[MCN-L] Digital recorder for teacher/classroom use

2011-01-05 Thread dlewisa...@aol.com

 I've never worked with the myself -- but I've head GREAT things about the ease 
and usability of the Flip Video Cameras.   and Tech Soup is offering a 
two-for bundle, -- two cameras for $175 (normally they're about $150 each).  

See:
http://home.techsoup.org/stock/pages/category.aspx?category=FlipVideo


 

- David - 
David Lewis, Curator
Aurora Regional Fire Museum
www.AuroraRegionalFireMuseum.org
 

 

-Original Message-
From: James Keeline keel...@yahoo.com
To: Museum Computer Network Listserv mcn-l at mcn.edu
Sent: Wed, Jan 5, 2011 12:05 pm
Subject: Re: [MCN-L] Digital recorder for teacher/classroom use


Last July my wife and I organized and hosted a successful convention to 

celebrate the 100th anniversary of the Tom Swift series of books about a young 

inventor.  The first five stories were published in 1910 and since that year 

there have been 105 books in five series.  The first three of these series were 

produced by the Stratemeyer Syndicate, also responsible for Nancy Drew and the 

Hardy Boys among many others.



As part of this convention we produced two live performances based on a book 

from each of the first two series.  Tom Swift and His Airship was from 1910 and 

public domain.  Tom Swift and the Visitor From Planet X was from 1961 and in 
the 



public domain because the owner failed to renew the copyright.  The shows had 

voice actors from San Diego's WriteOutLoud (http://writeoutloudsd.com) and the 

script, direction, and sound effects were accomplished by the talented and 

resourceful Scott Paulson (http://ScottPaulson.info).



 

Scott engages in performances like these to provide sound effects for stage 

performances like the recent It's a Wonderful Life at the Cygnet Theatre in Old 

Town San Diego for the Christmas season.  In this version, the performance is a 

1940s-era radio show with a live audience, voice actors who step up to the 

vintage-looking microphones, and Scott as sound effects artist on the side of 

the stage.



He has also provided sound effects and movies for silent films through his 
Teeny 



Tiny Pit Orchestra.  Recently these have been shown at New Village Arts in 

Carlsbad in the northern part of San Diego county.  In these, as with many of 

his performances, he gets the audience involved by passing out noise makers and 

then gives direction to how and when to use them in the program.  Some of these 

are cheap items which can be given away and others are vintage sound machines 

that he collects at the end of the performance.  In our Tom Swift and His 

Airship show, bubble wrap was used for gunshots and cellophane for crackling 

fire.  As usual, he also had machines that made ratchet sounds and other 
devices 



for use in the program.



Here are a few clips to give an idea of how this worked:



2008 clip about Scott discussing sound effects devices

http://www.youtube.com/watch?v=szyht9jc8PE



Tom Swift and His Airship performance at UCSD library

http://www.youtube.com/watch?v=M88EuLHIfWg



The performances of Airship and Visitor from Planet X were highlights of our 

convention.



Looking at your project, it appears that you initially asked for an audio 

recorder to gather the sounds and build your performance.  Of course, many 

phones, including the iPhone, come with voice recorder apps which are fairly 

effective and save files in .WAV format.  This is useful because it is not 

compressed at this stage and easier to edit with free tools like Audacity.



Another device I own which could work in this fashion is a voice recorder.  
Mine 



is an RCA model number RP5030A.  It was purchased at Fry's Electronics some 

years ago so I don't know what the current offerings are.  It also stores audio 

in .WAV format.  For my purposes, one of the key features is that the USB plug 

that connects to the computer.  It shows up as a USB mass storage device on my 

computer (Mac) so I can simply copy the files over and then use them in an 

editing program like iMovie or Audacity.  Probably Garage Band could be used on 

the Mac as well if that is available.  





Some voice recorders have a limited frequency response so it may be well to 
look 



into this.  Looking at the offerings of Frys today on Voice Recorders I see one 

in the $30 range that saves files as .MP3 (a compressed format which loses some 

data) but it does use USB so the key would be whether it shows up as a mass 

storage device or requires special software.



In the community which is interested in sounds for model railroad layouts, they 

generally recommend using a video camera for audio recordings.  The quality is 

often sufficiently good and the devices are more generally available than 

dedicated audio recorders.  The additional advantage is that you get to see the 

source of the sound and this can help with identifying clips.  It could also be 

a benefit to the participants and their families to see them actually 
performing 




[MCN-L] Using old postcards to create new souvenirs: copyright?

2010-11-18 Thread dlewisa...@aol.com

 
According to this website:
http://copyright.cornell.edu/resources/publicdomain.cfm
ANYTHING published Before 1923 is in the public domain 






- David - 
David Lewis, Curator
Aurora Regional Fire Museum
www.AuroraRegionalFireMuseum.org
 

 

-Original Message-
From: Pandora Mather-Lees pandor...@hotmail.com
To: mcn-l at mcn.edu
Sent: Thu, Nov 18, 2010 10:04 am
Subject: Re: [MCN-L] Using old postcards to create new souvenirs: copyright?




Hello

 

You probably know that the photographer may not still be alive but the  rights 

will continue for 70 years after the end of the year of his or her death.  

 

When Bridgeman Art Library accesses this type of material from our museums and 

we are unsure (often they have little information to give us) we usually flag 
up 

the image as 'copyright status unknown' and we would certainly do this for 

anything post 1900.  Sometimes you can track the rights through the 
photographic 

studio if there is a stamp there.  At least this way our clients are aware that 

there is some risk.  With very old photographs, we would usually take the 

decision to display them on our website however.

 

Hope that helps,

 

Pandora Mather-Lees, MD, 

Bridgeman Education

 

 From: FThomson at ashevilleart.org

 To: mcn-l at mcn.edu

 Date: Wed, 17 Nov 2010 15:30:49 -0500

 Subject: Re: [MCN-L] Using old postcards to create new souvenirs: copyright?

 

 There are occasionally contemporary publishers that also assert copyright 
 over 

vintage postcards that were published by companies they have bought out.

 

 We have so local postcards from around 1900 that a company claims copyrights 

over.

 

 Frank Thomson, Curator

 Asheville Art Museum

 PO Box 1717

 2 South Pack Square

 Asheville, NC 28802

 828.253.3227 tel

 828.257.4503 fax

 fthomson at ashevilleart.org

 www.ashevilleart.org

 

 -Original Message-

 From: mcn-l-bounces at mcn.edu [mailto:mcn-l-bounces at mcn.edu] On Behalf Of 

Stephanie Weaver

 Sent: Wednesday, November 17, 2010 3:00 PM

 To: mcn-l at mcn.edu

 Subject: [MCN-L] Using old postcards to create new souvenirs: copyright?

 

 Hi MCN,

 I know many of you deal with copyright so wanted to ask for your input. One 
 of 

my clients would like to create new postcards from historic postcards of their 

site that they have collected or purchased (but not accessioned). At what point 

do mass-produced images become public domain? The original postcards are from 

the 1920s-1940s. Copies of these postcards are most likely in collections in 
our 

local historical society.

 

 Thanks, I appreciate you sharing your expertise.

 

 Best,

 

 

 Stephanie Weaver

 Visitor experience consultant

 experienceology: Because happy visitors return.

 San Diego, CA

 Skype: experienceology

 E-news: http://www.experienceology.com/newsletter/

 

 For information on our book, blog, podcast, upcoming classes, and e-news, 

visit www.experienceology.com or follow me on twitter.com/experienceology. See 

samples of my classes here: www.youtube.com/experienceology. Watch the free 

archived version of my class on the visitor experience here: http://bit.ly/NlunE

 

 Upcoming presentations:

 Interpretation Canada online conference: November 30, 2010 Hawai'i Museums 

Association: January 2011 (TBD)

 

 Past presentations:

 Palo Alto Art Center: October 2010

 Western Museums Association: October 2010 Heard Museum  Phoenix Zoo: October 

2010 Downey City Library: August 2010 American Association of Museums: May 2010 

Tijuana Estuary docent training: April 2010 UCLA Extension: January 2010

 

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[MCN-L] Best YouTube practices

2010-09-15 Thread dlewisa...@aol.com
Ari, 

I am not a YouTube expert - so I'll be eager to hear any other replies...  but 
on our YouTube Channel we have created play lists -- a group of four or six 
videos that are then grouped together and can be played one right after the 
other.

 
Check it out here:   
http://www.youtube.com/arfminfo#p/p

I have found some helpful advice here in the YouTube Handbook and the 
Creator's Corner 

http://www.youtube.com/t/creators_corner
http://www.youtube.com/t/yt_handbook_home

 
And - lastly - community Forums are here:
http://www.google.com/support/forum/p/youtube?hl=en




- David - 
David Lewis, Curator
Aurora Regional Fire Museum
www.AuroraRegionalFireMuseum.org
 

 

-Original Message-
From: Ari Davidow aridavi...@gmail.com
To: Museum Computer Network Listserv mcn-l at mcn.edu
Sent: Wed, Sep 15, 2010 12:17 pm
Subject: [MCN-L] Best YouTube practices


We have been putting video up on YouTube this past year. Our channel
consists primarily of those uploads, along with some favorited
fellow-traveler videos.

Things are at the point where it seems like it would be good to do
more linkages between some of the videos--put them into the equivalent
of flickr sets or collections, for instance. Does YouTube have such
tools (beyond the use of folksonomic tagging, which I assume matters,
but can also be pretty generic)? I am thinking about a way to link
several videos from one concert, or conference, or department, or
whatever.

While I am at it, does YouTube have forums for the people uploading
video--the equivalent of the flickr forums? I haven't found such so
far, but I starting at no knowledge.

ari
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[MCN-L] Online Photo Sharing

2010-08-17 Thread dlewisa...@aol.com

 Travis, 

For what you want to do - why not consider some sorta file-sharing website?
There are many out there.   The one we use is Drop Box -- 
https://www.dropbox.com   They allow 2GB free storage, easy file transfers, and 
even create thumbnails and gallery views for photos uploaded into your 
special Photos folder.

 

- David - 
David Lewis, Curator
Aurora Regional Fire Museum
www.AuroraRegionalFireMuseum.org
 

 

-Original Message-
From: Travis Fullerton tfuller...@vmfa.state.va.us
To: Museum Computer Network Listserv mcn-l at mcn.edu
Sent: Tue, Aug 17, 2010 12:07 pm
Subject: [MCN-L] Online Photo Sharing


Sorry for the cross-posting (but, we should all be used to it by now...)

Hi all. 

I was wondering if anyone has had any experience with using online photo
sharing websites such Shutterfly, Picasa, Flickr, Photobucket, or the like
to share and distribute publicity and event images internally. We don?t have
a DAMs set up that can be accessed by multiple users (yet) and we are
looking for a simple and cheap solution for allowing image users to browse
publicity images that are ?fresh? and available. We would have about a dozen
people that would need private access. People like publications, marketing,
education, and web would be the primary users.

Any comments, advise, or anecdotes are welcome...

-Travis


-- 
Travis Fullerton
Assistant Photographer, Virginia Museum of Fine Arts
200 N Boulevard, Richmond, VA 23220
804.340.1538

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[MCN-L] Photography releases

2010-05-17 Thread dlewisa...@aol.com

 Eric -- 
I found it interesting to note that visitors entering the Civil War Days 
event at the Naper Settlement Museum in Naperville Illinois were offered a 
flier with the bold heading Attention all Photographers. This hand-bill 
invited visitors to submit (donate) a disk of their photos to the museum (along 
with an attached photo release) in exchange for a one-year family membership.

I thought it was an interesting way to gather hundreds of images, and engage 
the crowd.


- David - 
David Lewis, Curator
Aurora Regional Fire Museum
www.AuroraRegionalFireMuseum.org
 

 

-Original Message-
From: Eric Johnson ejohn...@monticello.org
To: 'Museum Computer Network Listserv' mcn-l at mcn.edu
Sent: Mon, May 17, 2010 10:49 am
Subject: [MCN-L] Photography releases


Hi, all--

We were curious about how people are handling a couple of photo-release-related 
situations these days:


1.)   Does your institution have a formal policy concerning the use of 
photography of visitors for promotional purposes (i.e. marketing or 
advertising)?  Do you always, sometimes, never use photo releases?


2.)   How do you reconcile that with the opportunities that Facebook or other 
social media provides to showcase visitors or events at your institution?   Do 
you consider such images editorial and thus put them up without signed 
releases or do you get such releases there, too?

We've been asked to gather best practices, but I'm almost more interested in 
focusing not only on what other organizations do but on what the best practices 
are from a legal perspective.  In other words, I'm interested not just in the 
letter but the spirit of the law.

Any and all thoughts on these matters are very welcome!

Thanks,

--E.

Eric D. M. Johnson
New Media Specialist
Monticello
P.O. Box 316
Charlottesville, VA 22902
Phone: (434) 984-7570 | Fax: (434) 977-6140
http://www.monticello.org/
ejohnson at monticello.orgmailto:ejohnson at monticello.org


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[MCN-L] Reggae Video

2010-05-06 Thread dlewisa...@aol.com
Try searching on http://www.archive.org; - they'll undoubtedly have something 
-- and best part is most of it's in the public domain.

 

- David - 
David Lewis, Curator
Aurora Regional Fire Museum
www.AuroraRegionalFireMuseum.org
 

 

-Original Message-
From: Michele Miller miche...@seattleartmuseum.org
To: Museum Computer Network Listserv mcn-l at mcn.edu
Sent: Wed, May 5, 2010 4:46 pm
Subject: Re: [MCN-L] Reggae Video


Contact John Seman, Curator of Audio Archives at the Experience Music Project 
in 
Seattle. 

-Original Message-
From: mcn-l-bounces at mcn.edu [mailto:mcn-l-boun...@mcn.edu] On Behalf Of Rich 
Cherry
Sent: Wednesday, May 05, 2010 2:42 PM
To: Museum Computer Network Listserv
Subject: [MCN-L] Reggae Video

MCN'rs,

Wondering if any of you have access to or knowledge of any significant archives 
of Reggae video.

Rich

Rich Cherry
Director
Balboa Park Online Collaborative
A Project of the Benbough Operating Foundation
2131 Pan American Plz
San Diego, CA 92101
B: (619) 819-8331
F: (619) 819-8230
rcherry at balboaparkonline.orgmailto:rcherry at balboaparkonline.org

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[MCN-L] Form submission software and time-lapse video

2009-01-21 Thread dlewisa...@aol.com

 In answer to the first question
You might look at and play around with Google Documents as an inexpensive 
(FREE!) solution.?? They have pretty good integration between Gmail, Google 
Docs (with a spread sheet and a simple form creating template).

I've mussed around enough to know that it probably CAN be done, but not enough 
to know exactly how to do it -- good luck.?? *smile*



- David - 
David Lewis, Curator
Aurora Regional Fire Museum
www.AuroraRegionalFireMuseum.org

 



 

-Original Message-
From: Richard Urban rjur...@illinois.edu
To: Museum Computer Network Listserv mcn-l at mcn.edu
Sent: Wed, 21 Jan 2009 7:46 pm
Subject: [MCN-L] Form submission software and time-lapse video












Begin forwarded message:

 Hello MCN-L,

 I have a couple unrelated questions I would like to throw out to the  
 List.

 First, we in the Photo Department at VMFA are looking for some sort  
 of form submission solution. Currently, requests for photography  
 from the museum staff come to us on paper. We are looking for a  
 software solution, in a box (via intranet) or web-based, that will  
 allow our internal staff to digitally submit requests for  
 photography from their own computers. It would be ideal if these  
 forms could be exported into a spreadsheet like Excel. Another perk  
 would be if the form submission system would allow tracking, so that  
 we can acknowledge receipt of the request and acknowledge=2
0 
 completion. We do not currently have a museum-wide digital asset  
 management system, though I know some of the ?enterprise? systems  
 allow this feature. We are looking for recommendations, if anyone  
 has any, for systems, packages, or web-based systems that would  
 allow this sort of online form submission and tracking that would be  
 separate from an asset management system.

 Secondly, we are looking for recommendations for inexpensive digital  
 video cameras that have a time-lapse capture feature. If anyone is  
 using anything to accomplish these sort of videos, we would  
 appreciate hearing about what you are using. We are looking  
 specifically for small, light, and inexpensive camera systems for  
 documenting installations and construction.

 Thanks in advance...


 Travis Fullerton
 Assistant Photographer
 Photography Department

 Virginia Museum of Fine Arts
 200 N Boulevard / Richmond, VA 23220-4007
 T 804.340.1538 / F 804.340.1548
 travis.fullerton at vmfa.museum

 www.vmfa.museum





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[MCN-L] Titles

2008-08-04 Thread dlewisa...@aol.com

 It's probably not what you're looking for -- but I've used the title 
webguy.?? The word WebMASTER seemed to sever, and it implied a mastery of 
skills that I simply didn't have at the time I took over management of the 
organization's website (I learned on-the-job by trial and error).??? 



- David - 
David Lewis, Curator
Aurora Regional Fire Museum
(and webguy for several websites)
www.AuroraRegionalFireMuseum.org



-Original Message-
From: mcn-l-bounces at mcn.edu [mailto:mcn-l-boun...@mcn.edu] On Behalf Of
Anna Holloway
Sent: Monday, August 04, 2008 1:18 PM
To: Museum Computer Network Listserv
Subject: Re: [MCN-L] Titles

Perian - 

Our person who does the webmistressy stuff holds the title 'Programs and
Multimedia Specialist.'  That adds a lot of syllables to a title - but
seemed to sum up what she does.

~anna

Anna Holloway, Vice President, Collections  Programs
The Mariners' Museum
757-591-7740
757-591-7312 (fax)
 
The USS Monitor Center - Now Open!!!
An Ironclad Promise of Adventure
visit us at www.marinersmuseum.org
 
 
 

-Original Message-
From: mcn-l-bounces at mcn.edu [mailto:mcn-l-boun...@mcn.edu] On Behalf Of
Perian Sully
Sent: Monday, August 04, 2008 1:02 PM
To: Museum Computer Network Listserv
Subject: [MCN-L] Titles

Hello, fellow techs!

 

I've been struggling over this for a couple of weeks now and I'm not
getting anywhere. I'm being promoted to Collections Information
Manager and I'm also taking over the website. Even though I'll be doing
the basic webmistressy stuff, I'll also be involved with digital
strategy and thinking about how we can use web technologies to promote
our mission. Since many of us on staff have multiple roles, I'll be
allowed to have a double title, Collections Information Manager and
under that, this other title.

 

I don't feel that Webmistress or Webmaster is descriptive enough, so
I'm not entirely comfortable with it. Does anyone here deal with website
management and strategy? What is your title? Are you happy with it?

 

Please reply to me offlist.

 

Thanks!

 

Perian Sully

Collection Information and New Media Coordinator

Judah L. Magnes Museum

2911 Russell St.

Berkeley, CA 94705

Work: 510-549-6950 x 357

Fax: 510-849-3673

http://www.magnes.org

http://www.musematic.org

http://www.mediaandtechnology.org

 

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[MCN-L] Do you use icontact?

2008-05-10 Thread dlewisa...@aol.com

Oh -- good question.

Haven't heard of iContact, most folks around here are using Constant 
Contact.  From what I can gather all these programs are pretty 
similar, though iContact looks to be a tad cheaper for non-profits 
(they offer a 20% discount vs. Constant Contact's 15%).

I'd love to have a comparison of both, along with any other web-based 
e-mail list management software..

- David -
David Lewis, Curator
Aurora Regional Fire Museum
www.AuroraRegionalFireMuseum.org


-Original Message-
From: Julia Baldini jbald...@windsorhistoricalsociety.org
To: 'Museum Computer Network Listserv' mcn-l at mcn.edu
Sent: Fri, 9 May 2008 9:48 am
Subject: [MCN-L] Do you use icontact?










Our small museum is looking into using icontact for email blasts and we 
are
wondering if anyone has used this before, or have any comments on it.

Thanks!

Julia Baldini
Windsor Historical Society

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[MCN-L] Kiosks - Macs vs. all-in-one CF media players

2007-07-30 Thread dlewisa...@aol.com
Greetings all --

I'm a new subscriber here.   I spent a bit of time perusing the archives (fun 
topics) but didn't specifically find this query addressed, so I tought I'd 
bring it up.

We are in the final stages of fabricating free-standing exhibit kiosks.
All total there will be five separate kiosks (on per each time period of the 
exhibit).   Each kiosk will house artifacts, interactives, and exhibit text, 
and 
a computer/media-player element.My question is about this media-player

Initially I envisioned using a free-standing computer. I'm a Mac person so I 
was considering a Mac Mini or a iMac, (perhaps with a touch-screen), and using 
a web browser operating in a kiosk-mode. My exhibit fabricator is strongly 
suggesting we use a self contained, compact flash media-player (he's 
recommending one of the Medeawiz all-in-one players).   He's arguing that a 
media 
player is easier to program, less maintenance, and less expensive than a 
free-standing computer.

The proposed content on the player would primarily be video (visitors would 
select one of four or six videos) but it would be nice to have the flexibility 
to have vistors select/view additional exhibit text, photographs, perhaps some 
accessions data, etc   The web-browser scheme gives me the ultimate in 
flexibility, I'd present the content as web-pages but then I do see the 
advantages of a CF player.

Questions - 
1. Has anyone played with the Medeawiz players?   Can it handle non-video 
content such as text pages or photographs?   I'm downloaded the user manual 
(fairly spartan) and I see it has a 600x800 pixel touch-screen and can handle 
multiple tracks.   If I wanted to display five or ten photos (and have 
visitors 
click though them one-at-a-time) would I load each photo as a different track?  
 Is there a means to have visitors scroll though photos/text, (using a 
scroll-bar or perhaps pages with arrows, hyper-links, whatever) or would the 
photos/text/slide-show need to be converted to a video file?

2. I noticed the thread in the MCN-L archive about the Brooklyn Museum having 
a Firefox kiosk browser -- does that work on a Mac, (I fear not!?)   Anyone 
have a Mac web-browser with a good (easy to use) kiosk mode?A year or two 
ago I stumbled upon iCab (www.icab.de) and it looked like it'd do the trick 
-- has anyone played with it?

3. As it stands now, for each kiosk we're specing a small (all-in-one) 
player/touch screen, and then adding a second larger slave monitor for other 
visitors (family groups) to view the content.Anyone have any thoughts about 
that?Would one (mid-sized) touch screen be better than one small input 
device 
and a second larger slave monitor?

4. I haven't dealt much with touch-screens, is there much 
maintenance/re-calibration that needs to be done to the Medeawiz player 
screens?   Assuming we go 
with the free-standing computer option, are touch screens fairly easy to 
connect and program to a Mac?   Is Elo Touch the brand that everyone would 
recommend?   And if going with the free-standing computer option, should we 
dump the 
touch-screen concept all together and go think about a trackball?

Any suggestions will be gleefuly accepted.Looking forward to 
participating on the list!

- David -
David Lewis, curator
Aurora Regional Fire Museum
www.AuroraRegionalFireMuseum.org



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[MCN-L] metadata exports and Flickr apis and tools

1970-01-08 Thread dlewisa...@aol.com

 
Perian, 

For those Macintosh folks in your audience, I know that the (free) version
of iPhoto allows easy/direct uploads to your Flickr account, and I believe that 
all 
the meta-data will be transferred as well.   What I haven't found is an easy 
way to
import meta-data into iPhoto Though I haven't played around with it all 
that much.

Not to hijack your thread, but what I'm curious about is exporting meta-data 
-- specifically tags 
and such -- that users might have added.   For example...  If we upload a 
collection with an assortment of 
unidentified people, places, events, and then have a pool of volunteers 
identify them, how can this information
be mined back out of Flickr and added to a photos data-file?

Wish I were closer - would be interested to hear your program.   Would you 
consider sharing any notes, outline,
 etc. that you might have?


- David - 
David Lewis, Curator
Aurora Regional Fire Museum
www.AuroraRegionalFireMuseum.org
 


 

-Original Message-
From: Perian Sully psu...@magnes.org
To: Museum Computer Network Listserv mcn-l at mcn.edu
Sent: Fri, Feb 26, 2010 5:38 pm
Subject: Re: [MCN-L] metadata exports and Flickr apis and tools


Many thanks to everyone who responded to my query. Once I started
researching it, it seemed very strange to me that there would be no tool
available to do what I was asking, OR take the data and embed it into
the IPTC fields. I know lots of photographers and artists use FileMaker
or Excel to catalog their assets, without using Bridge or Lightroom to
edit the files upon creation. Unfortunately, I have no PHP skills, or
familiarity with working with APIs, so I can't really build a solution
myself.

Apparently, there's some way to use Extensis Portfolio to import csv,
tab-delimited, or Excel files into the IPTC fields of the images, but I
don't have the funds to explore that option. I'm going to look into some
of the open-source DAMS to see if they have that functionality.

I also contacted John Fox to see if his software, Memory Miner (which we
currently use to organize and upload our previously-undescribed assets
into Flickr - http://www.memoryminer.com ) can import data via a csv.
He's looking into it and doesn't think it would be that difficult to do.

Chris, I'll check with your friend Brian and check it out. That sounds
like a promising lead!

The reasoning beyond all of this is that I want to get all of our
collection assets into Flickr soon, and I'm giving a presentation next
week at the CAM conference about using Flickr as a quick-n-dirty means
for increasing access to collections. I'd love to have a handy solution
right at hand to tell people exactly how to do it (beyond copy-paste).

Best,

~Perian

Perian Sully
Collections Information Manager
Web Programs Strategist
The Magnes
Berkeley, CA
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