Dear Anton, I use your editions regularly, of course one should learn to play from staff notation and continuo, but your choice of repertoire is always rewarding. With your intabulations we have so much interesting music at our fingertips. I also like that you always reponded to discussions on layout and fingerings. Tanti saluti di Roma! B
-- Gesendet von der App myMail fuer Android Mittwoch, 03 August 2016, 04:53PM +0200 von Dan Winheld <dwinh...@lmi.net>: -And I would like to add that Anton jumped right in with an incredibly generous, quick response when I needed help finding lute/harp duets. Thanks again, Anton! -I don't know how you keep up your intense production. Dan On 8/3/2016 7:10 AM, Helen Atkinson wrote: > I'm a fan of your work, Anton. Many thanks. > Helen > > On 3 August 2016 at 14:49, Jean-Marie Poirier > <[1]jmpoiri...@wanadoo.fr> wrote: > > I do agree completely too ! > Best and very well done indeed, Anton ! > Do keep up the good work ! > Jean-Marie Poirier > -------------- > > > Anton > > > > let me say that I admire your work very much. Of course playing > ftom > > notation is always good to be able to do and something I have > taught to > > the few students I have had in 40 years, however one can usually > do > > that on one or two sets of tunings..playing in trios and quartets > with > > g, a, c , and d lutes become more tricky for the average guy. > your > > work is fantastic and allows players to be exposed to more than > just > > lute repertoire. I will be retiring ftom my job in a few years > and > > intend on teaching lute to beginners . your material will be of > great > > use. > > > > one wish..set some medieval pieces especially the trecento > stuff... > > > > regards > > > > Bruno Cognyl-Fournier > > > > Montreal > > > > Sent from Samsung Mobile > > > > -------- Original message -------- > > > > From: Anton Hoeger > > > > Date:2016-08-03 03:24 (GMT-05:00) > > > > To: List Lutelist > > > > Subject: [LUTE] insinuations > > > > > > > > Hi everyone, > > > > > > Martin Hogson wrote: > > > > > > Dear Anton Hoger, > > > > > > Have you ever considered learning to play from figured bass? > This > > would save you much mundane work making these unnecessary > > transcriptions/arrangements. > > > > > > MH > > > > > > Ja natuerlich! Aber was haben meine Renaissance Intabulations > mit > > Dimunitions mit einem figured bass zu tun? > > > Das eine hat doch mit dem anderen nichts zu tun. > > > Ich habe bisher nur sehr wenig Fruehbarocke Generalbassstuecke > > bearbeitet. Ausserdem waeren doch genau diese Ausarbeitungen fuer > den > > Interpreten interessant. Als Anregung, Alternativen oder sogar als > > fertige Ausfuehrun.. > > > Meine 100000 downloads und Tausend Danksagungen zeigen ein > anderes > > Bild, als Dein ...making these unnecessary transcriptions!!! > > > Bitte unterlasse doch diese Unverschaemtheiten, wenn Du keine > Ahnung > > hast. > > > > > > Anton > > > > > > Yes of course! But how do you bring my Renaissance Intabulations > with > > Dimunitions in relation with a figured bass? > > > These one has nothing to do with the other one! > > > On the other side I have so far only very few Earlybaroque > figured > > Bass edited pieces. Exactly this Arrangements may be interesting > for > > the interprets. As a suggestion or such ways. > > > My 100000 downloads and thousand credits show a different image > than > > Your: ...making these unnecessary transcriptions!......... > > > Please stop these insinuations, if you have no idea. > > > > > > > > > Anton > > -- > > To get on or off this list see list information at > > > [2] http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html > > > > -- > > References > > 1. mailto: jmpoiri...@wanadoo.fr > 2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html > >
