There was indeed - the arrangements were even more over the top than those of the Foscarini Experience.

Monica

----- Original Message ----- From: "Sauvage Valéry" <sauvag...@orange.fr>
To: <lute@cs.dartmouth.edu>
Sent: Friday, April 01, 2011 10:18 AM
Subject: [LUTE] TRe: Foscarini Experience again



I think there was some Foscarini in the Alfabeto CD by Lislevand... (with
fancy vocal improvisations by Ariana Savall...)
Not his best recording...
V.


-----Message d'origine-----
De : lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] De la part
de Peter Martin
Envoyé : vendredi 1 avril 2011 10:50
À : Lutelist
Objet : [LUTE] Re: Foscarini Experience again

  The presence of the soprano sax in this photo suggests that
  "historically informed" isn't their top priority...
  [1]http://www.myspace.com/thefoscariniexperience/photos/490584#%7B%22Im
  ageId%22%3A490584%7D

  However ... do the printed versions of this music tell the whole story?
   I was looking recently at the Corbetta 1639 book, kindly made
  available by Daniel Shoskes on the ning early guitar forum.

  [2]http://earlyguitar.ning.com/forum/topics/corbetta-first-book-1639

  Although all the pieces are for solo guitar, in the introduction he
  gives instructions 'per accordar quattro Chitarre di Concerto', or how
  to tune four different sized guitars together.  Counting up from the
  largest, the guitars are a major third, a fourth and a fifth higher.
  What was the purpose of this instruction?  A merry band of guitars all
  thrashing away together, in what must have been quite a departure from
  the printed versions.


  By the way, this book uses alfabeto for a delicious musical acrostic
  on page 60, spelling out the name of patron CONTE ODOARDO in chord
  symbols.

  P

  On 1 April 2011 09:14, Monica Hall <[3]mjlh...@tiscali.co.uk> wrote:

    Well - I've got this CD.   The Fosco and Brizeno pieces are their
    own elaborations of minimal material and the way in which the
    Corbetta in particular and Bartolotti to some extent are played
    departs quite a bit from the printed versions.
    I don't think really these people really make any attempt to play
    the music in a "historically informed way"..or have any relevant
    knowledge at all.
    Everyone is just fooled by their virtuosity.
    Cynically
    Monica
    ----- Original Message ----- From: "Stuart Walsh"
    <[4]s.wa...@ntlworld.com>
    Cc: "Lutelist" <[5]lute@cs.dartmouth.edu>
    Sent: Friday, April 01, 2011 9:06 AM
    Subject: [LUTE] Re: Foscarini Experience again

    On 31/03/2011 22:08, Stuart Walsh wrote:

    On 31/03/2011 19:53, Monica Hall wrote:

       I came across this CD  by the group Foscarini Experience with the
    title
       "Bon voyage" some time ago.

    I looked around to see if I could hear some of the tracks as
    samples. Couldn't find anything but I did find an album by 'Private
    Musicke' (who played at Edinburgh last year with an opera singer)
    and there are some samples from this album, Echo de Paris:
    [6]http://www.prestoclassical.co.uk/r/Accent/ACC24173#listen
    It's interesting that the one solo of Corbetta's and the several of
    Bartolotti are played actually as solos - very fluently (but
    perhaps, at the gushing rather than the pinched, end of the
    spectrum) whereas Foscarini (and Briceno) get a complete makeover.
    Actually playing through Foscarini you struggle to find anything
    musically coherent at all - but on this album, his (ahem) music
    bursts forth as colourful, radiant and beguilingly tuneful.

    (i.e. this is all rather curious...where did all these arrangements
    come from - and arrangements of what in the first place?)

    Stuart

        In the liner notes it mentions an
       illustration which features Foscarini on a wagon playing the lute
       together with a girl with a triangle and a violone player which
       apparently dates from 1615 and is part of an illustration of a
    feast
       held for the Archduchess Isabella Clara Eugenia, the wife of the
       Archduke Albert.
       Does anyone know anything about this illustration and whether the
       lutenist is clearly identified as Foscarini.  I have done a bit
    of
       surfing the net but haven't found any trace of it.
       Monica
       --
    To get on or off this list see list information at
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  --
  Peter Martin
  24 The Mount St Georges
  Second Avenue
  Newcastle under Lyme
  ST5 8RB
  tel: 0044 (0)1782 662089
  mob: 0044 (0)7971 232614
  [8]peter.l...@gmail.com

  --

References

  1.
http://www.myspace.com/thefoscariniexperience/photos/490584#%7B%22ImageId%22
%3A490584%7D
  2. http://earlyguitar.ning.com/forum/topics/corbetta-first-book-1639
  3. mailto:mjlh...@tiscali.co.uk
  4. mailto:s.wa...@ntlworld.com
  5. mailto:lute@cs.dartmouth.edu
  6. http://www.prestoclassical.co.uk/r/Accent/ACC24173#listen
  7. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  8. mailto:peter.l...@gmail.com





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