[LUTE] Re: Fret Calculator

2008-12-06 Thread Leonard Williams
Oops!  I sent this to Dan, only; meatn it for the list (sorry, Dan, for the
redundance):

Regarding the acceptance (or lack thereof) of Equal Temp,  I recommend the
following:

How Equal Temperament Ruined Harmony (And Why You Should Care)
Ross Duffin   (2007)   ISBN-13: 978-0-393-06227-4

You can find writings of Duffin on the web, also.

Regards,
Leonard Williams
  
   /[ ]
   /   \
  |  *  |
  \_=_/



On 12/2/08 11:28 AM, Daniel Winheld [EMAIL PROTECTED] wrote:

 Even the piano (Ivers  Pond, 1906- their Upright
 Grand) is tuned to temperament one of my students calls Victorian
 Meantone
 
 Whoops should have seen that one coming! From what the piano tuner
 told me, I gathered that it is one of a variety of well
 temperaments, similar to what J.S. Bach may have intended with his
 Well Tempered Clavier - that is, enough of a nod to the thirds that
 they sound better than equal, but compromised enough to make all keys
 useable.

-True et took a LONG time to become universally accepted, and
- more recently than one would have expected- but I would have to look
- it up to give dates, places, venues  menus so I'm stopping here.

 My tuner dude says that Victorian Meantone is not the true name for
 this temperament, but the wise-ass nickname that my lute student
 gives it. She also plays piano and employs his services; in fact she
 recommended him to me. Anytime any of you come out here, bring your
 piano with you and we'll fix you up with Larry Riley, a fine piano
 tuner indeed.
 
 Just out of curiosity, what exactly is Victorian Meantone?



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[LUTE] Re: Fret Calculator

2008-12-02 Thread Martin Shepherd
Hi Dan, no I don't think it's an illusion.  Tuning ET is very hard, 
because the major thirds are already right at the limit of what the ear 
will accept (many would say, beyond) so if they're just the tiniest bit 
too wide it sounds dreadful.  But with meantone temperaments, the major 
thirds can be pure, or not so pure, but as long as they're somewhere 
between pure and ET it sounds OK.


You tune a harpsichord in ET?  Now that really is a sin.  Try it in 1/4 
comma, and play Byrd, then tell me you like it in ET.


Best wishes,

Martin


Daniel Winheld wrote:
Absolutely the best procedure; what I now use. I set frets by 
calculation only once, about 30 years ago. Came out so bad, I ran 
crying back to EQUAL (yecchh!) until about a month or so ago- not 
hard at all with a good tuner (and years of training, tuning my 
wife's harpsichord.)


The cigar will always be a temporally unstable phenomenon; what with 
the nature of ambient humidity, temperature, the whims of organic 
visceral remains under tension, and of course one's own varying 
perceptual state. Nevertheless, I find tuning to go faster  more 
easily in 1/4 comma meantone, and the instrument itself seems to hold 
the tuning better- now that has to be an illusion.

Dan


  

I can't see using a fret calculator for real world tuning, tune your
open strings in the temperament you wish and then set your frets
using the tuning box.
If you wish to tweak the open strings, tune the top string, then set
each fret with the box.
Then tune the double octave to the top string, set those frets to the
box. You will notice that the frets do not make exactly straight
lines, which is normal--and shows that the fret calculator won't work.
Then adjust the open strings anyway you like. You have to have the
double octaves in tune or you will really hear it.
This is the only system that will give you the actual, as opposed to
theoretical values, as it will compensate for drift--unless you tune by ear.
You will find, of course, that you will either have to choose between
sharps and flats, especially for the first fret, or use tastini.

The fret caluclator will get you close, but still a few millimeters 


from cigar.
  

Have fun!
dt




  




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[LUTE] Re: Fret Calculator

2008-12-02 Thread Eugene C. Braig IV
At 10:34 AM 12/2/2008, Daniel Winheld wrote:
Even the piano (Ivers  Pond, 1906- their Upright
Grand) is tuned to temperament one of my students calls Victorian
Meantone


Just out of curiosity, what exactly is Victorian Meantone?

Best,

Eugene 



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[LUTE] Re: Fret Calculator

2008-12-02 Thread DEMERY
On Tue, Dec 2, 2008, Eugene C. Braig IV [EMAIL PROTECTED] said:

 Just out of curiosity, what exactly is Victorian Meantone?

perhaps it was last tuned in the victorian age?

Should be strongly related to nickel-beer pianoroll meantone.
-- 
Dana Emery




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[LUTE] Re: Fret Calculator

2008-12-02 Thread Eugene C. Braig IV
At 10:51 AM 12/2/2008, [EMAIL PROTECTED] wrote:
On Tue, Dec 2, 2008, Eugene C. Braig IV [EMAIL PROTECTED] said:

  Just out of curiosity, what exactly is Victorian Meantone?

perhaps it was last tuned in the victorian age?

Should be strongly related to nickel-beer pianoroll meantone.


Mmmm... Make mine a creamy stout.

Eugene



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[LUTE] Re: Fret Calculator

2008-12-02 Thread Omer katzir

You know you're all crazy, right...?

On Dec 2, 2008, at 6:08 PM, Eugene C. Braig IV wrote:


At 10:51 AM 12/2/2008, [EMAIL PROTECTED] wrote:

On Tue, Dec 2, 2008, Eugene C. Braig IV [EMAIL PROTECTED] said:


Just out of curiosity, what exactly is Victorian Meantone?


perhaps it was last tuned in the victorian age?

Should be strongly related to nickel-beer pianoroll meantone.



Mmmm... Make mine a creamy stout.

Eugene



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[LUTE] Re: Fret Calculator

2008-12-02 Thread Eugene C. Braig IV
Indeed.

At 11:08 AM 12/2/2008, Omer katzir wrote:
You know you're all crazy, right...?

On Dec 2, 2008, at 6:08 PM, Eugene C. Braig IV wrote:

At 10:51 AM 12/2/2008, [EMAIL PROTECTED] wrote:
On Tue, Dec 2, 2008, Eugene C. Braig IV [EMAIL PROTECTED] said:

Just out of curiosity, what exactly is Victorian Meantone?

perhaps it was last tuned in the victorian age?

Should be strongly related to nickel-beer pianoroll meantone.


Mmmm... Make mine a creamy stout.

Eugene



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[LUTE] Re: Fret Calculator

2008-12-02 Thread Daniel Winheld
  Even the piano (Ivers  Pond, 1906- their Upright
Grand) is tuned to temperament one of my students calls Victorian
Meantone

Whoops should have seen that one coming! From what the piano tuner 
told me, I gathered that it is one of a variety of well 
temperaments, similar to what J.S. Bach may have intended with his 
Well Tempered Clavier - that is, enough of a nod to the thirds that 
they sound better than equal, but compromised enough to make all keys 
useable. True et took a LONG time to become universally accepted, and 
more recently than one would have expected- but I would have to look 
it up to give dates, places, venues  menus so I'm stopping here. My 
tuner dude says that Victorian Meantone is not the true name for 
this temperament, but the wise-ass nickname that my lute student 
gives it. She also plays piano and employs his services; in fact she 
recommended him to me. Anytime any of you come out here, bring your 
piano with you and we'll fix you up with Larry Riley, a fine piano 
tuner indeed.

Just out of curiosity, what exactly is Victorian Meantone?

-- 



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[LUTE] Re: Fret Calculator

2008-12-02 Thread Daniel Winheld
Only if last October was the Victorian age. We're nostalgic here in 
Berkeley, but it only goes back to the 1960's. That would be Free 
Speech  Tear Gas temperament.

perhaps it was last tuned in the victorian age?

I like the beer part. Definitely improves the flavor of the thirds.

Should be strongly related to nickel-beer pianoroll meantone.
--
Dana Emery

-- 



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[LUTE] Re: Fret Calculator

2008-12-02 Thread Daniel Winheld
Or maybe the Panama Red temperament:-)

Strictly San Francisco, and only the higher octaves.
-- 




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[LUTE] Re: Fret Calculator

2008-12-01 Thread David Tayler
If you keep the fretgut in the humidor with cigar you will be richly rewarded.
dt

At 07:03 PM 12/1/2008, you wrote:
Absolutely the best procedure; what I now use. I set frets by
calculation only once, about 30 years ago. Came out so bad, I ran
crying back to EQUAL (yecchh!) until about a month or so ago- not
hard at all with a good tuner (and years of training, tuning my
wife's harpsichord.)

The cigar will always be a temporally unstable phenomenon; what with
the nature of ambient humidity, temperature, the whims of organic
visceral remains under tension, and of course one's own varying
perceptual state. Nevertheless, I find tuning to go faster  more
easily in 1/4 comma meantone, and the instrument itself seems to hold
the tuning better- now that has to be an illusion.
Dan


 I can't see using a fret calculator for real world tuning, tune your
 open strings in the temperament you wish and then set your frets
 using the tuning box.
 If you wish to tweak the open strings, tune the top string, then set
 each fret with the box.
 Then tune the double octave to the top string, set those frets to the
 box. You will notice that the frets do not make exactly straight
 lines, which is normal--and shows that the fret calculator won't work.
 Then adjust the open strings anyway you like. You have to have the
 double octaves in tune or you will really hear it.
 This is the only system that will give you the actual, as opposed to
 theoretical values, as it will compensate for drift--unless you tune by ear.
 You will find, of course, that you will either have to choose between
 sharps and flats, especially for the first fret, or use tastini.
 
 The fret caluclator will get you close, but still a few millimeters
 from cigar.
 Have fun!
 dt
 

--



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[LUTE] Re: Fret Calculator

2008-12-01 Thread David Tayler

Dan, it is definitely time for another play, any themes, music you'd 
like to try?

Or anyone else, you are all invited!
d




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