[NetBehaviour] edit compression of last lines of Internet Text

2019-03-19 Thread Alan Sondheim 



edited compression of last lines of Internet Text

http://www.alansondheim.org/strike031.jpg
http://www.alansondheim.org/strike033.jpg
http://www.alansondheim.org/strike046.jpg
http://www.alansondheim.org/strike058.jpg
http://www.alansondheim.org/strike059.jpg

{photographs of century old coal-strata fire, Laurel Run, PA,
with additions - for upcoming talk}

end singularities text Why was the
   promise never fulfilled?
  godawful-text
_
   +---sludge incubate Server at www.alansondheim.org Port
  \---tunneltalk _ mod_auth_passthrough/ .
  mod_bwlimited/ .  FrontPage/ . . .  ... objectives,
  activities and tools modalities of space-time A/D July
  Lawrence Upton at Incubation , Nottingham Trent University,
  ^th _ ___
 marienbad


"And quit, I think he's quit now, I'm almost certain." "In the
future, there is no is." "NICK!" she screamed. "CAVE!" she
screamed. "I!" she screamed. "WILL!" she "e: id, long long nds,
nds, rs.) rs.) rth rth th th yd, zed" "remove" in subject line.
"zany levels zing." $ exit $ now take care of them $ tired shoes
'virtual,' tearing at both. (God what the fuck have I done!) (On
and on and on... stumbling into science, realms of ignorance.)
(also at http://www.alansondheim.org/sandychat.txt ) (c) Thesis
advisor (check on Eastern Skunk Cabbage heat generation)
(revised article from CEPA Journal) (she did, but then she had
no choice!), thanks. 
* unabridged
* used up, stale, second-hand, worth another look, */[...]
  continues for at least m within / second/*
- Alan
- Alan Sondhim, @ (cool, eh!) the above ADDRESS!
- Alan and Azure -- Maria Damon --- -- :  . ---
  --
---
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 / / -- ---> -rw-r--r-- espdisk espdisk
 Apr :  zold .mp -rw-r--r-- espdisk espdisk Apr :
 zold .mp ..but hollow this beginning
 with an ' solo on the Shehata oud, ..more complex / / / / / /
 / / / / / / / / / / / / / / / / / / / / / / / / / /
   grep -h " i " texts/??.txt | head - > zz

  Cathedral Park works w/ Kira/Azure (after Foofwa
 left, avatar works), $ grep guilty texts/* | wc
   , Le Sang des Autres. grep -h " I " texts/??.txt
|head - >> zz * * *
   : pm :  am " at the Rhode Island School of Design. and
 works in New , .  Westminster St., Apt.  C, Providence, RI, /
 / . formal presentations elsewhere - - / / / / / / / /
 / / / / / / / / / / / /
:   isOne :wys nother.good:goodis :  : :One :goodis


   we feel like damn and I'm closer in the workshop so the

? ?t ?sI?f?? Jq??B??y??U ? ? ?t ??GZ ??GZ A Practical Treastise
on the Management and Diseases of Children, ALan bye Sondheim
ASCII spurts from my cock! Alan Sondheim Alan Sondheim,
sondh...@panix.com Alan, I will be in town Dec and . call me on
Tuesday the th and we And in the virtual? Anything is possible
in the virtual. August , Azure's work may be accessed through
http://azurecarter.weebly.com Behold the purpling ocean owns the
coming sun, Behold, but ere we break--a deed is to be done.
Bunker Studio, - - . CHAINS Close to the Machine (book on this
and being slave to machine) Commentary by Sandy Baldwin Continue
Correspondent for Paris Biennale, D:\Stills: Date Modified:
around / / :  pm END GLOBAL.TXT sondh...@newschool.edu Eclisse,
real! Email: sondh...@panix.com , sondh...@gmail.com Eric
Dahlbom Evanson and Maunsell, Everglades with just flashlight;
it was amazing. It was then I saw the Fred Doyle, UC Irvine
Generated by TotalChoice Hosting. I did do TRANCE I had repairs
to do. IInscription Iis Inever Iinscribed.
ITDITDITDITDITDITDITDITDITDITDITDITDITDITDITDITDITDITDITDI IThis
Iis Ithe Iend Iof Ithe IWake Iof Ithe IReal. Id ID If you would
like to be removed from this list, please respond with Jonathan
-- th coming -- Jonathan going back th -- Kemoving Eemoval hairs
w Lives , and am slated to speak/ demo at Epoetry in Buffalo
this year. Love, Alan! Maybe thing. Music again! One is
fashioned by the fashioning of them. Other references can be
given if needed. Pedersen, artists book Phone:  - -
Re-translated, "this is the longest day in my life" refers to
the temporal problem of real time data processing. The drama of
the show's plot and the iconicity of its technophilia are marks
of just this problem.  still quotes a concern with the residue
of the present, as construed by Virilio, a concern with the
paradox of communication, let's say, the paradox of a fullness
of time within the technical regulation and control of
temporalities. It may be, though, that this residue is nothing
more than a quote, a self-refe

[NetBehaviour] State Machines: Reflections and Actions at the Edge of Digital Citizenship, Finance, and Art

2019-03-19 Thread marc.garrett via NetBehaviour 
State Machines: Reflections and Actions at the Edge of Digital Citizenship, 
Finance, and Art
http://networkcultures.org/blog/publication/state-machines-reflections-and-actions-at-the-edge-of-digital-citizenship-finance-and-art/

About the book: Today, we live in a world where every time we turn on our 
smartphones, we are inextricably tied by data, laws and flowing bytes to 
different countries. A world in which personal expressions are framed and 
mediated by digital platforms, and where new kinds of currencies, financial 
exchange and even labor bypass corporations and governments. Simultaneously, 
the same technologies increase governmental powers of surveillance, allow 
corporations to extract ever more complex working arrangements and do little to 
slow the construction of actual walls along actual borders. On the one hand, 
the agency of individuals and groups is starting to approach that of nation 
states; on the other, our mobility and hard-won rights are under threat. What 
tools do we need to understand this world, and how can art assist in 
envisioning and enacting other possible futures?

This publication investigates the new relationships between states, citizens 
and the stateless made possible by emerging technologies. It is the result of a 
two-year EU-funded collaboration between Aksioma (SI), Drugo More (HR), 
Furtherfield (UK), Institute of Network Cultures (NL), NeMe (CY), and a diverse 
range of artists, curators, theorists and audiences. State Machines insists on 
the need for new forms of expression and new artistic practices to address the 
most urgent questions of our time, and seeks to educate and empower the digital 
subjects of today to become active, engaged, and effective digital citizens of 
tomorrow.

Contributors: James Bridle, Max Dovey, Marc Garrett, Valeria Graziano, Max 
Haiven, Lynn Hershman Leeson, Francis Hunger, Helen Kaplinsky, Marcell Mars, 
Tomislav Medak, Rob Myers, Emily van der Nagel, Rachel O’Dwyer, Lídia Pereira, 
Rebecca L. Stein, Cassie Thornton, Paul Vanouse, Patricia de Vries, Krystian 
Woznicki.

Colophon

Edited by Yiannis Colakides, Marc Garrett, Inte Gloerich
Copy editing: Rebecca Cachia
Cover design: Hanna Valle
Design: Inte Gloerich
EPUB development: Inte Gloerich
Printer: Drukkerij Tuijtel, Hardinxveld-Giessendam, The Netherlands
Publisher: Institute of Network Cultures, Amsterdam, 2019

This publication is supported by the Amsterdam University of Applied Sciences. 
This project has been funded with the support from the European Commission. 
This communication reflects the views only of the authors, and the Commission 
cannot be held responsible for any use which may be made of the information 
contained therein. This publication is realized in the framework of State 
Machines, a joint project by Aksioma (SI), Drugo more (HR), Furtherfield (UK), 
Institute of Network Cultures (NL) and NeMe (CY).

Institute of Network Cultures, Amsterdam 2019
ISBN 978-94-92302-33-5

This publication is licensed under Creative Commons Attribution NonCommercial 
ShareAlike 4.0 International (CC BY-NC-SA 4.0). To view a copy of this license, 
visit  http://creativecommons.org/licenses/by-nc-sa/4.0/.___
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Re: [NetBehaviour] Algorithmic Hate: Brenton Tarrant and the Dark Social Web by Luke Munn

2019-03-19 Thread Alan Sondheim via NetBehaviour 
This is brilliant and brings up the question of tactical media - how can
you fight a spectral dissipation when there is no 'there there'?
Ironically this is also a disassembly and reassembly of the physical body
into ideological matter, designed to act not reflect. It's related to the
splatter semiotics I wrote about. Reasoned thought has no place within a
turbulence of irony and hidden, deflected codes.
What is to be done when there is no place of the doing?
- Alan

On Tue, Mar 19, 2019 at 9:37 AM marc.garrett via NetBehaviour <
netbehaviour@lists.netbehaviour.org> wrote:

> Algorithmic Hate: Brenton Tarrant and the Dark Social Web by Luke Munn
>
> By Geert Lovink, March 19, 2019.
>
> “From where did you receive/research/develop your beliefs? The internet,
> of course.” -Brenton Tarrant
>
> Both the dark web and social media, then, while containing important
> elements, seem inadequate on their own. These supposedly separate spheres
> appear to be merging, feeding off each other to form a cohesive online
> environment. I suggest, then, that Tarrant was encompassed by a seamless
> blend of recommended racist content and memetically racist humans—a dark
> social web.
>
>
> http://networkcultures.org/blog/2019/03/19/luke-munn-algorithmic-hate-brenton-tarrant-and-the-dark-social-web/
> ___
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> NetBehaviour@lists.netbehaviour.org
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>


-- 
*=*

*directory http://www.alansondheim.org  tel
718-813-3285**email sondheim ut panix.com , sondheim ut
gmail.com *
*=*
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[NetBehaviour] Algorithmic Hate: Brenton Tarrant and the Dark Social Web by Luke Munn

2019-03-19 Thread marc.garrett via NetBehaviour 
Algorithmic Hate: Brenton Tarrant and the Dark Social Web by Luke Munn

By Geert Lovink, March 19, 2019.

“From where did you receive/research/develop your beliefs? The internet, of 
course.” -Brenton Tarrant

Both the dark web and social media, then, while containing important elements, 
seem inadequate on their own. These supposedly separate spheres appear to be 
merging, feeding off each other to form a cohesive online environment. I 
suggest, then, that Tarrant was encompassed by a seamless blend of recommended 
racist content and memetically racist humans—a dark social web.

http://networkcultures.org/blog/2019/03/19/luke-munn-algorithmic-hate-brenton-tarrant-and-the-dark-social-web/___
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[NetBehaviour] Flavia Dzodan – The Coloniality of the Algorithm

2019-03-19 Thread AGF poemproducer 
ICYMI at Sonic Acts 2019
Flavia Dzodan – The Coloniality of the Algorithm
https://www.youtube.com/watch?v=sJ2bZv-LRSQ

agee

















sound & curation

AGF: @poemproducer
http://process.poemproducer.com/

www.antyegreie.com
www.poemproducer.com
https://soundcloud.com/agf-antye-greie
https://agf-poemproducer.bandcamp.com/



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