[NetBehaviour] Teymareh T-shirt with QR-code

[{ brad brace } via NetBehaviour]

Teymareh T-shirt: custom black xl white screenprint front and back; 100% 
cotton

with live performance link: QR-code
https://www.ebay.com/itm/124546204268


related artwork:
“75 demons: Teymareh Fingerpaintings brad brace 2020 (includes artist-book 
of all 75 images)” 
Price: US $1200.00

bradbracebook.store/000pdfs/stickmansm.pdf



also see:
https://www.ebay.com/itm/12729826
Art 12hr t-shirt, pleather zippered miniskirt, g-string & belt -- signed 
edition

New with tags: complete coordinated outfit
Price: US $850.00


/:b
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[NetBehaviour] Rough Draft

[{ brad brace } via NetBehaviour]

"ROUGH DRAFT"  Probably a frequently used, 
full-circle generic Title, akin to the commom decoy-text used by commercial spammers (same family as Boilerplate, 
Lorem Ipsum, Metadata, Big Data Surveillance and received ideas), it offers disengagement and the premise for a 
large novel random Text that dissolves outwards revealing an almost molecular transit: new contours with 
sheltered/encoded detail. In other words an Incidental Biography of Dissolution; points lost;  trajectories 
retraced... something like that:  inside, outside, melding parameters, lost locations briefly reimagined: but it 
seems almost urgent to now recall the ongoing beyond beginning -- and so this humble epistled offering: [331pp 175mb 
$33] -- An Exfiltration of Remote Collisions... At any rate, the commercial-ubiquitous property shots were also used 
in my forrent-series of tall (life-sized)  narrow columns of justified 3-color text and neutralized blocked imagery. 
This ongoing collection of real estate pictures is becoming more wide-angled/panoramic lately, and this prompts 
another approach. Largely emptied of local light, the 3/4 tones provide structured relief as does the granular, 
stretched text. Maps are brittle. Another more extensive, ledgible, unillustrated novel (open source), thickly woven 
chronicle is promised by private remaindered request. Contact for pricing . It may be all 
that's left to follow: a very magnified detailed and extensive shred of collected compelling crucial textual 
tapestry...  [with much appreciated input from Etaoin Shrdlu] http://www.amazon.com/dp/B07RNX4F3T 
http://bbrace.net/forrent.html http://bradbrace.net/forrent.html http://bbrace.net/roughdraft.html 
http://bradbrace.net/roughdraft.html http://bradbracebook.store/000pdfs/roughdraft3.pdf



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[NetBehaviour] Anything

[{ brad brace } via NetBehaviour]

Anything


anything's better than this: 226 pp; 122 mb: collection of Pantone Violet (coated) Duotones sourced from online retail & social sites: 
from folder entitled: Satin Sleepware but also included are glass elephants, short pleated plaid skirts 
->https://www.bbrace.net/ppp/ppp.html, erotic-ware, pointy things, paintings, photographs, sculpture, compartments, large engines, 
futanari and emphemera, utensils and good welds -- narratives seep unbidden betwixt slippery juxtapositions -- apologies to previous 
publishers for use of their images jerked from proprietary contexts: now transplanted but owner will attain required model releases if 
full financial compensation is provided along with purchase of said limited edition photobook [blocked from Amazon]


http://bradbracebook.store/000pdfs/Anything.pdf (limited time download)


http://bradbrace.net/
http://bbrace.net

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[NetBehaviour] Future Storm

[{ brad brace } via NetBehaviour]

(Mass Graves) Future Storm -- an erotic thriller tale of espionage, 
gluttony, sexual and political intrigue speaks to your inner demon -- a 
menagerie of post-pulp-era intentions -- flooded (decentralized) relief -- 
constriction prophecies-- suspended animation is all that remains -- 
movable type -- Evening Falls by René Magritte -- notes to myself -- moth 
collection -- all these things -- time passed -- sun sets -- stiff wind -- 
edges in place -- masking device liberates -- what chance was there, 
really? things you meant to say but never did -- mapping magna boy-eyes -- 
twisted pairs -- predetermined incoherence -- exhausted meaning -- open 
access -- loose words rattling around the pages: (these depicted books are available for exhibition in a bibliotech setting); from 
bradbracebook.store/000pdfs/future.pdf 238pp 
bradbracebook.store/000pdfs/future.pdf 238pp 
bradbracebook.store/000pdfs/future alt.jpg (alternate cover) 
http://bradbracebook.store/000pdfs/scavage.pdf


and of course: Amazon (more as an index to the work for some; direct 
purchase preferred of course)


To keep something out you keep something in. Trapped.

The work examines the sensation of disassociation, unfamiliarity and the 
related qualities of distrust and fear – but also the allure of what was 
once known and the mysteries it contains. The work expresses the moment 
that is the opportunity to cross the divide hanging on the decision that 
needs to be made.


Alongside this idea is the presentation of the frail and failing old guard 
– established Western, colonial canons of power, authority and perceived 
ideals – struggling to maintain a tenuous persistence within the shadow of 
their inexorable demise. They are trapped and held hostage by the very 
nature of their philosophy.


Although fueled by geo-political events, the work references the 
individual experience. Divisions and philosophical entrenchment are 
presently occurring like I have not been aware of before within my own 
lifetime. Likewise, a significant push for change and confrontation of 
what, until recently, has been viewed as unalterable, is occurring.


The content embraces the duality of the divide, the idealized and the 
unknown and the inevitability of change that looms larger than either.


The publication is a response to the dichotomy – both the fear and the 
hope.


Future Storm -- an erotic thriller tale of espionage, gluttony, sexual and 
political intrigue speaks to your inner demon -- a menagerie of 
post-pulp-era intentions -- flooded (decentralized) relief  -- 
constriction prophecies-- suspended animation is all that remains -- 
moveable type -- Evening Falls by René Magritte -- notes to myself -- moth 
collection -- all these things -- time passed -- sun sets -- stiff wind -- 
edges in place -- masking device liberates -- what chance was there, 
really? -- mapping magna boy-eyes --  twisted pairs --  predetermined 
incoherence -- exhausted meaning -- open access  loose words rattling around the pages: (these depicted books are available for 
exhibition in a bibliotech setting); from 
bradbracebook.store/000pdfs/future.pdf 238pp
bradbracebook.store/000pdfs/future.pdf 238pp 
bradbracebook.store/000pdfs/future alt.jpg (alternate cover)

http://bradbracebook.store/000pdfs/scavage.pdf

Against the unscreened pane
Against the screened pane
1 foot away (in the sunlight)
2 feet away (in the shade)
3 feet away (in the shade)
4 feet away (in the shade)
10 feet away, under the skylight
By the sliding door
6,000
4,000
3,000
600
500
400
less than 200
By the window
6,000
4,000
3,000
600
500
400
less than 200

Future Storm -- an erotic thriller tale of espionage, gluttony, sexual and 
political intrigue speaks to your inner demon -- a menagerie of 
post-pulp-era intentions -- flooded (decentralized) relief  -- 
constriction prophecies-- suspended animation is all that remains -- 
moveable type -- Evening Falls by René Magritte -- notes to myself -- moth 
collection -- all these things -- time passed -- sun sets -- stiff wind -- 
edges in place -- masking device liberates -- what chance was there, 
really? -- mapping magna boy-eyes --  twisted pairs --  predetermined 
incoherence -- exhausted meaning -- open access  loose words rattling around the pages: (these depicted books are available for 
exhibition in a bibliotech setting); from 
bradbracebook.store/000pdfs/future.pdf 238pp
(Mass Graves) Future Storm -- an erotic thriller tale of espionage, gluttony, sexual and 
bradbracebook.store/000pdfs/future.pdf 238pp 
bradbracebook.store/000pdfs/future alt.jpg (alternate cover)

http://bradbracebook.store/000pdfs/scavage.pdf



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[NetBehaviour] uploads of Global Islands Project (Island8.0 Waya, Fiji) short filmic sketches

[{ brad brace } via NetBehaviour]

https://www.facebook.com/groups/yasawa

--
http://bradbrace.net/id.html
http://bbrace.net/id.html

/:b

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[NetBehaviour] "insistent passage" pdf of 64 recent red drawings (reddwgs)

[{ brad brace } via NetBehaviour]

"insistent passage" pdf of 64 recent red drawings (reddwgs)
/insistent_passage_sm.pdf

free large temporary download 
http://bradbracebook.store/000pdfs/
these 64 recent red drawings originals are for individual 
sale! imbued history and provenance! immeasurable value!

https://www.ebay.com/itm/124492413439
https://www.amazon.com/dp/B08R2VGC2T




more scans of the backs of these 69: (SCAVAGE):
http://bradbracebook.store/000pdfs/
more SQUALID SUBSET:
(with special silhouette supplement; made with a large A3 
scanner)

138 pages Red Drawings verso 2020: subset of 69 works
http://bradbracebook.store/000pdfs/
Red Drawings Millennium project: red drawings: 1981-2020
. Artwork documented online over 25 years .
#reddwgs #ArtBasel #Unlimited #LargeSpace #BradBrace
https://www.ebay.com/itm/123713024579
http://www.amazon.com/dp/B00AR0DSGG
All the "red drawings" are similar but different and
slowly evolving. One free exchange (shipping included) per 
year if desired.
Various red and colored ink washes, dyes, palimpsest, 
pigments; photo-polymer, photo-linocuts, engraved, (derived 
from even earlier drawings: collapsed, hollowed-out graphic 
art narratives -- restrained figure re-drawings -- 
interlocking

parting wakes), multiple block-printed, water-based
lino-inks/extenders, gauche, acrylic, color pencil, grease 
pencil, sign enamel, purple Pilot holo sketch, stencils on 
individually inked/painted, collaged, (archival

bookbinding pastes), and mechanically compressed, thin,
multi-layered, papers. irregular ~ 9.5x12.5" (24x32cm)
Gallery price: $1500
Rental/exhibit fee: $55/mo.
Reproduction: no fee
Digital coin accepted
Inventory:
https://www.amazon.com/dp/B00AR0DSGG 150reddwgs
[bradbrace.net/millennium.html]
[bbrace.net/millennium.html]
[bbraceATeskimoDOTcom]
[telephone: enquire]
By now they have wonderful, well-developed irregular edges, 
so they'll all be re-scanned large format and something made 
from their outlines. Also some more surface purple-pencil 
drawing from overlaid pocket projections -- plus, detailed, 
miniature painted (mixed sign-paint + manicure-brushes), 
over the collaged, torn atlas/constellation/notation bits...

Provenance: one big red fish
Gallery price: $1500
Rental/exhibit fee: $55/mo.
Reproduction: no fee; CC license
Inventory:
https://www.amazon.com/dp/B00AR0DSGG 150reddwgs
[bradbrace.net/millennium.html]
[bbrace.net/millennium.html]
[bbraceATeskimoDOTcom]
[telephone: enquire]
https://www.ebay.com/itm/123713024579
https://www.ebay.com/itm/123713024579

NB: there are still at this time several hundred red 
drawings underway -- never deliberately counted them but 
probably closer to 750 in number although the total 
fluctuates of course, they are an easy strategic investment: 
the increased value(s) of one increases the value of all 750 
-- they're really 'peaking' now and could quickly be 
suitable for a hotel (multi-unit) complex installation: one 
or two framed (per spec) artworks per room in all 500+ 
suites/living-quarters -- so still very much open to these 
'group' purchase options --individual 
purchases/subscriptions-really are also in effect {carefully 
packaged and shipped at my expense.} 
email:bbraceATeskimoPUNTOcom Another possibility for the 
remaining red drawings is to stage a permanent (but adjunct) 
exhibition which is replenished when work is sold or removed 
-- in this way they begin to reference the MetaConstruct 
(installation series... as well as enabling other present 
uses... this could end up being more of a new gallery-design 
project (lots of ideas for that!)


http://www.bbrace.net/M-scans/M-scans.html
http://www.bbrace.net/Metaconstruct.html
http://www.bbrace.net/Metaconstruct.html
https://www.amazon.com/dp/B00AR0DSGG 150reddwgs
FIFTY {BIG SHIFT} NEW ELEMENTS VERSO RED DRAWINGS 2018-2019
http://bradbracebook.store/000pdfs/...
eighth50.pdf 2018-12-30 21:08 169M
eleventh50.pdf 2019-08-10 11:52 325M
fifth50-blue.pdf2018-09-04 10:01 213M
fourth50.pdf 2018-08-22 07:56 215M
red12front.pdf 2019-09-17 07:26 109M
reddwgs-verso-50-2.pdf 2018-07-13 19:58 237M
reddwgs300scans.pdf 2014-08-09 15:51 132M
redverso12.pdf 2019-09-17 07:22 93M
second50.pdf 2018-07-21 08:26 213M
seventh50.pdf 2018-10-27 22:15 193M
tenth50.pdf 2019-05-27 15:24 173M
third50.pdf 2018-08-06 22:07 211M
sixth50.pdf 2018-09-14 13:13 161M
9th50.pdf 2019-03-07 22:12 134M
reddwgs partial off-line index:
redrevWEB
red12frontWEB
http://bradbrace.net/
http://bbrace.net/
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[NetBehaviour] Lizard Lies

[{ brad brace } via NetBehaviour]

 _
( '<  standard interpretation}- stpd ptrts
/ ) )  -three new bookworks
//"   --  --from { brad brace }


1}- CHAIN OF COMMAND:
detailed trajectories for latest
Red Drawings* overprints:
336 intimate pages

https://www.amazon.com/dp/B00L5HD3II

2}- BLAZING WHITE HOT LIZARD LIES:
230 full-colour guston illustrations:
revolutionary sleight-of-hand

https://www.amazon.com/dp/B00L7W9QN2

3}- PRAYERS:
100+ visual transmissions of prayer:
quick studies for sign-paintings
(ronan aquathane on translucent
corrugated white plastic panels)

https://www.amazon.com/dp/B00LD1P1TA


divest from art institutions now
buy all-three direct-from-artist
$55 cash, cheque, paypal, barter

/:b



<http://bbrace.net/buy-into.html>
<http://bradbrace.net/buy-into.html>
<http://bradbracebook.store/000pdfs/lies.pdf
*[bradbrace.net/millennium.html]
*[bbrace.net/millennium.html]
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Re: [NetBehaviour] Archive

[{ brad brace } via NetBehaviour]

{... of another sort :))

Numbered Past Origin: 18 inadvertently curated volumes of my photos, paintings, prints, 
drawings, sculpture, serial art installations; along with intriguing american metal signage 
documentation; visual language development; empty carnivals, breezy beach pavilions, private 
evidentuary investigations; with no visible signs of support; splinters: video clouds: 
textures, shadows, rust, reflections, fluids, finessed focus, 35mm glass-mounted 
transparencies, angled light, color temps, peripheries, plumbing, perspectives, windows 
displayed: time marked: long-forgotten works rendered non-extant; limited social 
interaction, abusive pretend-careers; questionable institutional education; collegial 
dismay; "white cars at night" with flash; web-offset on newsprinted isbn-books/pages; 
MetaConstruct actual/painted elements (which were later partly reconstructed); strong 
spatial differentiation/construction/outlier preferences; very early 
burning-man event vistas [esp. numbered2107.pdf], initial years of the 'red drawings,' 
(perpetual series/exchange); early home studios and web-site source originals; there's 
always more to recover... from brad brace: published in 2019


colour shifts from various medium treatments and multiple transfers amassed and 
retained


new york (manhattan 60s 70s), washington (long beach peninsula 70s), california (90s bay 
area), oregon (80s 90s portland), massachusetts (90s boston), texas, new orleans and South 
(90s); ontario (60s 70s 80s toronto), nova scotia (70s 80s halifax); & a bunch o' mostly 
similar places primarily in canada and the states.


dropped here and pushed there: 1969-1999


Earlier/Other Approaches to Similar Source Material: <<<


Iconography 90`s: typography & public-sculpture
see Public Icon: http://www.bbrace.net/PI/public.html
see Public Icon: http://www.bradbrace.net/PI/public.html

Chromogenic Prints: c41: http://www.bbrace.net/c41/c41.html
c41: http://www.bradbrace.net/c41/c41.html
http://bradbracebook.store/000pdfs/

Pavilion: (very early web-page): http://www.bbrace.net/pavilion.html
http://www.bradbrace.net/pavilion.html [larger originals contained in 
numbered1101.pdf]

=+=

Numbered Past Origin: http://bbrace.net/numbered/numbered.html
Numbered Past Origin: http://bradbrace.net/numbered/numbered.html
Numbered Past Origin: http://bradbracebook.store/000pdfs/

numbered0181	numbered0200	numbered0201	numbered0204 
numbered0210	numbered0362	numbered0834	numbered1038 
numbered1041	numbered1042	numbered1043	numbered1055 
numbered1101	numbered1103	numbered1106	numbered1267

numbered3143numbered3144


https://www.amazon.com/numbered3144-brad-brace-ebook/dp/B07L5QJ9HH/
https://www.amazon.com/numbered3143-brad-brace-ebook/dp/B07L48GPB4/









From: Alan Sondheim 
To: NetBehaviour for networked distributed creativity

Subject: [NetBehaviour] Archive
Message-ID: 
Content-Type: text/plain; charset=US-ASCII; format=flowed



Archive

http://www.alansondheim.org/archive.jpg

What I've been doing: working on my archives on a 12 terabyte
harddrive. I imagine I'll fill 2 1/2 or so at the moment. So far
there are how many, probably 250,000 files. At least 150,000
stills, 3000 videos, no idea how many texts, they take up very
little room, probably at least 1000-2000 pieces of music, these are
conservative. It's been a huge problem, what goes where. Files are
found in several places, too much for filtering. Sometimes there
are multiple variations or formats. I wonder what's happened to
Barcelona. Bad obviously Suarez was sold off, Messi seems lost, the
rest of the team as well. Griezmann wanders. Bad politics behind
the scenes. It's a mess. Watching Athletico Madrid is more
rewarding. Below is a sliced example culled from a tree of the
first several hundred files. If you're name's in it, you're there,
if it's not, it should be, if I'm not, I've disappeared. Images
from all over in Geography, amazing work in Dance, deep sound in
music, texts scattered all over the place. This will take days to
be sure. I'm lost in my own imaginary.

Folder PATH listing for volume Elements Volume serial number is
226E B4BB E:.  3dprinting accessgrid alansondheim.org
|   \ sondheim HeleneBlack html mosaic \ HELP multi netscape
philosophy graphics \ _notes program1 basic2 qbasic \ PROGRAME
ADVR_EX \ EXAMPLES ~jd New Systems \ OldSystem \ ~SUBS games sims \
texteffects \ QB proposal 1. ad 2. sophia 3. avatars 4. emanants \
5. pain sc zaurus \ _vti_pvt ar arena azure 3 1 2010 azphot Azure
CDROM old Dell Canon BJC2100v683 \ images My Albums Deliveries kdx
\ tax eBooks Pictures \ Palm Photos \ sondhe \ Expansion Card
Results LILLE \ LILLE (2) \ view opal cgi bin portrait test \
wwwstat \ Results azure2014 \ opal \ Azure76 azure2016 Leslie \
luna 70birthday 

[NetBehaviour] You have exceeded the frame of your own history.

[{ brad brace } via NetBehaviour]

https://www.amazon.com/dp/B07SWHTW61

You have exceeded the frame of your own history. Ars Moriendi. Cut-out pictures of 4:3 aspect 
televisions -- 1960-70s N.America. Graphic source for Crystal Palace/Millennium posters. 
http://bradbracebook.store/000pdfs/ 
http://bradbrace.net/last.html 
http://bbrace.net/last.html 278 pp 175mb https://www.amazon.com/dp/B07SWHTW61


/:b



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[NetBehaviour] Dead Artist Desert Trailer Park

[{ brad brace } via NetBehaviour]

#biennaleNO

 warfare, empire, government expansion, resources exploitation,
ecological exhaustion, consumption and the manufacture of needs
 -.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-,-^-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-

spirit, appetite, faith, emotion, intuition, will, experience...



D E A D - A R T I S T   D E S E R T   T R A I L E R - P A R K
_

  offers scholarships and studio-space
   for qualifying applicants
  contact: bbr...@netcom.com for info

 =+=

T h e   n i g h t   h a s   b e e n   d e m o l i s h e d ,

 b u t   t h e   d e s e r t   p r e v a i l s .

 =-=

 As time goes by, it is the established patterns of thought, the known 
arguments, the self-perpetuating truths which become the principal 
defenders of the structures in place. ..The active vocabulary needed to 
question, even to simply discuss them, has withered away.



| The Dead-Artist Desert Trailer-Park is located in the American
| Southwest Desert. I basically inherited (after paying back-taxes)
| an isolated, derelict trailer-park which is being
| transformed without the interference  of cultural bureaucrats
| into a working resource for creative pursuits. The financial
| overhead is practically non-existent; creative applicants are
| told the location of the Trailer-Park and given written permission
| to abide there. Usually some structural and creative contribution
| is made to the Park during your stay. No application fees, slides,
| references, or resumes are required or desired. A questionnaire is
| sent to all applicants. The current residents will invite new
| applicants to visit. APPLICATIONS FOR THE NEXT SEASON ARE BEING
| PERUSED NOW; an electronic response is preferred.


=-=-=v-=-==-=-=-=-=-=-v=-=v=-===-=-=vv-=-=-=v-=-=-vv=-v-==-=-=-=v=-v-=-v-v
only the artists capable of dragging the mystic power out of themselves 
seem able to work productively within the breakdown of our society...






*



Al-Shira-al-jamanija



Burning-Man Event
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[NetBehaviour] Wishing Well

[{ brad brace } via NetBehaviour]

  UW PICO 5.09 File: wishing

http://bbrace.net/wishingwell/wishingwell.html
http://bradbrace.net/wishingwell/wishingwell.html

Audition: photographs (2-1/4" transparencies) from the mid 
'70s of fields, with a
superimposed live-scan in 2001 of a common spoon/shadow, and 
a logo in 2003. A cd-r of
these 80 low-res images plus one high-res separation with 
one-time publication rights is

available for $500. 


/:b

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[NetBehaviour] Four Visual Poems (12hr)

[{ brad brace } via NetBehaviour]

Thank you for your patience and understanding.  Big Grey 
Bricks: This project also serves as a rehearsal for its 
culmination as a series of offset-printed volumes: each 800+ 
full-bleed pages (5x8"_300lpi), where the full integrated 
rhythm of greyscale-sequence can be more intricately 
resolved. I'd provide all design, prepress and production. The tonality of 
the imagery is important; these 12hr-jpegs scanned from 
film-prints are quick approximations for an institutionally unsupported 
outcome.



Four Visual Poems
http://bbrace.net/nwo-pp.jpg
http://www.bbrace.net/bobo.jpg (click to enlarge)
http://www.bbrace.net/forks.gif
http://www.bbrace.net/cashforcars.html

/:b

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[NetBehaviour] PROXY Gallery

[{ brad brace } via NetBehaviour]

you are numbered
you are product
you are doomed

PROXY Gallery 2009-2012
(an online zencart storefront)
http://bradbrace.net/proxy.html

Enlarged (custom, patented algorithms) and enhanced photographs (now, likely 
several hundred thousands, soon over a million), mostly low-res cellphone, 
web-cam, and low-end digital camera self-portraits (self-packaging), culled from 
dating/social websites.


arkansas, asia-other, bangladesh, korea, lebanon, singapore, sri lanka, vietnam, 
australia, british columbia, arizona, brazil, caribbean, europe-other, florida, 
france, hawaii, idaho, illinois, india, italy, japan, louisiana, maine, 
mexico-latin-am, morroco, netherlands, new york, oceania, ontario, oregon, 
phillipines, quebec, rhode island, russia, south africa, argentina, chile, 
columbia, venezuela...


download the backstory at:

http://bbrace.net/proxy.pdf
http://bradbrace.net/proxy.pdf

https://www.amazon.com/author/bradbrace


  you are numbered
 you are product 
you are doomed


PROXY Gallery 2009-2012
(an online zencart storefront)
http://bbrace.net/proxy.html
http://bradbrace.net/proxy.html

now showing: Profile Portraits (we the people...) build your own exhibition
+ catalogue with commissioned encaustic profile paintings on 12x12" panels,
any subject!

[...]

/:b

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[NetBehaviour] 12hr project: ;

[{ brad brace } via NetBehaviour]

The 12hr ISBN-JPEG Project 
The 12hr ISBN-JPEG Project 
The 12hr ISBN-JPEG Project 

_  |__   __| |  /_ |__ \| |
  | __|   | | | (_) | |  __/ (__| |_
   __ | |  | | | |  __/  | |/ /_| | | | |
   _  | |  | '_ \ / _ \  | | / /| '_ \| '__|

The 12hr-ISBN-JPEG Project   >>>> continuous streamed imagery since 1994 
<<<<

   _  | |  | '_ \ / _ \  | | / /| '_ \| '__|
 -_| |  | |__   ___   | |  ) | |__  _ __
   _ |  __ \ (_)  | |

The entire surface of the globe is covered by “fast-frozen relations,” building up and 
melting, moving in a constant flux, but never settling down -- when all resources are 
gone, only time matters. The very gestures with which optics conjure up

reality are actually a concealment of the real.

"A compassionate observer, { brad brace } forges a personal aesthetic in these
12hr-images infused with blank-sadness and a sense of mystery. What makes them 
both
new and significant is the fact that he organizes its contents in sequences, 
applying
the principles of cinematographic montage to fixed images."

Immaculate Perception: to be happy in gazing: with dead will, free from the 
grip and
greed of selfishness -- cold and ashy-grey all over, but with intoxicated
moon-eyes... Extraordinary Rendition. Manifest Destiny. Abyssal Plain. Living 
Truth.
Sublime Madness. Autofictional Metanarrative. Sovetskoe Foto. Śūnyatā. Ultimate 
Reality.


  | __|   | | | (_) | |  __/ (__| |_
  _  | |  | '_ \ / _ \  | | / /| '_ \| '__|
   _| |__) | __ ___  _  ___  ___| |_
 |_  ___/ '__/ _ \| |/ _ \/ __| __|
  |_| _  |_|  \___/| |\___|\___|\__|
   _  _/ |
 _|__/



> > > Synopsis: The 12hr-ISBN-JPEG Project began December 30, 1994. A

`round-the-clock posting of sequenced hypermodern imagery from { brad
brace }. The hypermodern minimizes the familiar, the known, the
recognizable; it suspends identity, relations and history. This
discourse, far from determining the locus in which it speaks, is avoiding
the ground on which it could find support. It is trying to operate a
decentering that leaves no privilege to any center.


   The 12-hour ISBN JPEG Project
   -
  began December 30, 1994


  Time-honoured, pointless Hypermodern Imagery... posted/mailed every 12 hours... 
a spectral, trajective alignment for the 00`s! A continuum of minimalist masks 
in the face of catastrophe; conjuring up transformative metaphors for the everyday... 
A poetic reversibility of exclusive events: visual haiku...


A post-rhetorical, continuous, apparently random sequence of imagery... 
genuine gritty, greyscale...  corruptable, compact, collectable and compelling

convergence. The vernacular voluptuousness of the grey imminence: the art of 
making
the other disappear. Continual visual impact; an optical drumming, sculpted in
duration, on the endless present of the Net.

  An extension of the printed ISBN-Book (0-9690745) series... critically
unassimilable... imagery is gradually acquired, selected and re-sequenced
over time...  ineluctable, vertiginous connections. The 12hr dialtone...

   [ see http://www.eskimo.com/~bbrace/netcom/books.txt ]

KEYWORDS:


Buffered, disconnected, disjunctive, distended, de-centered,

de-composed, dark, disembodied, despondent, dreamtime, deep time,
ambiguous, augmented, ambilavent, annoying, homogeneous, reckless,
spontaneous...
Mindful, multi-faceted mandala, meditative, metaphysical, oblique, 

obsessive, obscure, obdurate, unfocused-attention, all-inclusive ground: god...

Promulgated, personal, permeable, prolonged, polymorphous, provocative,

   poetic, plural, perverse, potent, prophetic, pathological, pointless,
   private, peripheral, precocious, porous, placeholders, postliminal...

Robust, real, redundant, resplendent, revolutionary, redeeming...
Emergent, evolving, eccentric, eclectic, egregious, eternal, exciting,

   entertaining, evasive, entropic, erotic, entrancing, enduring, ergodic,
   expansive, exhaustive, encyclopedic, enlinked, enlaced, enamoured,
   existential...

Contemplative, congealed, contemporary, contextualism...



Every 12 hours, another!...  view them, re-post `em, save `em,
trade `em, print `em, even publish them...

Here`s how:

~ Set www-links to ->  http://www.eskimo.com/~bbrace/12hr.html
   ->  http://bradbrace.net/12hr.html
   ->  http://bbrace.net/12hr.html
   ->  twitter, facebook, flickr, tumblr, posterous, imgur,
delicious, reddit https://www.reddit.com/r/12hr; io-groups 
https://groups.io/g/12

[NetBehaviour] Global Island Project on wikimedia: Island 1.0

[{ brad brace } via NetBehaviour]

https://commons.wikimedia.org/wiki/File:Global_Islands_Project_Island1.0.pdf


✨ 🌴 
On an island, a place of edges, the ocean provides a counter-narrative, 
nonlinear in
what it reveals; "time's arrow" is modified by the rhythmic cycle of the sea as 
it
encounters, and ever transforms, the shore. Historical, archaeological, or even
narrative knowledge is challenged by its meeting with the sea that offers up 
its own
kind of knowing. We need to stretch, even confound, our usual frames to take 
account
of such knowledge.

https://commons.wikimedia.org/wiki/File:Global_Islands_Project_Island1.0.pdf

special daily yasawa islands mp4s (small short films)
now available for free download
http://www.eskimo.com/~bbrace/undisclosed.html
http://archive.org/details/globalislandsproject
https://www.facebook.com/Brad-brace-147093425921727/

(remote Fiji WAYA/YASAWAS islands:)

Island 8.0 is now available online!

http://bbrace.net/islands/island8/island8.html
http://bradbrace.net/islands/island8/island8.html

Global Islands Project -- ongoing series of multi-media 
pdf-ebooks/field-recordings -- a
pastoral, pictorial and phonic elicitation of island parameters. An intensive
examination of small islands and their paradigmatic solutions to globalism...
Ethnographically a shared world of historical experience -- not the 
romanticized and
divided universe of them and us.

Your feudal-world is based on mutual relief at your common corruption. Maybe 
some
cultures are based on even worse. But that wouldn't change the bad faith of it 
and as
years go by, you wake at night in terror of your whole life being an act of 
shattered
faith, where everything is self-interest and nothing more, where every human
interaction is driven by a silent, even subconscious calculation of some 
ulterior
motive, to the point that a sea of bad faith has taken over your whole life, 
there's no
small island left from which you can even try to build a bridge of good faith, 
because
even that effort becomes suspect, even good faith is nothing but 
self-interested, even
altruism is nothing but solipsistic, even your professed agonizing right here 
right now
is nothing but a gesture, made to the conscience in order to assure it that it 
exists.

Deglobalisation is not a synonym for withdrawing from the world economy. It 
means a
process of restructuring the world economic and political system so that the 
latter
builds the capacity of local and national economies instead of degrading it.
Deglobalisation means the transformation of a global economy from one integrated
around the needs of transnational corporations to one integrated around the 
needs of
peoples, nations, and communities. We cannot talk about construction without
deconstruction, reintegration without disintegration.

The world (universe) is mostly filled with the black hole (or the vast and deep sea ) 
of the forgotten. Compared with this, the world of memory is only a small island in

the vast "sea of oblivion."

http://bradbrace.net/id.html
http://bbrace.net/id.html

Island 1.0 is Ambergris Caye, Belize
Island 2.0 is Koh Si Chang, Thailand
Island 3.0 is Lamu, Kenya
Island 4.0 is Narikel Jingira, Bangladesh
Island 5.0 is Isla Mais, Nicaragua
Island 6.0 are The Grenadines, West Indies
Island 7.0 is Hateruma (Yaeyama), Japan
Island 8.0 is Waya (Yasawa), Fiji

Global Islands Project:

Island 8.0 -> http://bbrace.net/islands/island8/island8.html
or http://bradbrace.net/islands/island8/island8.html
-- over 1500 images and hour-long audiotrack -- 750mb -- (acrobat 6)

***

http://www.archive.org/details/global_islands_project_island_1.0
http://www.archive.org/details/global_islands_project_island_2.0
http://www.archive.org/details/global_islands_project_island_3.0
http://www.archive.org/details/global_islands_project_island_4.0
http://www.archive.org/details/global_islands_project_island_5.0
http://www.archive.org/details/global_islands_project_island_6.0
http://www.archive.org/details/global_islands_project_island_7.0
http://www.archive.org/details/global_islands_project_island_8.0

https://bradbrace.bandcamp.com/ The Belize Project: field recordings

***
Global Islands Project -- ongoing series of multi-media pdf-books -- a
pastoral, pictorial and phonic elicitation of island parameters...

A traveller, who has lost their way, should not ask, 'Where am I?' What s/he
really wants to know is, 'Where are the other places?'

{ Additional Available Art Titles Pertaining to GIP Islands }

http://bradbracebook.store/000pdfs/...

Japan:  90haterumanights.pdf
shinbun.pdf

Belize:  belize-pin.pdf
 bzfish.pdf
 cornpinholes.pdf
 sanpedrohouse.pdf
 BZrev1.pdf
 BZrev3.pdf
 BZrev4.pdf
 BZrev5.pdf
 BZrev6.pdf
 BZrev7.pdf
 BZrev8.pdf
 Bzrev2.pdf

Bangladesh:  bangla-rock.pdf
 banglapinhole.pdf

Mexico:  ca

[NetBehaviour] 75 demons:

[{ brad brace } via NetBehaviour]

75 demons:
Teymareh Fingerpaintings
brad brace 2020

http://bradbracebook.store/000pdfs/stickmansm.pdf
https://www.ebay.com/itm/124261967785


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[NetBehaviour] PPP vol 5no 3

[{ brad brace } via NetBehaviour]

PPP pleated plaid pamphlet 5 vol 3 3430 pages 1.56 GB
http://bradbracebook.store/000pdfs/PPP vol 5 (166-207) no 
3.pdf

http://bradbrace.net/
http://bbrace.net/

won't bother explaining (at some point, while initially 
flipping through all these pages, try the read-aloud text 
function, if you have it)



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[NetBehaviour] Open Publishing: Global Islands Project

[{ brad brace } via NetBehaviour]

http://bradbrace.net/id.html
http://bbrace.net/id.html

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[NetBehaviour] Never Again;

[{ brad brace } via NetBehaviour]

Never Forget; Never Forgive

66 pp ebook: $5 brad brace 2020
http://bbrace.net/
http://bradbrace.net/
http://bradbracebook.store/000pdfs/never2.pdf

A display of recent collected media imagery and ship 
interior with fanciful final flourish.


Listed on Amazon: https://www.amazon.com/dp/B088H936NY
but private purchase (with nice crisp vectors) preferred
http://paypal.me/bradbrace


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[NetBehaviour] Never Forget; Never Forgive

[{ brad brace } via NetBehaviour]

Never Forget; Never Forgive

66 pp ebook: $5 brad brace 2020
http://bbrace.net/
http://bradbrace.net/
http://bradbracebook.store/000pdfs/never2.pdf

A display of recent collected media imagery and ship 
interior with fanciful final flourish.


Listed on Amazon: https://www.amazon.com/dp/B088H936NY
but private purchase (with nice crisp vectors) preferred
http://paypal.me/bradbrace


/:b

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[NetBehaviour] internet archive

[{ brad brace } via NetBehaviour]

http://www.archive.org/search.php?query=bbrace

/:b

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[NetBehaviour] Core-Dump

[{ brad brace } via NetBehaviour]

http://bbrace.net/core-dump.html

Short Sample of Core-Dump List:

3671.   Radiant-Light
3672.   Radiant-Water
3673.   Radical-Distinction
3674.   Radical-Reforms
3675.   Radio-Voice
3676.   Ragged-Staring-Wretch
3677.   Raging-Sea
3678.   Raging-Tumult
3679.   Rain-Falls
3680.   Rallied-Round
3681.   Random-Inquiries
3682.   Random-Way
3683.   Rang-Hollow
3684.   Ranging-Alongside
3685.   Rapid-Returns
3686.   Rare-Explicit-Clarity
3687.   Rare-Gas-Molecules
3688.   Rather-Distrustful
3689.   Rather-Good-Sort
3690.   Rather-Guess
3691.   Rather-Reckless
3692.   Rather-Romantic
3693.   Rather-Than-Wander-Further-About
3694.   Rational-Reform
3695.   Rational-Tradition
3696.   Reaching-Back
3697.   Readily-Discernible
3698.   Ready-Directly
3699.   Ready-Formed
3700.   Ready-Rods
3701.   Real-Fast
3702.   Real-Friend
3703.   Real-Knowledge
3704.   Real-Repute
3705.   Real-Return
3706.   Real-Well
3707.   Really-Wretched
3708.   Reason-Speculates
3709.   Reasonable-Surmises
3710.   Reasons-Set-Forth
3711.   Recalling-Some-Pleasant-Encounter
3712.   Received-Wisdom
3713.   Recent-Terror
3714.   Recently-Reduced
3715.   Reciprocal-Intimacy
3716.   Recklessly-Arranged
3717.   Reckoned-Something
3718.   Reconciled-These-Things
3719.   Record-Rise
3720.   Recorded-Signals-Speaking
3721.   Recorded-Smugglers
3722.   Red-Letter-Day
3723.   Red-Men
3724.   Red-Roses
3725.   Red-Silken-Wrapper
3726.   Reddening-Over
3727.   Redeem-Time
3728.   Redundant-Days
3729.   Reeling-Attempt
3730.   Reeling-Scene
3731.   Reflect-Nothing
3732.   Reflected-Moonshine
3733.   Reflecting-Rails
3734.   Reflections-Just-Here
3735.   Refreshing-Juice
3736.   Refuse-Resurrections
3737.   Refuse-Rocks
3738.   Regal-Process
3739.   Registering-Resolution
3740.   Regretted-Recognition
3741.   Regular-Features
3742.   Regular-Intervals
3743.   Regular-Meals
3744.   Regular-Rhythm
3745.   Regular-Seasons
3746.   Regular-System
3747.   Regular-Tinkle
3748.   Regular-Turns
3749.   Relatively-Established-Demand
3750.   Relaxed-Tone
3751.   Reliable-Particle-Count
3752.   Reliable-Regular
3753.   Religious-Obligations
3754.   Reluctant-Particles
3755.   Remained-Kneeling
3756.   Remaining-Days
3757.   Remaining-Rooted
3758.   Remains-Intact
3759.   Remains-Unsaid
3760.   Remarkable-In-Themselves
3761.   Remorseless-Service
3762.   Remote-Harbors
3763.   Remoter-Southern-Seas
3764.   Remotest-Degree
3765.   Remotest-Nooks
3766.   Remotest-Water
3767.   Remotest-Waters
3768.   Renounce-Existence
3769.   Repenting-Prophet
3770.   Replace-Strategy-with-Technology
3771.   Replaced-Beliefs-with-Systems
3772.   Residual-Space
3773.   Resolved-to-Satisfy
3774.   Resounding-Crash
3775.   Respective-Duties
3776.   Restless-Glance
3777.   Restless-Heart
3778.   Restless-Needle
3779.   Restrain-the-Gush
3780.   Restrained-Passion
3781.   Restricted-Motion
3782.   Result-Rendering
3783.   Retreat-Recedes
3784.   Retreating-Slope-from-above-the-Brows
3785.   Reveal-Harmonious-Orders
3786.   Revelations-and-Allusions
3787.   Reverential-Dexterity
3788.   Revolved-Over
3789.   Revolving-Images
3790.   Rhythmic-Ratios
3791.   Ribbed-and-Dented
3792.   Ride-Rocking
3793.   Rifled-Hearts
3794.   Right-Along
3795.   Right-Off
3796.   Righteous-Souls
3797.   Righteousness-Endureth-Forever
3798.   Ring-Bolt
3799.   Ringed-Horizon
3800.   Rise-Rather
3801.   Rise-and-Depart
3802.   Rising-Chill-Embraced
3803.   Rising-Steam
3804.   Rising-to-the-Surface
3805.   Roar-of-Breakers
3806.   Roared-Forth
3807.   Roaring-Streams
3808.   Roasted-River-Horse
3809.   Rocky-Shores
3810.   Roll-Round
3811.   Rolled-Away
3812.   Rolled-Over
3813.   Rolling-Hills
3814.   Roman`s-Ruins-Run-Right
3815.   Room-Papered
3816.   Room-Roll
3817.   Rose-Water-Snow
3818.   Rotted-Remains
3819.   Roughly-Rectangular
3820.   Round-Globe-Over
3821.   Round-Resembles
3822.   Rows-to-Peer
3823.   Royal-Rights
3824.   Royal-Standard
3825.   Royal-Stuff
3826.   Rude-Attempt
3827.   Rumpled-Reproduction
3828.   Running-Great-Risk
3829.   Running-Up-After-Me
3830.   Running-Wild
3831.   Runs-Roaring
3832.   Ruptured-Hymen
3833.   Rush-Repeat
3834.   Rushing-Waters
3835.   Sacred-Grove
3836.   Sacred-Vesture
3837.   Sacrificial-Blaze
3838.   Sacrificial-Fire
3839.   Sadly-Eroded-Stones
3840.   Sadly-Fear
3841.   Sadly-Need-Mending
3842.   Sadly-Vitiated
3843.   Sadly-Abridged
3844.   Safe-Distance
3845.   Safe-Keeping
3846.   Sagging-String
3847.   Said-Nothing
3848.   Sail-Forbidden-Seas
3849.   Salad-Fork
3850.   Sallied-Out
3851.   Salt-Sea
3852.   Salted-Pork
3853.   Salty-Aftertaste
3854.   Same-Ancient
3855.   Same-Dull-Voice
3856.   Same-Extent
3857.   Same-Fate



/:b

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[NetBehaviour] ETHER || EUCHARIST

[{ brad brace } via NetBehaviour]

ETHER || EUCHARIST: 20 extensive volumes of digital composites/pictures $2USD 
(crypto-currencies ok): over 10,000 PDF pages in total (7.25 GB): delivered on DVD or Cloud. Buy 
directly from the artist. Trade ok. 
http://bradbrace.net http://bbrace.net 
http://bradbracebook.store/000pdfs/ee1.pdf


The lexical disambiguation relies on looking askance to identify possible transubstantiation. 
Massive designed output sidesteps tens of thousands of automated negative-selection scripted 
outlines as closer-looks at miniature petroleum placeholders across ruptured daily Fashion 
Diorama. Displaced Sense of Self. Future Deformation. Becoming what you Desired. Digital 
Distortion Deferred. Plenty of Inspirational Deniability. Bifurcated Terminus. Deep Vein 
Thrombosis. Shi-shashin. A false dilemma can arise intentionally, when a fallacy is used in an 
attempt to force a choice or outcome. The opposite of fallacy is Congealed Corruption.


http://bradbracebook.store/000pdfs/ee1.pdf
http://bradbrace.net/ee/ee.html
http://bbrace.net/ee/ee.html


/:b

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[NetBehaviour] Covid2020

[{ brad brace } via NetBehaviour]

https://www.amazon.com/dp/B086T57D53
http://bradbracebook.store/000pdfs/ciba-uniforms2.pdf
124pp 1.61mb 2.67x1.78" $2.99
https://www.amazon.com/dp/B086T57D53

A quick small ebook from my webpages/documentation: cibachrome and 
installation-elements: uniforms/projections. Covid2020. As always, please buy direct 
from the artist for superior quality & pricing!





Projections

An element from the MetaConstruct, these aspects grew from earlier (1970's) 
installations involving slide-projections on moving surfaces. Often the projected 
image was the 'still version' of the moving background; black on black, and white 
on white drapery was a frequent component of these impromptu exhibits. The 
MetaConstruct developed imagery from a personal collection of nurses' uniforms, 
commercial film-leader frames, and a preoccupation with photographing parked white 
cars at night. These explorations were somehow distilled in the form of sculptural 
presentations of various generic water-glasses atop hand-cut circular plate-glass 
mirrors; both a sacrifice and a consecration.




Another outcome was a sort of 'in-line' image: small newspaper ads were to be 
converted into machine-stitched garment tags and sewn into the nurses' uniforms.


Duchamp Bride's Garment
Nine Malic Moulds
The Bride
Region of the Gilled Cooler
http://bbrace.net/civilian.html >>Civilian

http://www.bbrace.net/screen-names.html


Cibachromes

An assortment of small (untitled) 5x7inch, posterized Cibachrome prints; backlit 
CibaTrans (1973-1991).


http://www.bbrace.net/ciba.html
http://www.bradbrace.net/ciba.html

- 
Ilfochrome (also commonly known as Cibachrome) is a dye destruction

positive-to-positive photographic process used for the reproduction of film
transparencies on photographic paper. The prints are made on a dimensionally 
stable
polyester base as opposed to traditional paper base. Since it uses 13 layers of 
azo
dyes sealed in a polyester base, the print will not fade, discolor, or 
deteriorate
for an extended time. Accelerated aging tests conducted by Henry Wilheim 
indicated
the product resisted fading under display conditions longer than any other known
photographic color material. Characteristics of Ilfochrome prints are image 
clarity,
color purity, as well as being an archival process able to produce critical 
accuracy
to the original transparency.

https://www.amazon.com/dp/B086T57D53
http://bradbracebook.store/000pdfs/ciba-uniforms2.pdf
124pp 1.61mb 2.67x1.78" $2.99

A quick small ebook from my webpages/documentation: cibachrome and 
installation-elements: uniforms/projections. Covid2020.






/:b

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Re: [NetBehaviour] Covid2020

[{ brad brace } via NetBehaviour]

https://www.amazon.com/dp/B086T57D53
http://bradbracebook.store/000pdfs/ciba-uniforms2.pdf
124pp 1.61mb 2.67x1.78" $2.99
https://www.amazon.com/dp/B086T57D53

A quick small ebook from my webpages/documentation: cibachrome and 
installation-elements: uniforms/projections. Covid2020. As always, please buy direct 
from the artist for superior quality & pricing!





Projections

An element from the MetaConstruct, these aspects grew from earlier (1970's) 
installations involving slide-projections on moving surfaces. Often the projected 
image was the 'still version' of the moving background; black on black, and white 
on white drapery was a frequent component of these impromptu exhibits. The 
MetaConstruct developed imagery from a personal collection of nurses' uniforms, 
commercial film-leader frames, and a preoccupation with photographing parked white 
cars at night. These explorations were somehow distilled in the form of sculptural 
presentations of various generic water-glasses atop hand-cut circular plate-glass 
mirrors; both a sacrifice and a consecration.




Another outcome was a sort of 'in-line' image: small newspaper ads were to be 
converted into machine-stitched garment tags and sewn into the nurses' uniforms.


Duchamp Bride's Garment
Nine Malic Moulds
The Bride
Region of the Gilled Cooler
http://bbrace.net/civilian.html >>Civilian

http://www.bbrace.net/screen-names.html


Cibachromes

An assortment of small (untitled) 5x7inch, posterized Cibachrome prints; backlit 
CibaTrans (1973-1991).


http://www.bbrace.net/ciba.html
http://www.bradbrace.net/ciba.html

- 
Ilfochrome (also commonly known as Cibachrome) is a dye destruction

positive-to-positive photographic process used for the reproduction of film
transparencies on photographic paper. The prints are made on a dimensionally 
stable
polyester base as opposed to traditional paper base. Since it uses 13 layers of 
azo
dyes sealed in a polyester base, the print will not fade, discolor, or 
deteriorate
for an extended time. Accelerated aging tests conducted by Henry Wilheim 
indicated
the product resisted fading under display conditions longer than any other known
photographic color material. Characteristics of Ilfochrome prints are image 
clarity,
color purity, as well as being an archival process able to produce critical 
accuracy
to the original transparency.

https://www.amazon.com/dp/B086T57D53
http://bradbracebook.store/000pdfs/ciba-uniforms2.pdf
124pp 1.61mb 2.67x1.78" $2.99

A quick small ebook from my webpages/documentation: cibachrome and 
installation-elements: uniforms/projections. Covid2020.






/:b

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[NetBehaviour] Future Storm

[{ brad brace } via NetBehaviour]

Future Storm -- an erotic thriller tale of espionage, 
gluttony, sexual and political intrigue speaks to your inner 
demon -- a menagerie of post-pulp-era intentions -- flooded 
(decentralized) relief  -- constriction prophecies-- 
suspended animation is all that remains -- moveable type -- 
Evening Falls by René Magritte -- notes to myself -- moth 
collection -- all these things -- time passed -- sun sets -- 
stiff wind -- edges in place -- masking device liberates -- 
what chance was there, really? -- mapping magna boy-eyes -- 
twisted pairs --  predetermined incoherence -- exhausted 
meaning -- open access -- from 
bradbracebook.store/000pdfs/future.pdf 238pp


and of course: Amazon (more as an index to the work for 
some; direct purchase preferred of course)


To keep something out you keep something in. Trapped.

The work examines the sensation of disassociation, 
unfamiliarity and the related qualities of distrust and fear 
– but also the allure of what was once known and the 
mysteries it contains. The work expresses the moment that is 
the opportunity to cross the divide hanging on the decision 
that needs to be made.


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Re: [NetBehaviour] message from now

[{ brad brace }]

here's what the 12hr-project espouses:
that there isn't a now, a present, that it can only be 
surmised almost before its recognition



_  |__   __| |  /_ |__ \| |
  | __|   | | | (_) | |  __/ (__| |_
   __ | |  | | | |  __/  | |/ /_| | | | |
   _  | |  | '_ \ / _ \  | | / /| '_ \| '__|

The 12hr-ISBN-JPEG Project    continuous streamed imagery since 1994 

   _  | |  | '_ \ / _ \  | | / /| '_ \| '__|
 -_| |  | |__   ___   | |  ) | |__  _ __
   _ |  __ \ (_)  | |


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[NetBehaviour] thai tsunami transcribed

[{ brad brace }]

Brad Brace updated his status.

a quick little book illustrating the very moment of the 2004 
Indian Ocean tsunami quake (in Thailand): 
http://bradbracebook.store/000pdfs/thai-tsunami.pdf



/:b

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Re: [NetBehaviour] [spectre] Open call for one second movies and long single takes

[{ brad brace }]

http://bradbracebook.store/000pdfs/tucana.avi >> single 
takes: following the mazed beads to the jewelry-maker in 
Lamu (Kenya)


/:b



http://bradbracebook.store/000pdfs/LAMU2005.mp4 >> another 
Lamu film 2005


LAMU 2005: (2:18:44) No one ever said, "Hakuna Matata." I prefer this 
small, nimble 176x144 mp4-film format: from a tiny, rare now, palm-sized 
SD camera. Other earlier PDF publications and field recordings are a part 
of this Global Islands Project:  Lamu off eastern Kenya, was easily the most 
hostile photo environment: in your viewfinder, the little speck of man in 
his boat half a kilometer upstream would suddenly stand-up and begin 
loudly berating you for not asking permission (or not paying)... and so it 
went... the audio recordings were more successful/surreptitious... great 
deliberate influx of mainland Christian musical entreaties in the main 
town square versus the many established mosques that in all facing Mecca, 
largely determined the  irregular maze/layout of the town, as did the 
sequestered Islamic courtyards and rooftops --  (I was allowed to visit 
two mosques only after privileged requests from the imans with great 
difficulty: occasionally I paid very willing local children to take photos 
inside and conduct tours) -- most of the added music is from purchased 
casual-quality cassette bootlegs/mixes from the dusty local music outlet; 
I added a drumtrack and superfluous sounds; the music was mostly from 
Mombasa and probably more closely reflects that environment replete with 
middle-aged European women (sex tourists): you'll spot a couple in the 
film; but the pace and Kiswahili lingua is correct: there was always 
something going on, especially in the town square -- the depicted 
stick-dance is of course a rather depreciated enactment of a traditional 
Islamic ritual -- the dhows, dugouts and motley assortment of other boats 
occasionally stayed afloat, only with vigourous bailing: every craft had 
at least one full-time bailer as the handmade vessels with seams stuffed 
with resinous-rags, routinely took on water and many were submerged in the 
harbor during choppy seas: but there was a definitive grace about a dhow 
underway: no keel, so you see passengers hiked way out on long leeward 
planks -- petrol was prohibitively expensive and there was only one 
(police) vehicle on the island: the abused donkeys were the main means of 
transport for men and very heavy loads of hand-hewn limestone bricks from 
across the channel -- there was some undetermined major Islamic 
gathering/meeting (depicted in the film) and fierce protests/parades 
against the infamous Danish cartoonist while I was there: only a very few 
white tourists (mzungu): once when out in the bush,  I was spotted by a 
terrified/crying little black girl who would not be consoled by her mother 
:)  [many stories from this visit] apparently, not so long ago muffled 
screams from prisoners could be heard at night from the old British fort 
in the town square: the present-day Kenyan police have their own 
notoriety: prefaced by a shrill whistle, all activity had to stop in the 
town for the raising and lowering of the flag -- this rule did not apply 
to the outlying informal clusters of mostly crude structures loosely 
designated by the residents' origin (Shella, Manda, Kashmiri, Bombay, 
Kandahari, Mataoni) -- despite all the corruption and dysfunction, life 
largely went on in the typically exuberant African fashion.


http://archive.org/details/LAMU2005
http://archive.org/details/globalislandsproject
http://bradbracebook.store/000pdfs/LAMU2005.mp4
1.6 G file so please download don't stream

/:b


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[NetBehaviour] new reddit 12hr community

[{ brad brace }]

https://www.reddit.com/r/12hr/

/:b

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[NetBehaviour] Mongrel Reparations

[{ brad brace }]

   `,.  .   .*   ..  .  _..  .
 \,~-. *   ..   ))   *.
  \ *  .   .   |*  . .  ~.  .  .  ,
 ,   `-.  .:   *   ,-
  - `-.*._/_\_.   .   .   ,-'
  - `-_., |n| .  .   ;
-\ ._/_,_\_.  .  . ,' ,
 -`-.|.n.|  .   ,-.__,' -
  -   ._/_,_,_\_.,-'  -
  - |..n..|-`'-'-
   - ._/_,_,_,_\_. -
 -   ,-|...n...|  -
   - ,-'._/_,_,_,_,_\_.  -
 -  ,-=-' |n|  -
  -;   ._/_,_,_,_,_,_\_. -
 ,-  |.n.|  -
   ,; ._/_,_,_,_,_,_,_\_. -
  `,  '.  `.  ".  `,  '.| n   ,-.   n |  ",  `.  `,  '.  `,  ',
,.:;..;;..;;.,:;,.;:,o__|__o !.|.! o__|__o;,.:;.,;;,,:;,.:;,;;:
 ][  ][  ][  ][  ][  |_i_i_H_|_|_|_H_i_i_|  ][  ][  ][  ][  ][
 | //=\\ |
 |//===\\|
 //=\\

Cultural mausoleums display their atrocity absolution. The Artworld 
Acolytes remain eager sacrificial scapegoats. Artworld Bloodlines. 
Judicial Vengeance. Masks Aligned. Cycles Completed.


"Mongrel Reparations" is an e-book from Brad Brace, 2019-20 & 1980: 207 
sequenced pp; including depictions of artists Colette Urban and Robert 
Hamon in Halifax, Nova Scotia, Canada plus sudden digital printed carpet 
designs for the New Season. There are allusions to the installations of 
The MetaConstruct [see URL: http://bbrace.net/Metaconstruct.html] and 
maybe even to extended fascination with printed impressions.



http://bradbracebook.store/000pdfs/trellis3.pdf
https://www.amazon.com/dp/B0821G3HGQ


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[NetBehaviour] 1...@groups.io

[{ brad brace }]

12hr posts to a new public group:

1...@groups.io



/:b

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[NetBehaviour] offline reddwg index:

[{ brad brace }]

Millennium project: red drawings: 1981-2019
https://www.amazon.com/dp/B00AR0DSGG 150reddwgs
 . Artwork documented online over 25 years . 
https://www.ebay.com/itm/123713024579


 All the "red drawings" are similar but different and 
slowly evolving. One free exchange (shipping included) per year if desired.


Various red and colored ink washes, dyes, palimpsest, pigments; 
photo-polymer, photo-linocuts, engraved, (derived from even 
earlier drawings: collapsed, hollowed-out graphic art 
narratives -- restrained figure re-drawings -- interlocking 
parting wakes), multiple block-printed, water-based 
lino-inks/extenders, gauche, acrylic, color pencil, stencils 
on individually inked/painted, collaged, (archival 
bookbinding pastes), and mechanically compressed, thin, 
multi-layered, papers.  irregular ~ 9.5x12.5" (24x32cm)


Gallery price: $1500 
Rental/exhibit fee: $55/mo.

Reproduction: no fee
Digital coin accepted


Inventory: 
https://www.amazon.com/dp/B00AR0DSGG 150reddwgs
[bradbrace.net/millennium.html] 
[bbrace.net/millennium.html] 
[bbraceATeskimoDOTcom] 
[telephone: enquire]


Millennium project: red drawings: 1981-2019

All the "red drawings" are similar but different and slowly evolving. One 
free exchange (shipping included) per year if desired.


Various red and colored ink washes, dyes, pigments; photo-polymer 
palimpsest, photo-linocuts, engraved photo-linocuts (derived from even 
earlier drawings: collapsed, hollowed-out graphic art narratives -- 
restrained figure re-drawings -- interlocking parting wakes), multiple 
block-printed, water-based lino-inks/extenders, gauche, acrylic, color 
pencil, and hand-cut stencils on individually inked/painted, collaged, (archival 
bookbinding pastes), and mechanically compressed, thin, multi-layered 
papers.  a little larger than: 9.5x12.5" (24x32cm)


By now they have wonderful, well-developed irregular edges, so they'll
all be re-scanned large format and something made from their outlines. Also 
some more
surface purple-pencil drawing from overlaid pocket projections -- plus, detailed, miniature 
painted (mixed sign-paint + manicure-brushes), over the collaged, torn 
atlas/constellation/notation bits...


Provenance: one big red fish
Gallery price: $1500 
Rental/exhibit fee: $55/mo.

Reproduction: no fee; CC license

Inventory: 
https://www.amazon.com/dp/B00AR0DSGG 150reddwgs
[bradbrace.net/millennium.html] 
[bbrace.net/millennium.html] 
[bbraceATeskimoDOTcom] 
[telephone: enquire]



https://www.ebay.com/itm/123713024579
https://www.ebay.com/itm/123713024579

NB: there are still at this time several hundred red drawings underway -- 
never deliberately counted them but probably closer to 750 in number 
although the total fluctuates of course -- they're really 'peaking' now 
and could quickly be suitable for a hotel (multi-unit) complex installation: 
one or two framed (per spec) artworks per room in all 500+ suites/living-quarters -- 
so still very much open to these 'group' purchase options --individual 
purchases/subscriptions-really are also in effect {carefully packaged and 
shipped at my expense.} email:bbraceATeskimoPUNTOcom


Another possibility for the remaining red drawings is to stage a 
permanent (but adjunct) exhibition which is replenished when work is sold or 
removed -- in this way they begin to reference the MetaConstruct 
(installation series... as well as enabling other present uses... this could end

up being more of a new gallery-design project (lots of ideas for that!)


http://www.bbrace.net/M-scans/M-scans.html
http://www.bbrace.net/Metaconstruct.html
https://www.amazon.com/dp/B00AR0DSGG 150reddwgs


FIFTY {BIG SHIFT} NEW ELEMENTS VERSO RED DRAWINGS 2018-2019

http://bradbracebook.store/000pdfs/...


eighth50.pdf 	2018-12-30 21:08 	169M 
eleventh50.pdf 	2019-08-10 11:52 	325M 
fifth50-blue.pdf2018-09-04 10:01 	213M 
fourth50.pdf 	2018-08-22 07:56 	215M 
red12front.pdf 	2019-09-17 07:26 	109M 
reddwgs-verso-50-2.pdf 2018-07-13 19:58 237M 
reddwgs300scans.pdf 2014-08-09 15:51 	132M 
redverso12.pdf 	2019-09-17 07:22 	 93M 
second50.pdf 	2018-07-21 08:26 	213M 
seventh50.pdf 	2018-10-27 22:15 	193M 
tenth50.pdf 	2019-05-27 15:24 	173M 
third50.pdf 	2018-08-06 22:07 	211M 
sixth50.pdf 	2018-09-14 13:13 	161M 
9th50.pdf 	2019-03-07 22:12 	134M


reddwgs partial off-line index: 
redrevWEB

red12frontWEB



http://bradbrace.net/
http://bbrace.net/


Title: reddwgs: verso12

	





	reddwgs: verso12 
	red drawings 2019
	verso
	
 
		
	






	page 1 of 4
	















			000TITLE12.jpg		
			1.jpg		
			red12verso00.jpg		
			red12verso01.jpg		
			red12verso02.jpg		













	

[NetBehaviour] ice MOO

[{ brad brace }]

ice hockey: there should be at least 2 pucks in play at all 
times


burrowing:

Connected to host lambda.moo.mud.org (209.181.94.35) port 
.

  ***
  *  Welcome to LambdaMOO!  *
  ***

 Running Version 1.8.3+47 of LambdaMOO

for quite some time I've been wanting to return to the 
text-based MOO as that's probably where I can most closely 
locate what may have been the genesis of the california 
ideology, although it had other names and places and 
portals, just like these text-based, and other subsequent 
digital manifestations, of expansive/inclusive worlds... I'd 
like to install a (rewritten-in-progress) MOO on my tiny 
Raspberry PI... I may do it anyway even though it will 
likely be under-utilized.


For assistance either now or later, type `help'.
The lag is low; there are 27 connected.
*** Connected ***
The Linen Closet
The linen closet is a dark, snug space, with barely enough 
room for one person in it.  You notice what feel like 
towels, blankets, sheets, and spare pillows.  One useful 
thing you've discovered is a metal doorknob set at waist 
level into what might be a door.  Next to it is a spring 
lever labeled 'NOISY!'.  There is also a small button set 
into the wall.



/:b

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[NetBehaviour] STIFT SNUG KLAPMUTTS

[{ brad brace }]

In a book of just over 40 pages, the artist quickly examines the habits and 
handicaps of modern thought and fiction, then breaks fresh historical ground 
concerning imperialism, capital and energy. He reveals a provocative set of imagery 
for where we are today, torn between carbon-based growth and climate-linked 
survival, and for our great derangement – our inability to look at what we know is 
coming straight at us. Hidden Lies, False Exclusion, Oppressive Verification.


https://www.amazon.com/dp/B07X9786LJ
http://bradbracebook.store/000pdfs/STIFT_SNUG_KLAPMUTTS.pdf
http://bradbrace.net/ http://bbrace.net/

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[NetBehaviour] Rough Draft

[{ brad brace }]

http://bbrace.net/roughdraft.html

Boilerplate, Lorem Ipsum, Metadata, Big Data Surveillance 
and received ideas...


A Biography of Dissolution; points lost; trajectories 
retraced.


An Exfiltration of Remote Collisions: ROUGH DRAFT: This 
humble epistled offering: [331pp 175mb $33] direct from the 
artist/publisher or:


http://www.amazon.com/dp/B07RNX4F3T

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[NetBehaviour] eBooks

[{ brad brace }]

 THAILAND REVISITED: ( Island 2.0 Global Islands Project 2004-5 } 256 pages during time of the 
December Tsunami http://www.amazon.com/dp/B07V7FSVM4 http://bradbracebook.store/000pdfs/ 
http://bradbrace.net http://bbrace.net

THAILAND REVISITED Island 2.0 Global Islands Project
available for $47US delivered on DVDs or dropbox/cloud or Amazon
http://www.amazon.com/dp/B07V7FSVM4

 KOH SI CHANG: ( Island 2.0 Global Islands Project 2004-5 } 300+ photos from one position: day 
into night, in lively Thai village street: time of the December Tsunami 
http://www.amazon.com/dp/B07V5PVZ9W http://bradbracebook.store/000pdfs/ http://bradbrace.net 
http://bbrace.net

KOH SI CHANG 2004-5 Island 2.0 Global Islands Project
available for $30US delivered on DVDs or dropbox/cloud or Amazon
http://www.amazon.com/dp/B07V5PVZ9W

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[NetBehaviour] The 12hr Project

[{ brad brace }]

Immaculate Perception: to be happy in gazing: with dead 
will, free from the grip and greed of selfishness -- cold 
and ashy-grey all over, but with intoxicated moon-eyes... 
Extraordinary Rendition. Manifest Destiny. Abyssal Plain. 
Living Truth. Sublime Madness. Autofictional Metanarrative. 
Sovetskoe Foto. Śūnyatā.

The 12hr Project: http://bbrace.net/12hr.html___
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[NetBehaviour] ✨ 🌴 GIP project -- field-recording contribution?

[{ brad brace }]

https://bradbrace.bandcamp.com/

https://bradbrace.bandcamp.com/ {actually there's a 
better/longer version of this which I'd like to get 
distributed... Spotify perhaps?




✨ 🌴 
On an island, a place of edges, the ocean provides a counter-narrative, 
nonlinear in
what it reveals; "time's arrow" is modified by the rhythmic cycle of the sea as 
it
encounters, and ever transforms, the shore. Historical, archaeological, or even
narrative knowledge is challenged by its meeting with the sea that offers up 
its own
kind of knowing. We need to stretch, even confound, our usual frames to take 
account
of such knowledge.

special daily yasawa islands mp4s (small short films)
now available for free download
http://www.eskimo.com/~bbrace/undisclosed.html
http://archive.org/details/globalislandsproject
https://www.facebook.com/Brad-brace-147093425921727/

(remote Fiji WAYA/YASAWAS islands:)

Island 8.0 is now available online!

http://bbrace.net/islands/island8/island8.html
http://bradbrace.net/islands/island8/island8.html

Global Islands Project -- ongoing series of multi-media 
pdf-ebooks/field-recordings -- a
pastoral, pictorial and phonic elicitation of island parameters. An intensive
examination of small islands and their paradigmatic solutions to globalism...
Ethnographically a shared world of historical experience -- not the 
romanticized and
divided universe of them and us.

Your feudal-world is based on mutual relief at your common corruption. Maybe 
some
cultures are based on even worse. But that wouldn't change the bad faith of it 
and as
years go by, you wake at night in terror of your whole life being an act of 
shattered
faith, where everything is self-interest and nothing more, where every human
interaction is driven by a silent, even subconscious calculation of some 
ulterior
motive, to the point that a sea of bad faith has taken over your whole life, 
there's no
small island left from which you can even try to build a bridge of good faith, 
because
even that effort becomes suspect, even good faith is nothing but 
self-interested, even
altruism is nothing but solipsistic, even your professed agonizing right here 
right now
is nothing but a gesture, made to the conscience in order to assure it that it 
exists.

Deglobalisation is not a synonym for withdrawing from the world economy. It 
means a
process of restructuring the world economic and political system so that the 
latter
builds the capacity of local and national economies instead of degrading it.
Deglobalisation means the transformation of a global economy from one integrated
around the needs of transnational corporations to one integrated around the 
needs of
peoples, nations, and communities. We cannot talk about construction without
deconstruction, reintegration without disintegration.

The world (universe) is mostly filled with the black hole (or the vast and deep sea ) 
of the forgotten. Compared with this, the world of memory is only a small island in

the vast "sea of oblivion."

http://bradbrace.net/id.html
http://bbrace.net/id.html

Island 1.0 is Ambergris Caye, Belize
Island 2.0 is Koh Si Chang, Thailand
Island 3.0 is Lamu, Kenya
Island 4.0 is Narikel Jingira, Bangladesh
Island 5.0 is Isla Mais, Nicaragua
Island 6.0 are The Grenadines, West Indies
Island 7.0 is Hateruma (Yaeyama), Japan
Island 8.0 is Waya (Yasawa), Fiji

Global Islands Project:

Island 8.0 -> http://bbrace.net/islands/island8/island8.html
or http://bradbrace.net/islands/island8/island8.html
-- over 1500 images and hour-long audiotrack -- 750mb -- (acrobat 6)

***

http://www.archive.org/details/global_islands_project_island_1.0
http://www.archive.org/details/global_islands_project_island_2.0
http://www.archive.org/details/global_islands_project_island_3.0
http://www.archive.org/details/global_islands_project_island_4.0
http://www.archive.org/details/global_islands_project_island_5.0
http://www.archive.org/details/global_islands_project_island_6.0
http://www.archive.org/details/global_islands_project_island_7.0
http://www.archive.org/details/global_islands_project_island_8.0


***
Global Islands Project -- ongoing series of multi-media pdf-books -- a
pastoral, pictorial and phonic elicitation of island parameters...

A traveller, who has lost their way, should not ask, 'Where am I?' What s/he
really wants to know is, 'Where are the other places?'

{ Additional Available Art Titles Pertaining to GIP Islands }

http://bradbracebook.store/000pdfs/...

Japan:  90haterumanights.pdf
shinbun.pdf

Belize:  belize-pin.pdf
 bzfish.pdf
 cornpinholes.pdf
 sanpedrohouse.pdf
 BZrev1.pdf
 BZrev3.pdf
 BZrev4.pdf
 BZrev5.pdf
 BZrev6.pdf
 BZrev7.pdf
 BZrev8.pdf
 Bzrev2.pdf

Bangladesh:  bangla-rock.pdf
 banglapinhole.pdf

Mexico:  calaca.pdf
 mex

[NetBehaviour] You have exceeded the frame of your own history.

[{ brad brace }]

https://www.amazon.com/dp/B07SWHTW61

You have exceeded the frame of your own history. Ars Moriendi. Cut-out pictures of 4:3 aspect 
televisions -- 1960-70s N.America. Graphic source for Crystal Palace/Millennium posters. 
http://bradbracebook.store/000pdfs/last.pdf http://bradbrace.net/last.html 
http://bbrace.net/last.html 278 pp 175mb https://www.amazon.com/dp/B07SWHTW61



/:b

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[NetBehaviour] SPROCKET MAQUETTES:

[{ brad brace }]

SPROCKET MAQUETTES: EIGHT VOLUMES

GIANT DIGITAL DERIVATIVES (PRINTS)
LIQUIDATED DOUBLE STANDARDS

SLOPPY SECONDS

http://www.amazon.com/dp/B00HT9K2EY vol 1
http://www.amazon.com/dp/B00HT9JXJY vol 2
http://www.amazon.com/dp/B00I10UESE vol 3
http://www.amazon.com/dp/B00I10U9IY vol 4
http://www.amazon.com/dp/B00IHMZ7S8 vol 5
http://www.amazon.com/dp/B00IHN4L2U vol 6
http://www.amazon.com/dp/B00ITZRJWK vol 7
http://www.amazon.com/dp/B00ITZRUEW vol 8

derived from Cash-Crop
(bitmapped swimming pool mosaic)
http://bbrace.net/cc/fd2.html
http://bradbrace.net/cc/fd2.html

and the Insatiable Abstraction Engine
(the end of our days)
http://www.bbrace.net/abstraction-engine.html
http://www.bradbrace.net/abstraction-engine.html

hand-printed collection of large editioned aquatint/intaglio
prints: $10,000USD cash each
as 
hotel/museum/institutional/cruiseship/penitentiary/corporate-complex

biometric sets
in multiples of 1000
as digital photo-prints: $500,000USD cash
as aquatints: ten million USD
a tribunal of mercy


/:b

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Re: [NetBehaviour] [spectre] Till the end. Maybe an infinite (time)line | 2019 - ∞

[{ brad brace }]

quite cool! thanks Guido
{ wonder about having each segment end with a stationary 
frame so as to locate the subject/source over the 
accumulated motion... but maybe you couldn't dance to it ;) 
}


/:b
{ from the 12hr-project timeline : 
bbrace.net/12hr.html 
}




On Tue, 21 May 2019, Guido Segni wrote:


Till the end
Maybe a neverending (time)line
Algorithmic task performance, Video, duration variable
2019 - ∞

Half a weird attempt of preserving memory from the Internet and half an
algorithmic endurance performance, Fino alla fine (Till the end) is the
attempt to trace a potentially infinite line in time joining together the
very first second of life of amatorial youtube videos.

The result is an evergrowing video collage where intimate stories from all
over the internet are intertwined by an automatic process of accumulation
running 24/7.

Publicly released in february, during the homonim solo exhibition at
ADIACENZE in Bologna, the ongoing video is currently 4 hours 30 minutes long
and in a couple of year it's going to be one of the longest timeline on the
Internet.

For what it worths...

Last but not least, the video has been sonorized with a monotone music by
friend and legendary musician Luca Leggero.

Watch the video
> https://guidosegni.com/finoallafine


--
Guido Segni
Art is unhappening

www.guidosegni.com
www.lesliensinvisibles.org

Green Cube Gallery
greencube.gallery


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[NetBehaviour] LOSS

[{ brad brace }]

Sound Design from 2007: Taka Tales from Narikel Jingira 
Island, Bangladesh (Art Exhibition with Installed Audio, Tea 
and free Taka Tunes CDs) available from Brad Brace 
 flyer: 
http://bbrace.net/two-taka-tunes-podcast/taka-tunes.jpg


complete recordings sometimes playing now:
 http://69.64.225.198:8000

mp3 podcast materials:
http://bbrace.net/two-taka-tunes-podcast/two-taka-tunes-podcast.html

Scene: extensive, evocative audio field-recordings from a concrete 
Bangladeshi guesthouse looking back on a thatched bamboo village by the Bay 
of Bengal, with an exhibit of particularly well-used, framed two-taka 
banknotes.


https://audioboo.fm/boos/195103-taka-tunes
bbs: brad brace sound: offline
http://69.64.225.198:8000
Global Islands Project:
http://bradbrace.net/id.html
http://bbrace.net/id.html

http://bbrace.net/islands/island4/island4-1.html
http://bradbrace.net/islands/island4/island4-1.html

LOSS -- a collection of  especially well-worn 2-Taka banknotes from my brief stay... 
(they also appear usually framed and mounted, in the Taka-Tunes audio installation)


http://amazon.com/dp/B07RWC8VG3



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[NetBehaviour] Rough Draft

[{ brad brace }]

"ROUGH DRAFT"  Probably a frequently used, full-circle 
generic Title, akin to the commom decoy-text used by 
commercial spammers (same family as Boilerplate, Lorem 
Ipsum, Metadata, Big Data Surveillance and received ideas), 
it offers disengagement and the premise for a large novel 
random Text that dissolves outwards revealing an almost 
molecular transit: new contours with sheltered/encoded 
detail. In other words an Incidental Biography of 
Dissolution; points lost;  trajectories retraced... 
something like that:  inside, outside, melding parameters, 
lost locations briefly reimagined: but it seems almost 
urgent to now recall the ongoing beyond beginning -- and so 
this humble epistled offering: [331pp 175mb $33] -- An 
Exfiltration of Remote Collisions... At any rate, the 
commercial-ubiquitous property shots were also used in my 
forrent-series of tall (life-sized)  narrow columns of 
justified 3-color text and neutralized blocked imagery. This 
ongoing collection of real estate pictures is becoming more 
wide-angled/panoramic lately, and this prompts another 
approach. Largely emptied of local light, the 3/4 tones 
provide structured relief as does the granular, stretched 
text. Maps are brittle. Another more extensive, ledgible, 
unillustrated novel (open source), thickly woven chronicle 
is promised by private remaindered request. Contact for 
pricing . It may be all that's left to 
follow: a very magnified detailed and extensive shred of 
collected compelling crucial textual tapestry...  [with much 
appreciated input from Etaoin Shrdlu] 
http://www.amazon.com/dp/B07RNX4F3T 
http://bbrace.net/forrent.html 
http://bradbrace.net/forrent.html 
http://bradbrace.net/roughdraft.html 
http://bradbracebook.store/000pdfs/roughdraft3.pdf


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[NetBehaviour] MetaConstruct Installations

[{ brad brace }]

http://www.bbrace.net/M-scans/M-scans.html

MetaConstruct Installations
http://goo.gl/rQlaS
http://www.amazon.com/dp/B00BH4LHP0

-

...part of a series of an original that never 
existed...


[The following file is, as you will see, from a printed 
Proposal sent in 1984 to dozens of art galleries primarily 
in North America. It is of some interest as it espouses and 
enacts a method for the creation of a great life-enhancing 
narrative, full of situationist-drift and revision. There 
was marginal financial, political and critical support for 
this project at the time. The various series of art-objects 
are occasionally altered but they usually remain sequestered 
in beautiful cork-lined, shellacked, plywood boxes... 
Archetypal Exhibition: As Single Entity. Nomadic 
Distributions. Consecrated Anarchy. Far from being a new 
foundation, it swallows up all foundations, it assures a 
universal collapse but as a positive and joyous event. The 
power of Affirming Chaos, Divergence, and Decentring. 
Heterogeneous series (`complicating' within itself all 
series). Continually eccentric circle with a constantly 
decentred centre.


The nonhierarchical work is a condensation of coexistences, 
a simultaneity of events. Identity persists, but it is 
produced as the law that complicates all series, causing 
them to return within each one as the course of compulsion.


The Work has sought to be a product of the manners and 
places in which it is seen.


The speculator is playing a mathematical game into a set of 
random events.


An Insatiable project, endlessly producing and consuming 
`systems', metaphorhaunted classifications of an ultimately 
opaque reality.


The set of objects the gallery displays is sustained only by 
the fiction that they somehow constitute a coherent 
representational universe...



/:b

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[NetBehaviour] ASH IS

[{ brad brace }]

sound. For example, Foley designers use the sound of celery 
breaking to re-create the sound of bones breaking.

ASH IS

These are my raw production stills, made from late-1970's TV character-generator studio 
equipment, for a series of unique video-detective-poems/stories that combined 
interdependent social/narrative smoking conventions/structure with a live-shot of wispy, 
smoldering cigarettes/cigars/reefers that coincide with the length of the 
stanza/story-chapter displayed on-screen. The angular/vicious, clumsy, rastorized, 
monospaced character-font is very appropriate, amplifying the facets in the glass 
ash-tray -- perfectly generic... the paused video-tape generates a distorted pattern. 
Not in consequently, video rasters look like lines of ash. The smoking culture/language 
is all but extinct in populist Western society. The orchestrated pauses/punctuation in 
dialogue/intercourse and dramatic emphasis suggest social/narrative interaction and yet 
singular identity is necessarily cancelled/snuffed-out.


A SYSTEM DESIGNED FOR FAILURE

The act of smoking is often a substitute for conversation or effectively directs it. The 
smoking author, smoking characters and smoking reader are chemically linked, prompted by 
textual reference. The detached narrator/detective, always waiting/watching... lights 
another. Lungs, nostrils and lips.


Concurrently I was also interested in the fixed physicality of gesture suggested by the 
positions of the cigarettes in their packages as displayed/proffered in print 
advertisements. This resulted in a number of enamel outline paintings that likely no 
longer exist. I remember white outlines on vast deep shiny royal blue backgrounds. 
Despite frequent application, there was never any institutional support for these works. 
Corruption run rampant. The detective genre has been an important aspect in my work: by 
investigating clues/references history is rewritten, causing even non-existing 
events/crimes/identities to actually occur/materialize.


I can envision a small set of deluxe enlarged prints of just the frozen-video ashtray to 
accompany this publication. Very remote chance.



http://www.amazon.com/dp/B00B9GY2G2




CRYSTAL VEHICLES (IMMACULATE COLLISIONS)

This is a series of photos made from overlaid xeroxed-acetate copies from an auto-trader 
magazine -- and compressed/positioned in the big billboard-sized 
Millennium/Crystal-Palace photo-mural [bbrace.net/millennium.html]. Seems to me that I 
attempted to align the windshields when making the 5x7 prints in the late 70's.


http://www.amazon.com/dp/B00B9QGKEY




ETCH

Solarized designs for etched-glass panels -- derived from Crystal Palace / Millennium 
imagery. These could be small, card-sized works and huge glass wall panels: any scale.


http://www.amazon.com/dp/B00BBL1Q3C





http://www.bbrace.net/pi.html
http://www.bbrace.net/@38.jpeg
http://bbrace.net/millennium.html
http://www.bbrace.net/telescope.gif
http://bradbrace.net/millennium.html

http://bradbracebook.store/000pdfs/

/:b


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Re: [NetBehaviour] Rob elinks!

[{ brad brace }]

yes! much missed /:b

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[NetBehaviour] Standard Interpretation

[{ brad brace }]

 _
( '<  standard interpretation}- stpd ptrts
/ ) )  -three new bookworks
//"   --  --from { brad brace }


1}- CHAIN OF COMMAND:
detailed trajectories for latest
Red Drawings* overprints:
336 intimate pages

https://www.amazon.com/dp/B00L5HD3II

2}- BLAZING WHITE HOT LIZARD LIES:
230 full-colour guston illustrations:
revolutionary sleight-of-hand

https://www.amazon.com/dp/B00L7W9QN2

3}- PRAYERS:
100+ visual transmissions of prayer:
quick studies for sign-paintings
(ronan aquathane on translucent
corrugated white plastic panels)

https://www.amazon.com/dp/B00LD1P1TA


divest from art institutions now
buy all-three direct-from-artist
$55 cash, cheque, paypal, barter

/:b



<http://bbrace.net/buy-into.html>
<http://bradbrace.net/buy-into.html>
<http://bradbracebook.store/000pdfs/lies.pdf
*[bradbrace.net/millennium.html]
*[bbrace.net/millennium.html]
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[NetBehaviour] fresh free new small pdf ebook

[{ brad brace }]

Said Last
Done First
the Dead
Paid

http://bradbracebook.store/000pdfs/prepay.pdf


enjoy
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[NetBehaviour] Numbered

[{ brad brace }]

Numbered Past Origin: 18 inadvertently curated volumes of my 
photos, paintings, prints, drawings, sculpture, serial art 
installations; along with intriguing american metal signage 
documentation; visual language development; empty carnivals, 
breezy beach pavilions, private evidentuary investigations; 
with no visible signs of support; splinters: video clouds: 
textures, shadows, rust, reflections, fluids, finessed 
focus, 35mm glass-mounted transparencies, angled light, 
color temps, peripheries, plumbing, perspectives, windows 
displayed: time marked: long-forgotten works rendered 
non-extant; limited social interaction, abusive 
pretend-careers; questionable institutional education; 
collegial dismay; "white cars at night" with flash; 
web-offset on newsprinted isbn-books/pages; MetaConstruct 
actual/painted elements (which were later partly 
reconstructed); strong spatial 
differentiation/construction/outlier preferences; very early 
burning-man event vistas [esp. numbered2107.pdf], initial 
years of the 'red drawings,' (perpetual series/exchange); 
early home studios and web-site source originals; there's 
always more to recover... from brad brace: published in 2019


colour shifts from various medium treatments and multiple 
transfers amassed and retained


new york (manhattan 60s 70s), washington (long beach 
peninsula 70s), california (90s bay area), oregon (80s 90s 
portland), massachusetts (90s boston), texas, new orleans 
and South (90s); ontario (60s 70s 80s toronto), nova scotia 
(70s 80s halifax); & a bunch o' mostly similar places 
primarily in canada and the states.


dropped here and pushed there: 1969-1999


Earlier/Other Approaches to Similar Source Material: <<<


Iconography 90`s: typography & public-sculpture
see Public Icon: http://www.bbrace.net/PI/public.html
see Public Icon: http://www.bradbrace.net/PI/public.html

Chromogenic Prints: c41: http://www.bbrace.net/c41/c41.html
c41: http://www.bradbrace.net/c41/c41.html
http://bradbracebook.store/000pdfs/c41.pdf

	Pavilion: (very early web-page): 
http://www.bbrace.net/pavilion.html 
http://www.bradbrace.net/pavilion.html [larger originals 
contained in numbered1101.pdf]


=+=

Numbered Past Origin: http://bbrace.net/numbered/numbered.html
Numbered Past Origin: http://bradbrace.net/numbered/numbered.html
Numbered Past Origin: http://bradbracebook.store/000pdfs/pdfs numbered/

numbered0181	numbered0200	numbered0201	numbered0204 
numbered0210	numbered0362	numbered0834	numbered1038 
numbered1041	numbered1042	numbered1043	numbered1055 
numbered1101	numbered1103	numbered1106	numbered1267

numbered3143numbered3144


https://www.amazon.com/numbered3144-brad-brace-ebook/dp/B07L5QJ9HH/
https://www.amazon.com/numbered3143-brad-brace-ebook/dp/B07L48GPB4/








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Re: [NetBehaviour] video pastry show

[{ brad brace }]

Edward: surprisingly intriguing but somehow a chef's hat or 
some recurring icon is required for a continuing series, 
perhaps...


/:b

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[NetBehaviour] Corporate Proscienium

[{ brad brace }]

Autonomy is not a fixed, essential state. Like gender, autonomy is created
through its performance, by doing/becoming; it is a political practice. To
become autonomous is to refuse authoritarian and compulsory cultures of
separation and hierarchy through embodied practices of welcoming
difference... Becoming autonomous is a political position for it thwarts
the exclusions of proprietary knowledge and jealous hoarding of resources,
and replaces the social and economic hierarchies on which these depend with
a politics of skill exchange, welcome, and collaboration. Freely sharing
these with others creates a common wealth of knowledge and power that
subverts the domination and hegemony of the master's rule.

CORPORATE PROSCENIUM

recently rediscovered (in my attic) painting series: exceptional
executive head silhouettes: 
graphite, india ink, white enamel on 11x14" vellum, circa 1975


limited just-in-time offer: $175 US delivered everywhere
(includes 65pp e-catalogue; available for $10 separately
with credit for subsequent CP painting purchase)

http://bradbrace.net/buy-into.html

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=121043908773
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=121047137436
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http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=1212978060

[NetBehaviour] > 2. Ark/Hive (Alan Sondheim)

[{ brad brace }]

Alan, suppose you could 'save' only 10 pieces/works -- not 
representative of the incredible depth of media/approach, 
but rather 10 that could stand without the rest and amongst 
the best that you respect... (?) just curious


/:b

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[NetBehaviour] Numbered Past Origin:

[{ brad brace }]

Numbered Past Origin: 18 inadvertently curated volumes of my photos, paintings, prints, 
drawings, sculpture, serial art installations; along with intriguing american metal signage 
documentation; visual language development; empty carnivals, breezy beach pavilions, private 
evidentuary investigations; with no visible signs of support; splinters: video clouds: 
textures, shadows, rust, reflections, fluids, finessed focus, 35mm glass-mounted 
transparencies, angled light, color temps, peripheries, plumbing, perspectives, windows 
displayed: time marked: long-forgotten works rendered non-extant; limited social 
interaction, abusive pretend-careers; questionable institutional education; collegial 
dismay; "white cars at night" with flash; web-offset on newsprinted isbn-books/pages; 
MetaConstruct actual/painted elements (which were later partly reconstructed); strong 
spatial differentiation/construction/outlier preferences; very early 
burning-man event vistas [esp. numbered2107.pdf], initial years of the 'red drawings,' 
(perpetual series/exchange); early home studios and web-site source originals; there's 
always more to recover... from brad brace: published in 2019


colour shifts from various medium treatments and multiple transfers amassed and 
retained


new york (manhattan 60s 70s), washington (long beach peninsula 70s), california (90s bay 
area), oregon (80s 90s portland), massachusetts (90s boston), texas, new orleans and South 
(90s); ontario (60s 70s 80s toronto), nova scotia (70s 80s halifax); & a bunch o' mostly 
similar places primarily in canada and the states.


dropped here and pushed there: 1969-1999


Earlier/Other Approaches to Similar Source Material: <<<


Iconography 90`s: typography & public-sculpture
see Public Icon: http://www.bbrace.net/PI/public.html
see Public Icon: http://www.bradbrace.net/PI/public.html

Chromogenic Prints: c41: http://www.bbrace.net/c41/c41.html
c41: http://www.bradbrace.net/c41/c41.html
http://bradbracebook.store/000pdfs/c41.pdf

Pavilion: (very early web-page): http://www.bbrace.net/pavilion.html
http://www.bradbrace.net/pavilion.html [larger originals contained in 
numbered1101.pdf]

=+=

Numbered Past Origin: http://bbrace.net/numbered/numbered.html
Numbered Past Origin: http://bradbrace.net/numbered/numbered.html
Numbered Past Origin: http://bradbracebook.store/000pdfs/pdfs numbered/

numbered0181	numbered0200	numbered0201	numbered0204 
numbered0210	numbered0362	numbered0834	numbered1038 
numbered1041	numbered1042	numbered1043	numbered1055 
numbered1101	numbered1103	numbered1106	numbered1267

numbered3143numbered3144







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[NetBehaviour] Global Islands Project (Island 1.0)

[{ brad brace }]

Check out Global Islands Project http://bbrace.net/id.html
on Mixcloud at
https://www.mixcloud.com/bbrace/global-islands-project-httpbbracenetidhtml/


/:b

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[NetBehaviour] The 12hr Select Assemblage

[{ brad brace }]

The 12hr Select Assemblage

[print-ready, large format poster as book pages; even larger, optional 
hi-res files also available]


(perhaps too) faint harmonic threads weave through (temporally and 
as-subject) the 12hr imagery reintroduced here in a new grid guise (which 
can lead to large assemblaged poster -- ample resolution to carry the 
intent/focus)

   (sinking slowly beneath
   (disintegrating
   (finding common ground/time

[melding with financier/support for publication of entire 12hr library: 
the 'big grey bricks']


[hoping the new pre-tarnished future is of use: submerging/oscillating]

[open to many hopeful forms of contribution/collaboration]
{more readily also/perceiving the interwoven/formal compositions}
[many dots come together: in more ways than we know:
attached/included with the high-res version/pdf-book is the current 
12hr-text (faq) file]


{the virulent 12hr stream of imagery  photo-blog'
 staggeringly unique:

 http://bbrace.net/12hr.html
http://bradbrace.net/12hr.html
http://bradbracebook.store
bbraceATeskimoDOTcom


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[NetBehaviour] ostingRe: Ultrahs

[{ brad brace }]

check to see if your domain name has expired

/:b
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Re: [NetBehaviour] Islands

[{ brad brace }]

✨ 🌴 
On an island, a place of edges, the ocean provides a counter-narrative, 
nonlinear in
what it reveals; "time's arrow" is modified by the rhythmic cycle of the sea as 
it
encounters, and ever transforms, the shore. Historical, archaeological, or even
narrative knowledge is challenged by its meeting with the sea that offers up 
its own
kind of knowing. We need to stretch, even confound, our usual frames to take 
account
of such knowledge.

special daily yasawa islands mp4s (small short films)
now available for free download
http://www.eskimo.com/~bbrace/undisclosed.html
http://archive.org/details/globalislandsproject
https://www.facebook.com/Brad-brace-147093425921727/

(remote Fiji WAYA/YASAWAS islands:)

Island 8.0 is now available online!

http://bbrace.net/islands/island8/island8.html
http://bradbrace.net/islands/island8/island8.html

Global Islands Project -- ongoing series of multi-media 
pdf-ebooks/field-recordings -- a
pastoral, pictorial and phonic elicitation of island parameters. An intensive
examination of small islands and their paradigmatic solutions to globalism...
Ethnographically a shared world of historical experience -- not the 
romanticized and
divided universe of them and us.

Your feudal-world is based on mutual relief at your common corruption. Maybe 
some
cultures are based on even worse. But that wouldn't change the bad faith of it 
and as
years go by, you wake at night in terror of your whole life being an act of 
shattered
faith, where everything is self-interest and nothing more, where every human
interaction is driven by a silent, even subconscious calculation of some 
ulterior
motive, to the point that a sea of bad faith has taken over your whole life, 
there's no
small island left from which you can even try to build a bridge of good faith, 
because
even that effort becomes suspect, even good faith is nothing but 
self-interested, even
altruism is nothing but solipsistic, even your professed agonizing right here 
right now
is nothing but a gesture, made to the conscience in order to assure it that it 
exists.

Deglobalisation is not a synonym for withdrawing from the world economy. It 
means a
process of restructuring the world economic and political system so that the 
latter
builds the capacity of local and national economies instead of degrading it.
Deglobalisation means the transformation of a global economy from one integrated
around the needs of transnational corporations to one integrated around the 
needs of
peoples, nations, and communities. We cannot talk about construction without
deconstruction, reintegration without disintegration.

The world (universe) is mostly filled with the black hole (or the vast and deep sea ) 
of the forgotten. Compared with this, the world of memory is only a small island in

the vast "sea of oblivion."

http://bradbrace.net/id.html
http://bbrace.net/id.html

Island 1.0 is Ambergris Caye, Belize
Island 2.0 is Koh Si Chang, Thailand
Island 3.0 is Lamu, Kenya
Island 4.0 is Narikel Jingira, Bangladesh
Island 5.0 is Isla Mais, Nicaragua
Island 6.0 are The Grenadines, West Indies
Island 7.0 is Hateruma (Yaeyama), Japan
Island 8.0 is Waya (Yasawa), Fiji

Global Islands Project:

Island 8.0 -> http://bbrace.net/islands/island8/island8.html
or http://bradbrace.net/islands/island8/island8.html
-- over 1500 images and hour-long audiotrack -- 750mb -- (acrobat 6)

***

http://www.archive.org/details/global_islands_project_island_1.0
http://www.archive.org/details/global_islands_project_island_2.0
http://www.archive.org/details/global_islands_project_island_3.0
http://www.archive.org/details/global_islands_project_island_4.0
http://www.archive.org/details/global_islands_project_island_5.0
http://www.archive.org/details/global_islands_project_island_6.0
http://www.archive.org/details/global_islands_project_island_7.0
http://www.archive.org/details/global_islands_project_island_8.0


***
Global Islands Project -- ongoing series of multi-media pdf-books -- a
pastoral, pictorial and phonic elicitation of island parameters...

A traveller, who has lost their way, should not ask, 'Where am I?' What s/he
really wants to know is, 'Where are the other places?'

Ni sa yali ga na noda itovo, sa oti sara ga o keda.
(When we lose our culture, we are nothing.)

Vientos del pueblo me llevan
Vientos del pueblo me arrastran
Me eparcen mi corazon
Ye me aventan la garganta

http://www.bbrace.net/id.html
http://bradbrace.net/id.html

bbs: brad brace sound
http://69.64.229.114:8000
http://www.bbrace.net/undisclosed.html

Waters Colours:
http://bradbrace.net/webgallerywc/wc.html

Eroticized Japanese/Malaysian Snack Foods:
http://bradbrace.net/greenscreen.html

Additional GIP texts/blog:
http://bbrace.net/wordpress/
http://bradbrace.net/wordpress/

12 mailing list:

You cannot politically defy the institutions when all you really wanted
was to be clasped to their bosoms

[NetBehaviour] ether||eucharist

[{ brad brace }]

ETHER || EUCHARIST: 20 extensive volumes of digital 
composites/pictures $2USD (crypto-currencies ok): over 
10,000 PDF pages in total (7.25 GB): delivered on DVD or 
Cloud. Buy directly from the artist. Trade ok.
bbr...@eskimo.com http://bradbracebook.store 
http://bradbrace.net http://bbrace.net



/:b

___
NetBehaviour mailing list
NetBehaviour@lists.netbehaviour.org
https://lists.netbehaviour.org/mailman/listinfo/netbehaviour

[NetBehaviour] Audition

[{ brad brace }]

http://bbrace.net/wishingwell/wishingwell.html
http://bradbrace.net/wishingwell/wishingwell.html

Audition: photographs (2-1/4" transparencies) from the mid
'70s of fields, with a superimposed live-scan in 2001 of a
common spoon/shadow, and a logo in 2003. A cd-r of these 80
low-res images plus one high-res separation with one-time
publication rights is available for $5000.



/:b


___
NetBehaviour mailing list
NetBehaviour@lists.netbehaviour.org
https://lists.netbehaviour.org/mailman/listinfo/netbehaviour

Re: [NetBehaviour] islands

[{ brad brace }]

On an island, a place of edges, the ocean provides a counter-narrative, 
nonlinear in
what it reveals; "time's arrow" is modified by the rhythmic cycle of the sea as 
it
encounters, and ever transforms, the shore. Historical, archaeological, or even
narrative knowledge is challenged by its meeting with the sea that offers up 
its own
kind of knowing. We need to stretch, even confound, our usual frames to take 
account
of such knowledge.

special daily yasawa islands mp4s (small short films)
now available for free download
http://www.eskimo.com/~bbrace/undisclosed.html
http://archive.org/details/globalislandsproject
https://www.facebook.com/Brad-brace-147093425921727/

(remote Fiji WAYA/YASAWAS islands:)

Island 8.0 is now available online!

http://bbrace.net/islands/island8/island8.html
http://bradbrace.net/islands/island8/island8.html

Global Islands Project -- ongoing series of multi-media 
pdf-ebooks/field-recordings -- a
pastoral, pictorial and phonic elicitation of island parameters. An intensive
examination of small islands and their paradigmatic solutions to globalism...
Ethnographically a shared world of historical experience -- not the 
romanticized and
divided universe of them and us.

Your feudal-world is based on mutual relief at your common corruption. Maybe 
some
cultures are based on even worse. But that wouldn't change the bad faith of it 
and as
years go by, you wake at night in terror of your whole life being an act of 
shattered
faith, where everything is self-interest and nothing more, where every human
interaction is driven by a silent, even subconscious calculation of some 
ulterior
motive, to the point that a sea of bad faith has taken over your whole life, 
there's no
small island left from which you can even try to build a bridge of good faith, 
because
even that effort becomes suspect, even good faith is nothing but 
self-interested, even
altruism is nothing but solipsistic, even your professed agonizing right here 
right now
is nothing but a gesture, made to the conscience in order to assure it that it 
exists.

Deglobalisation is not a synonym for withdrawing from the world economy. It 
means a
process of restructuring the world economic and political system so that the 
latter
builds the capacity of local and national economies instead of degrading it.
Deglobalisation means the transformation of a global economy from one integrated
around the needs of transnational corporations to one integrated around the 
needs of
peoples, nations, and communities. We cannot talk about construction without
deconstruction, reintegration without disintegration.

The world (universe) is mostly filled with the black hole (or the vast and deep 
sea )
of the forgotten. Compared with this, the world of memory is only a small 
island in
the vast "sea of oblivion."

http://bradbrace.net/id.html
http://bbrace.net/id.html

Island 1.0 is Ambergris Caye, Belize
Island 2.0 is Koh Si Chang, Thailand
Island 3.0 is Lamu, Kenya
Island 4.0 is Narikel Jingira, Bangladesh
Island 5.0 is Isla Mais, Nicaragua
Island 6.0 are The Grenadines, West Indies
Island 7.0 is Hateruma (Yaeyama), Japan
Island 8.0 is Waya (Yasawa), Fiji

Global Islands Project:

Island 8.0 -> http://bbrace.net/islands/island8/island8.html
or http://bradbrace.net/islands/island8/island8.html
-- over 1500 images and hour-long audiotrack -- 750mb -- (acrobat 6)

***

http://www.archive.org/details/global_islands_project_island_1.0
http://www.archive.org/details/global_islands_project_island_2.0
http://www.archive.org/details/global_islands_project_island_3.0
http://www.archive.org/details/global_islands_project_island_4.0
http://www.archive.org/details/global_islands_project_island_5.0
http://www.archive.org/details/global_islands_project_island_6.0
http://www.archive.org/details/global_islands_project_island_7.0
http://www.archive.org/details/global_islands_project_island_8.0


***
Global Islands Project -- ongoing series of multi-media pdf-books -- a
pastoral, pictorial and phonic elicitation of island parameters...

A traveller, who has lost their way, should not ask, 'Where am I?' What s/he
really wants to know is, 'Where are the other places?'

Ni sa yali ga na noda itovo, sa oti sara ga o keda.
(When we lose our culture, we are nothing.)

Vientos del pueblo me llevan
Vientos del pueblo me arrastran
Me eparcen mi corazon
Ye me aventan la garganta

http://www.bbrace.net/id.html
http://bradbrace.net/id.html

bbs: brad brace sound
http://69.64.229.114:8000
http://www.bbrace.net/undisclosed.html

Waters Colours:
http://bradbrace.net/webgallerywc/wc.html

Eroticized Japanese/Malaysian Snack Foods:
http://bradbrace.net/greenscreen.html

Additional GIP texts/blog:
http://bbrace.net/wordpress/
http://bradbrace.net/wordpress/

12 mailing list:

You cannot politically defy the institutions when all you really wanted
was to be clasped to their bosoms an

Re: [NetBehaviour] NetBehaviour Digest, Vol 79, Issue 1

[{ brad brace }]

test
___
NetBehaviour mailing list
NetBehaviour@lists.netbehaviour.org
https://lists.netbehaviour.org/mailman/listinfo/netbehaviour

[NetBehaviour] GIP

[{ brad brace }]

On an island, a place of edges, the ocean provides a counter-narrative, 
nonlinear in
what it reveals; "time's arrow" is modified by the rhythmic cycle of the sea as 
it
encounters, and ever transforms, the shore. Historical, archaeological, or even
narrative knowledge is challenged by its meeting with the sea that offers up 
its own
kind of knowing. We need to stretch, even confound, our usual frames to take 
account
of such knowledge.

special daily yasawa islands mp4s (small short films)
now available for free download
http://www.eskimo.com/~bbrace/undisclosed.html
http://archive.org/details/globalislandsproject
https://www.facebook.com/Brad-brace-147093425921727/

(remote Fiji WAYA/YASAWAS islands:)

Island 8.0 is now available online!

http://bbrace.net/islands/island8/island8.html
http://bradbrace.net/islands/island8/island8.html

Global Islands Project -- ongoing series of multi-media 
pdf-ebooks/field-recordings -- a
pastoral, pictorial and phonic elicitation of island parameters. An intensive
examination of small islands and their paradigmatic solutions to globalism...
Ethnographically a shared world of historical experience -- not the 
romanticized and
divided universe of them and us.

Your feudal-world is based on mutual relief at your common corruption. Maybe 
some
cultures are based on even worse. But that wouldn't change the bad faith of it 
and as
years go by, you wake at night in terror of your whole life being an act of 
shattered
faith, where everything is self-interest and nothing more, where every human
interaction is driven by a silent, even subconscious calculation of some 
ulterior
motive, to the point that a sea of bad faith has taken over your whole life, 
there's no
small island left from which you can even try to build a bridge of good faith, 
because
even that effort becomes suspect, even good faith is nothing but 
self-interested, even
altruism is nothing but solipsistic, even your professed agonizing right here 
right now
is nothing but a gesture, made to the conscience in order to assure it that it 
exists.

Deglobalisation is not a synonym for withdrawing from the world economy. It 
means a
process of restructuring the world economic and political system so that the 
latter
builds the capacity of local and national economies instead of degrading it.
Deglobalisation means the transformation of a global economy from one integrated
around the needs of transnational corporations to one integrated around the 
needs of
peoples, nations, and communities. We cannot talk about construction without
deconstruction, reintegration without disintegration.

The world (universe) is mostly filled with the black hole (or the vast and deep 
sea )
of the forgotten. Compared with this, the world of memory is only a small 
island in
the vast "sea of oblivion."

http://bradbrace.net/id.html
http://bbrace.net/id.html

Island 1.0 is Ambergris Caye, Belize
Island 2.0 is Koh Si Chang, Thailand
Island 3.0 is Lamu, Kenya
Island 4.0 is Narikel Jingira, Bangladesh
Island 5.0 is Isla Mais, Nicaragua
Island 6.0 are The Grenadines, West Indies
Island 7.0 is Hateruma (Yaeyama), Japan
Island 8.0 is Waya (Yasawa), Fiji

Global Islands Project:

Island 8.0 -> http://bbrace.net/islands/island8/island8.html
or http://bradbrace.net/islands/island8/island8.html
-- over 1500 images and hour-long audiotrack -- 750mb -- (acrobat 6)

***

http://www.archive.org/details/global_islands_project_island_1.0
http://www.archive.org/details/global_islands_project_island_2.0
http://www.archive.org/details/global_islands_project_island_3.0
http://www.archive.org/details/global_islands_project_island_4.0
http://www.archive.org/details/global_islands_project_island_5.0
http://www.archive.org/details/global_islands_project_island_6.0
http://www.archive.org/details/global_islands_project_island_7.0
http://www.archive.org/details/global_islands_project_island_8.0


***
Global Islands Project -- ongoing series of multi-media pdf-books -- a
pastoral, pictorial and phonic elicitation of island parameters...

A traveller, who has lost their way, should not ask, 'Where am I?' What s/he
really wants to know is, 'Where are the other places?'

Ni sa yali ga na noda itovo, sa oti sara ga o keda.
(When we lose our culture, we are nothing.)

Vientos del pueblo me llevan
Vientos del pueblo me arrastran
Me eparcen mi corazon
Ye me aventan la garganta

http://www.bbrace.net/id.html
http://bradbrace.net/id.html

bbs: brad brace sound
http://69.64.229.114:8000
http://www.bbrace.net/undisclosed.html

Waters Colours:
http://bradbrace.net/webgallerywc/wc.html

Eroticized Japanese/Malaysian Snack Foods:
http://bradbrace.net/greenscreen.html

Additional GIP texts/blog:
http://bbrace.net/wordpress/
http://bradbrace.net/wordpress/

12 mailing list:

You cannot politically defy the institutions when all you really wanted
was to be clasped to their bosoms an