MD: sony JB940 for sale

2001-01-15 Thread cosmo


I had a great deal of trouble getting a JB940 last fall, as Sony was
severely behind in shipping its orders, so I ordered one from 2
different web retailers.  A friend asked me to keep both orders so he
could buy one from me, and then crapped out on me.  Before I send the
other one back, I thought I'd offer anyone interested the opportunity to
reimburse me for the 2nd one and get it quickly... it is unopened, brand
new.  Please email me privately if interested...


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MD: Sony MZ-R70 little problem

2001-01-15 Thread Matthew Bullis


Hello, new to the list, and new to minidiscs. I am wondering why when I am
about to delete a track, or move a track, why at first the machine would
play the beginning of the track over and over like it's supposed to, but now
it doesn't to it.
Thanks a lot.
Matthew

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MD: off topic

2001-01-15 Thread cosmo


I hate to waste bandwidth on off-topic questions, but I have no other
discussion group of tech-minded people to ask: is there an easy way to
transfer all of one's bookmarks and address book from Netscape to
Microsoft Internet Explorer?  My netscape has locked up on two different
computers and I'm about to give up on it.  Just email me privately, no
point in clogging up the digest.  Thanks!


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MD: the limits of the Sony MZ-R70

2001-01-15 Thread Matthew Bullis


I am wondering if this unit can record the full length of the eighty minute
discs? If not, what happens? Does it stop at sevenyy four minutes. Do other
machines have problems playing them, and will my machine stop at seventy
four minutes if someone records eighty minutes of material on a disc?
Thanks a lot.
Matthew

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MD: MDLP car units

2001-01-15 Thread David Sowa


 === The original message was multipart MIME===
 === All non-text parts (attachments) have been removed ===

Has there been any mention of car units that support MDLP.

The MDLP equipment list only lists Japanese models, I suppose
we just wait until Sony US gets around to refreshing the model
lineup.

I would love a US version of the Japanese MDLP decks that
Sony did.

dsowa


 === MIME part removed : text/html; ===

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Re: MD: New FM-AM Sony Minidisc Recorder

2001-01-15 Thread jtasker


So, theoretically, if you could power the remote without 
it being plugged into the main unit, you could have an 
ultra-mini FM tuner stereo, right? :-)

Josh

 The remote seems identical as the Sony CD walkman with tuner, seems that the
 method of incorporating a tuner is the same too (i.e. tuner in remote, not
 the unit).  I wonder what its limitations are.
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Re: MD: address (book)marks

2001-01-15 Thread jtasker


here's a nifty little tool that should do the trick for 
the bookmarks. not sure about the address book, i think 
you can just import it using outlook express (although i 
myself would recommend using a third-party email program 
like pegasus www.pmail.com or eudora www.eudora.com ).

http://www.pcworld.com/downloads/file_description.asp?
fid=6052

:-)

 transfer all of one's bookmarks [...]

 Just email me privately, no
 point in clogging up the digest.  Thanks!
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Re: MD: address (book)marks

2001-01-15 Thread jtasker


oops, sorry about that :-( didn't mean to send it to the 
list.
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Re: MD: off topic

2001-01-15 Thread Jeffrey Scorsone


well the bookmarks just go to File - Import and follow the prompts
it is designed to make the transfer from Netscape to IE very easy.

I'm guessing outlook has a similar thing to import the address book from 
netscape.


This is information is based on what is on my compute which is
running IE5.0

-Jeffrey



At 01:26 PM 1/15/01 -0500, you wrote:

I hate to waste bandwidth on off-topic questions, but I have no other
discussion group of tech-minded people to ask: is there an easy way to
transfer all of one's bookmarks and address book from Netscape to
Microsoft Internet Explorer?  My netscape has locked up on two different
computers and I'm about to give up on it.  Just email me privately, no
point in clogging up the digest.  Thanks!


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RE: MD: New FM-AM Sony Minidisc Recorder

2001-01-15 Thread Richard Lang



  ===
  = NB: Over 50% of this message is QUOTED, please  =
  = be more selective when quoting text =
  ===

Possibly.  

Moreover, does the fact that the tuner is in the remote and not in the main
unit mean that you cannot record from AM/FM while on the run?  Presumably
for the unit to be able to record from the tuner a tuner signal just go back
down the remote cable to the unit.

richard

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]
 Sent: Tuesday, 16 January 2001 8:04 a.m.
 To: [EMAIL PROTECTED]
 Subject: Re: MD: New FM-AM Sony Minidisc Recorder
 
 
 
 So, theoretically, if you could power the remote without 
 it being plugged into the main unit, you could have an 
 ultra-mini FM tuner stereo, right? :-)
 
 Josh
 
  The remote seems identical as the Sony CD walkman with 
 tuner, seems that the
  method of incorporating a tuner is the same too (i.e. tuner 
 in remote, not
  the unit).  I wonder what its limitations are.
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MD: Sony MZ-R900

2001-01-15 Thread Linh Pham


Hello,

I was wondering if anyone knows if Sony will be officially releasing the
MZ-R900 portable recorder/player to the US? The R700 looks nice, but I'd
prefer to get the R900 (unless if someone can make me change my mind ;)
over the R700.

Thanks

--
Linh Pham
[[EMAIL PROTECTED]]

// 404b - Brain not found


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Re: MD: the limits of the Sony MZ-R70

2001-01-15 Thread David W. Tamkin


Matthew asked about the R70,

| I am wondering if this unit can record the full length of the eighty minute
| discs?

It should.  Eighty-minute discs are within the MD specs, and I haven't
heard of any model that has been reported as unable to play them (or, if
a recorder, unable to record on them) to their full capacity.  If your
R70 can't do it, then it needs to be fixed.

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MD: Screen not showing up...

2001-01-15 Thread Sh0rTy515


hey 
i am having trouble seeing my screen on my sony MZR-90. I can see the 
screen on the remote, but not on the actually MD player/recorder. is it maybe 
because my battery is low. I am charging it now all help is appricated...

-WiLL
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MD: Wanted: Usable MD/PC device

2001-01-15 Thread Howard Chu


Minidisc is cool, but when you bring a PC into the picture it just doesn't
match the
convenience of CD. Heretical thought? I've started seeing questions of
"what's the
best way to get my music from PC to MD" and answers like "burn it to CD and
then copy
it to MD using Sony's CD-MD box that dups at 4x realtime." Yes, it's a
workable
answer, but doesn't something seem a little *wrong* with this picture??
Doesn't it
seem ironic that the best way to get audio onto MD is by first going to CD??

What we need is for MD to be just as PC friendly as CDR. CD-writers are dirt
cheap
these days, you can digitally-extract audio from audio CDs at 40x and burn
anything you want
to disc at 12 or 16x realtime.

What I'd like: Sony (or Sharp) needs to release both SCSI and IDE/ATAPI MD
drives
that accept the CD-R/CD-RW SCSI command set, and behave just like CDRW
drives. The
drives need to have full read/write capability to MD-Audio, MD-Data, and
MD-Data2/MD-View
discs. A USB drive may be an OK alternative, but personally I'm still a SCSI
fan;
the software support for SCSI and ATAPI is far more mature. The drive has to
be
reasonably fast, 1xRealtime is unacceptable. S/PDIF copying at realtime is
just
a waste of time.

Note that this also means Sony will have to distribute PC-based software for
ATRAC
encoding and decoding to really make the drives fully useful. ATRAC is a
pretty
cool compression technique; they've done themselves a huge disservice by
restricting
it to MD. The whole internet-music world is suffering with RealAudio and MP3
when
they could have had the superior sound of ATRAC all this time. Pathetic...

(Yes, ATRAC3 is cool, but unless original ATRAC is also supported, a lot of
already-recorded media gets left behind...)

Anyone else agree with me? Try dropping Sony Electronics a note at their
feedback web address:
http://www.sel.sony.com/SEL/consumer/ss5/feedback.shtml

Sorry for ranting. I just needed to get that off my chest...

If anyone has some cheap older recorders they want to dump, I may start
doing surgery
on them to build a direct-to-PC interface. Even though all of the
encoding/decoding is
done in a single chip, the ATRAC data still goes into the shock-proof memory
buffer,
which is stored in a separate DRAM chip. It should be possible to intercept
that data
for a PC interface. The data rate is probably even slow enough (35KB/sec)
for a
parallel port hack, in lieu of something more sophisticated.

  -- Howard Chu
  Chief Architect, Symas Corp.   Director, Highland Sun
  http://www.symas.com   http://highlandsun.com/hyc

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MD: ATRAC lossiness

2001-01-15 Thread Howard Chu


Well, it was easy enough to compare ATRAC3 at 66, 105, and 132kbps to a WAV
file. It was much harder to compare plain ATRAC since I couldn't get it
directly onto my PC (yet). There appears to be too much jitter when playing
back from my JB920 thru TOSlink into my Canopus MD-Port and into the PC over
USB.

For the ATRAC3 comparisons, I used a WAV file ripped directly off CD.
(Altan's Harvest Storm, track 10, The Rosses Highlands). For the ATRAC file,
I digitally copied the CD track from my DVP-C600D to the JB920 (using
TOSlink). I then played the MD track over TOSlink into the computer.
Unfortunately, I was completely unable to synchronize the MD copy with my
original WAV file. I could analyze the samples and sync-up at a given point,
but within about 1 samples it was out of sync again. Figuring that there
may be jitter introduced when playing the CD to MD, I
re-recorded the original WAV file as well: I recorded the music track from
CD to MD, and also recorded the digital output of the JB920 on the PC at the
same time. (I.e., digitally recorded the monitored audio.) I figured this
would give me a WAV file with the exact same CD jitter characteristics as
what the JB920 recorded. I then played back this new MD track, recording it
onto the PC, and compared this track with the monitored track. Again, I
could sync-up at one point, but the two tracks would be out of sync within
about 4000 samples. So, it's been pretty much impossible for me to do a
direct bit-for-bit comparison of the ATRAC audio with the original WAV data.
I wonder if any of the available re-clocking jitter-reduction boxes would
help here...

  -- Howard Chu
  Chief Architect, Symas Corp.   Director, Highland Sun
  http://www.symas.com   http://highlandsun.com/hyc

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Re: MD: Sony E500 vs. E700 vs. E900

2001-01-15 Thread J. Coon


That would work too.  The ear buds were pretty cheap, and the cable was
already split and labeled as to which is the right and which is the
left.  A lot of people that want to build one don't have anything to
test the cable with.  

JT wrote:
 
 On Tue, 9 Jan 2001, J. Coon wrote:
 
 
  Using the earphones works in a pinch but you are better off making or
  buying a condenser mike.  Here is one that I designed that work well,
  and the parts cost about $10.
  http://www.tir.com/~liteways/Mandolin.html#Microphone
 
 And I'll still question why you buy earbuds just for the cable/connector...
 wouldn't it be more sensible (and cheaper) to just buy a stereo 1/8" male to
 male cable and use that?
 
 Josh
 
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--
Jim Coon
Not just another pretty mandolin picker.
mailto:[EMAIL PROTECTED]
If Gibson made cars, would they sound so sweet?

My first web page  

http://www.tir.com/~liteways
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MD: Listening to compression

2001-01-15 Thread Howard Chu


 From: "Eric Woudenberg, Minidisc.org Editor"
 Hi Howard,

Howdy!

 "Howard Chu" [EMAIL PROTECTED] writes:
  Use a bit-accurate CD-ROM drive and rip an audio file off a CD onto
  your PC.  This is the original, "perfect" data source. Encode it as an
  MP3 using any bitrate you care to test, and then decode it back to PCM
  format. If you invert this file and add it to the original WAV file,
  the result will be the difference between the two signals, the "error"
  between the original and the MP3 file. You can listen to this error
  signal and measure its RMS value, to give both subjective and
  objective quality measures.

 As you state, the error signal (or its square) is a valid quantitative
 measure of the loss incurred by the coder. But even though you can
 listen to the error as an audio signal, it isn't a valid subjective
 measure since the error in question is never normally heard
 standalone, rather only as a deviation in the presence of the full
 audio signal (and is hence being masked by the signal).

I guess that's true, perhaps it's real value is in objective measurement.
Certainly it reveals a lot though, such as how much high-frequency signal
is thrown away by a particular encoding. It can also highlight artifacts
that
you can identify once you know they're present, such as the pre-transient
noise in the Microsoft Audio format. (Something that MP3 and ATRAC don't
suffer from... See http://www.real.com/msaudio/ for the story) Once you know
it's
there, your subjective perception will be more attuned to the flaws...

 General aside on subjective evaluation of coders:

 Automatic measurement of the subjective quality of perceptual encoders
 is a current research topic and involves some degree of modeling the
 human auditory system in the measurement phase. I've always thought
 that this was a bit of a tail-chasing problem, since if you've got a
 model with superior accuracy in the measurement system, why not use
 that model in the encoder as well and further reduce the perceptual
 loss?

Heh. You can't develop a high-precision model for human perception; you
are inherently forced to approximate since every person is different...
But I suppose a decent neural-net could duplicate a lot of the behavior.
It works for vision, and the nervous system's basic characteristics are
consistent throughout. (It can be said that all five of the human senses
operate in "block floating" mode. Overall you can sense a very wide dynamic
range of signals, but you only have a small window on that range at any
given time. E.g., you can see details in dim light, and you can see well
in bright light, but a sudden transition from dim to bright or vice versa
leaves you blinded: the input has exceeded your dynamic range window, your
visual system has "clipped" ... Hearing is not much different, except that
you don't have the equivalent of the AGC that the eyes (pupil, iris) have.)

 An automatatic system that produced reliable subjective scores for
 audio and speech coders would be a great boon to developers, since
 they could save the considerable time and money spent using human
 subjects. (They could also save wear and tear on their subjects -- at
 Lucent I would occasionally participate in experimental evaluations of
 cell-phone speech coder samples (as a favor to colleagues). I found it
 to be painstaking and frequently frustrating work).

Heh. The worst I ever had to do was sit at a newly designed computer desk
and give opinions on its ergonomic efficiency...

  -- Howard

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Re: MD: Listening to compression

2001-01-15 Thread Anthony Lalande


 ... you can see details in dim light, and you can see well in bright light,
 but a sudden transition from dim to bright or vice versa leaves you blinded:
 the input has exceeded your dynamic range window, your visual system has
 "clipped" ... Hearing is not much different, except that you don't have the
 equivalent of the AGC that the eyes (pupil, iris) have.)

While I'm not sure what exactly AGC means, I have heard somewhere that ears
are able to focus and lose focus of sounds and noise in a dynamic way. I was
once advised to buy full-ear headphones as opposed to ear-buds because
sounds hitting the outer part of the ear actually help the inside of the ear
adjust to what it's listening to, and can help prevent damage in a way that
ear-buds cannot.

Does anyone know enough about the working of the human ear to validate or
deny this?

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MD: ATRAC lossiness

2001-01-15 Thread Timothy Stockman


One of the problems of bit-for-bit comparison of a signal recorded by MD: I wonder if 
the problem could have to do with the 
sample-rate-converter in the MD?  I've often had the nagging suspicion that the 
sample-rate-converter is not defeatable.  
My theory is that even when the input signal is 44.1, the sample rate converter 
resamples the signal at the MD's (slightly 
different) 44.1 clock. The theory is that it *never* tries to lock the MD to the clock 
recovered from the S/PDIF stream.  
Anyone know for sure?  If this is true, an alternate way to get a known signal onto an 
MD might be to burn the test signal 
onto a CDR and then transfer it using one of the combo MD-CD decks.   I bet that 
copying from the internal CD player 
*doesn't* go through the sample-rate-converter.


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MD: MZ-R90 available

2001-01-15 Thread Dan Frakes


I have a friend in Japan who is picking up an E900 for me :)  He 
mentioned to me that he's probably going to sell his MZ-R90. He said it's 
in perfect condition with all the original packaging, and hasn't been 
used much -- he evidently uses his iPAQ to listen to music. He was 
thinking about selling it for around $200 (plus shipping).

If anyone is interested, let me know, and I'll pass it on to him.
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