Re: [MOSAIC] Writing Punctuation

2012-12-10 Thread NANCY HAGERTY
I highly recommend doing a Punctuation Study a la Katie Wood Ray.  I have
used it with all ages and have had the best results of anything else I have
ever tried.  The students need to actually experience why punctuation is so
important. They need to see that the author (them) really has an obligation
to show the reader exactly how to read the text infront of them. Only then
do they take charge of their own writing.


On Sat, Dec 8, 2012 at 4:58 PM, evelia cadet cadeteve...@hotmail.comwrote:

 My 4th grade students are not ending their sentences with a period. It's
 like they don't know when a sentence ends. This is my first year teaching
 writing. I honestly don't know how to help them recognize when to add a
 period. Any ideas would be appreciated. In few months they will be
 composing two pieces of writing for the state exam. It is a desperate
 situation. Thank you in advance.

 Evelia

 Sent from my iPhone
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 *Nancy Hagerty
**Reading Recovery/Literacy Support*
*Bartlett Elementary*
*Room B-8*
*248-573-2521*
hager...@slcs.us
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Re: [MOSAIC] Writing Punctuation

2012-12-10 Thread NANCY HAGERTY
Study Driven, by Katie Wood Ray.


On Mon, Dec 10, 2012 at 4:18 PM, Jennifer Quinett Joyner jjoyn...@wcpss.net
 wrote:

 Is there a certain book that use from Katie Wood Ray or do I just do a
 search and she has activities...

 Jennifer Joyner
 Bugg Elementary-4th Grade
 jjoyn...@wcpss.net
 (919)250-4750


 -Mosaic mosaic-bounces+jjoyner1=wcpss@literacyworkshop.org
 wrote: -
 To: Mosaic: A Reading Comprehension Strategies Email Group 
 mosaic@literacyworkshop.org
 From: NANCY HAGERTY
 Sent by: Mosaic
 Date: 12/10/2012 08:53AM
 Subject: Re: [MOSAIC] Writing Punctuation

 I highly recommend doing a Punctuation Study a la Katie Wood Ray.  I have
 used it with all ages and have had the best results of anything else I have
 ever tried.  The students need to actually experience why punctuation is so
 important. They need to see that the author (them) really has an obligation
 to show the reader exactly how to read the text infront of them. Only then
 do they take charge of their own writing.


 On Sat, Dec 8, 2012 at 4:58 PM, evelia cadet cadeteve...@hotmail.com
 wrote:

  My 4th grade students are not ending their sentences with a period. It's
  like they don't know when a sentence ends. This is my first year teaching
  writing. I honestly don't know how to help them recognize when to add a
  period. Any ideas would be appreciated. In few months they will be
  composing two pieces of writing for the state exam. It is a desperate
  situation. Thank you in advance.
 
  Evelia
 
  Sent from my iPhone
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 --
  *Nancy Hagerty
 **Reading Recovery/Literacy Support*
 *Bartlett Elementary*
 *Room B-8*
 *248-573-2521*
 hager...@slcs.us
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-- 
 *Nancy Hagerty
**Reading Recovery/Literacy Support*
*Bartlett Elementary*
*Room B-8*
*248-573-2521*
hager...@slcs.us
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Re: [MOSAIC] Reader's Workshop Conferencing

2012-02-28 Thread Nancy Hagerty
You might want to read, Conferring by Patrick Allen.  He is a master at taking 
what a child says (writes) and getting to the heart of their thinking.

 Emma Takvoryan roz...@hotmail.com 2/28/2012 9:06 AM 




To answer all your questions (and I am so thankful to everyone for replying 
because I feel overwhelmed with what I am trying to implement at times):
1.  I teach 5th and 6th grade multi-age at a Montessori school.  I have 10 
students.2.  I have 1 hour, 3 days a week to teach reading (crazy, right?)-I 
use 10-15 minutes of that to do a Read-Aloud, which is where the bulk of my 
reading instruction comes from.3.  I teach mini-lessons at least once or twice 
a week for the first 10-15 minutes.  4.  I have had them write letters because 
when I researched about RW I kept seeing them at as way to keep track of what 
they were thinking. I also liked how it gave me a starting point for 
conferencing.  
I guess what I am finding is just that maybe I don't know well enough how to 
take what I'm seeing in their letters and use that effectively.  I don't know 
if part of that is because I have such a small group of students and almost all 
are proficient readers??--Reading above grade level, able to make 
inferences/draw conclusions, make connections, predictions, ask questions, 
etc...   
That's why during my read-aloud I try to focus on looking with the students at 
taking the novel to a deeper level-look at foreshadowing, theme, types of 
conflict, symbolism.
Sorry for this lengthy response!


 
 I love most of this.  Question : when did you teach lessons or mini
 lessons?  How much time did you allot for RW?
 
 I teach middle school, but I see lots of ways to tweak this.
 Kim
 On Feb 27, 2012 4:52 PM, Renee phoenix...@sbcglobal.net wrote:
 
 
  On Feb 27, 2012, at 10:35 AM, Emma Takvoryan wrote:
 
  I am starting Reader's Workshop this year and the biggest problem I am
 having is when I conference with my students.  I have them write me
 letters, I read them and write comments, and then when we go to conference
 I feel like I am not always saying anything of use.  How do you all
 organize your conferences?
 
 
  Emma, I am interested in your comment that you have your students write
 you a letter and that you respond and then you feel like you have nothing
 of use to say in your conferencing. So I would ask you these questions:
 What is your purpose in having them write you a letter? Do you require
 certain things in those letters?
 
  Here's why I ask:
 
  When I was running an independent reading program (and really, with
 anything I implemented in my classroom), I always considered how much time
 something would take AND whether or not the time was well spent. So,
 regarding these letters your students write to you, if your purpose is to
 have them tell you about their work, then you might want to consider
 skipping the letter and having them just *tell* you during your conference
 because that will take less time and give you the same outcome. If your
 reason for having them write the letter is to have them practice writing a
 letter AND give you kid-oriented documentation for their work, then I would
 use that letter as a jumping off point.
 
  When I conferenced with students, I did more asking then telling, because
 I wanted them to tell me about their work and also get more details. So I
 would ask them to tell me about the story they are writing, tell me about
 the book they are reading, etc. and then I would ask follow up questions to
 get more detail.
 
  And on organization:  Every teacher needs to consider their own classroom
 environment in order to create an organized structure that works for them.
 I worked in a double classroom with another teacher. Between us, we had
 three grades (1, 2, and 3) and 40 students. Our conference table was
 between the two rooms where we could see everything and everybody at all
 times. We each had another work table off in opposite corners of the room
 that were more private.
 
  My students had an independent reading and writing folder in which they
 kept all their writing, checksheets, individualized spelling lists, and
 anything else related to the workshop that I'd want them to bring to
 conference with the book they were reading. I had a little marked-off
 section of my chalkboard (and yes, I had a chalkboard!!!) where my students
 signed up for a conference when they reached the end of their checksheet. I
 kept a tally sheet with every student's name on it, and the ONLY thing I
 put on that sheet was a tally when I met with a student. The only purpose
 this sheet had was for me to see immediately who might not be signing up
 for conferences. Grades, comments, etc were on the student's checksheet.
 They got a new checksheet at the end of the conference.
 
  So somebody is going to ask what was on the checksheet. Well, it changed
 over time, but basically it was something like this:
 
  Read a book.
 
  Write about the book. Use a prompt card.
 
  Draw 

Re: [MOSAIC] {MOSAIC} Small Moments - Fiction or Nonfiction?

2011-10-13 Thread Nancy Hagerty
If something is true, then it isn't fiction.  If children are writing stories 
from their lives, they are true, and therefore nonfiction. A Personal Narrative 
is non-fiction.

 Margaret Jones margie...@email.com 10/13/2011 10:13 AM 
That's exactly the situation which is causing me confusion. I thought the Small 
Moments children wrote during Writers Workshop and which were then published 
would be considered Realistic Fiction, and therefore, fiction. Can anyone else 
weigh in to please help me understand this? Thanks!

- Original Message -
From: Janie Rodriguez
Sent: 10/13/11 09:30 AM
To: mosaic@literacyworkshop.org 
Subject: Re: [MOSAIC] {MOSAIC} Small Moments - Fiction or Nonfiction?

 Hi, According to Lucy Calkins ,Personal Narratives are chronological stories 
about one's life. They contain characters, the central character will be the 
author. Personal Narratives are focused stories about one moment. Personal 
Narratives are a genre of their own. They should be real stories that happened 
to the writer. Personally, I would not categorize them as Fiction or 
Non-Fiction. When students write fiction stories that may have happened then I 
think we call those Realistic Fiction stories. I hope this helps. Janie 
Rodriguez Writing Specialist Valley Hi Elementary Writing is Individual, we 
must draw from all we know, and feel in order to create something beautiful. 
(Heard;Calkins) CONFIDENTIALITY NOTICE: This email message and attached 
documents may contain confidential information. All information is intended 
only for the use of the named recipient. If you are not the appropriate named 
recipient, you are not authorized to read, disclose, copy, distribute or tak
 e any action in reliance on the information. Any action, other than immediate 
delivery to the named recipient, is strictly prohibited. If you have received 
this email message in error, please notify the sender immediately, and delete 
this message from your email system. If you are the named recipient, you are 
not authorized to reveal any of this information to any other unauthorized 
person.  margie...@email.com 10/13/2011 5:57 am  Hi All, I have no formal 
schooling in Readers or Writers Workshop but I understand Small Moments to mean 
Personal Narrative Writing. What I don't understand is, is it considered 
fiction or nonfiction, or could it be either? What do you think? Thanks! Margie 
Jones, MLS Media Specialist South Street School 129 South Street Danbury, CT 
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Margie Jones, MLS
 Media Specialist
 South Street School
 129 South Street
 Danbury, CT 06482
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Re: [MOSAIC] Magazines

2010-08-14 Thread Nancy Hagerty
Time for Kids magazines are great.  You can see a sample at their website 
timeforkids.com.  The articles are not too long and they are grade level 
specific.  I like their content better than Scholastic.

Nancy

 jvma...@comcast.net 08/13/10 10:26 AM 
I've bounced around for years on the topic of magazines, from individual to 
class sets. I've subscribed to Nat'l Geo for Kids, SI for Kids, Ranger 
Rick--and often found kids 'read' only the pictures. So I let the subscriptions 
lapse. We chose a class set of Nat'l Geo Explorer for the last few years; it's 
visually stunning and has excellent and engaging articles--but the articles are 
long. To use them for modeling and groupwork was tough because of their length 
(and the kids wanted to read to the end). I tested 1 issue of Scholastic News 
last year and it actually was better: short articles but still appealing to 
kids--and I could easily model with them (and SN is what Harvey and Goudvis 
used for Strategies That Work). So I'm going with a class set of Scholastic 
News this year and keeping my fingers crossed. I get lots of good articles 
elsewhere (newspapers, magazines, Comprehension Toolkit, etc.) but I don't want 
to spend time/paper running off copies for the kids, so I'm goin
 g to try Scholastic News this year. We'll see. 
Judy 
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Re: [MOSAIC] study driven

2008-04-04 Thread Nancy Hagerty
Leslie, 
I absolutely LOVE this approach to writing, reading, and to learning!  Even my 
first graders have really responded to noticing what the authors of our mentor 
texts are doing and then they are even trying to do some of the same kinds of 
writing.  They are able to articulate exactly what they are doing and why.  Our 
biggest AHA has been that the author writes for the reader to read, so as 
authors we are noticing what things we HAVE to include in order for the reader 
to not be confused,  As readers we are noticing how deliberate the author was 
with the choices he/she used.  Our entire building is attempting a poetry study 
right now.  Too early to hear how everyone is doing just yet.

Nancy

 STEWART, L [EMAIL PROTECTED] 04/03/08 6:04 PM 
Has anyone used the book Study Driven by Katie Wood Ray?  I am
interested in your success in or opinion of the use of this book in
choosing mentor texts for writing instruction.

Leslie

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Re: [MOSAIC] study driven

2008-04-04 Thread Nancy Hagerty
Nancy,
Could you please give me more detailed information about this book?  Are you 
referring to KWR as the writer or Lucy Calkins?  Is it part of the UoS or 
something else that would be more readily available to me? 
 
Thanks so much!
 Amy Swan


Amy,
I have used Lucy Calkins Units of Study for several years.  I don't 
particularly care for her approach. I used it as a springboard into writer's 
workshop.  I believe it was Pam who was praising Lucy.  I much prefer Katie 
Wood Ray's approach to writing.  I know that Lucy and Katie have worked 
together and both have worthwhile things to say.  I have truly enjoyed using 
Study Driven to take my students' writing to the next level. With KWR I can 
choose the Units to really go deep with based upon the needs of my students.

Nancy




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Re: [MOSAIC] Useful Resources

2008-02-12 Thread Nancy Hagerty
I have used Saving Samantha by Robyn Smith (?) and illustrated by her
husband Gijsbert van Frankenhuyzen.  They are both nature lovers and
have come to write beautiful stories based upon real events in their
lives.  This particular story deals with a fox.  Robyn writes the story
on one page and then on each opposite page there is a detailed journal
of the true events and the author's feelings.  I have used this with my
first graders and they LOVE it.  I use all of their books to model
techniques in my writer's workshop.

Enjoy!

Nancy

 [EMAIL PROTECTED] 02/12/08 7:20 AM 
I think there's a book by Arthur Dorros about animal tracks. Not sure of
the
title, but I know that's the author (okay, I'm pretty sure that's the
author!!).

I like the Boy Scout idea, too!

Melissa/VA/2nd

On Feb 11, 2008 11:42 PM, Ljackson [EMAIL PROTECTED] wrote:

 I would find myself a scout master--sounds like a job for a Boy Scout.
;-)


 - Original message -
 From: Katrina Kelder [EMAIL PROTECTED]
 To: Mosaic@literacyworkshop.org
 Date: 2008, 11, Monday Of February 19:03
 Subject: [MOSAIC] Useful Resources

  Hello. I am a student at Syracuse University in the Literacy Masters
  Program. I am getting ready to do a small project with a group of
 students
  about animal tracks in the snow. Does anyone know of any good trade
 books or
  websites about animal tracks that would be particularly useful to
use
 with a
  group of students between the ages of 5 and 8? I am also wondering
if
 anyone
  has any ideas about how I could integrate this topic into writing?
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Re: [MOSAIC] Equivalent to Mosaic

2007-11-01 Thread Nancy Hagerty
I would recommend Study Driven  by Katie Wood Ray.

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Re: [MOSAIC] Questioning

2007-10-14 Thread Nancy Hagerty
Michelle-
I guess I need to ask you to think about something: Who are we to
determine whcih questions do not lead to better comprehension?  I know
myself when children ask questions that seem to have no relavance, if I
take the time to ask them to tell me more I have been amazed more times
than not at the true relevance.  As we know thinking happens at many
different levels.  Those questions may not initially fit into your
clarifying or predicitng categories, but I wouldn't be so quick to label
them as irrelevant.  You might be discouraging someone who is really
thinking on a deeper level.  Perhaps you could just add another category
such as other.  I am guessing that will be quite a huge category for
many different reasons.  Sometimes I think we just spend way too much
time splitting hairs and missing the real purpose of what we want the
children to do.  On a teacher level your idea can make sense to me,
but on a reader level it would drive me crazy.  If I have a question I
have a question.  If I knew I had to go through all that thinking to
decipher what kind of a question it is I would more likely NOT have any
questions when I read.  Just something to think about
Nancy

Michelle wrote:
Here's what I'm thinking:
Tier 1: Irrelevant questions (Questions that have no relevance to the
comprehension of the story)
Tier 2: Clarifying questions (Questions that stem from monitoring your
comprehension as you seek to clear up confusion--these DO affect
comprehension and show active reading)
Tier 3: Predicting questions (Questions that lead to inferences about
what
will happen in the story--obviously affecting comprehension)
Tier 4: LIFE questions (Questions that lead to a synthesis of the story.
These may or may not be answerable.)



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Re: [MOSAIC] Help. .(again)

2007-10-04 Thread Nancy Hagerty
 [EMAIL PROTECTED] 10/04/07 7:39 PM 
 I'm torn between starting with
Mosaic of Thought or Reading with Meaning. What do you all think?
Also, as far as starting the group. . . What do you think would be the
best possible way of advertising? We all know that not every teacher is
open to new ideas and I really want to present it in the best light
possible. Please share any of your thoughts or personal experiences.



Hi Christina.

While I absolutely LOVE Reading with Meaning, many of our staff members
didn't even care to look at it once they found out Debbie was a first
grade teacher.  They felt her style didn't work for them and that what
she was doing didn't pertain to them. (They are missing SOO much)
but, that being said you may want to start with the new Mosaic and then
move on with those that show an interest.

Good luck!
Nancy

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Re: [MOSAIC] Comprehension when Oral Reading vs. Silent Reading - DRA

2007-07-17 Thread Nancy Hagerty
Here is some further explanation of what I did when administering the DRA2 
during the later part of the year.  I wanted to make certain first and foremost 
that my little kiddos understood what I was asking them to do.  Their beginning 
of the year attempts told me that they were not understanding what they were 
being asked to do.  Sometimes we assume they get what a retell is and we 
refer to it in many different ways, comprehension, story map, summary, retell, 
not to mention when I ask them to respond in their own way to a story or 
question I have posed.  My first graders (and many of the rest of us) can be 
easily confused.  Purpose.  That has been my silent partner as I have planned 
over the last year.  I keep reminding myself of purpose...for EVERYTHING I do.  
That doesn't neccessarily mean that everything I do is fabulous and rich, etc., 
but it has made me aware of when my lessons are flowing and when I have taken a 
wrong turn and I am travelling alone without the children.  
 I actually teach my kiddos the REASON that teachers give the DRA2.  I 
explain that it is a tool for teachers to see and hear how they are progressing 
as readers... NOT to see if they are good readers (because of course they are) 
but for the teachers to see what they need to teach next.  That takes the 
pressure off of them.  Now, I have also taught them how to retell a story by 
doing it together with the picture books we have read.  Right before DRA time I 
refer back to the chart paper we have written together about each (or many) of 
the picture books I have read.  When those retells were happening we had great 
discussions about the beginning of the story and the correct sequence of the 
story, as well as the ending of the story and author's purpose for writing the 
story.  Not with every book and certainly we began with a very simple book and 
basic retell.  Sometimes it is the vocabulary in our directions to the children 
that throws them off.  I want them to be flexible thinkers BUT I have made a 
conscious effot to explain the correct literary terms/words so the children 
understand what their purpose is.

All of this teaching deepens their comprehension because, of course we are also 
involved in strategy instruction across reading, writing, math and science.  We 
do a lot of partial re-reading for different purposes (authentic fluency) and 
then we put it all together again for a complete retell.  I like to look at it 
as I teach them to retell by teaching them about text structure and patterns 
and connections.  Their questions are honored and the discussions about those 
questions lead us to deeper understanding of the important parts of the story.

Depending where the student has broken down on the DRA2 I can see what part of 
my teaching and their learning isn't matching.  Of course I also have to ask 
myself if the children aren't thinking...DUH, I already read that beginning to 
you, you heard it, why should I tell you about it again?  They have learned to 
be pretty sophisticated readers by the time they are reading the Level 18 test 
booklet.  Those stories are a lot less meaty than the ones we have read and 
discussed.  :-)  


Nancy


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Re: [MOSAIC] Comprehension when Oral Reading vs. Silent Reading - DRA

2007-07-16 Thread Nancy Hagerty
 [EMAIL PROTECTED] 07/15/07 9:15 PM 
We are just about to launch into DRA2 (having never had the first version as 
'district wide') so I was curious about your comment, Martha, regarding the 
retellings after oral reading indicating stronger comp. than retellings after 
silent reading.

On the new DRA2, for levels 4-16, students begin with reading the entire text 
orally, after which they provide a retelling with the book closed.? At levels 
18-24, the students also begin with reading orally, but only the first portion 
of the text.? The student then makes a prediction (orally) and finishes reading 
the text silently.? Once the silent reading is done, the student provides an 
oral retelling, again with the book closed, and again prompted? with Start at 
the beginning and tell me what happened in this story.? So in both cases, 
retellings are done after oral reading of all or a portion of the text.

I guess what I'm wondering is, because the initial reading of the text is done 
orally, will this make a difference in the retelling/comp. portion of the 
assessment.

It will be interesting to hear from folks who have been using the DRA2.

Just wondering

(another!) Martha


Martha-

We began using the DRA2 this year.  My first graders would actually begin 
retelling where they had begun their silent reading, despite the fact that I 
would say, Start at the beginning...  In my questions to them that would be 
my first, How did this story begin?  At first I didn't think they understood 
that the 2 were realated and that they were just reading words, but not 
comprehending.  With some that was the case, but for most they just didn't 
include the beginning, the tasks remained separate for them.  Still others 
could not recall what they had read orally, but did a fabulous retell of what 
they had read silently.  Not sure what that all means in the big picture of 
DRAs, but I knew where to take my comprehension instruction...

Nancy
 

 


 














 



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Re: [MOSAIC] conferencing

2007-06-30 Thread Nancy Hagerty
Hi Kim.

I have been there myself.  Then it occurred to me, although my conferencing is 
individual, my mini-lesson had purpose.  There is always so much you can tell 
or discuss with readers and writers.  By going bck to my mini-lesson it gave me 
purpose for the day's conferences.  It also made me rethink my mini-lessons so 
that I was meeting the reading/writing needs of my students.  It sounds so 
simple, but it really worked for me.  I needed to stay focused.  This allowed 
my conferences to be short, yet effective.  It also made the children try to 
adapt more of what I was saying/demonstrating during my mini-lesson to their 
own reading and writing.  They liked when I noticed they had tried to do what I 
had modeled.

Nancy Hagerty
First Grade Y-3
Hardy Elementary
248-573-8650  ext. 3637
[EMAIL PROTECTED]
 [EMAIL PROTECTED] 06/30/07 12:26 PM 
My weakest part of both my reader's and writer's workshop is my individual
conferences with children.  I've read lots of books about the subject.  I've
watched a few.  I still feel like when I sit with a child the discussion
isn't natural.  It's mostly a miniature test.  Often I am so bored myself, I
get tired sitting there.  I can't imagine what the kids think.

What do you folks do?
Kim

-- 
Kim
---
Kimberlee Hannan
Department Chair
Sequoia Middle School
resno, California 93702


Laugh when you can, apologize when you should, let go of what you can't
change, kiss slowly, play hard, forgive quickly, take chances, give
everything, have no regrets.. Life's too short to be anything but happy.

[EMAIL PROTECTED]
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Re: [MOSAIC] assessment

2007-06-28 Thread Nancy Hagerty
Sally wrote:

Honestly, why aren't we trusting our own internalized understandings of how
to see studentlearning and progress through the actual work of the
classroom.  I'm not trying to be difficult.  I just don't get why this would
not be our ultimate goal.
Sally

Sally, EXACTLY my questions and thoughts!  It would appear that as 
professionals we know what we're doing, and yet, the powers that be won't let 
us do our jobs.  I understand accountability, but let the progress of my 
students speak for itself!

Nancy
First Grade




Nancy Hagerty
First Grade Y-3
Hardy Elementary
248-573-8650  ext. 3637
[EMAIL PROTECTED]

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Re: [MOSAIC] Teacher responses

2007-01-20 Thread Nancy Hagerty
Maggie wrote:
We have samples of 
relevant and useful responses, but there are teachers that want some
kind of a list of comments to choose from.


Hi Maggie.

While I can appreciate your question, I can't help but be frustrated by
it (as I'm sure you are too).  I am hearing this more and more from
teachers.  They seem to want a list of this and a compilation of
that.  I can't help but chuckle when I see it on this ring because I
believe we are all here because we want to teach our students to be
better thinkers.  How can we do that when we are asking for shortcuts? 
I know with all the increased demands and expectations on teachers and
our students we are all feeling the time crunch, but there are no
shortcuts.  We ALL need to create our own knowledge.  While I love
reading what others are doing, it certainly cannot take the place of me
actually trying it for myself.  It sounds like you are wanting to make
the bridge for them.  Perhaps just looking at what their comments are
actually saying to the students, and what they really need to be saying
to the student to move their writing (reading, thinking) forward would
be most beneficial.  It's hard to say.  We all learn differently.

Nancy






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Re: [MOSAIC] Summarizing

2006-12-03 Thread Nancy Hagerty
How about the fox in the Gingerbread Man when he tells the gingerbread
man that he will help him escape?

Nancy Hagerty
First Grade Y-3
Hardy Elementary
248-573-8650  ext. 3637
[EMAIL PROTECTED]
 [EMAIL PROTECTED] 12/02/06 9:12 PM 
I am looking for short text or picture books that show characters acting

out of character.
any ideas appreciated
- Original Message - 
From: [EMAIL PROTECTED]
To: Mosaic@literacyworkshop.org
Sent: Thursday, November 16, 2006 5:46 AM
Subject: Re: [MOSAIC] Summarizing


I am going to be doing summarizing with third graders and some students

will be reading chapter books.  Does anyone know of any good graphic 
organizers or ways to teach students how to summarize chapter books?  I

imagine that I should do it chapter by chapter.  Any ideas would be 
helpful!
 Thanks,
 Kim


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Re: [MOSAIC] Units of study listserv

2006-09-28 Thread Nancy Hagerty
yes:
 
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Re: [MOSAIC] Susan's response about comprehension

2006-09-18 Thread Nancy Hagerty
Wow, Susan.  What a rich response.  I think you defined comprehension in
depth, and very well I might add!  Comprehension is a process toward
life-long learning.  Thank you for being so explicit.
 
Nancy
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