[NetBehaviour] XPUB Special Issue 09 - IFL3 / The Library is Open - 20.06.2019 Rotterdam
Sorry for >< please >> /// Interfacing the Law 3 / The Library is Open Thursday June 20th, 2019 Leeszaal West Rotterdam 13:30-18:00 https://issue.xpub.nl/09 /// Dear readers, The Library Is Open invites you to an afternoon of workshops that make the operations within libraries visible. Join us in exploring the actions and roles of legal and extra-legal libraries (municipal, pirate, academic, +++), their custodians, and the public that form a community around collections of texts. Registration is not necessary, as on arrival you will be assigned to two workshops. After the first session there will be a short break, after which the second session of workshops will begin. At the end of the event we'll have a moment to share the outcomes of the workshops all together. We'd like you to attend both sessions if possible, in order to maximise the experience. The event is divided into three parallel workshops which will be held twice, giving participants the opportunity to encounter different experiences. Details about the workshops: https://issue.xpub.nl/09 /// The Library Is Open is a participatory event developed by the Piet Zwart Institute's Experimental Publishing program as part of the research project Special Issue #9: Interfacing the Law, in partnership with Constant. Interfacing the Law is a recurring thematic project which looks at how publishing practices develop in accordance, or in dissonance with legal frameworks. Contributors: Simon Browne, Tancredi Di Giovanni, Paloma García, Rita Graça, Artemis Gryllaki, Pedro Sá Couto, Femke Snelting, Biyi Wen, Bohye Woo http://www.pzwart.nl/experimental-publishing/ /// :* a. -- https://bleu255.com/~aymeric ___ NetBehaviour mailing list NetBehaviour@lists.netbehaviour.org https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Sound in the construction zone / Telepresence & Migration
I find all of this fascinating and the fluid ontologies of performers and locations remind me of the work I've done with mocap, although that's bound in one visua/sonic space, grounded there; if there were a way to project / work with the altered mocap at a distance w/ AR it would be amazing, the transportation of ruins. Thank you for sharing! Best, Alan On Tue, Jun 11, 2019 at 11:02 AM Johannes Birringer (Staff) < johannes.birrin...@brunel.ac.uk> wrote: > dear all, > having just seen the amazing list of events on the further-list, I > recalled the conversation we had on Sound in the construction zone; several > of you responded to me; & I had promised a small Bucharest diary, and here > comes: > > "Telepresence and Migration" took place May 30 at CINETic (International > Center for Research and Education in innovative creative technologies, part > of UNATC > National University of theatre and film), located right behind the > National Theatre, and across from the University Square where last year we > took part in the Pride Parade and demo. The event was organized by theatre > director Marina Hangaru, who works at the Teatrul George Ciprian (Buzãu). > Marina and artist colleagues between Romania, Spain and Portugal had > engaged in an EU (Creative Europe Program) project dealing with the effects > of economic migration on families (and especially children). Marina > co-directed a telematic and live streamed performance with actors in > Romania and Spain (in the 2 distant locations), performed multiple times > also in front of physical audience in the two locations. It was a full > length play, titled "Planet of Lost Dreams": > > https://youtu.be/qujWr_5b_Cw > > The event in Bucharest brought some of the participating artists together, > alongside sociologists and researchers who addressed the problematics of > migration, whereas some additional guests (ironically from the UK) - after > Bianca Floarea had sketched the landscape of cultural cooperation in Europe > outlining who is eligible for grants and who might be partially or > non-eligible (Moldova, Macedonia, Ukraine, Uk after Brexit..) - were asked > to comment on telepresence and networked performance. Marina spoke > eloquently on the concept of telepresence in view of the results of the > "Tele-Encounters" project, filtered through the lens of New Media studies > and New Media Dramaturgy. How do you build a telematic performance from > ground zero, integrating technology to tell a coherent story? She analyzed > the “levels of organization” of "The Planet of Lost Dreams" telematic > performance, trying to establish how and if telepresence can change our > understanding of the theatre (or media) and vice-versa. The project was > performance oriented but also sociological, with audience questionnaires > revealing intriguing insights into how the performance was perceived, > offering potential starting points in articulating a dramaturgy of the > telematic spectator. Marina also mentioned a phase 2 project (the > participants’ sense of presence in the 360° short films created by > Portuguese artists as part of the project). > > Later in the afternoon Alexandru Berceanu (who is director of CINETic) > presented his own fieldwork, a fascinating VR project called ATINGE (Touch) > - through which you can experience the life and culture of Roma people. > Based on documentary work in segregated and non-segregated Roma communities > in Romania, Turkey, Italy, and Sweden, the project provides insight into > the challenges and successes of Roma individuals of different religions and > from different countries as seen by themselves. > (In Europe, families or large groups of people live in precarious and > temporary conditions, often without access to water minimal sanitation, or > minimal safety. TOUCH is an invitation to empathy, Alexandru told us). > > In my own talk, following Andy Lavender's more philosophical reflections > on "taking time" in telepresence, I tried to re-visit my early telematic > dance work in 2001-03 which I could barely find amongst my old digital > tapes, it looks clunky and yet viscerally complex at the same time, working > with dancers on live feed cameras mixing 5 to 7 sites in the USA, Brasil > and Japan at a time when we were still learning how to use the internet for > such collaboration. I then compared 'Planet of Lost Dreams' (a naturalist > theatre play meshed up telematically) to other contemporary networked > performances, e.g. Annie Abrahams' recent "Distant Movement 11", the > Station House Opera collaborative telepresence work "At Home in London and > Gaza", and finally a surreal dance piece I saw at Tanzhaus Düsseldorf last > month, Eric Minh Cuong Castaing's "Phoenix" > > https://vimeo.com/318882496 > > > which was performed with three French dancers and drones, and a live link > too Gaza too where Palestine performers showed us their parcours on the > rooftops, under drone eyes. It was actually an amazing work tha
[NetBehaviour] (no subject)
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[NetBehaviour] Out now Object Oriented Space book
> Dear friends and colleagues, > I’m proud to invite you at the presentation of the book Object Oriented Space > on Monday 17 - 5 pm at MLAC museum Rome, where my solo show is ongoing until > June 19. Press r. of the show > https://www.arshake.com/en/chiara-passa-object-oriented-space/ > > Best regards Chiara Passa > > Object Oriented Space > Viaggio nelle dimensioni invisibili dello spazio / Journey into the invisible > dimensions of space > https://www.gangemieditore.com/dettaglio/object-oriented-space/8429/3 > Autore: Chiara Passa (a cura di) > Con saggi di: Valentino Catricalà, Francesca Gallo, Elisa Genovesi, Elena > Giulia Rossi, Antonella Sbrilli, Antonello Tolve > Collana: Arte > Formato: 17 x 24 cm > Legatura: Filorefe > ISBN13: 9788849237443 > ISBN10: 9788849237443 > Ub.int: V53f > Facing English text > > Anno di edizione: 2019 > Pagine: 192 > Contenuto: Catalogo della mostra aperta a Roma presso il MLAC – Museo > Laboratorio di Arte Contemporanea dal 18 maggio al 19 giugno 2019 > > Catlogue of exhibition opened at Rome at MLAC – Museo Laboratorio di Arte > Contemporanea from May 18th to June 19th 2019 > > Indirizzato a studiosi e curiosi che si vogliano addentrare nelle nuove > trasformazioni della tecnologia e dello spazio attraverso l'occhio dell'arte, > questo volume nasce per disegnare l'ampia ricerca di Chiara Passa, artista > che ha attraversato i più grandi cambiamenti degli ultimi tempi, dalla fine > degli anni Novanta ad oggi. Voltarsi indietro e ripercorrere con Object > Oriented Space vent'anni di progetti e idee significa, non solo rileggere i > punti cardinali di un percorso pionieristico nel campo della New Media Art, > ma anche ritracciare e riesaminare le grandi trasformazioni del progresso > tecnologico legato oggi alle ultime frontiere della filosofia ontologica, > proiettate verso una visione post-antropogenica. > > This book is addressed to scholars and readers who are keen to explore new > changes in space and technology through the perspective of art. The book > provides an overview of the extensive research undertaken by Chiara Passa, an > artist who has witnessed the most significant transformations of the past few > years, from the end of the Nineties to the present day. Retracing with Object > Oriented Space two decades of projects and ideas means not only > re-interpreting the key stages of a pioneering approach to New Media Art, but > also retracing and re-examining the major technological changes that have > occurred, which are nowadays connected to the latest developments of ontology > and projected towards a post-anthropogenic conception. > > Chiara Passa (Roma, 1973) è un'artista visiva che lavora dal 1997 nell'ambito > della Media Art. Nel suo percorso ormai ventennale ha indagato lo spazio in > tutte le sue estensioni e forme realizzando animazioni, opere web, > installazioni interattive, progetti di realtà aumentata e virtuale come > strumenti creativi e punti di osservazione privilegiati per analizzare lo > spazio nelle sue diverse sfaccettature. > > Chiara Passa (Rome, 1973) is a visual artist who has worked in Media Art > since 1997. Over the course of the past two decades, Passa has been > investigating space in all its features and forms creating animations, online > works, interactive installations, and projects that use augmented and virtual > reality as creative tools and distinctive viewpoints to analyse space in all > its various facets. > ___ NetBehaviour mailing list NetBehaviour@lists.netbehaviour.org https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] The Weekly FurtherList No.3 June 14th 2019
The Weekly FurtherList No.3 June 14th 2019 A weekly list of Furtherfield recommendations that we are sharing with others. It reflects the expansive and dynamic culture we enjoy, straddling the fields of art, technology and social change. Links to exhibitions, events, books, articles & other curiosities. By Marc Garrett. https://www.furtherfield.org/the-weekly-furtherlist-no-3-june-14th-2019/ Featuring @systaime18 @antiuniversity @AaronBastani @richardbarbrook @ceciliawee @morehshin @thisisliveart @whkchun @MrsBunz @gileslane @INCAmsterdam @baruch Enjoy...___ NetBehaviour mailing list NetBehaviour@lists.netbehaviour.org https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
