[mb-style] RFC STYLE-151: edit of relationship type

2013-01-03 Thread Nicolás Tamargo de Eguren
I keep finding shortened edits and extracts of classical recordings and I
have no way of linking them, so I'm going to send a proposal for this. It's
pretty much the same that was discussed (but never specifically RFC'd) a
few months ago by Salutaurs, except that I've removed digitalisations
from the explicitly covered bits since there's no agreement on whether
different transfers should or shouldn't be new recordings and that's part
of a much bigger discussion I don't want to enter now :)

This is on the wiki at
http://wiki.musicbrainz.org/User:Reosarevok/Edit_Relationship_Type and in
Jira at http://tickets.musicbrainz.org/browse/STYLE-151

Expected RFV date is Jan 10.

-- 
Nicolás Tamargo de Eguren
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Re: [mb-style] Adding language attribute to URLs

2013-01-03 Thread Frederik Freso S. Olesen
Den 03-01-2013 16:40, Frederic Da Vitoria skrev:
[...] if the filtering option is ever implemented, I'd
definitely want to have a list of languages instead of only one: I'd
like to get pages in French and English. I suppose I'm not the only one
who'd want something like this.

I'd want Danish, English, Swedish, Norwegian, Scots (like there'll be 
any of those... :(), and possibly German, French, ... - so yeah, either 
being able to turn it off completely or have an include (or exclude?) 
list would be must. :)

-- 
Namasté,
Frederik Freso S. Olesen http://freso.dk/
MB:   https://musicbrainz.org/user/Freso
Wiki: https://wiki.musicbrainz.org/User:Freso

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Re: [mb-style] Fwd: RFC: Copyright relationship

2013-01-03 Thread Calvin Walton
On Thu, 2013-01-03 at 12:44 -0500, daniel. wrote:
 Expected expiration date: September 2013 (?)

A standard RFC lasts for 2 weeks (assuming that you get a +1), so you
would normally say January 17th.

 I think it's relevant for a music encyclopedia to have data about copyright
 and phonographic copyright: the copyright holders of a release or a
 recording (and its date). They can be the label or other entities, or the
 artist. I think most releases have that information, I don't see why
 MusicBrainz still doesn't have a relationship type for this.
 
 http://tickets.musicbrainz.org/browse/STYLE-93

In order to propose a new relationship type like this, you should create
a new wiki page describing the relationship and its usage. E.g. I have
one at
http://wiki.musicbrainz.org/User:Kepstin/Discography_Entry_Relationship_Type 
for a relationship I proposed earlier (although that one's a bit light on 
description).

Take a look at other existing pages, e.g.
http://wiki.musicbrainz.org/Producer_Relationship_Type to see what you
should include

Some particular information that you should include is exactly which
types of entities should be linked (does this go on releases?
recordings?), and some examples.

I assume you plan to handle copyright dates through the standard AR date
start/end fields?

-- 
Calvin Walton calvin.wal...@kepstin.ca


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Re: [mb-style] Fwd: RFC: Copyright relationship

2013-01-03 Thread Calvin Walton
On Thu, 2013-01-03 at 12:59 -0500, Calvin Walton wrote:
 On Thu, 2013-01-03 at 12:44 -0500, daniel. wrote:
  Expected expiration date: September 2013 (?)
 
 A standard RFC lasts for 2 weeks (assuming that you get a +1), so you
 would normally say January 17th.

nikki on IRC just corrected me; standard RFC time is 1 week, not two.
This is all documented on http://wiki.musicbrainz.org/Proposals of
course!

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Calvin Walton calvin.wal...@kepstin.ca


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[mb-style] RFC: Copyright relationship

2013-01-03 Thread daniel.
Expected expiration date: January 13, 2013

I think it's relevant for a music encyclopedia to have data about copyright
and phonographic copyright: the copyright holders of a release or a
recording (and its date). They can be the label or other entities, or the
artist. I think most releases have that information, I don't see why
MusicBrainz still doesn't have a relationship type for this.

http://tickets.musicbrainz.org/browse/STYLE-93
http://wiki.musicbrainz.org/User:DanBLOO/Copyright_Relationship_Type
http://wiki.musicbrainz.org/User:DanBLOO/Phonographic_Copyright_Relationship_Type
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Re: [mb-style] RFC: Copyright relationship

2013-01-03 Thread LordSputnik
Shouldn't start date indicate the year the copyright was taken out, and end
date the year it expires (where available)?

Also, I think this should also apply to works, not just recordings and
releases.



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Re: [mb-style] Adding language attribute to URLs

2013-01-03 Thread Frederic Da Vitoria
2013/1/3 Kuno Woudt k...@frob.nl

 Hello,

 On 01/03/2013 04:40 PM, Frederic Da Vitoria wrote:
  I like this idea. But if the filtering option is ever implemented, I'd
  definitely want to have a list of languages instead of only one: I'd
  like to get pages in French and English. I suppose I'm not the only one
  who'd want something like this.

 I don't want urls filtered, I want to see all of them.  So personally I
 have no use for this attribute.  I am not going to veto it or -1 it or
 anything, but I would like the default to stay the way it is now --
 display all urls.


This RFC is not about filtering, my remarks were kind of off topic. The
idea of recording the language still makes sense without the filtering IMO.

-- 
Frederic Da Vitoria
(davitof)

Membre de l'April - « promouvoir et défendre le logiciel libre » -
http://www.april.org
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Re: [mb-style] RFC: Copyright relationship

2013-01-03 Thread Robert Kaye

On Jan 3, 2013, at 1:44 PM, daniel. wrote:

 I think it's relevant for a music encyclopedia to have data about copyright 
 and phonographic copyright: the copyright holders of a release or a recording 
 (and its date). They can be the label or other entities, or the artist. I 
 think most releases have that information, I don't see why MusicBrainz still 
 doesn't have a relationship type for this.


Here is one consideration that we need to be careful of:

Copyrights change and are sold frequently. In a quite a few cases, the data 
that is on the CD does not actually represent who owns the rights TODAY. It 
represents who owned the copyrights when this stuff was released. Because of 
this we need to make sure that the users of our data are aware of the fact that 
this data should not be used to make any kind of (royalty) payments. If money 
goes into the wrong hands because of our data, we can be held liable due to 
shitty US laws. 

That isn't to say that we can't do this, but we need a disclaimer on the pages 
that display the data and where people can download the data.

--

--ruaok

Robert Kaye -- r...@musicbrainz.org --http://musicbrainz.org



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Re: [mb-style] RFC STYLE-151: edit of relationship type

2013-01-03 Thread Simon Reinhardt
Nicolás Tamargo de Eguren wrote:
 I keep finding shortened edits and extracts of classical recordings and I 
 have no way of linking them, so I'm going to send a proposal for this. It's 
 pretty much the same that was discussed (but never specifically RFC'd) a few 
 months ago by Salutaurs, except that I've removed digitalisations from the 
 explicitly covered bits since there's no agreement on whether different 
 transfers should or shouldn't be new recordings and that's part of a much 
 bigger discussion I don't want to enter now :)

 This is on the wiki at 
 http://wiki.musicbrainz.org/User:Reosarevok/Edit_Relationship_Type and in 
 Jira at http://tickets.musicbrainz.org/browse/STYLE-151

 Expected RFV date is Jan 10.

+1


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Re: [mb-style] RFC: Copyright relationship

2013-01-03 Thread daniel.
So, should I include works in the proposal for this relationship?
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Re: [mb-style] RFC: Copyright relationship

2013-01-03 Thread Ben Ockmore
I would say so - I don't see any reason why not, they can be copyrighted
just as much as recordings...

Another thing I thought of a minute ago - is it possible for a work or
recordings to be copyrighted by different people/labels in different
countries?
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Re: [mb-style] RFC: Copyright relationship

2013-01-03 Thread Duke Yin
In my opinion, any new Copyright relationship needs to address the
following, regardless of if it's a Recording or Release relationship:

1) clear distinction (at least two relationship types) between
http://en.wikipedia.org/wiki/Copyright_symbol and
http://en.wikipedia.org/wiki/Sound_recording_copyright_symbol .  (Both are
used)

2) ability to assign arbitrary years to the relationship.  e.g., some
albums may say (P)2003,2004,2006 Record Company, skipping 2005, depending
on the old tracks included in the album.

3) ability to assign arbitrary countries to a single relationship.  Recent
example would be Gangnam Style, held by  YG Entertainment in Korea,
Schoolboy/Universal Republic Records, a division of UMG Recordings, Inc.
in the United States and possibly other countries, but not all.
 Worldwide won't cut it here, e.g. the song was never released in Japan.
(side note:  Worldwide doesn't work well for Release Country either.)

4) bogus artists/labels.  If we can't have Label Credits ala artist
credits in these copyright relationships, we're going to be creating a lot
of bogus labels (or artists?) to handle copyrights belonging to collections
of People/Groups.  This is extremely common in Japanese animation and
games, e.g.
畑健二郎・小学館/HAYATE PROJECT・テレビ東京 (
http://www.hayate-project.com/image/index/copy.gif)
真島ヒロ・講談社/劇場版フェアリーテイル製作ギルド (http://fairytail-movie.com/top/)
(P)2010 Nintendo / MONOLITHSOFT / (C)2010 Nintendo / MONOLITHSOFT /
(C)2010 Septima Ley Co.,Ltd. Licensed by Nintendo (Xenoblade Original
Soundtrack)
The last example is the reason I don't believe it would be feasible to
separate Nintendo, MONOLITH, and Septima Ley Co. into 3 separate
relationships - there is clearly a joint copyright between between Nintendo
and Monolith which Septima Ley is not related to - and is why I bothered
typing out this warning about bogus artists, because I think the
distinctions are probably important.

Good luck to whoever's going to write (or implement) the proposal.


On Thu, Jan 3, 2013 at 5:52 PM, Ben Ockmore ben.s...@gmail.com wrote:

 I would say so - I don't see any reason why not, they can be copyrighted
 just as much as recordings...

 Another thing I thought of a minute ago - is it possible for a work or
 recordings to be copyrighted by different people/labels in different
 countries?

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Re: [mb-style] RFC: Copyright relationship

2013-01-03 Thread daniel.
My proposal is to have Copyright relationship type + Phonographic Copyright
relationship subtype.

I've added country attribute and works (copyright only) to the proposal
wiki.
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Re: [mb-style] RFC STYLE-151: edit of relationship type

2013-01-03 Thread Rachel Dwight

On Jan 3, 2013, at 9:22 AM, Nicolás Tamargo de Eguren reosare...@gmail.com 
wrote:

 I keep finding shortened edits and extracts of classical recordings and I 
 have no way of linking them, so I'm going to send a proposal for this. It's 
 pretty much the same that was discussed (but never specifically RFC'd) a few 
 months ago by Salutaurs, except that I've removed digitalisations from the 
 explicitly covered bits since there's no agreement on whether different 
 transfers should or shouldn't be new recordings and that's part of a much 
 bigger discussion I don't want to enter now :)
 
 This is on the wiki at 
 http://wiki.musicbrainz.org/User:Reosarevok/Edit_Relationship_Type and in 
 Jira at http://tickets.musicbrainz.org/browse/STYLE-151
 
 Expected RFV date is Jan 10.
 
 -- 
 Nicolás Tamargo de Eguren

I +1 this too. I run across this relationship a lot, especially in the cases of 
TV size versions or radio edits of songs.

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Re: [mb-style] RFC: Copyright relationship

2013-01-03 Thread Kuno Woudt
On 01/03/2013 11:52 PM, Ben Ockmore wrote:
 I would say so - I don't see any reason why not, they can be copyrighted
 just as much as recordings...

I'm not sure a work as we use it in musicbrainz is a copyrightable 
thing, it seems to abstract.

You cannot copyright ideas, only expressions of ideas.  So copyright 
needs something tangible, like published sheet music, recorded 
performances, etc.  (the year in a copyright notice is the year of 
publication).  This clearly fits with recordings and releases in 
musicbrainz, but I'm not convinced it applies to works as we use them.


 Another thing I thought of a minute ago - is it possible for a work or
 recordings to be copyrighted by different people/labels in different
 countries?

I don't think so.  It is common for different people or companies to 
have an exclusive license to exploit a copyright in a particular region, 
but that doesn't mean the copyright ownership is transferred to separate 
entities in different regions.

-- kuno / warp.




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