RE: VIRGIL: (no subject)

2004-01-03 Thread fabio paolo barbieri
Absolutely not.  Anyone but Mandelbaum: I have caught him mistranslating the 
climactic scene of the compact of the kings (before the final battle) in a 
way that made no sense of the central issues of the poem.  Cecil Day-Lewis 
is both accurate and well composed.


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Subject: VIRGIL: (no subject)
Date: Fri, 2 Jan 2004 23:22:24 EST
Best translation for reading is West as recommended by the AP board
Best translation for reading if translating from Latin is Mendelbaum.
_
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Re: VIRGIL: (no subject)

1999-05-07 Thread WRHare
um randy . .  . what is the 2th century? is that the secondth?  :)
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RE: VIRGIL: (no subject)

1999-05-06 Thread RANDI C ELDEVIK
Yes, certainly, but I didn't mention LOTR because someone else already
had.
RE

On Tue, 4 May 1999, David Wilson-Okamura wrote:

> From: Adrian Pay <[EMAIL PROTECTED]>
> Date: Tue, 4 May 1999 21:32:22 +0100
> 
> And in the same vein Tolkien's Lord of the Rings?
> 
> Adrian Pay
> 
> 70 Dalling Road
> Hammersmith
> London W6 0JA
> 
> 0181 846 9355 (Home)
> 07801 342 182 (Mobile)
> [EMAIL PROTECTED]
> 
> -Original Message-
> From: RANDI C ELDEVIK [SMTP:[EMAIL PROTECTED]
> Sent: Tuesday, May 04, 1999 3:46 PM
> To:   [EMAIL PROTECTED]
> Subject:  Re: VIRGIL: (no subject)
> 
> Odd as it might sound, I would suggest Richard Adams' _Watership Down_.
> While much "epic energy" may have been deflected away from the written
> word in the 2th century, there are still some epic writers left, and Adams
> at his best (he's very uneven, and has written some other books that are
> terribly infra dig) is one of them.  Also, what about 20th c. war novels
> (WWI, WWII, etc.)?
> Randi Eldevik
> Oklahoma State University
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RE: VIRGIL: (no subject)

1999-05-04 Thread David Wilson-Okamura
From: Adrian Pay <[EMAIL PROTECTED]>
Date: Tue, 4 May 1999 21:32:22 +0100

And in the same vein Tolkien's Lord of the Rings?

Adrian Pay

70 Dalling Road
Hammersmith
London W6 0JA

0181 846 9355 (Home)
07801 342 182 (Mobile)
[EMAIL PROTECTED]

-Original Message-
From:   RANDI C ELDEVIK [SMTP:[EMAIL PROTECTED]
Sent:   Tuesday, May 04, 1999 3:46 PM
To: [EMAIL PROTECTED]
Subject:    Re: VIRGIL: (no subject)

Odd as it might sound, I would suggest Richard Adams' _Watership Down_.
While much "epic energy" may have been deflected away from the written
word in the 2th century, there are still some epic writers left, and Adams
at his best (he's very uneven, and has written some other books that are
terribly infra dig) is one of them.  Also, what about 20th c. war novels
(WWI, WWII, etc.)?
Randi Eldevik
Oklahoma State University
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Re: VIRGIL: (no subject)

1999-05-04 Thread RANDI C ELDEVIK
Odd as it might sound, I would suggest Richard Adams' _Watership Down_.
While much "epic energy" may have been deflected away from the written
word in the 2th century, there are still some epic writers left, and Adams
at his best (he's very uneven, and has written some other books that are
terribly infra dig) is one of them.  Also, what about 20th c. war novels
(WWI, WWII, etc.)?
Randi Eldevik
Oklahoma State University

On Sun, 2 May 1999 [EMAIL PROTECTED] wrote:

> I was trying to make a modern day comparison with a writer/poet to 
> Virgil. I am having difficulty.
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Re: VIRGIL: (no subject)

1999-05-03 Thread M W Hughes
I keep on thinking that the 'epic energy' of these days has been
transferred, for good or ill, to films.  There may be some point in
examining modern conceptions of political heroism in the Star Wars or
James Bond cycles.  Not that I can think of a modern fictional character,
depicted in any medium, who operates in a political world and really 
matches the complexity and humanity of Odysseus or Aeneas.  I think that
some such characters, heroes constantly in danger of becoming antiheroes,
do emerge in the film noir genre - and presumably in the underlying 'serie
noire' novels.  These stories tend to be full of political allegory but to
be set against an overtly unpolitical background of 'mean streets'.
Perhaps they are our version of minor epic, 'epyllion', able to explore
a flawed character who is not a political leader but belongs in the
ordinary world, like V's Aristaeus.  He (much less often she) is able to
visit extraordinary places, find some inner resources and have a chance of
doing some good. - Martin Hughes

On Mon, 3 May 1999, Betty Gabriel-Jones wrote:

> At 21:09 2/05/99 EDT, you wrote:
> >I was trying to make a modern day comparison with a writer/poet to 
> >Virgil. I am having difficulty.
> 
> If it is epic that you are interested in look at any of the modern epic
> writers, from Tolkien to Eddings.  Look at the way that the common themes
> of the epic recur - the journey, the temptations to be overcome, the
> relationship with the gods or supernatural (reduced to a vague mysticism in
> some cases) the magic or holy artifacts - Virgil's shield, Bilbo' ring -
> and the culminating gathering of the forces of good and evil in a final
> battle. Poets are harder, and it depends on what you call modern - there's
> Tennyson's Morte d'Arthur, but thats C19th.  
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> >
> 
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Re: VIRGIL: (no subject)

1999-05-02 Thread Betty Gabriel-Jones
At 21:09 2/05/99 EDT, you wrote:
>I was trying to make a modern day comparison with a writer/poet to 
>Virgil. I am having difficulty.

If it is epic that you are interested in look at any of the modern epic
writers, from Tolkien to Eddings.  Look at the way that the common themes
of the epic recur - the journey, the temptations to be overcome, the
relationship with the gods or supernatural (reduced to a vague mysticism in
some cases) the magic or holy artifacts - Virgil's shield, Bilbo' ring -
and the culminating gathering of the forces of good and evil in a final
battle. Poets are harder, and it depends on what you call modern - there's
Tennyson's Morte d'Arthur, but thats C19th.  
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>

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