Fall in love. Stay there.” Jalāl ad-Dīn Muhammad Rumi ‐‐‐ Original Message ‐‐‐ On Monday, November 18, 2019 3:50 PM, Susan Price wrote: > I've had a tiorbino before and I find it awesome for playing solo > theorbo music. It sounds muck like a small harp. I even played De Visee > on it and twas divine. > > Susan > > Original message > From: yuval.dvo...@posteo.de > Date: 11/17/19 9:47 AM (GMT-07:00) > To: Lute lute@cs.dartmouth.edu > Subject: [LUTE] Tiorbino > > Hello all, > I was offered a Tiorbino, and I'm wondering what one can do with it > (except of playing Bellerofonte-Castaldi): Are there any proofs that it > was used for playing solo instead of a big theorbo or for playing > continuo? > And is there any literature about it apart from the article by Nocerino > (2005)? > Thanks and regards a usual :-) > Yuval > To get on or off this list see list information at > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Tiorbino
I've had a tiorbino before and I find it awesome for playing solo
theorbo music. It sounds muck like a small harp. I even played De Visee
on it and twas divine.
Susan
Original message
From: yuval.dvo...@posteo.de
Date: 11/17/19 9:47 AM (GMT-07:00)
To: Lute
Subject: [LUTE] Tiorbino
Hello all,
I was offered a Tiorbino, and I'm wondering what one can do with it
(except of playing Bellerofonte-Castaldi): Are there any proofs that it
was used for playing solo instead of a big theorbo or for playing
continuo?
And is there any literature about it apart from the article by Nocerino
(2005)?
Thanks and regards a usual :-)
Yuval
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
