[MCN-L] Touchpads anyone?

2010-08-24 Thread Hanan Cohen
Thanks,

We have installed the Ergonomic Touchpad on one of our computerized
exhibits.  We have found out that whoever used a touch interface
(laptops and smartphones) felt comfortable with it. Young kids and older
people didn't know how to use it.

http://www.ergonomictouchpad.com/xl_touchpad.php

Regarding durability, the maker wrote me his products are also used in
public places and that he had no complaints or returns.

We will use this touchpad in two exhibitions that are in development now
and see how it goes.

We have found heavy duty touchpads but they are quite expensive and we
are not sure we need them.

http://www.indukey.com/shop/shop/CURSORSTEUERUNG/MZFP/MZGTOUCH.html?star
t=0&sel=KH02007

I hope to remember and report on the results here.

---
Hanan Cohen
Webmaster
Bloomfield Science Museum Jerusalem




-Original Message-
From: mcn-l-bounces at mcn.edu [mailto:mcn-l-boun...@mcn.edu] On Behalf Of
Elton Prater
Sent: Wednesday, August 11, 2010 9:06 PM
To: Museum Computer Network Listserv
Subject: Re: [MCN-L] Touchpads anyone?

We have six keosks currently running with touch pads as well as 4
trackballs. Most of the time they are great, but they do have a quite a
bit higher failure rate than a good trackball. I suspect they are
getting static zapped. Of course it may make a difference that we are
using consumer grade pads (Cirque Easy Cat). You need to make sure to
disable the right click on them either in software or mechanically,
unless there is a reason to leave it accessible.

Another advantage to the touch pad, at least over the standard Hap
trackball is they don't mind being mounted on an angled surface. I tried
a 45 degree panel with a trackball, and it wouldn't work at all.

Elton Prater
Exhibits/IT Mgr.
Science Spectrum
Lubbock, TX

On 8/11/2010 11:38 AM, Hanan Cohen wrote:
> Hello,
>
> We are considering the use of a touchpad instead of a trackball in a
computerized exhibit in development.
>
> Does anyone here have any good/bad experience with touchpads used by
the public?
>
> What model/s do/did you use?
>
> Thanks,
>
> Hanan Cohen
> Webmaster
> Bloomfield Science Museum Jerusalem
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[MCN-L] "Do we still need websites?"

2010-08-24 Thread Anders Liljeholm
See also the New York Times pointing out that Wired's graph allegedly
showing the death of the web is awful.

 

http://bits.blogs.nytimes.com/2010/08/17/the-growth-of-the-dying-web/?hp

 

While web has declined as a PERCENTAGE of internet traffic, the total
AMOUNT of web traffic has increased by a factor of 10.  Wired's graph
has video taking over in dominance, but that's an artifact of video
being such a bandwidth hog.  I'm very skeptical of any claims that the
web is in decline - I'd want to see data that people are spending less
time looking at web pages before I'd believe it.

 

 -Anders

Oregon Museum of Science and Industry

1945 SE Water Ave

Portland, OR 97214

503-797-4606

 




[MCN-L] TechFocus I: Caring for Video Art

2010-08-24 Thread Johnston, Leslie
Forwarded for a colleague; do not contact me about this program.  For further 
program details  and registration please visit: 
http://www.conservation-us.org/videoart



TechFocus I: Caring for Video Art
Guggenheim Museum
New York
September 1-2, 2010
http://www.conservation-us.org/videoart

The Foundation of the American Institute for Conservation  and the
AIC Electronic Media Group are pleased to announce a two-day
workshop, "TechFocus I: Caring for Video Art," to take place
September 1-2, 2010 at the Guggenheim Museum in New York, in
conjunction with the exhibition, "Haunted - Contemporary Video,
Photography and Performance."  Supported by a grant from the
National Endowment for the Arts, this inaugural workshop is starting
a series of four planned workshops on the preservation and
presentation of electronic art, acknowledging the 10th anniversary
of the ground-breaking "TechArchaeology" symposium.

This workshop aims to acquaint participants with the technical
functionality of both analog and digital video art as well as the
technical and aesthetic impact of digitization, compression and
format migration. A comparative 'school of seeing' will be offered
to sensitize the participant's eye for image structure and quality.
Sessions focus on the varieties of display modes of video art in an
exhibition context and demonstrate the impact of equipment selection
on the integrity of the artwork. Curators, conservators and
technicians will provide insight into their decision-making
processes and discuss their perspectives on the preservation of
video art installations.

Wednesday, September 1, 2010
Turning it On  - Mounting Video Exhibitions

9-00-9.30   Coffee and Registration

9-30-10.00  Introductions
Carol Stringari, Christine Frohnert

10-00-10.45 John Hanhardt
Curating the Moving Image: Change Over Time

10-45-11.30 Chrissie Iles
Curating Historic Video Art (working title)

11-45-12.15 Jennifer Blessing
Media Works in the current exhibition
'Haunted'

Lunch Break and free admission to the exhibition 'Haunted'

2.15Joanna Phillips
Caring for Video Art

3.00Steven Dye
Assembling Video Art (working title)

Coffee Break

4-15-5.00   Heather Weaver
Displaying Video Art (working title)

5-00-6.00   Panel Discussion
Dara Meyers-Kingsley Moderator

Thursday, September 2, 2010
Towards a School of Seeing

9-00-9.30   Coffee

9-30-9.45   Introduction
Christine Frohnert

9-45-11.00  Mona Jimenez and Maurice Schechter
What is Analog Video?

11-00-11.30 Coffee Break

11-30-12.15 Howard Besser
What is Digital Video?

12-15-1.00  Chris Lacinak
What is High Definition Video?

1-00-2.30   Lunch Break

2-30-4.30   Agathe Jarczyk with Joanna Phillips, Maurice
Schechter  and Heather Weaver
A School of Seeing

4-45-5.30   Discussion
Christine Frohnert Moderator

For further program details  and registration please visit: 
http://www.conservation-us.org/videoart