Here is some information on the Weiss Lute Duets that will be played in
   Philadelphia this weekend.

   John

   [1]https://tempestadimare.org/blog/lute-duets-of-silvius-leopold-weiss/

Lute Duets of Silvius Leopold Weiss

   Duo Silvio: Cameron Welke and Richard Stone, photo by Blair Cheng

1. The Lute Duets

   By Richard Stone.

   Tempesta di Mare's Artist Recital Series resumes on November 23 and 24
   with the modern premiere of four lute duets by Bach-contemporary
   Silvius Leopold Weiss (1687–1750). Rehearsing and previewing these
   [2]Weiss duets with my partner Cameron Welke has been some of the most
   fun I've ever had playing lute. These pieces also have an interesting
   back story that's too big to fit into our recital-series format of
   spoken introductions by the performers. So I will use Tempesta's blog
   for a more in-depth account, starting with the genesis of this project.

   Back in the eighties—my twenties—I was an at-large Fulbright/Lusk
   Fellowship scholar in London studying baroque music at the Guildhall
   School of Music and Drama, taking lute and theorbo lessons from Nigel
   North, and indulging just about every cultural interest that piqued my
   curiosity in the British capital. Among my nerdier (though not my
   nerdiest) activities was attending presentations of The Lute Society
   whenever I could.
   The Guildhall School of Music and Drama, Barbican Centre, London,
   credit to Guildhall School

   A game-changing event at the Lute Society happened when Tim Crawford—
   one of the world's authorities on the music of Weiss—my favorite lute
   composer—gave a presentation on the Weiss lute concerti. Four concerti
   survive to the present, but in all instances only the solo lute parts
   remain; all parts for the accompanying ensembles were lost. But at his
   lecture, Tim played concert audio of one of these concerti, for which
   the lost parts had been recently reconstructed. The results amazed me,
   so I asked Tim about the other concerti. The only reconstruction was
   the one I'd heard, and he encouraged me to try my hand at
   reconstructing the rest of them myself.

   And so I did try my hand in the early nineties, now relocated
   stateside, launching a project that spun off the founding of Tempesta's
   concert series (2002–today), the first of many releases on the
   [3]British label Chandos (2004–today), and the first edition of the
   [4]Weiss lute concerti (2004).
   Silvius Leopold Weiss: Duet in C, Lute 1, Page 1, credit to Sächsische
   Landes- und Universitätsbibliothek, Dresden

   In the course of polishing the missing accompaniments for the concerti,
   I encountered four Weiss lute duets, each lacking one of its two parts.
   The surviving parts hinted at delightful music, and though I sketched
   out reconstructions for these at the same time as the concerti, the
   duets got mothballed as the pace of Tempesta's activity increased. I
   knew a performance deadline would get me to advance these duets to a
   polished state, so we set these recital dates last season, and I
   devoted much of last summer to getting these reconstructions ready for
   this season's performances.

   I am glad I made the time for these duets. As I said earlier, the music
   is a lot of fun. In coming articles, I plan to talk about what is
   special about Weiss as a composer, how these duets are special within
   the Weiss oeuvre, a bit about each duet specifically, and, time
   permitting, the wider circumstances of Weiss's ensemble music.

   --

References

   1. https://tempestadimare.org/blog/lute-duets-of-silvius-leopold-weiss/
   2. https://tempestadimare.org/events/lute-duets/
   3. https://tempestadimare.org/music/purchase-music/
   4. 
https://tempestadimare.secure.force.com/ticket/#sections_a0Fi000000DjoZyEAJ


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