[NetBehaviour] cupboard revolutions - exeter
if you happen to be in exeter, check out cupboard revolutions - it looks great: http://vm.newsandmediarepublic.org/projects/cupboard-revolutions/ apparently it really does explode, after the public have put in enough coins to tip the scales. h : ) helen varley jamieson: creative catalyst he...@creative-catalyst.com http://www.creative-catalyst.com http://www.avatarbodycollision.org http://www.upstage.org.nz ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] [Nictoglobe] Special Issue: Art is not about Communication
Nictoglobe Vol.14 #1 2010 Friction Research 3: http://www.nictoglobe.com/new/ainac2010/index.html This is the third issue of 'Friction Research', a series of collective investigations on contemporary arts media practices. Previous issues: 'Investigating Ruptures in the Art Political Grid', Nictoglobe, Volume 12 Issue 3, Amsterdam The Netherlands (2008). 'Creative Resistance: New Media as Soft Arms', Nictoglobe, Volume 11 Issue 2, Amsterdam The Netherlands(2007). Introduction Art is not about Communication Below our open call from November 30 2009 nouns: Focus, Belief, Communication, Course, Comprehension, Art, Effect, Art, Direction, Direction(s), Network, Art, Vector, Side, Side, Main, Interpretation, Error, Many, Professional, Field, Art, Senses, Thumb, Critic, Few, World, Speech, Extreme, Notion, Ourselves, This, World, Push, Foreground, Curator, Metrosexual, Power, Relation, Accumulation, Item, Fetish, Replacement, Lust, Contact, Capital, Distinction, Use, Exchange, Labyrinth, Housing, Global, Warning, Transportation, Education, Sex, Healthcare, Political, Agenda, Value, Object, Control, Prison, CCTV, Market, Non-Smoking Area, Public, Everybody, Part, Communication, World, Facebook, Twitter, About, Their, Spaces, Google, Anxious, Need, Each, Other, Labour, Stop, Thinking, Leisure, Subject, System, Aesthetics, Teleologics. verbs: To problematize, To invent, To economize, To force, To capitalize, To inject, To reject, To subject, To object, To maintain, To remain, To insult, To consult, To solve, To dissolve, To involve, To revolve To explode, To implode, To radiate, To broadcast, To send, To conceive, To retrieve, To conspire, To subvert, To invert, To absolve, To gain, To loose, To drain, To drink, To drown, To stop, To communicate, To mutate, To correspond, To eject, To rule, To eradicate. adjectives/adverbs: Mistaken, Contrary, Singular, Local, Contemporary, Public, (Psycho), Patho-Sociological, Drenched, Oversaturated, Urban, Senseless, Speechless, Worshipped, Rural, Blurred, Private, Communicative, Global, Lucid, Kind, Nice, Rough, Mild, Less, Manifold, Plural, Focal. names: Derrida, Foucault, Brecht, Lacan, Freud, Deleuze, Bourriaud, Houellebeq, Lovecraft, Poe, Borges, Alzheimer, Husserl, Heidegger, Marx, Hobbe, Spinoza, Sloterdijk, Hegel, Kranz, Benjamin, Plotinus. The following individuals and collectives have contributed to our call for submissions. Poetry Art is not about Communication, Lawrence Upton 2009 - UK http://www.nictoglobe.com/new/ainac2010/upton.html Text Participation as Kitsch, Henry Jones Daniel Hess 2010 - USA http://www.nictoglobe.com/new/ainac2010/pak.html Jacques Derrida and the Politics of Architecture, Francesco Vitale 2009 - IT http://www.nictoglobe.com/new/ainac2010/jdpa.html Essay Generator, judsoN ^R+ 2010 - USA http://www.nictoglobe.com/new/ainac2010/judson.html Paintings Skin, Biying Zhang 2010 - USA http://www.nictoglobe.com/new/ainac2010/biying.html Projects Grenze, Patrick Fontana et al. 2009 - FR http://www.nictoglobe.com/new/ainac2010/marx.html 204_NO_CONTENT, Darko Fritz 2007 - NL/YU http://www.nictoglobe.com/new/ainac2010/darko.html About Published Curated by Andreas Maria Jacobs for Nictoglobe Online Magazine 2010 Nictoglobe can be reached by email: info[at]nictoglobe[dot]com A. Andreas e: a.andr...@nictoglobe.com w: http://www.nictoglobe.com w: http://burgerwaanzin.nl ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Zero Dollar Laptop workshops Update.
Hello Patrick, Interesting. You may be interested in the work of Stuart Walker at Lancaster University. His core interest is sustainable design. He's proposed a radical redesign of electronic objects such that they have a chasis, rather than a case - as a consequence each component can be upgraded or repaired individually as it weras out or is superseded by a genuinely more effective alternative. (When I say genuinely more effective this may not simply mean more processor cycles - it could be the same number of processor cycles but with a longer design lifespan and lower power usage.) His interpretation of the 50 Year Computer might be one where the CPU, memory, data storage and power supply are replaced multiple times. Recently I've been thinking about sustainability quite a bit, and I'm starting to think that a key feature of it is about increasing the autonomy of the elements of a system. Stuart Walker's model for sustainable electronics reduces inter-dependency, separating out components into autonomous modules. I'd suggest that sustainable models should also foster the autonomy of their human components - the users - making them less exclusively dependent on centralised services, such as data storage, indexing and mediation. Last year one of Access Space's participants (Richard Drake) made a trip to the Himalayas, where he'd made contact with an English teacher in a very remote area. Richard brought some computer components with him to help him expand and rebuild a local cybercafe. He discovered that the local monks had a very resilient multimedia network, based entirely around UNCONNECTED mobile phone handsets. There's no cell coverage out there, but the monks would use phones to swap data (videos, photos, music, text) via SD cards or bluetooth. They'd recharge them with home-based generators, some commercial, some home-made. This sounds quite close to a sustainable network - it works even without a power grid, connectivity, DNS, etc. etc. I'm starting to think that there's a close conceptual link between decentralisation and sustainability. One thing that has made me excited about the web is its potential for decentralisation. However, as this technology manifests itself, we see the physical infrastructure of the web become more and more centralised, and increasingly interdependent with other highly centralised infrastructures, such as the power grid and the credit card payments system. This is why the work of groups like consume.net are interesting. Even though there may be practical and technological barriers to effective home-built wide-area-network infrastructures, the impulse to make them - for the community to take ownership of a decentralised communications infrastructure, is right, and tends towards sustainability. Best Regards, James = Patrick Lichty wrote: And I repeat - let's make it possible to make them last 50 years. Fifty Year Computer Manifesto. https://lists.thing.net/pipermail/idc/2008-September/003260.html ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] Pure Data Workshop + FLOSS Manuals Book Sprint
Pure Data Workshop + FLOSS Manuals Book Sprint Tusday 23 - Friday 26 February 2010, 17.00-22.00 [GMT +1] NK Elsenstr. 52 2HH 2 Etage 12059 Berlin, Germany Contact Derek Holzer for building access: +49 176 2812 5845 / de...@umatic.nl Or contribute online! http://en.flossmanuals.net/puredata irc.freenode.net #flossmanuals Pure Data (or Pd) is a free + open source, real-time graphical programming environment for audio, video, and graphical processing. Because all of these types of media are handled as data in the program, many fascinating opportunities for cross-synthesis between them exist. Pd is commonly used for live music performance, VeeJaying, sound effects composition, interfacing with sensors, cameras and robots or even interacting with websites. A book sprint brings together a group of writers, editors and artists to produce a published book within several days. This sprint will combine a workshop within it, where new users will learn to create basic patches in Pd, documenting them along the way for the FLOSS Manual. This is an exciting opportunity both to acquire new skills as well as share them with others in the form of a book! This sprint is a long-distance collaboration between FLOSS Manuals, the Berlin Pure Data users group and ITP/Tisch School of the Arts, New York. Please bring your own laptop with Pure Data Extended installed. The workshop is free, with the expectation that participants will contribute to the FLOSS Manual. -- ::: derek holzer ::: http://macumbista.net ::: ---Oblique Strategy # 131: Question the heroic approach ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] At HTTP Gallery, If not you not me - Annie Abrahams.
Shouldn't that be, If !you !me; or !me if !you; or if(!you){!me;} ?
On Thu, Jan 28, 2010 at 4:30 PM, info i...@furtherfield.org wrote:
If not you not me
Annie Abrahams
[image: e_image1]
HTTP Gallery, London
12 February – 20 March 2010
Open Thursday - Saturday, 12-5pm
Private view and performances: Friday, 12 February 2010, 6:30-9pm
Free admission to exhibition and events.
http://www.http.uk.net/exhibitions/ifnotyounotme/index.shtml
Annie Abrahams (b. NL 1954 , lives and works FR) is an internationally
regarded pioneer of networked performance art. 'If not you not me' at HTTP
Gallery in London is the first exhibition of her work in the UK. Where
social networking sites make us think of communication as clean and
transparent, Annie Abrahams creates an Internet of feeling – of agitation,
collusion, ardour and apprehension. Working with simple interfaces,
carefully crafted instructions and disruptions in data-flow, Abrahams
sensitises participants and audiences to glitches in communication and
invites them to experience and reflect on different ways of being together
in a machine-mediated world. The exhibition asks how we deal with the
tensions of collaboration and physical separation as we negotiate
relationships through video imagery, computer software and digital networks.
Abrahams has created three new works for 'If not you not me' at HTTP
Gallery, inviting collaboration from visitors to the gallery and others
around the world. Shared Still Life / Nature Morte Partagée, a telematic
still life for mixed media and LED message board, asks visitors to HTTP
Gallery and Kawenga - territoires numériques in Montpellier, France to
communicate with one another by arranging objects in the still life and
sending messages to one another, with the results visible in a projection in
both galleries.
The exhibition's private view also includes two new collaborative
performances to be documented and shown in the exhibition. On Collaboration
Graffiti Wall, a collective text and speech performance, draws on
reflections around the nature and problems of online collaboration collected
via a website.
Huis Clos / No Exit - Jam involves four women artists sitting before
webcams in different locations around the world. They will try to organise a
unified sound performance, working with and around the inevitable delays
that result from the international live feed. In addition to the new works,
the exhibition presents documentation of recent networked performances
created and curated by Abrahams.
If not you not me is co-produced by Furtherfield.org and HTTP Gallery,
London, and bram.org and Kawenga - territoires numériques, Montpellier,
France. Furtherfield.org supports experimental practices at the
intersections of art, technology and social change. This exhibition was
conceived in connection with Furtherfield.org's Rich Networking project
interrogating the transparency of communication, artistic collaboration and
sociability through digital networks. This is the fourth event in
Furtherfield.org's three-year Media Art Ecologies programme which
foregrounds practices sharing an ecological approach - an interest in the
interrelation of technological and natural processes: beings and things,
individuals and multitudes, matter and patterns.
Events
==
Private view and performances: Friday, 12 February 2010, 6:30-9pm, HTTP
Gallery
7pm: On Collaboration Graffiti Wall - Collective text and
speech performance at gallery.
To contribute or view texts to be used during the performance visit
http://bram.org/collaboration/index.php.
8pm: Shared Still Life / Nature Morte Partagée goes live - telematic still
Life installation at HTTP Gallery and Kawenga - territoires numériques,
Montpellier, France.
8:30pm: Huis Clos / No Exit - Jam - Telematic performance projected at HTTP
Gallery, featuring Anteye Greie (Hailuoto, FI), Pascale Gustin (Paris, FR),
Helen Varley Jamieson (Wellington, NZ), and Maja Kalogera (Madrid, ES).
More Information
Annie Abrahams - http://aabrahams.wordpress.com
Bram.org - http://bram.org
Kawenga - territoires numériques - http://www.kawenga.org
Furtherfield.org's Media Art Ecologies programme -
http://www.furtherfield.org/mediaartecologies.php
HTTP Gallery
Unit A2, Arena Design Centre,
71 Ashfield Rd, London N4 1NY.
http://www.http.uk.net
HTTP Gallery is Furtherfield.org’s dedicated space for media art.
Furtherfield.org and HTTP Gallery are supported by Arts Council England,
London.
Contact:
Lauren Wright, HTTP Gallery
i...@furtherfield.org
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NetBehaviour mailing list
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*
Pall Thayer
artist
Re: [NetBehaviour] At HTTP Gallery, If not you not me - Annie Abrahams.
Hi Pall,
If so, then I'd choose !me if !you;
marc
Shouldn't that be, If !you !me; or !me if !you; or if(!you){!me;} ?
On Thu, Jan 28, 2010 at 4:30 PM, info i...@furtherfield.org
mailto:i...@furtherfield.org wrote:
If not you not me
Annie Abrahams
e_image1
HTTP Gallery, London
12 February – 20 March 2010
Open Thursday - Saturday, 12-5pm
Private view and performances: Friday, 12 February 2010, 6:30-9pm
Free admission to exhibition and events.
http://www.http.uk.net/exhibitions/ifnotyounotme/index.shtml
Annie Abrahams (b. NL 1954 , lives and works FR) is an
internationally regarded pioneer of networked performance art. 'If
not you not me' at HTTP Gallery in London is the first exhibition
of her work in the UK. Where social networking sites make us think
of communication as clean and transparent, Annie Abrahams creates
an Internet of feeling – of agitation, collusion, ardour and
apprehension. Working with simple interfaces, carefully crafted
instructions and disruptions in data-flow, Abrahams sensitises
participants and audiences to glitches in communication and
invites them to experience and reflect on different ways of being
together in a machine-mediated world. The exhibition asks how we
deal with the tensions of collaboration and physical separation as
we negotiate relationships through video imagery, computer
software and digital networks.
Abrahams has created three new works for 'If not you not me' at
HTTP Gallery, inviting collaboration from visitors to the gallery
and others around the world. Shared Still Life / Nature Morte
Partagée, a telematic still life for mixed media and LED message
board, asks visitors to HTTP Gallery and Kawenga - territoires
numériques in Montpellier, France to communicate with one another
by arranging objects in the still life and sending messages to one
another, with the results visible in a projection in both galleries.
The exhibition's private view also includes two new collaborative
performances to be documented and shown in the exhibition. On
Collaboration Graffiti Wall, a collective text and speech
performance, draws on reflections around the nature and problems
of online collaboration collected via a website.
Huis Clos / No Exit - Jam involves four women artists sitting
before webcams in different locations around the world. They will
try to organise a unified sound performance, working with and
around the inevitable delays that result from the international
live feed. In addition to the new works, the exhibition presents
documentation of recent networked performances created and curated
by Abrahams.
If not you not me is co-produced by Furtherfield.org and HTTP
Gallery, London, and bram.org http://bram.org and Kawenga -
territoires numériques, Montpellier, France. Furtherfield.org
supports experimental practices at the intersections of art,
technology and social change. This exhibition was conceived in
connection with Furtherfield.org's Rich Networking project
interrogating the transparency of communication, artistic
collaboration and sociability through digital networks. This is
the fourth event in Furtherfield.org's three-year Media Art
Ecologies programme which foregrounds practices sharing an
ecological approach - an interest in the interrelation of
technological and natural processes: beings and things,
individuals and multitudes, matter and patterns.
Events
==
Private view and performances: Friday, 12 February 2010, 6:30-9pm,
HTTP Gallery
7pm: On Collaboration Graffiti Wall - Collective text and
speech performance at gallery.
To contribute or view texts to be used during the performance
visit http://bram.org/collaboration/index.php.
8pm: Shared Still Life / Nature Morte Partagée goes live -
telematic still Life installation at HTTP Gallery and Kawenga -
territoires numériques, Montpellier, France.
8:30pm: Huis Clos / No Exit - Jam - Telematic performance
projected at HTTP Gallery, featuring Anteye Greie (Hailuoto, FI),
Pascale Gustin (Paris, FR), Helen Varley Jamieson (Wellington,
NZ), and Maja Kalogera (Madrid, ES).
More Information
Annie Abrahams - http://aabrahams.wordpress.com
Bram.org - http://bram.org
Kawenga - territoires numériques - http://www.kawenga.org
Furtherfield.org's Media Art Ecologies programme -
http://www.furtherfield.org/mediaartecologies.php
HTTP Gallery
Unit A2, Arena Design Centre,
71 Ashfield Rd, London N4 1NY.
http://www.http.uk.net
HTTP Gallery is Furtherfield.org’s dedicated space for media art.
Furtherfield.org and HTTP Gallery are supported by Arts Council
England, London.
[NetBehaviour] ddance:
ddance: the doomeddancer the doomeddancer dddance 0 - avoidance dance guidance impedance riddance 0 - avoidance dance guidance impedance riddance come, child, we where? perhaps one of these eveningsshaddance together culture dd dddance deathfugue dirty dirty d CHAOS Cheap CHIASM child movements so she coulddance. and if someone else didn't work the machinery undercut circumscription consider understanddance repeated at the universe mauddanceis nuholdingclose is doomeddancer is nuddance is nuddance tneiciffus s'tahw ,decnad srettel drahs-eniargim ,ssenderit morf thcadeg bodies reconstruct from other memories, of two dancers embodied as one sliced but configured from the choreography. scene of two dancers, in fact two other dancers, who appear as if lifelike - the very best dancer, the worst to deal with. we had it in for her - what the company can do - the dancers are angry - they're really angry - dancers - they speak a bad pointless dialog - along the lines of they dance all of this, on-screen, off-screen - they speak, try to make sense of the dialog; they can't. the live dancers may be the two dancers (audience and masturbating couple) - the dancers aroused - if nude - a series of iconographic figures - they try and try - the prisoners are arranged by the dancers - they resist weakly - the dancers carry Bibles. or there are Bibles at hand. or Bibles in space and loudspeakers. for one to five dancers - in and out of contact with other dancers - performers should try similar programs. the dancers establish and contradict their own rhythms. - it's a mess - the dancers are reeling, on edge, nervous, difficult, a problem, their desires constrained by spectacle - on exhibit, behavior-sex, sexuality, and horror - everything is at stake - ballet doesn't need dancers screens don't need cables - the dancers 'worry about' the wires, about dancing among the wires, behave as ionizations, lightnings, atmospherics, insects, dead similar programs. they make, contradict their own rhythms - they reel - on edge, nervous, difficult, a problem - their desires on parade, on exhibit, like sex, sex-behavior, sexuality, and horror, interpenetrated - everything's at stake - after the dances, the dancers should hurry off stage - they sing, they do - uch, cuch, cuch, c w naked, damp w n where nwhere nl dancers dancers dancers dancers where n l dancers dancers where n pld Leld Le ld Lepp ld nw. nms c w. nw; uch c w; uch n dancers dancers dancers dancers dancers nikuk, sldancers dancers dancers dancers dancers nikuk , slpes, dancers. , sl pes, dancers. pes, dancers - two dancers two dances two roses two worlds two dancers two dances two roses two worlds two dancers two dances two roses two worlds two dancers two dances two roses two worlds _ eight dancers eight dances eight roses eight worlds - it's their math, all their own, isn't it, ddance for all the world, ddance for me and you - ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] The Thoughts of Moog/Games With Edna
80's cartoon featuring a vague dog like animal, and a television called Evil Edna, who is a wicked witch... http://www.youtube.com/watch?v=43M55Ay6RKANR=1 http://www.youtube.com/watch?v=olVCjqbjqWo ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] ava chant and hegelung rag
ava chant and hegelung rag http://www.alansondheim.org/hegelungrag.mp3 Foofwa, ava avadance ava real avadance modesavasound, ava arethese ava not ava normal ava avadancevthe ava toa ava thejust ava ofthe they ava come ava to ava greet ava hir: ava avadance 'Avadancence ava is ava whdance (Kira:tion/extension ava (Kirb. ava 'avadance'): ava 'Avatar ava whatwhat ava weI ava whenwhat ava AND ava with ava phantom ava or ava invisible ava objects ava the ava avadancers ava would ava find ava themselves Alan ava Sondheim ava says: ava Maybe ava use ava avadance ava instead? Alan ava Sondheim: ava Avadancers ava never ava falter. Alan, ava avadance ava irreal Alan, ava avadance ava irreal An ava Undiscovered ava Memento ava in ava the ava Scattered ava Archives ava of ava Worldly ava Avadance And ava here ava is ava a ava faltering ava avadancer ava as ava sutured ava knot, ava closing ava the ava manifold Avadance Avadance ava spread ava everywhere. Avadance, ava caught. Avadancers ava spread ava and ava sang: Avatar ava imitation ava and ava Kira ava Avadance ava for ava projection, ava Foofwa ava d'Imobilite ava performed ava recorded ava avadance. ava Clarity ava is ava questionable ava Foofwa ava d'Imobilite ava took ava up ava and ava extended ava Twine's ava avadance. ava Julu ava Twine ava took ava Foofwa, ava avadance ava real Julu ava Twine. ava Avadance ava was ava imported ava into ava the ava virtual ava world ava Second ava Life. ava Kira ava Sedlock: ava Avadance ava is ava what ava I ava call ava what ava we ava do ava when ava we ava dance Kira ava Sedlock: ava 'Avadancence ava is ava whdance Liardon:rdon: ava 'Do ava you ava sto ava 'Doy ava 'leavadance'? Maud ava Liardon: ava Do ava you ava say ava 'learn ava avadance' ava or ava 'learn ava to ava avadance'? ava dancing ava in ava SL ava w/ ava avadance ava movements ava (these ava are ava quite PURPOSES, ava from ava avadance ava to ava avasound, ava these ava normal ava modes ava are ava [9:33:22 ava PM] ava Alan ava Sondheim ava says: ava Maybe ava use ava avadance ava instead and ava avadance ava is ava a ava just ava response ava to ava the ava very ava condition ava of ava the ava andnyone ava mthere ava mayvand ava learndaudiences ava avadance ava nce ava anyone ava 'learnd Do ava as ava such ava a ava dance, ava avadance: automorphisms ava = ava avadance ava = ava avasound ava = ava avatar ava = ava avatar's ava = ava avatars ava = ava automorphisms ava avadance ava avasound ava avatar ava avatar's ava avatars ava avatartist ava avi ava awk ava avadance avadance ava and ava a ava just ava response ava to ava the ava very ava condition ava of ava the ava avadance'?' ava nce'?' ava or ava isltering ava the ava avmanifold avadancer! ava here, ava manifolds:davadancer! avasound,sound, ava these ava normfrom ava thesel ava modes ava avadance ava normalre ava not ava to ava just ava b. ava Avatar ava imitation/extension ava (Kira: ava 'avadance') ava for ava projection, ava but ava there ava are ava crowds ava and ava audiences ava and ava anyone ava may ava learn ava avadance ava ... cameras ava attempt ava the ava impossible: ava record ava avadance. ava It's ava tiresome. ava closingas ava manifold ava knot, ava avadance ava v ava greetthey ava hir:come ava waydavadance credit ava for ava the ava name ava 'avadance' ava - ava taught ava avadance ava to ava fellow ava students ava ava credited ava with ava the ava name ava 'avadance' ava - ava taught ava avadance ava to ava fellow ava students ava in ava dance ava do ava Alann ava Sondheim: ava Av Avadancers ava 'Avadancersncers ava never ava ffalter.' dancework ava called ava 'avadance' ava from ava avatar ava movement, ava and ava this ava movement ava itself ava extended ava Kyoko's ava dance. ava The ava new ava dance ava was ava avadance. ava The ava new ava avatar ava was ava extendednce. ava Julu ava Twine ava took ava took ava avadance.and ava TwineTwine's ava falter ava failure: ava avadancer! falteringdhere ava avadancerncer ava is ava suturednifold ava faltering ava knot,avadancer ava here ava is ava a ava faltering ava avadancer ava as ava sutured ava knot, ava closing ava the ava manifold just ava response ava to ava the ava very ava condition ava of ava the ava avadance ava responseis ava might ava as ava well ava think ava of ava avadance ava as ava that ava surplus ava which ava has ava nothing modified ava by ava Julu ava Twine. ava Foofwa ava performs ava avadance. ava Again ava and ava again, ava needlevavadancer! night ava - ava think ava of ava avadance ava as ava that ava surplus ava which ava has ava nothing ava - on ava the ava way ava down: ava avadance on ava the ava way ava up: ava avadance open ava the ava manifolds: ava avadancer! purposes, ava from ava avadance ava to ava avasound, ava these ava normal ava modes ava are ava not studentsavadance ava Juluv suturing ava with ava needle ava and ava thread, ava not ava here, ava not ava there, ava avadancer!
