MD: Sony lens/head cleaners (even better - ON SALE)

2000-12-04 Thread tps


http://www.audio-etcetera.com/audio-etc/a-v-care-products-audio-cassette-
head-cleaning-products.html



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MD: Sony lens/head cleaners...

2000-12-04 Thread tps


http://www.planetminidisc.com/planetminidisc/sonymd6lcl.html
http://www.planetminidisc.com/planetminidisc/sonymd8hcl.html


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Re: MD: MD for recording sound for film?

2000-11-11 Thread tps


When synch'ing sound and picture, there are two things that must be 
considered:

1) The sound recorder and the picture must run "at the same speed" to 
maintain synch.  This, the most basic requirement, was often handled in 
movies by recording sound on sprocketted magnetic film using a synchronous 
AC motor in the drive system that was excited from the same source as the 
camera's drive motor.  Now servo controlled drive systems are used in the 
recorders, and they are syncronized to a master timing source.

2) The sound and picture must not be "offset" from each other.  This was 
originally accomplised by the clapboard, which placed a precise marker on 
both the picture (when the two parts made contact) and the sound (when the 
"clap" was heard) allowing the sound and picture to be started 
simultaneously at a common event on the separate mediums.  Now timecode is 
used, and the "slave" machines chase the master to acquire lock.

Consumer MD recorders have no provision for locking the record or play 
sample rate to an external source (video or film).  So they only way things 
can work is to record timecode on one track of the MD from a timing source 
to which the camera is locked.  The on playback, the MD would have to be 
the timing master, with the picture playback locked to the time code 
recovered from the MD.

This is not really a good solution, that is, having the MD be the timecode 
master during playback.  It would work in a pinch, but it would be much 
better if the video frame rate of the camera and the sample rate of the 
sound recorder had been locked in the first place.


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MD: minidisc vs ???

2000-11-06 Thread tps


Aparently, there is yet another portable music player, 
Iomega's ZIP, just in time for the Christmas buying season.  
I've seen more TV ads for it in the past few days than I've 
seen for minidisc in *years*.  The ad points out the high 
cost of solid state media, although the ZIP media is still 
much more expensive than minidisc!  Clearly, the ZIP players 
are the *least* technologically sophisticated, however, the 
ads protray them as *sexy*.

I was just at Best Buy (Oxford Valley PA near Philadelphia) 
this evening.  I really had to look hard to find their 
minidisc equipment; it was buried under an avalanche of 
Philips and RCA audio CD recorders.  To their credit, they 
did have a couple JE440's in boxes, but none on display.  
They had an MZ-R70 and MXD-D5C on display.  The MD/CDR audio 
equpiment was next to a bunch of bookshelf systems playing 
(rather loudly) a commercial radio station with really bad 
audio quality.  This same store had a whole aisle of MP3 
players with an MP3 information kiosk display at the end of 
the aisle.  I guess marketing's perception is the MP3 is 
*sexy* and MD is not.

So far as blank media, they had lots of CDR and CDR audio (a 
whole aisle plus some advertised specials in racks sitting 
in the middle of the floor), but virtually no MD, blank or 
pre-recorded.

This last comment is a little off topic, but while I was in 
the store, I noticed that the lone Sony HDTV was almost 
buried beneath all the SDTV sets claiming to have "HD 
capable" monitors.  "HD capable" looks to be a marketing 
ploy, because they only support a few of the HD resolutions.  
It seems that the Philadelphia area would be one of the 
prime locations to sell HDTV, because we've had 4 on-air 
HDTV stations for over 2 years!

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