Re: [Marxism-Thaxis] relations of production as fetter on product... correction

2005-09-11 Thread Waistline2

CB: What do u mean by the Marxist standpoint ? 

 
WL: The standpoint of the class struggle. The class struggle is shortspeak 
for how society moves in class antagonism and on what basis this takes 
place.  
 
What do u mean by stating that viewing relations of production as more than 
simply property relations is at variance with Marx? Please explain. 
 
Production relations or relations of production are the laws defining 
property and the relationship of people to property in the process of 
production. 
Relations of production seems much broader than simply property relations 
because 
property means ownership of something.  This something is the process of 
production and the actual things by which the productivity infrastructure 
and all that arises from it constitutes social production. 
 
To continue. 
 
What is meant by the Marxist standpoint is the lens he uses to view society 
or how he position his approach to society. In general and in the specific 
context of this discussion of the relations of production, the Marxist 
standpoint 
means his materialist conception of history or what in shortspeak is called 
historical materialism. 
 
The materialist conception of history has a theory grid, on which sits or 
arises a general vision of the direction of society and a method, that is at 
times incorrectly called a philosophy - in my opinion. 
 
Marx method approach is to view things in their interactivity, in/as part of 
their environment and taught the workers to disclose the unity and strife 
within a particular thing and that which is fundamental to a thing and upon 
which 
all other things are dependent. This method of viewing is generally called 
dialectical materialism and I agree with Engels description of dialectics as a 
form of thinking rather than a philosophy as such. 
 
In discussing history, Marx and Engels presuppose the existence of human 
beings as a species and their collective species activity and strivings as 
that, 
which is fundamental to history. This is an important part of the Marxist 
standpoint. Below is perhaps the most popular exposition on the Marxist 
standpoint. 
 
The materialist conception of history starts from the proposition that the 
production of the means to support human life and, next to production, the 
exchange of things produced, is the basis of all social structure; that in 
every 
society that has appeared in history, the manner in which wealth is distributed 
and society divided into classes or orders is dependent upon what is 
produced, how it is produced, and how the products are exchanged. From this 
point of 
view, the final causes of all social changes and political revolutions are to 
be sought, not in men's brains, not in men's better insights into eternal truth 
and justice, but in changes in the modes of production and exchange. 
http://www.marxists.org/archive/marx/works/1880/soc-utop/ch03.htm
 
Engels exposition on historical materialism or Marx and his materialist 
conception of history is worth examining anew. 


1). The present situation of society — this is now pretty generally conceded 
— is the creation of the ruling class of today, of the bourgeoisie. The mode 
of production peculiar to the bourgeoisie, known, since Marx, as the 
capitalist mode of production, . . . 
 
Here Engels states in clear terms that the capitalist mode of production is 
shortspeak for a mode of production peculiar to the bourgeoisie and in all 
their writings what both describes in detail is the development of the 
industrial system - the productive forces, and the mode of appropriation - the 
property 
relations of the bourgeoisie or what I choose to call the industrial system 
with the property relations within. This in no way is at variance with the 
writings of Marx and Engels. 
 
2). Now, the owner of the instruments of labor always appropriated to 
himself the product, although it was no longer his product but exclusively the 
product of the labor of others. Thus, the products now produced socially were 
not 
appropriated by those who had actually set in motion the means of production 
and actually produced the commodities, but by the capitalists. The means of 
production, and production itself, had become in essence socialized. But they 
were 
subjected to a form of appropriation which presupposes the private production 
of individuals, under which, therefore, every one owns his own product and 
brings it to market. The mode of production is subjected to this form of 
appropriation, although it abolishes the conditions upon which the latter 
rests. [2] 
This contradiction, which gives to the new mode of production its 
capitalistic character, contains the germ of the whole of the social 
antagonisms of 
today. (IBID) 

The means of production, . . . had become . . . socialized. But . subjected 
to a form of appropriation which presupposes the private production of 
individuals . . . The mode of production is subjected to this form of 

[Marxism-Thaxis] Graham Priest: dialectic dialetheic

2005-09-11 Thread Ralph Dumain
Priest, Graham. 'Dialectic and Dialetheic', Science and Society 1990, 53, 
388-415.


Priest is an odd duck.  He illustrates the problem of combining two 
disparate enterprises: the pursuit of logic as a pure formal enterprise (in 
his case paraconsistent logic, which admits of true contradictions, whose 
attendant doctrine is dialetheism), and the substantive engagement with 
philosophical issues and ultimately the real world.  While logic was 
practically developed to study the nature of inference, valid and invalid 
argument (without larger philosophical claims), its formal form has never 
neatly meshed with the messiness of the real world nor with the structuring 
the categories of its fundamental understanding.  Furthermore, mixing up 
logic with metaphysics has, historically, more often served the cause of 
mysticism than science.


In his 1995 (with additions in 2002) book BEYOND THE LIMITS OF THOUGHT, 
Priest bravely reviews the history of western philosophy (with Nagarjuna 
thrown in in 2002) and attempts to unify all paradoxes in his Inclosure 
Schema.  (I have uploaded his diagram to two discussion lists with the 
filename logicreal2.rtf)  Paradoxically, paradoxically, by the time he has 
accomplished this task, he has left the philosophical content of all these 
philosophies embodying these paradoxes behind.  In other words, the bare 
formal structure he seeks to generalize does not do justice to the nature 
of the philosophical issues involved.


In a later paper on philosophy in the 21st century, Priest predicts that 
Asian philosophy will be the next big thing.  Perhaps this ties in to his 
interest in Nagarjuna, Taoism, and the martial arts.  About Marxism he 
seems to throw up his hands and suggest that somehow it drowned in the Sea 
of Ilyenkov.  I'll review this article more extensively at a later date.


However, back in 1989, Priest aggressively attempts to prove that Hegel, 
Marx, and Engels were adherents of dialetheism.  What this amounts to may 
prove instructive.


(1) That Hegel's dialectics is dialetheism should be a no-brainer, Priest 
argues.  Hegel states that the very nature of motion embodies 
contradiction.  (You will be familiar with the issue from Zeno's 
paradox.)  But others have denied that Hegel affirms contradiction in the 
formal logical sense.


Marxist philosophers have made similar denials about the marxist view of 
dialectical contradiction.  Sometimes contradiction is characterized as the 
co-existence of conflicting forces, which is hardly a logical 
interpretation.  Priest cites a few to that effect.  After the Stalin era 
(in which contradiction hazily covered a variety of meanings), a growing 
number of Soviet philosophers dissociated the notion of dialectical 
contradiction from any taint of logical contradiction (Sheptulin, Narskii), 
and some maintain that contradictions hold in thought but not in reality 
(Narskii).


(2) The arguments against this position: In Hegel's time, the only logic 
extant was Aristotle's logic, which Hegel deemed inadequate from a 
dialectical perspective.  But Frege/Russell logic is far more 
sophisticated, and is the gold standard now.  Contradiction is even more 
taboo.  Note Priest's quotation of Popper on dialectic.  Most Marxists, who 
know little of formal logic, have been browbeaten into retreating from 
dialetheism.  But now we have paraconsistent logic to the rescue.


(3) Dialetheic logic: Priest outlines the principles of paraconsistent 
logic, which may assign truth values of both true and false.  He also 
discusses its semantics.  He also introduces an operator ^ to nomialize 
sentences, e.g. ^A means that A (e.g. 'that Sam went to the store' is 
true).  Further discussion.


(4) Motion: an illustration.  Priest claims that paraconsistent logic can 
easily render Hegel's notion of the paradox of motion into logical 
form.  He also deals with an argument based on a distinction between 
extensional and intensional contradiction.  In extensional contradiction, 
there is no intrinsic connection between the conjuncts.  But for 
intensional (putatively dialectical) contradictions, there is an internal 
relation between the conjuncts not captured by a mere extensional 
conjunction (A  not-A).  Priest treats this latter qualification by way of 
example (with reference to Grice's conversational implicature), but leaves 
us hanging, and promises to pick up the argument again in section 8.


(5) The history of Hegel's dialectic: This section is quite interesting, 
and appears to be remote from the realm of paraconsistent logic.  Hegel 
draw on his predecessors Kant and Fichte as well as the medieval 
Neo-Platonists who held that the One embodies contradictions.  Priest 
quotes Hegel's analysis of Kant's antinomies of reason.  Hegel objects to 
Kant's banishing contradiction from the world and relegating it to the 
Reason claiming that reason falls into contradiction only by applying the 
categories.  The postulation of the 

[Marxism-Thaxis] relations of production as fetter on production

2005-09-11 Thread Charles Brown




Pardon, my misquoting your definition of an epoch. 

^
CB: This seems a disingenous pardon. 

^
 
An epoch in the Marxist standpoint is a historical period of time 
distinguished in its geenral framework on the basis of the mode of
production, rather 
than by more than one generation. In my estimate this more accurately pays

homage to the spirit of Marx. 


CB: What do you mean by general framework ?

^


 
Again, I apologize for my misquoting.

^
CB: This seems a fake apology.



 
 
Social revolution means the kind of change in the productive forces - tools,

instruments, machines and underlying energy source of the production
process, 
that compels society to reorganize itself around the new changes.



CB: The Marx quote focused on here would seem to suggest that the social
revolution begins when the property relations or relations of production
prevent development of the productive forces, like levies, such that
everybody gets pissed off and decides to change the property relations  or
relations of production so as to allow the levies and everything to fully
develop and prevent disasters or prevent long term depressions.



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[Marxism-Thaxis] General Baker and Marian Kramer

2005-09-11 Thread Charles Brown
http://www.michigancitizen.com/
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[Marxism-Thaxis] Christopher Caudwell : His aesthetics and film

2005-09-11 Thread Charles Brown
 
 



JUMP CUT
A REVIEW OF CONTEMPORARY MEDIA





Christopher Caudwell
His aesthetics and film

by Ellen Sypher

from Jump Cut, no. 12/13, 1976, pp. 65-66
copyright Jump Cut: A Review of Contemporary Media, 1976, 2004

Christopher Caudwell’s career as a Marxist culture theorist was very brief.
Two years after he began serious Marxist writing he was killed fighting in
the Spanish Civil War at the age of thirty. Yet in that brief time his
output was prodigious: a reputable book on physics from a dialectical
materialist perspective (The Crisis in Physics) and four theoretical works
on culture. One of these is dedicated to poetry (Illusion and Reality),
another to the novel (Romance and Realism) and two to general essays in such
fields as history, psychology and religion (presently combined in a single
volume, Studies and Further Studies in a Dying Culture). Caudwell’s
reputation, based solely on these five works, is considerable. His name has
been a familiar one to Marxists since his death, and he is known of by the
literary establishment. Serious evaluation of his writings is, however, only
a fairly recent phenomenon.(1) This more recent assessment of him from a
Marxist perspective is generally that while immature and deeply flawed, he
is so richly suggestive and often so sound that every serious Marxist
thinker on culture should deal with him. 

He was and remains more or less of a maverick. From upper middle class
roots, he left school at fifteen to work in aeronautics. After his
commitment to Marxism he moved to Poplar, a working class section of London,
where he wrote and did menial party work for the British Communist Party,
whose leadership did not even know of him until after his death. He
apparently undertook his serious theoretical work in isolation. His work
bears all the weaknesses of such an individualistic position in that he
uncritically accepts prevailing attitudes. Especially he ignores proletarian
culture, and he depends too much on the then very influential Freud. Yet
notwithstanding these narrow dimensions of his work, some of his perceptions
of literature’s basis and workings stand alongside those of the best of
Marxist aestheticians. Caudwell’s work, undoubtedly because of its mixed
character, has not substantially influenced any writer on aesthetics
although he is undisputedly the major Marxist writer on aesthetics in the
British and U.S. tradition. 

Literature and especially poetry is Caudwell’s first love. Yet in Illusion
and Reality he frequently branches out to mention other cultural forms:
music, dance, drama, and film.(2) The comments on film are theoretical and
frustratingly brief, yet always provocative and never mechanical. By
themselves they cannot stand as a cornerstone for a Marxist theory of film.
Placed, however, in the context of his general views on culture and
particularly literature, his comments form a springboard for other Marxist
film theoreticians. 

Unlike more mechanical Marxist writers, Caudwell approaches art neither as
primarily a reflection of historical reality nor as a mere vehicle for
expressing the author’s class perspective. Rather, for Caudwell art is
ultimately an instrument in social production. For Caudwell as for Marx, it
is the act of social production which makes humans human, non-animal. Art
thus is guaranteed its place as a necessary feature of human social life.
Science serves this same end of fostering social production and is likewise
necessary. Science, however, operates more in the realm of cognition, while
art operates primarily in the realm of emotion. Poetry seems to operate more
directly on the emotions, while the novel in its more literal representation
of social relations contains somewhat more of the reflective, cognitive, or
as Caudwell calls it, “referential” element. 

Yet in each case, art serves ultimately to direct the participant’s
subjective life toward social production. Art achieves this end by creating
an “illusion” of reality which many people can participate in together. It
draws out what is common in people’s socially formed, yet idiosyncratically
experienced thoughts and emotions. Caudwell seems to suggest that the poem
is more effective than the novel in ensuring this collective response. In
any case Caudwell is insistent (see particularly his essay on D.H. Lawrence
in Studies on a Dying Culture) that there is no area of consciousness or the
unconscious, no area of thought or feeling, that is asocial as Freud and
Lawrence believe. Both areas are repositories and transformers of one’s
social, historical experience. Thus art’s effect in focusing common
responses can be profound. Art can be a powerful instrument in encouraging
social cooperation, social production. 

Caudwell recognizes, however, that in a class society all art is class art,
or, the life experiences of people and their interests are class specific.
The shared pool of experience and thus 

[Marxism-Thaxis] Graham Priest: Dialetheism Marx

2005-09-11 Thread Ralph Dumain
Priest, Graham. 'Was Marx a Dialetheist?', Science and Society, 1991, 54, 
468-75.


While I don't expect everyone to be held spellbound by this question, it is 
illustrative of a recurring problem in intellectual history (and also in 
popular intellectual culture, which is another story.  Priest's views on 
dialetheism (logic which admits contradictions) is controversial among his 
fellow logicians, and he responds to objections in his book.  Probably his 
fellow logicians (except those interested in Marx, among which there are 
more than a few) are not terribly concerned about his views on Marx, and in 
fact he says nothing about Marx in his book.  However he did get a response 
to his earlier article on dialectics and dialetheism:


Marquit, Erwin. A Materialist Critique of Hegel's Concept of Identity of 
Opposites, Science and Society, Summer 1990, 54, no. 2, 147-166.


I haven't yet reviewed this article, so I'll move directly to Priest's 
response.  Marquit himself is a Marxist (and a physicist, I believe) who 
maintains that logical contradictions are unacceptable.  Priest counters 
this by reaffirming the existence of formal logics not susceptible to this 
limitation.  Moreover, Marquit is wrong to claim that contradiction is 
intolerable in theoretical investigations, citing Dirac's early formulation 
of quantum mechanics and teh early infinitesimal calculus as 
examples.  However, as all theories get replaced eventually, 
inconsistencies or no, one can't argue much on this basis.  (Am I missing 
something, or is Priest undermining himself here?)


Then there is Marquit's argument as to the difference between idealism and 
materialism.  While Hegel's idealism requires an identity of opposites, 
materialism does not.  Priest argues that the substantive differences 
between Hegel and Marx are irrelevant to the question of whether the 
entities in question have formally contradictory properties.  Marquit 
argues that a succession of states in time (state A and state not-A) are 
contradictory or not depending on whether Hegel's or Marx's logical and 
historical dialectics are temporal or not.  I'm not going to reproduce the 
confusing paragraph in question, but suffice it to say that Priest counters 
this argument.  Finally, Priest claims that since Marx says that he took 
over his dialectic from Hegel, we should take his word for it, along with 
the criticisms he explicitly makes of Hegel's dialectic.  Oy!


In his earlier article, Priest cites three alleged examples of Marx's 
dialetheism; Marquit addresses only one, with the familiar ploy of 
reinterpreting a situation in which A  not-A are both true as being so in 
DIFFERENT RESPECTS.  The example in question is a famous one from Marx on 
the nature of the commodity, its use value, exchange value, and 
equivalency.  Priest analyzes this example from CAPITAL as well as another 
one from A CONTRIBUTION TO POLITICAL ECONOMY to counter Marquit's argument.


Priest segues to the contradictory nature of wage labor, both free and 
unfree. Here too he counters Marquit's attempt to weasel out of a 
contradiction in the same respect.


Next Priest discusses the nature of motion, beginning with Zeno's 
paradox.  Here I am confused about Priest's argument about the 
unsatisfactoriness of the Russellian argument, about which he claims to 
agree with Marquit.  Then he throws quantum mechanics into the mix, and I 
can't make sense out of the argument anymore, as we move into paragraphs on 
the uncertainty principle and the two-slit experiment.  Priest concludes 
that he is not suggesting that quantum mechanical descriptions are 
descriptions of an inconsistent reality.  My point is just that it is 
premature to claim quantum mechanics as an ally against dialetheism.


I don't know whether you can make any sense out of my summary of this 
article, but to me the article itself is an awful mess.  I offer a few 
observations:


(1) Priest treats disparate examples as if they are alike:

(a) the nature of motion (implying, firstly, the nature of the 
continuum).  There is a philosophical dimension, a scientific dimension, 
and a mathematical dimension to this problem.  The ancient Greeks, lacking 
the calculus (though I'm told that Archimedes came close), could not handle 
the mathematical dimension, but they dealt with both the logical 
(philosophical) and scientific dimension of the problem as best they 
could.  The strictly logical dimension--i.e. the nature of the 
continuum--involves the question of infinite divisibility of the line into 
points.  If I remember correctly, already Aristotle challenged Zeno by 
denying that motion should be considered as a succession of states of rest, 
and that the line, while potentially infinitely divisible, should not be 
considered as a collection of points (or actual infinity of real numbers, a 
nondenumerable infinite set as Cantor proved it to be).


Then there is the relation between the mathematical idealization and the 

[Marxism-Thaxis] Re:Christopher Caudwell : His aesthetics and film

2005-09-11 Thread Ralph Dumain
Terrific to see a piece on Caudwell I never read taken out of the 
mothballs.  (did you find this on the web, perchance?)  More has appeared 
since 1976, but I have apparently failed to document it comprehensively in 
my bibliography:


http://www.autodidactproject.org/bib/caudwell.html

E.P. Thompson's essay is stupendous.

As for Caudwell himself, I loved his STUDIES AND FURTHER STUDIES IN A DYING 
CULTURE, taking them in the '80s as a model for similar work for our 
time.  I thought Romance and Realism was really weak and crude.  No 
question, though, that Caudwell was an original.


At 05:33 PM 9/11/2005 -0400, Charles Brown wrote:




JUMP CUT
A REVIEW OF CONTEMPORARY MEDIA

Christopher Caudwell
His aesthetics and film

by Ellen Sypher

from Jump Cut, no. 12/13, 1976, pp. 65-66
copyright Jump Cut: A Review of Contemporary Media, 1976, 2004



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Re: [Marxism-Thaxis] relations of production as fetter on production

2005-09-11 Thread Waistline2
CB: The Marx quote focused on here would seem to suggest that the social
revolution begins when the property relations or relations of production
prevent development of the productive forces, 

WL: I believe you explain the exact nature of our discussion in the above. 
Social Revolution begins as the result of 1). changes in the productive forces 
2). and these changes evolve in such a way as 3). to come into collision with 
the relations of production or the property relations . . . AFTER and on the 
basis of colliding with the actual properties - organization, of a given state 
of development of production. 

Actually, social revolution comes about as the result of a qualitative 
addition in the material power of production that demands the restructuring of 
the 
productivity architecture. The restructuring of the productivity architecture, 
does at a certain stage of this restructuring passes from contradiction to 
antagonism, with the old forms of property or what is the same thing, the 
expression of property as a given superstructure. The social revolution begins 
as the 
spontaneous development of the means of production or what is the same, a 
qualitative addition to the technological regime upon which sits and arises the 
entire productivity architecture. 

The contradictions within the productive forces are abstracted from the 
complexity that is the mode of production - with the property relations within, 
and 
this standpoint is referred to as the spontaneous development of the 
productive forces. The spontaneous development of the productive forces, 
manifest 
a law system of development that overlaps with and interpenetrate the mode of 
accumulation or the form of property, but in the last instance is not self 
driven by the property relations.  

In real life the above sentence does not exist as such because the complexity 
of actuality does not operate on the basis of our abstraction of the actual 
process.  Property and thinking determines - to a considerable degree, 
everything. And the subjective factor - wo/man themselves, are the most 
revolutionary ingredient of the productive forces. 

The productive forces of society does not simply collide - come into 
contradiction, with the property relations because each successive stage in the 
development of production contains its own unity and strife -- contradiction, 
as a 
given. Your description of the process properly belongs to a period of Marxism 
that is the rising curve of industrial development. During this historical per
iod or era - not epoch, the Marxists and communist insurgents were bound by a 
certain quantitative stage in the development of the industrial system, where 
it was impossible to predict or conceive of a stage where the industrial 
system passes over to a higher and qualitatively new beginning of a new mode of 
production. 

Jumping a little bit . . . this is my criticism of Rosa Luxemberg's writing 
on the accumulation of Capital and her conceptual framework of the boundary of 
the industrial system, with the property relations within. She is historically 
inaccurate and life itself has revealed itself to us. Hell . . . I will never 
be her intellectual equal. Or Leon Trotsky's for that matter. Or Comrade 
Stalin or Bukarin or a Cornel West. 

Marx most famous statement and quote on the general law of development of 
society can be understood anew. I of course have added nothing and nothing new 
to 
the treasure house of Marx and frankly do not possess the intellectual 
ability as such. Nor do I possess a profound grasp of dialectics and there 
are 
many sharper comrades on this list than I. What I possess is an acute power 
of 
observation unobstructed by ideology that allows me to present complex ideas 
and concepts worked out by others in either a complex or elementary manner. I 
am a communist propagandist. I have lived the actual industrial process for a 
lifetime directly as part of the industrial process and there are details I can 
speak of with a profound authenticity. 

In other words I grasped the boundary we passed wherein the industrial system 
began its leap - transition, to post industrial society and this was not 
simply an intellectual process, but is bound up with embodying three 
generations 
of industrial workers. I grapsed the passing of this boundary, after I was told 
we passed a certain boundary by others. 

The industrial system has an architecture, or complex series of pathways by 
which its interactivity sustains its reality. Qualitative changes in the 
components that are the pathways begins the restructuring of the pathways. The 
productive forces come into contradiction with themselves as development. 

Much of this we have personally discussed for at last the past 4 years and 
most communists and Marxist on various lists do not even have a modern 
conception of the productive forces we face or the relations of production, 
except as 
ideological proclamations. Most are stuck in 

[Marxism-Thaxis] Christopher Caudwell : His aesthetics and film

2005-09-11 Thread Charles Brown
Ralph Dumain :

Terrific to see a piece on Caudwell I never read taken out of the 
mothballs.  (did you find this on the web, perchance?)  More has appeared 
since 1976, but I have apparently failed to document it comprehensively in 
my bibliography:

http://www.autodidactproject.org/bib/caudwell.html

E.P. Thompson's essay is stupendous.

As for Caudwell himself, I loved his STUDIES AND FURTHER STUDIES IN A DYING 
CULTURE, taking them in the '80s as a model for similar work for our 
time.  I thought Romance and Realism was really weak and crude.  No 
question, though, that Caudwell was an original.

^
CB: Yes. I just google the name.

Something about that Caudwell, for sure. If I don't laz out as usual , I am
going to try to annotatively discuss some and copy one of the essays from
one of the collections.

The first person I heard discuss Caudwell was Angela Davis, who is also
officially a philosopher. I try to read her study of women blues singers
as philosophical work. In general, I'd make the current changes in philo
based on feminist critique. The long term of philosophers lacks women
philosophers.


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[Marxism-Thaxis] relations of production as fetter on productionWaistline2

2005-09-11 Thread Charles Brown
 Waistline2

Actually, social revolution comes about as the result of a qualitative 
addition in the material power of production that demands the restructuring
of the 
productivity architecture.

^^^
CB: In the New Orleans flood type of example, it might be better said that
it is the failure to make an addition in the material power of production,
failure to add to the material holding power of the levies, that might make
masses demand a restructuring of the relations of production/property
relations ,and the restructuring of the relations of production constitute a
social revolution.


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[Marxism-Thaxis] that man and woman was born free, but was crippled through social organisation.

2005-09-11 Thread Charles Brown
that man (sic) was born free, but was crippled through social organisation.
 
 
 
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[Marxism-Thaxis] Key idea in Caudwell

2005-09-11 Thread Charles Brown
Key idea in Caudwell is ye ancient antagonism between predominantly mental
and predominantly physical labor.
 
^
 
Caudwell had sought to discern the most basic thought patterns and to
discover the lines of connection between these and the most basic
socio-economic realities. At the heart of it all was the subject-object
dichotomy, that had its basis in the social division of labour, in the
separation of the class that generated ideology from the class that actively
struggled with nature. This dichotomy distorted all realms of thought and
activity. It distorted art, science, psychology, philosophy, economics and
all social relations. It was a disease endemic to class society that has
become most acute in bourgeois society as the most highly developed form of
class society. Only an integrated world view and a classless society could
bring to a synthesis what had been severed and had grown pathologically far
apart.
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